father, of course, remains with us for those crops that occupy the largest area. this is one and spring wheat - this is fodder brewing barley. this is the third potassium, the main forage crop, of course, winter and slavery, of course, high-protein leguminous crops are the direction that is now especially relevant for our state, but do not forget the crops that do not occupy large areas, but they are needed to feed our population. well , buckwheat, for example, in this way we are breeding almost all crops. uh, and this selection of the same degree of intensity. never mind. this is a crop for a million hectares. or is it a culture for thirty thousand hectares. we are not limited to our territory, and yet not such large areas are occupied by agricultural crops in our country, therefore, our goal. we put access to the near abroad market

first and foremost, to break through to the west, of course, this and other climatic conditions are more difficult, and so to speak. uh, completely different resources need something to break through, but for our closest neighbor, the russian federation, our varieties are very well suited and they like them very much in the first place. this, of course, is winter wheat, or bakery. this is barley, digested fodder and, we can say, to a certain degree of slavery, especially spring slavery for the russian federation, it is our neman variety, for example, in the russian federation it ranks fifth in terms of sown area among all varieties that are grown on the territory of russia . the wealthy of belarus shmatem prostrate, you can tell off the throwers here there is a ball in the lake for a non-random one.

name god's wok, in spite of the lake tore off some kind of sheath with its frills and kena predicts the wolf in maya lake the shape of the correct ones and the circle does not change for stretching debts there is far, that the wok sews people from the heavens behind the right and the shmat of their such choral chandeliers in belarus elena viktorovna hello. thank you so much for coming to our studio. you are a film director of feature and animated films. actress, writer, poetess, teacher. i would like, of course, in part, maybe to start with a banal question, but you also are you the daughter of the legendary film director viktor timofeevich turov, people's artist of the ussr, and how did it happen that you followed in his

footsteps? was it hard for you, did you dream about it? and, by the way, mom, yours is also in the cinema, that is, your whole life is a movie. you can probably say so. here, not thanks to contrary happened. dad did not really want me to go into the profession of cinema, why ah, because because he is beautiful he was a very smart person. he perfectly understood with the problems of uh. first of all psychological faces a person who comes into directing, but for a woman, let's say, well, there are such nuances. i don’t want to say that this is not a women’s profession, not very much at all, but i share women’s non- women’s professions, if this is not purely related to physical training, although we have women who are real and men. uh, there, let's say, they will give a head start here, such a nuance. hmm, as it were, on the character. in a sense, but, of course, the profession has an impact, because

in any case, uh, the director. this is the head of the leader. let's say enough. how to say multimedia because it must combine, let’s say, several professions at once, it must be able to work with people of different professions, that is, an artist from composers, and with authors writing there , with actors, a large number and plus everything decides a lot there are a huge number of some kind of hmm, in addition to their professional, some kind of economic problems, some with documentation, that is, you never know from which side some new one will fall, and the problem that you have to decide now here immediately, because it happened they, because it is, well, it has to, but it leaves its mark. uh yeah, uh, the character is getting a little more, probably tougher specific how to say, well, i don't think it's just about the profession of director. this probably applies, but in many managerial

professions, and, nevertheless, many women work and manage there, and there are factories and in childhood, that is, all the same, women in leadership positions. uh got fightin work and often quite successfully in another matter, what then and how happens in the family, and dad said that you need to think first of all about the part, but about the fact that a woman should be the keeper of the hearth. she should have a normal house, a good husband, children, and everything else - this is then it really is. e for a young man. maybe everything sounds somehow when we are all at the start, when we have some kind of ambition playing there, maybe it sounds somehow frivolous, but it is with age that you understand? what is real, as it were, a-a happiness, is really what you have inside is your loved ones. i mean, it's really, really important. so, of course, in my

borderline student age, when my father told me this, i stood on oaks. and in general, i say, well, as always, young people believe that adults understand little in life. now i understand how right he was. i repeat myself, almost to the point, i repeated the situation when my girl grew up to student age. this considering that i was not a child of the playground, then i didn’t grow up in a film studio, i didn’t see how it works. my father. unfortunately, it means that he left our family rather quickly. i was little, we practically got to know him anew, when i was already graduating from the institute. and then this conversation of ours took place, and in the future, and my girl, and her daughter , she grew up on the site. she was practically with me, and always and everywhere. well, from her conscious age, let's say, from the age of four , she already started acting, that is, and then she worked a lot. not only with me, she worked on other pictures from

tv shows, yeralash was filmed. that is, she is a person who understands perfectly well that cinema is not the happening that we see on the screen, that this is work, that these are duplicates, that these are often not very comfortable conditions, that this game of characters, perhaps, that is, it is everything knows it, and yet. eh, a person with a certain genetic orientation to professional things is certainly a talented person, but he knows how to do it very well. well, as an actress, she has already taken place. we even have a prize not bad for the best female role in the movie kinderelian ghost they have the crystal key from the moscow festival. she has a very good style of language. i saw how she writes, she has good editorial qualities. sometimes she suggests things that i do not notice, and she wanted to go into directing. that's how i once and i did not advise. i can't say that i banned them. uh, well, apparently, i'm still somehow, well, like a loan to a person who is at the start. but i, apparently, am

still an authority for her, and now she has gone still on the line. uh, where she also has a very good ability for languages, that is, she won prizes at the republican olympiads in english several times, and now she, uh, studies uh, uh at the faculty of international business communications, then yes, on the one hand, perhaps she will somehow apply her creative data there now at the moment. she is in this cult. in the sector, that is, they help shoot videos there, they still spin in this sector, that is, you know, they definitely brought her to the cinema. well, how brought, it turned out that way, it's not that i didn't have an installation. and let me, yes, but let me bring a child, and there was no such installation. it was let's say. she grew it was in the form of dialogues in the form of some kind. and even more games. here i am working on the script, mom. you do, but now i have

such and such an episode. let's try it with him. here with you to stretch it. she helps me, for example, 4 years. i see it's wonderful. here's a firefly light that i could work with, that was one thing, eh in fact, there was no installation to make an actress out of her. so it developed something like this, but the fact is that she was not imprisoned for an actress, but she wanted to be like a mother, like a director. what were you like as a child? mm. i was a very sociable child. uh, i would even like to be hyper-communicative, that is, it was impossible to bite me off there for 5 minutes, so that i would not meet someone, so that i would not transfer some new company with someone there. um, in general, it was quite easy for me to approach a person. hmm. it doesn't matter how old he is younger than me and older than me. i remember they told me and i don’t remember this incident that i brought in the crimea. well, parents get to know a man, as they say, an african american. well, for me it

was just black, uncle, so she brought it. here i met him. he was saying something in russian and brought me to get to know each other for a very long time, too, probably five years. maybe i don't remember it. we were very fond of role-playing games in our yard, and in the yard we played films, that is, which we liked, and we organized such whole ones, well, let's say staging with the help of my friends here is the first film that i remember, we probably played it for more than a year. it was the golden key, but i mean, not nechaev's adventures of pinocchio but also black and white. and petushkova, that is, this hmm, such a classic film, on which we practically grew up and the songs from which we sang there, far, far away across the sea, your last name helped you more or some difficulties arose, you, i left my last name, firstly. i thought that this is a chic surname, this is a surname for belarus

iconic. here is the city of tours. one of the oldest cities in our country. why a i was lucky to have such a surname, so why should i change it? i didn't want her, in principle, i really like it. even though i was teased at school. well, at all our schools, they probably teased them somehow. i had different options. i'm upset there, crying , rubbing snot there, my mother said, and wait, and you'll change when you grow up, well, you didn't change. but if from a practical point of view, then it probably didn’t interfere, because when i came to the film studio, of course, and turov's daughter came to the master's point film studio. yes, they look at me under such a magnifying glass under a microscope, you can say, well, of course, they were looking for. eh, like traces of what nature rests on. yes, it's nobody, and hmm, probably, all uh, children, uh creative people sooner or later face this one in my opinion. this is very

sad, because ah the people of the dynasty in all dynasties have always been respected, that is, the dynasty, for example, shoemakers, the dynasty of doctors, the dynasty of bakers. it's always great the younger generation comes to replace their parents. naturally, they grow up in a particular family and see how professional parents do this or that business. they communicate with people from this environment. of course, they absorb into themselves, and even more so, if they have an inclination, they gain a profession. why is an exception made for children of creative professions? i don't know, it's sad, of course. well, there is such a fact, therefore, for a long time i had to live with the fact that they called me nothing else, as the daughter of a turva. that is, it does not matter that i was already there director or even already able, then to a not anymore. i, as it were, do not deny that this is, as it were, something offensive, yes, a daughter, of whom, of course, this is proud, but on the other hand. it ’s already come to work for the same film studio and you are already positioning yourself as a person and want

something, in general, to shine on you in some other way and on the other side. here. well, and in general, yes long enough. where , for example, someone could open the door with their foot. i had to timidly knock with her. well, just often, they say if there is, uh, some kind of support, let’s say, yes, or there is some kind of surname, it’s easier in life, and i can’t say that my dad supported me in some way. i can not tell. he is probably more, and he did not criticize me and did not support, let's say. so, he rather went into such neutrality on the part of the observer. a. i think he is, well, let's put it this way. i myself insisted that i would come, no matter how he dissuaded me from this profession, it was like that. well, let me swim. let it float. she is learning to swim. says he won't learn swim on sinking. it was like this somewhere. i came to the film studio in the most modest position. i came to the position of an assistant director, which

was taken not from a university with a red diploma, but from school, that is, after ten grades, that is, i cut tracing paper, honestly stirred paints, ordered halls, that is, in such a way to say that this big was such a trump profession can't the track were not verbally petals. so you mentioned the first picture and, of course, your emotions. here are your memories of how it was, well, of course, father. uh, he reacted in a peculiar way, he let you free float. but, maybe, someone still had some kind of influence, helped or vice versa, here, there, it was rather a little over the course of circumstances, what i did, it means that igor viktorovich volchek helped start from the first picture then which at the time.

well, he practically assembled, uh, an animation studio, which, hmm, was in a rather deplorable state, because a are many of our specialists. it's the nineties understand. eh, they're gone. uh, another office. that is where another mole studio was created. unfortunately, she didn't last long there either. yes, but we had a question at the film studio. will there be a multi-studio at all, because there are already people. there are quite a few left. well, in general, volchek then headed. e. hmm, the remaining team of the multi-studio stayed by that time already, but i also had not the first year of my work. by that time , i was already taking courses, uh, animators, because i understood once i this profession, i'm already here, i need some hmm well, gain professional skills yes, i wrote, because i basically graduated from a

literary institute. well, let's say the faculty, and i wrote the script by that time my scripts were already filmed on them. uh, there commercials are animated. but i had, uh, scripts and ten-minute animated films. they were practically in my desk. well, somehow here's something to me, uh, when it was clear that we studio would continue to exist. i collected what i have was written took the top showed that lies. he says, well, i'll come to you tomorrow, i'll read, i came, he says, well, in principle , you can put any, they are all quite good. but if you find a production designer, he tells you how we got to know him practically then. he says what kind of education does higher education tell me. yes, i'm already taking classes. well, you will find a production designer, we will launch the debut. so i was generally puzzled, where to get a production designer was funny, the story of how i met again with volodya borkh, who became

an artist, director of my picture, and they advised me completely different, but a guy. well, outwardly, for some reason it seemed to me, i didn’t know how someone looks like they explained to me, that’s from our courses. he works there. you will come, there is a theatrical academy, there is also an institute called then theatrical art. there on the pulpit there on the charts. he is sitting there in an office. he always sits there. i come running there, i look at my sitting. well, well, what's your name? i don’t know, but the face is familiar, because they didn’t study at the courses similar. i know for sure that i know this person that he goes to courses. here are the animators with me. we just didn't get to know each other. so i say, well, that's the kind of thing you want to be a production designer, we'll start. he says, i want everything to be brought well. i say, this is andrei mayorov. he says, no, i’m vladimir borkov, however, somewhere this is how it happened, but i can honestly say that i never regretted volodya borohov, the wonderful production designer turned out to be very creative. uh, very

hardworking assiduous. unfortunately, well he left after a few years. now he lives in another country and works there. well, such are the realities we have that very often creative people leave and find their calling there somewhere abroad, by the way, they never offered to leave. no, they didn't ask me to leave. and if they offered to leave, i would probably think very seriously, you can say that you project your life into pictures like yes, you said there was only java and your own destiny. i was pulling out one of your seventh heaven star paintings, the hottest pie. we have never before faced a project of this magnitude, and new plans are being worked on. now when we are engaged, ah, these material. we just opened our eyes. we can say that you

project your life in a picture, well , you take something somewhere, but, probably, every person is an author. well, where do we get it from? naturally, we take, first of all, from our own life, when you spoke, sang bulatokudzhava and your own destiny. i pulled out a good thread. i quote her repeatedly, of course we take something from our life from our personal experience because of the stories that we heard from our friends from some other people from the books that we read the films in which we watched, that is, all of it is somewhere we are like a vessel in which it all adds up somehow there is shuffled. and now, through some of ours, through this prism, then it is pulled out and already in some form it comes. then when you're trying to come up with something new right? yes, how does it happen? but this is the

secret. it's a secret. it's a secret. of course not. it not a secret but mine from you. it's a secret. even for me. uh, just uh, it happens. you need to tune in. and so you sit there, you need to do something there, either a storyboard, or write a text, or else, and torture this paper, you enter nothing, you don’t understand anything , and then it somehow starts for some tail. here, either some phrase was successfully laid down, or some kind of picture, the plan somehow developed there, and it begins. here's how to fold it stretches, stretches, stretches stretches, and then you'll see. oh who is this done? because i, yes, that is, it seems to me, you still need to, if this is creativity, here, you need to tune in to some kind of wave, and sometimes this tuning is quite difficult. sometimes it comes right away. but this is more like a gift. this is rare. but sit down to concentrate and catch yourself. this is already work for me, for example, the most difficult part of the processes is to force yourself.

concentrate and the road will appear. yes, yes, you sit down and work, creative work is another matter, but nevertheless, you had a creative stagnation in your life correctly, yes say rather stagnant or simple, that is ours. uh, the thing is, it's simple, unfortunately, um , it's probably the saddest part of our job. and when you are not sure whether you will have, for example, after some time a launch, it does not always depend on your capabilities. it depends on other circumstances. that is, from some plans of the enterprise, somewhere you work from financing. there are still different things and you really hmm in this situation. you can be suspended and i had periods when i was for several years uh was not e in the process was not in startup. yes , it's hard to do something. at

the same time, i still continue to do something, anyway, i somehow never remember myself at all for a single year, so that i would not but do something. e from the creative as that's forcing, that is, if i did not start a movie, then i was i write texts. or i have there, for example, there, uh, i write a script, i write plays. here she taught at the institute. that is, i still have this process going on. a hmm i say that i am in this regard, well, books published some stories, i have this plan. well, pah-pah, of course, after all, in life, a lot of things managed to realize a lot, of course, it still lies. that is, there are many. what, what, how would you like it to be ? i want

man just for this thanks, that hmm after all. you know, for every uh director, uh movie, this kid that you endured and let in in one of the interviews. you said something like this that you do not build your work on western traditions values, but you focus specifically on the films of past years and, well, this is great and orientation. after all, yours is somewhere in the soviet cinema. the soviet past is soviet cartoons. well, let's say with meaning, yes, what is close to us is close to the belarusians, and on what we would like our children to grow and continue to grow. this is very important and one of your paintings, and the stars of the seventh sky. how

was she born? how was it formed? this is , let's say, the hottest pie. this is a picture that came out quite recently last year, its premiere took place. first it took place in minsk in the cinema house in ours, and then a few months later in october. it has already taken place in the moscow house of cinema , so the picture is, let’s say, very adequate and in demand zri that is, after the premiere

, both parents and children came out. we listened to their warmest words, but i think that, after all, the roots of this -and the work, m-m , belongs to the author of the script. and here the author of the project was gennady davydka, that is, uh, we a have already encountered a fairy tale, which, uh, already had a good implementation. e hmm well at least in belarus that is, it was like a performance at the gorky theater, there, in my opinion, gennady was a long time ago. hmm, the director, director of this performance. here, uh, she came out like a book for children, a younger age. well, or parents of young children, so that they can play with their children. hmm, do small theatrical performances at home, or at home or the younger group of kindergarten, and the wonderful pictures

were awesome . igor piston. unfortunately, he passed away recently . he got excited about this idea. e hmm implement. this fairy tale this book he had in his hands. here is a bright one. here in animation he turned to uh igor golinovsky in the studio of animated films. and so you had such an idea at the cartoon studio to create such a project. and the point was, and what were there several difficulties? the first thing, uh, that we had never before encountered a project of such a volume, it was clear that this was a full meter, that this was a full-length film. we don't have a very big studio. uh, we don't have a lot of people, and we haven't done a full-length movie yet. e pictures, and we have, well, let's say hmm the most like this. er, well, which could be considered a

full-length movie. uh, well-known for this is the fairy tale of igor volchok, he made this fairy tale for many years, but he rather created it in stages. eh, like an almanac, uh, one after another series then, yes, then they were combined into one block, and here it was clear that there was one plot through from the beginning. to the end and launch it now here on full meter - this is, well, let's say in a sense, to bleed the uh cartoon studio, that is, then it will be necessary to work only on one project and others, for example, the directors will be idle, that is, this is a technical problem that had to be reckoned with and a very difficult decision was made to do it all the same, but this one in stages, and the project is like five animated films, that each film had its own structuring, so that it was, as it were, a separate film. well, so that later there would be an opportunity to collect them into one, uh, story, and so that it would not be a set, after all, of films, namely, one story. this is a very difficult task in similar i faced. probably only

once in a lifetime. as a child, i saw the cartoon the adventures of captain vrungel , a fairly well-known funny film. uh, all kinds of all saw david of cherkassy and it looked like, in my opinion, here is the story, uh, and i looked, well, how did they solve this problem. they made text pads. uh, between episodes here, and in the meantime, the yacht, went there there, they glued it like that. well, i thought, well, then you can try to get out in this way, but over the years, here are the years that we worked on these projects. u prompted even more interesting solution. we have abandoned these texts from pads. we removed a small sixth part, which, as it were, glued these parts together. we introduced the character of an astrologer who tells this story and was, as it turned out, a direct participant in these events and his little friend. eh, firefly. and here is firefly photon who is helping this star

tell this story. this character is iconic, because one of the very first is one of the very first characters known to our animation studio. it was exactly firefly firefly film by yuri butyrin is an old cartoon, which probably, well, maybe the audience does not even remember it. well, not everyone, of course, remembers, but the song is a firefly. here she is preserved. and i think that this is the case when something like this. well, er, sophia, some generations, and here is our film, this one, this one, this is the seventh heaven. he is exactly what he is original in, that this is a musical film, that is, in this film it is collected, but 45 songs. i'm not talking about how many musical numbers there are, because there are musical numbers, in addition to songs, here are those 45 songs. let's say there were such a complex picture, but they were written in tandem with the

composer leonid shirin. here, and with whom when e, studied together at the belarusian university, and now they met after many, many years. ah, on such a joint work, but what are your plans for working on? we are currently working on a new painting. this is a fantasy picture, not an adventure fantasy. e sirin songs she uh, so uh is scripted uh hmm which hmm won first place in script contest uh, a feature-length animated film among young screenwriters, this competition was held several years ago by the film studios of belarus and this song, sirina, took first place and now a few years later. uh, this film has been put into production. well, let 's just say, and if very in general terms, then it is connected with ours, as you can say,

cultural slavic values ​​​​with our slavic. mythology, that is, which, unfortunately, is enough so casually in schools. that is, maybe someone heard something about perun there sales god, but someone there knows something very much to me, but they know very well who zeus is. who is there? which? who the hell is apollo, it's all known, that is, we know the greek gods perfectly well, we know who the one cake is, there is the north and their gods, our pantheon practically remains unhyped. when we took up this material. it's just that our eyes opened wide from how interesting it turns out to be. and this plast is not dug. how many of these interesting characters are there. we can see this picture. unfortunately, not so quickly done hmm animation. uh, the power of let 's say the possibility of a picture is calculated for 4 1/2 years of production. we're working for now,

anything at the moment with us. consciously, the storyboard of the picture was created, the characters were created, the sketches of the backgrounds are being created . and i wish you creative success. eh, more of these e pictures of projects with meaning. it is very important. well, this is just great. that you are doing this, your team and the whole belarus film, so all the best. thank you very much and by tradition we have a blitz survey. this is a short question and a very short answer a clear plan or spontaneity is better than a plan when you can improvise in it. what era would you like to live in. i am a very romantic person. here, the pushkin epoch, here i like the number one director for you, the first thing that

comes to mind. perhaps this is more correct? answer me. like robert kneading in connection they decide everything, they help unconditionally, but to say that they decide everything. well, i wouldn’t say, i’m not so pessimistic, let’s say so talented are born or become born unconditionally a broadcast about unique personalities breaking stereotypes an example from my own experience, someone is listened to there by machines, please, someone happened i don’t know that bracelets are smartphones. and it likes more history. by the way, this is quite a rare device. it was launched during the war, it was called either trench or tank, well, very compact and i

i think that he really participated in military battles, but a good thing. she well, a small amount is done. there can't be too many quality items. i know for sure that if i had not spent some $ 300 there, they bought this device, we just ate it, investing in old things, especially in good condition, they are unlikely to depreciate these things . i think that you can make this out of it, we’ll screw it with a magician, while she waits, look in the program to break stereotypes on belarus 24 tv channel.

in this issue for zhon jin central areas of the people's unity day order. you know matiz at your refrigerator