what is the role of youth in the religious life of the country, but in fact, when you enter the temple, among people of almost the same age, our youth, it is especially noticeable in the temple and is also especially noticeable in church life in general. the meaning of vera you are kryzhov and the path of the skin is true more notice and mind i kayashen she was crying back. what should a believer do to get closer to god on a path. yes, keep tyan. better they drove through the fault to be his true thought and the

christian men invite him into the heart or not, see spiritual enlightenment. how are you on belarus 24 tv channel? skin day we send off, a million emotions. we can rejoice to be angry with our emotions, share with our minds with jas, don’t bend us, but music, music, showing our emotions, these are emotions, a different force, the littoral mountain will choke us and have already gone. we have become an integral puzzle of our residents. that's

the clever girl of music, what she finds in the sherpa border will grow where the music stops for a place of 1.600. minsk as one of the most beautiful capitals of the post-soviet space often appears

in the frame of domestic and foreign films wide city avenues and mysterious narrow streets the historical center and modern buildings inspire and attract directors from all over the world. in minsk, it is a very chemical city. and sometimes the belarusian capital in many films does not play the role of minsk at all; often the city is passed off as moscow in the thirties of the seventies of the xx century. and nezavisimosti avenue is one of the most sought-after places in the city with the buildings of stalin's times, because architecture. here, minsk remained almost untouched, so we photographed it well. but you and i understand that the action is walking in moscow, as it were, such a designation of the city h as it was pre-war minsk, it was

minsk that was captured on them in the second half of the twenties. uh, many of these places, they have not been preserved. how they filmed the destroyed minsk after the war, it was not necessary to bomb anything, not to destroy anything , everything was like filming the city from a bird's eye view without modern equipment or maruha, our brilliant cameraman. just risking my life filming more scenes than the belarusian capital, so it attracts directors from all over the world, it is cheaper here. to put it mildly, we still have a good base at the film studio, both technical and a-and material, that is, there is the smolevichi outdoor site

. and i mean, uh, with a walkie-talkie in my hands, i went out and pushed all the cars apart and set up our column. and we drove it here after the movie. it was somehow that the containers passed. the secrets of minsk, of course, were not fully disclosed, including including in the cinema, this city can and should be filmed, minsk on the big screen, watch it right now. after two unsuccessful attempts to create an institution of cinematography, film respel and the

belarusian span of cinema in 1924, on the basis of a decree of the council of people's commissars of the bssr, a film affairs department was formed under the people's commissariat of enlightenment of the bssr. belarusian cinema from that moment began such a difficult thorny path of domestic cinema. anton denisov, associate professor, candidate of historical sciences, and actually from it later grew up, we all know the film in belarus, but the fact is that only a few branches were located here in minsk. uh, belgoskino, in particular, a studio that dealt with newsreels, as well as another department that

dealt with various, uh, experimental types, such as animation in 1928, bill goskino organized the soviet belarus feature film studio, which, due to the lack of a technical base in its homeland, was temporarily located in leningrad where for these purposes, the building of the crooked mirror theater was rented from here and the fact that e many films that were filmed in belarus they e, were filmed precisely in the pavilions of this studio e, or e, in some at some local venues, for example, such films as the first ones, like a prostitute killed by life, and his excellency the governors a shoemaker, a or even a in the forest were completely invisible in minsk during the great patriotic war , newsreel operators as part of the central

documentary film studio filmed front-line reports and created a partisan film chronicle of the republic in 1945 by a film studio of feature films. soviet belarus resumed its activities, and a year later it was renamed belarus film in the first years after the war, many documentaries were produced. and film magazines. minsk is a very cinematic city. dmitry zaytsev director screenwriter cameraman honored worker of arts of the belarusian ussr firstly he was absolutely destroyed at that time in the forty-fifth year. here in the city center where the music school is now, there is a conservatory, everything was practically alone

ruins in the forty-sixth year they already began to shoot films dedicated to the war, because minsk was very convenient so that you didn’t even have to bomb or destroy anything. everything was nothing, as they say in reality, a lot of war films were shot at that time, in the late fifties in the early sixties in moscow, the gig produced a number of young talented graduates of directors of cameramen scriptwriters, a whole galaxy of professionals arrived in minsk among them anatoly zabolotskoy and viktor turov. i can say that they were accidentally attracted to the city because the most comfortable small town was then somewhere else

about a million inhabitants. like this , and more. and the objects that we located at this tractor plant and for example, i shot a black birch tree at the beginning of the picture there. the whole center in minsk too. in general, if i can say that a more convenient place for filming is comfortable. the studio was nearby. and the technique could be calmly to bring at any time anywhere where it was possible to settle down ? the film was shot by a filmmaker in minsk back in 1957. directed by

sergei solid, the household comedy our neighbors was filmed. i know that viewers of different generations love this film and love to review it. antonina karpilova. phd in art history. film critic. this is an everyday comedy that tells about squabbles and quarrels in the communal apartment. and what actors play there gleb glebov olga screw anatoly doskin and others, and gradually the actions, uh, from the streets of minsk are moving into this a communal apartment and back, and these two worlds closed home with these quarrels echoes such a peaceful sunny summer minsk, by the way, these famous kiosks are very well captured there. minsk city spravka they were then so in demand there you

could get information. well, as now on the internet, the shooting took place on victory square near gorky park trolleybuses with a sign observatory station is also real in the fifties there really was such a route at number one. okay, saving people is a must. i think invite everyone neighbors, everyone is fine, at that time there was some kind of slightly different attitude towards cinema. and where they filmed us forever very rarely helped filmed came to help. as they say

, it was not necessary. invite, call, persuade. everything was done, as if by itself, if we talk about where minsk looks like a beautiful sunny cozy city, then this is a film, beloved, shot in 1965 by director richard viktorov based on the novel by nikolai pogodin amber necklace, and the operator of this picture was yuri marukhin. here you can enjoy the panorama of minsk from a bird's eye view or marukha, our brilliant cameraman. i'm just risking my life. many scenes show the construction of a sports palace and the main character is watching this construction site. and it was an event. it

was the most powerful then in the sports complex for the whole country, in this film there are absolutely excellent shots, but of the avenue, and there the palace of trade unions is shown. shown again the center. square lenin square there is a scene where the main characters are warming themselves at the eternal of fire on victory square, one of the key scenes of their relationship , the showdown takes place on the roof of the belarusian state circus. these are really such risky scenes, but they showed minsk as if, well, almost from a bird's eye view from the height of the roof. it was a wonderfully shown film, and remains some kind of romantic anthem. eh, the minsk under construction, which then acquired in the sixties in its own may be a second person. this is history. well , modern all these cities, 605. natalya

agafonova ph.d. in art history. film critic, assistant professor. you know, a semi-romantic, melodramatic story. yes, the protagonist is young people. well, with these triangles mutually. well, it turned out, so the plot of the picture itself turned out to be weak then, what is the dignity of this film, and the dignity turned out to be what yuri morokhin did. and then, of course, the director, of course, also collected a-a with the help of editing. here, uh, throughout the film, here is such an integral image of minsk, and it turned out that the image of minsk became the main achievement of this very lively film and at the same time not in a hurry, but and uh, not with these hmm familiar prospectuses. yes, but still with characteristic, uh, courtyards, back streets and lanes. and now, probably, it is this

picture that reflects such an interesting solar epoch, epoch. hope of some aspirations, which is now captured on the film. the six-part television film ruins are shooting, filmed in the 70s by director vitaly chetverikov, tells the story of the heroic deed of the minsk underground during the german occupation during the great patriotic war. vitaly chetverikov, wonderful shot. here is this old already departed nemega. now you look at this game picture, and it is perceived simply as a documentary, because it is not an instant, like no other street, probably, has changed so much in recent years.

sorry in the seventies, many films for children were released, for example, the adventures of pinocchio in 1975 were filmed in pavilions, one of the few scenes in the film

was filmed outdoors near minsk near a specially dug pond. it was a meeting of pinocchio and a turtle we will not see tortillas of the city here. oh you are you brainless fool who was deceived by the cat and the fox. and who are you to slander my friends? turtle, right? firstly, don't talk to me, you are 300 years older than you and 300 times better know life, however, you don't understand this, because you dropped out of school and don't know how to count at all, but in the film, everything is a secret light filmed in 1976 based on deniskin's stories by viktor dragunsky, the main character denis korablev, we also meet at the then leninsky

avenue vera khoruzhey street on the rides in the chelyuskintsev and yanka kupala park bantik now get away from the car. not from other cars, or what? i'm telling you. let's see slowly. the manor park complex boasts not only a rich history, but also some film history. some episodes of the film dagger directed by nikolai kalinin were filmed here, so under the house of polikarpocherentyev the lyubansky manor is hidden. in general, you don’t tell your father to anyone. okay, dad died. sorry i didn't

know. how are you now alone we live and work, two bush 2 aerial attraction. this is where she lives. and one of our cult films from my childhood there. at least, this is the bronze bird elena turova, director, screenwriter. bronze bird - this is just the same horse estate, then we went there as schoolchildren and then as students and still in this atmosphere of this bronze bird. that is, they were looking for this house , they looked where to live this aga uh was sitting, a symbolic bird, which, in fact, was remembered.

this park is in the manor complex captured, well, by many filmmakers. there, just by magic, there are legends of ghosts and so on and so forth, but for example, i remember the film undeservedly forgotten based on the stories of ivan bunin , a wonderful russian writer. not an urgent spring. this film was directed by a director. vladimir pushers, the director, was then in love with his wife, the actress, the magic of bunin's prose, and the lake is smooth, the very atmosphere of the horse park, just formed into this mystery. and the mysticism

of the film itself, which is repetitive, takes on a new life as a kendrovilian ghost. here such. uh, you can say, ah, the creepy place of the cemetery was there according to this very scenario. we filmed in a loshitsa in a horse park, of course, we didn’t go to any real cemetery and didn’t drag children there, all the tombstones are old, in such a slightly scandinavian form, they were made honestly from foam at the film studio. my teacher gave me interesting pieces to play. i also played classical jazz pieces. well, somehow i liked the sound itself. this is such a synthesis of an asian

ancient instrument and a european first the sound is a moment of some kind of uncertainty, or what? and of course, when it works out, it 's, well, it's. it's nice, it's nice. well, we are different instruments. i love him and treat him with tenderness and warmth. so the cymbals are the ancestor of the piano, because the piano harpsichord clavichord is the material from which they can be made in a very huge range, starting. here, from a tree there , ending there with some nuts and from the same coconuts, but extract sounds separately. watch the project sounds in a case on our tv channel. time of bright and unforgettable emotions, what part of the human body sits on someone else’s neck, of course,

we know everything about this our players have different views on life literature is doing well hopefully well. but now we will check, we will risk against the obvious, even if your child is we will remember it for the rest of our lives. we think it's mold, you know. and where exactly? yes , you know there are different options, see intellectual entertainment project tower on our tv channel. minsk of the eighties is captured in the famous film let's get married, filmed in 1982 by director alexander efremov, actors yuri nazarov and

margarita terekhova superbly played an everyday story in the film. we see the streets of minsk, lenin square, komarovsky market , cinema, moscow, as well as a view of the upper city, the heroes run under the bridge along the highway, which is currently difficult to imagine due to traffic density. well, is everything clear for today? and tomorrow? will be day. there will be worries free. minsk of the 80s is also captured in a short comedy in 1989, i don’t understand where mikhail zadornov and semyon altov played the main roles, i remember the movie plumbum or a dangerous game.

this is a russian film by a famous director. abdrashitov according to mindadze's scenario. the 1986 drama film tells about a teenager named plumbu in the translation of lead, who had a burning desire to help the police identify violations of the law, this is a cruel and harsh film of the perestroika period, in which minsk is in the form of a provincial city, but the context completely different, because it is a social drama and tells about a very difficult character. and in the end, from the roof of the minsk house, uh, the girlfriend of this plumbum falls and dies, that is, this film ends with the death of a teenager, therefore the whole entourage in minsk is by no means romantic , it is so prosaic and in fact minsk plays a completely unusual

role of such the background is gray enough for this tough drama and the role of a provincial town, because the directors were plotting the author they planned to show this film as a provincial drama.

the dashing nineties, this period is characterized by a certain stagnation in cinematography. many films released in this decade turned out to be unclaimed in minsk in 1999, an american action movie was being shot. lima, breaking the silence by the directors of nakhimogolan, the film was dedicated to the hostage-taking of peru in 1996, but in the frames we see not the capital of the republic of perov at all, but. minsk airport with belarusian flight schedule palm trees near the building of the former prison on volodarsky street minsk streets and everyone knows ikarus 250 in a classic red and white color scheme with an express label. of other films, of course, but our famous

director alexander efremov poeticized minsk. he filmed, for example, the yakub kolas museum, which, under the magical gaze of the camera, turned into a german mansion. there, in the film sniper, weapons of retaliation and the film dunechka, and our man in san remo minsk, we filmed alexander efremov, people's artist of belarus , theater director and screenwriter. well, of course, it’s impossible to remove everything, there are things, which you want to shoot new ones again, because they change, they are good, they appear some new, uh, and geographical emotional information. completely. let's get together. why do i need you finally, it took a lot of money father. why do you need an outfit you

wear jeans all the time? the series kamenskaya , which is based on the detective stories of the russian writer alexandra marinina, was almost entirely filmed in minsk, a detective series it was still 1999, and they filmed 6 seasons, but in my opinion, yes, not, in my opinion, for sure in 2011 came out, and the sixth season and this is on the russian tv channel this series. eh, the minsk residents recognized it, it’s just that their courtyards are parks, well, they were absolutely quite common for us, but familiar places. they love it very much. they are near gorky park, right here on the bridge to the svisloch. and shoot yes, something near the gum e. well, the microdistrict of the yard yards yards hello. oh,

i scared you, hi where are you from? you're like thank you. i need to discuss one issue with you, which is very urgent. yes, i received a fee for the textbook, which was translated in the states. congratulations, thank you. i want to send you to rest. you look very bad. you are tired. you need to be treated. so come on, choose the time and go, or what? well, if you don't mind, i 'll go with you. how do you like my offer in the 2011 film pyramid directed by eldar salavatov, minsk reminded moscow of the nineties, familiar streets appear in the frame. the palace of the republic, which played the role of the house of the government of russia. the palace of culture of trade unions has become the office of a large moscow bank. a national school beauty television center, ostankino sergey

kondratievich it seems to me that anger does more harm to you than what makes you angry. i don't know what anger is. i'm just drawing conclusions. well, of course, we immediately remember the stilyagi where gum and the part near gum simply played the role of tverskaya street. it was then called gorkov street in the fifties in moscow and therefore moscow broadway. and with us it was minsk broadway, and they just defiled it. these young people are called hipsters so what is this, we have here going on, right? what are you touching him completely?

a harmless flute is always the film stilyagi directed by valery todorovsky, released on screens in 2008, tells the story of an ordinary soviet guy who found himself among the style. it was a youth in the fifties who was fond of the american way of life, loved bright clothes and listened to jazz, the box office of the film amounted to almost 17 million dollars, but few can recognize the streets of the belarusian capital in the film, because we understand that the action takes place in moscow and in minsk, several locations were filmed, including the famous facade. eh, here is the knowledge of the mind, here again, my love. ah, my favorite

place. it's in the gorky park area. but , they worked these locations, because films do not work at all. and how is the space of the then moscow hmm in which the events are unfolding and the events in the center of the belarusian capital were built up after the war in the stalinist empire style, and since the adventure of the heroes took place in the 1950s, the hipsters looked very organic in belarusian interiors, the russian director is called that this is a reserve of the fifties-seventies, that is, they see here a very bright colorful texture for retro films. as i remember now, ah, in my first film, i played a new year's eve adventure in july. there is an episode where the children are in a virtual

country. they mean in the circus they are loaded into a cannon, and they shoot, they fly, they land somewhere on the moon. so this is the gun. she was also discovered by me in stilyagi, and the russian film stilyagi is more than popular, there is an episode there, when, literally, near the end, when hmm komsomol members come, uh, cut their hair. eh, the heroines of akinshina elsa this is how they are at the circus at that time, and there, i see it is worth it our cannon, our wonderful, cannon, blue and red, which we honestly painted there and apparently there was simply nowhere to store it. she probably stayed there to save. these are the greetings you can say, from the past you often had to play the role of other cities, for example, in the film spy directed by alexei adrianov, which takes place in 1941 in moscow, the main character of the film, fyodor bondarchuk and danila kozlovsky, arranges

a chase for german messengers along the theater square. on trinity hill, the heroes run into the bus, pass by the grocery stores at the suvorov military school. then it heads towards komarovka and bogdanovich street, of course, the artists finished drawing the chase continues, but all movements are chaotic, often the frames of minsk avenues are replaced by moscow ones, and the shot near the kgb building makes you think because in the place of the familiar bust of dzerzhinsky stands moscow monument. pushkin, in general, to walk around the whole of minsk, you can find a lot of places, for example, the trinity suburb. what roles did she play? if possible, so to speak, the architectural ensemble and the role of mansions. warsaw and berlin and tallinn, that is, we are sometimes, as it were, skeptical

of such homeworks, because, well, the trinity suburb. it, of course, was restored, but in fact, these are the most fertile places for cinema and, again, proximity to nemiga ksenia to these two key water arteries in any way to the site to the film set, you need to relate to the city, but appreciate the fact that you can still shoot here, you can find the texture of the fifties of the last century and the nineties. and even 1943, so why do film crews from other countries go to minsk why is the belarusian capital so attractive to film directors that russians come here to shoot cheaper than, say the same thing

in moscow in minsk, you can move a film crew a few times from dot to dot director actor screenwriter in moscow due to traffic congestion. that is, i arrived, and you sit there, if you move once, then it’s spent, there are 3-5 hours of filming time, it’s very expensive. we still have a good base at the film studio, both technical and material, that is, there is a tour site in smolevichi called our malivud. we have quite talented and at the level of moscow actors our belarusian actors, who have been filmed and are filming a not very expensive second cast. that is, these are people who are irreplaceable; it is not necessary to drag them with you, but here there may be equity holders lighting, here are the costumers who will work. well, and a more modest salary, which also seems big to us, how would such a designation of the

city of n, some city of em on the territory of russia from the schedule help so much. when you see specifically, but a similar street, but you need to finish painting somewhere on the horizon. the same kremlin sticks out there or what? yes, please, now you can do anything you want, it used to be, of course, it’s more problematic now you can get out, that is, we have streets that are really very suitable . there are a lot of russian films in which minsk practically played a role, like a character. when we talk about the city in the cinema, we immediately mean several stories. the first is when the city is simply a place of action, that is, some events unfold on some streets. and these streets city spaces serve just as a backdrop, another

story. completely different. yes, it is different and much more complex. that is, when the city turns, if you want to become a hero of the film quite to yourself, but comparable to characters, well, with actors, when the city is not so much a place, but an action. yes , how much atmosphere is the mood of the story, and the emotional state, including the character, because in this case the city is created. uh, how is the worldview, how is the feeling in this? wanderings and the author of the film when we talk about minsk presented in the cinema exactly as the city of minsk and he does not pass himself off as another city. then it becomes no longer a decoration and no longer a shooting location, but the protagonist we are talking about films. where do we understand

and even indirectly, that this is minsk and no other. ah, space. what does mediated mean? well, that's followed by a hero ride, for example, in a tram, and we are on the announcement of stops. uh, or he rides the subway. yes, we understand that he travels precisely in minsk and nowhere else anywhere else, and in the place the series that i know, belarusian tv channels are shown more than once, and he has a decent rating every time, this is all we need 2011 series . well, as a mini-series, this is four episodes directed by ivan pavlov . such a new year's urban story. we showed new year's minsk the weather helped us a lot then. very beautiful places, of course,

in the area of ​​the embankment, where m-m near victory square there. that is, i told the operator that he should shoot beautiful ones. it’s a bad word, of course, but after all, when we shoot a city, we take it as an interruption between some game plots, and this is filmed all over the world. sorry for a short time. does it have any? there

in the film, all we need is one of the critics. he even said that minsk is one of i have heroes, because a lot of such beautiful cars drive to the music of these winter winter minsks. there the river is frozen with trees, very beautiful romantic heroes are walking in their thoughts, and minsk is one of the heroes of the cinematographers. they are looking for something that has preserved the story, something that evokes certain emotions in the audience, something that evokes certain feelings and thoughts, and this is the meaning of the choice of nature. wouldn't you just find a corner or there? door no you find this one you try to find what you have you have the most causes some sensations

some emotions. warmth, tenderness or hostility, some kind of irritation. but this is first of all. you are the first sensation of textures. uh, nature or interiors or exteriors, choosing a location to shoot helps tell a story with film. now, thanks to the internet, nature can be found easier, but it also appeared in its complexity centuries ago, as the cinema was clear, and the soviet union but the time when the director, in my opinion, was his father’s colleagues in arms there, and there were no problems at all, but with some kind, because e the vast soviet union provided practically the scenery, why do you usually choose this site, the city as a film set depending on the textures that require dramaturgy, well, among other things, there is also a personal relationship with the

city in which the shooting takes place, and since i i live in this city and city. i like it very much. i tried to shoot as much as possible right here in minsk, minsk as an image of the urban space. here, with his character, with his parity, with his atmosphere, mood, and he is not so often appears and is e in feature films and i must say that this such becomes more distinct precisely in the latter. well, years eight eight ten words nikiforov, one of the oldest masters of belarusian cinema in 2017 , is making a film tum by vedun, this is such a film for children and adults, let's say a family movie, and the main characters. hey, eight year old boy. well, he's pretty cheeky.

ah, very peppy, very active, mobile, and the city of minsk, in which there are activities , undertakes all sorts of things there, but complex ones. uh, well for his age anyway, but the problem is he's supported. e image of the city. yes, uh, with all sorts of shootings from drones in this whole dynamics of fluidity of running. yes, he is more like e. well, as we say in such a touristic, minsk films, on the back of a black cat, the script was written that our two heroes two grandfathers

meet a businessman in minsk at the train station. i suggested that there is no need for a star, the script writer suggested nikita mikhalkov for the role of a star, but after unsuccessful attempts to get through to him three more candidates were proposed. leshchenko gurchenko and kirkorov naturally. we stopped. and here we are at the station at our station, everything was ready to bring kirkorov and he did not understand at first what to do, and then i explained to him that he was coming out and the angel, saying thank you and leaving. i like this idea. and so he says to the angel, thanks to denisov alexander denisov here is the actor who then came from the united states and kirkorov goes there so he goes to the station he

goes far away. thanks not at all. i can't believe that it actually happened. and if it's really a pity that i wasn't with them, that would be great. i saw girls who were leaving the station, and their legs were already sagging, because they understood that they were just walking. they understood that kirkorov was just coming towards them. well, then it's good. everything was taken off. kirkorov liked everything about the film, it came in and then the grandfathers get into a limousine and drive along

the avenue and now through the eyes of the grandfathers. we filmed this avenue. and when i drop in for a minute, granny, the tobot sings merrily, well, there was a situation when our entire long film column, firstly, was a car long, limousine. secondly, there is a dressing room vagina chamber and something else, in short, there are five cars, probably, the convoy should follow us. uh, the traffic police could not leave ahead, because the operator was filming, just u could capture the

windshield. that is, the traffic police followed us, and i mean, with a walkie-talkie in my hands, i went out and pushed all the cars apart and put our cold one and we drove off, or our people are afraid of a person. with a walkie-talkie, whether or not he loves a movie, we drove and filmed. here is the city practically. with the eyes of these grandfathers, they then put the song under song my grandmother smokes sukachev's pipe. and well , i don’t know, it seems to me that we so uh love for the city filmed some such iconic places, the wide avenues of minsk are narrow, mysterious streets the historical center of the city and modern buildings attract and inspire directors from all over the world, but sometimes filming in the city interfere with the local population. after all

, you have to block traffic and it becomes problematic to get to the right place. somehow the containers passed. not we are not like that, everything was clean. all you need is all so you say, in fact, of course, the kino group is a matter that needs to be spontaneous, it happens in different ways. of course, you have to be very much in control. what to put behind themselves only order, but also a good good glory so that the next, uh, group does not receive. well, let's say a lapel. it's getting harder and harder to shoot in apartments. we can't shoot. there you need to ask permission from the whole house, because by the time the film crew of 50 people, 15 caravan cars will arrive in the yard. therefore, with apartments, of course, well, it is desirable to build pavilion. well, there are a lot of a number of apartments that are rented out for shooting, we know them, and very

quietly and secretly. we're filming somewhere. if you need to shoot some area, but you need to expose people, so that at least at some interval exactly when the camera is turned on. well, they didn’t go, so outsiders. well, in principle, sometimes you need one of the passers-by to pass there, but the fact is that people react differently. someone may not at the right moment turn around and look directly into the camera. well , let's just say it's certainly unwanted moment, so, of course, control is needed. and this requires the efforts of special letters. permission to do this is handled by the director part on the group all these permissions. it is a must to take. and in principle, if you shoot somewhere you need a warning, that is, you need permission from the city, of course, a list and n where the belarusian capital is depicted in different eras of the vast i don’t want to marry the station personal

scores, waiting room the return of mukhtar the guide rhymes with love between life and death accelerated assistance and many others films were kept in their frames, the city of minsk is always different, but such a native and warm happiness. uh, the matchmakers were filmed for some season. the matchmaker was filmed. i know that here the fans caught their idols, so to speak, and this complex was not quickly lit up in the legendary russian film. legend number 17, where he played, in fact, the role of the montreal complex. this film tells about the fate of a genius. hockey players valery kharlamov, if you just take, for example, compare the street of minsk, for example, with the same moscow in moscow, in my opinion, there advertising, well, half the city is closed. that is, of course, you can also clean it up with the help of

graphics. but it’s still technically stressful, we can take some things off, probably, we don’t have to dodge these advertising bills forever, and some streets or parks are squares there, that is, they keep enough of it. uh, pristine color, well , somewhere in the middle of the last century, that is, and some revolutionary films are partially shot and i hope the city will still be fine, but retain its own uniqueness. here some hmm in the width of their streets will keep. amazing corners so warm and so thoughtful and wise corners in their outskirts of their districts of some secrets of minsk , of course, are not fully disclosed, including

in the cinema this city can and should be filmed. the phenomenon in it is still much preserved, and it has ceased to be addressed only to belong to this time. it has many times, it has many stories. although i repeat, it seems to have been destroyed, but no, something like that lives in it. what is dear to all of us .

the president belarus alexander lukashenko will pay a working visit to uzbekistan the head of state will take part in the summit of the shanghai cooperation organization, which will be held on september 15-16, it is planned that the belarusian leader will speak at the meeting and announce the priorities of belarus' interaction in the format of the organization earlier belarus applied for membership in the shanghai cooperation organization as a full member. now the country is an observer in the sco. the largest construction forum in belarus has started in minsk. participation of 34 companies at the exhibition site progress will present large and

small-sized road construction equipment. chinese companies presented novelties of fire-fighting furniture within the framework of the forum, round tables will be held, topical topics for industry specialists, issues of integration, issues of integration, the belarusian and russian construction complex will be discussed digital innovations in construction, the use of innovative materials and technologies , forum participants present advanced solutions in the field of construction design and decoration of buildings of the russian federation today, nu implements grandiose projects. large-scale projects in the field of both housing construction and industrial transport construction. and you know well that our builders are very actively involved in this work. in belarus, the laying of vegetables for off-season storage continues. this year, the vegetable store will receive over 10,000 tons of vitamin products. this year's harvest, despite the shift in harvesting terms, is expected to be good, so farmers plan

to harvest more potatoes than last year. maximally fill the storage and meet the needs of the domestic market. today is a priority. the share of our organizations in volumes. e, stop funds, on average, it takes from 16 to 22%, depending on the type of pledged product. to do this, we have the necessary amount of vegetables for potatoes, storage facilities, of course, we have the necessary chambers to create the necessary temperature and humidity conditions in order to maintain product quality, and for the entire storage period. all this week in belarus is held under the auspices of the upcoming state holiday of the day of national unity, and in the country it organizes solemn events and a discussion platform, round tables of memory actions, a dialogue platform in dekamaz united students, university teachers and school teachers spoke about the historical truth and the accession of the western part of belarus to the eastern republican forum,

dedicated to the seventeenth of september organized the belarusian social science. the most important thing for us on september 17 is that for us it is an act of historical justice. it our national truth. and no matter what everyone else says. we remember how we divided according to wolf laws in the twenty-first year, and the most important thing is that western belarus has become an integral part of the bssr and today it is the republic of belarus - this is the result of a purposeful national liberation struggle, including from 21 to 25. here with weapons in hands. my grandfather took part in this armed resistance for 16 years and i am proud of the first in europe held in the republican scientific and practical center for pediatric surgery an operation to implant an artificial heart ventricle in an 8-year-old child, the operating team was headed by the chief freelance pediatric cardiac surgeon of the ministry of health of belarus, doctor of the highest category, candidate of medical sciences konstantin drozdovsky, he was assisted by a

well-known cardiac surgeon from turkey, professor umit kervan, post-operative period. the patient passes quietly, the heart expands and does not carry its load. like a pump. uh, she's not pumping enough blood into the body's artificial stomach, which is the only one in the world. uh, for such cases, he uh intended for patients from 30 kg, but we took the risk. e, consulted with a professor from turkey, they decided to still implant an artificial ventricle in the child in order to save his life and give him the opportunity to grow further in terms of body weight and live to see a heart transplant after an internship , novice doctors and nurses enter the professional path. in the sixth polyclinic of the capital, a ceremony was held to dedicate young specialists to the profession. the staff of the polyclinic was replenished with 17 new employees, including graduates of different faculties such a tradition of dedication to the profession.