polina alekseevna this is your son, this is my son is different, his last name is from his first marriage. he says your stepmother. why does he say, i have been at a construction site for so many years, you have never seen you as his handyman. he lived with everyone himself ready. and my mother taught me my words and gave me the price of the ruble and let him understand what it was that galina didn’t let down her husbands with the first parted amicably with the second immediately put all the points over and i don’t like men who where did she say, there i stand, what kind of man is this. it's not a man so the division who gets more from us has never been in the family, but all the cards to zero. galina had everything, a stable business house, a full bowl, a strong family of grandchildren. it would seem that everything is behind and it's time for a well-deserved

rest, obviously, but not for galina after 50 , life is better than the beginning. i'll tell you now, well , first of all, my business has already improved. yes , he is already on his way. secondly, i already have grown-up sons who are already on their own, if you can er, well, the eldest son, he is generally married. he has a family. younger a son. he is also 20 years old. he can eat himself. on the contrary, i have more free time to devote to him galina's family is different. she didn't expect it. i have an older son, she generally laughs. she says restless. you are my galina alekseevna because, well, i'm interested, i'm interested in talking. i'm interested in training. i'm interested in going to the pool. i'm interested in going. well, let's say in a cafe with a friend to have lunch and chat. this is very

interesting to me, but even his sons were not ready for the decision, which she eventually accepted. and when i already told him, i and house modeling. i'm going to study and i'll still be professional, you see, i'll still walk around the world. the husband said, you know, who knew your stubbornness and knew what your goal was. i don't doubt the model. galina got for the company. i thought it would be distracted , it turned out i found a new business this time for the soul, we are going to the office and stayed now. i'm going to class. i always go to my favorite pastime with great pleasure, with great pleasure, because you get from communication, it was possible from the teacher. you from yourself there will be something new for sure. galina is ready perfectly. well, today we will learn to carry, we will again work out a beautiful step, naturally

stretch, and the female and so on. so, let's go to today's lesson. this is today a domineering businesswoman pulling the back and sock. and once froze on the threshold, like a girl. i was very afraid. i came a little earlier to see how the group was engaged. for me it was like this. god god, i probably could n't do anything, of course. well, what could i never filmed. and let a woman come who did not know how to keep her posture, who walked in small steps, as we say under ourselves, a little noisy. yes. e a person who did not straighten his knees in a step, but a person who, uh, constantly completed his shoulders. standing on her heels in front of a full-length mirror, the woman suddenly made her one discovery. i want to say. that's what i have kids too.

i also have grandchildren. i live in the private sector. it's all very cool. but there is me in life. i am galina kravchenko who is my life didn't stop. and how much the lord gave me life, only i will live, because if a woman does not love herself, then it seems to her that no one loves her, as soon as she begins to look at the light in the mirror differently, and she begins to look at - to another unequivocally, because she sees a change. she's in a few weeks. after the first classes, he sees changes in his appearance. she sees that she stands differently , walks differently, even sits differently and looks at herself differently from the outside, it may seem that walking on the catwalk no bags tossing and step

transferring weight transfer care and so and dads. well, the only way that walks in heels knows what it really costs if some women are jealous of famous models. and he thinks that they just don't do anything there. i can say no woman, if you want a model to go, believe me, you have to work hard and very much. well, if you still have a goal, then you don’t need to stop, you need to constantly practice. it feels like she was born with it, the way she walked today. but these are the results of a really great work. first fashion show. galina was brilliant, as if she had signed a contract for a skyscraper, but it was more difficult than getting applause to get the approval of a woman’s relatives. i

remember well one conversation with a family friend. she 's like, where are you 57 years old. i you hear we it is work. and that you have to sit with kravchenko to die, and when he hmm saw that i was walking along the catwalk, what shall we say? i shoot magazines. here i am participating in competitions. i participate in the jury, there, together with the bottom, minsk, he is alive and now i invite you to television i say, you hear, it turns out life is different, sometimes the approval of relatives turned out to be more valuable than the compliments of friends. and when i first time was on the catwalk and we were filmed and then i did them because we coped with everything with my brother and sisters, we meet very often invited me to dinner, i thought the video, if you are well done, we have a small one. if the family managed to be

convinced that she is a real model and not an amateur, then the society stubbornly believed that when you are 50+ your destiny is knitting and grandchildren, and not a photo session in the neckline and such a feature you are such years, i would not show my neck, but i, of course, i finished reading other comments, of course, a woman there threw the same amount on her and only it is necessary to show such years, and i wrote that you should not write about me. i don't know you, and when we still wish you good luck, so that you are always healthy and happy, not sick, and so that you can show your neck. if there is something mandatory, show it doesn't matter. no matter how old you are, not only helped her keep her posture. well , he taught me not to pay attention to age among women at any age. you will always be beautiful young happy. only take it for yourself. do not be grandmothers have time

to stay. i believe that i will be a grandmother even at the age of 90, but i will still be such a beautiful model. and if someone thinks that it’s too late to walk the catwalk in retirement, let him try to live his life differently. galina definitely isn’t going to do this. there were a lot of things in life in general. and i have one friend who told us, come on, i really have to write, that they wrote a lot, but i can say for sure that from my whole life from my whole life they told me, well, so that you i would change, maybe it would become smarter or there, how would this life turn differently, probably, that's how it is. so it's interesting to me in general my life.

minsk, as one of the most beautiful capitals of the post-soviet space, often appears in the frame of domestic and foreign films wide city avenues and mysterious narrow streets the historical center and modern buildings inspire and attract directors from all over the world minsk is a very

photographic city and sometimes the belarusian capital plays in many films role not minsk at all, the city is often passed off as moscow of the thirties-seventies of the xx century. and nezavisimosti avenue is one of the most sought-after places in the city with the buildings of stalin's times, because architecture. here, minsk remained almost untouched, so we photographed it well. but you and i understand that the action is walking in moscow, as it were, such a designation of the city h as it was pre-war minsk, it was minsk that was captured on them in the second half of the twenties. uh, many of these places, they have not been preserved. how the destroyed minsk was filmed after the war, it was not necessary to bomb anything, to destroy nothing, everything was, as they say, how

they filmed the city from a bird's eye view without modern equipment or maruha, our brilliant cameraman. i just risked my life and filmed many scenes than the belarusian capital, so it attracts directors from all over the world cheaper here. to put it mildly, we still have a good base at the film studio and the technical and e material, that is, there is a natural site smolevichi whose steps they remember, minsk avenues and kirkorov go there like at the station it goes away it goes far away, which is left behind the scenes of cult films, and i mean, uh, with a walkie-talkie in my hands, i went out and pushed all the cars apart and put our cold one on and off we went. after the movie, it somehow went through the containers. the secrets of minsk, of course, have not been fully

disclosed, including this city can and should be filmed in the cinema, minsk on the big screen, watch it right now. after two unsuccessful attempts to create an institution of cinematography, cinema resul and the belarusian cinema span in 1924, on the basis of a decision of the council of the people's the commissars of the bssr formed a directorate for cinema under the people's commissariat of enlightenment of the bssr beat the state cinema, the future

belarusfilm, and the date of december 17 went down in history. as the day of the belarusian cinema , such a difficult and thorny path of the national cinematography began from that moment. anton denisov, associate professor, candidate of historical sciences, and actually from it later grew up, we all know the film in belarus, but the fact is that only a few branches were located here in minsk. uh, belgoskino, in particular the studio that was engaged in newsreels, as well as another department that dealt with various e, experimental types, such as animation in 1928, bill goskino organized a feature film studio, soviet belarus, which, due to the lack of a technical base at home, was

temporarily located in leningrad, where a building was rented for these purposes theater the crooked mirror, it is from here that the fact that e many films that were shot about belarus they e, were filmed precisely in the pavilions of this studio e, or e, in some on some local venues, for example, such films as the first, as a prostitute killed by life, and his excellency the governors a shoemaker, a or even a in the forest were completely invisible minsk during the great patriotic war newsreel operators as part of the central documentary film studio filmed front-line reports and created partisan film chronicle of the republic in 1945, a film studio of feature films. soviet

belarus resumed its activities, and a year later it was renamed belarus film in in the first years after the war, many documentaries were produced. and film magazines minsk is a very cinematic city. dmitry zaitsev director scriptwriter-cameraman honored worker of arts of the belarusian, ussr at that time in the forty-fifth year it was completely destroyed. in the center of the city, here is where the music school is now, there is the conservatory, everything was practically the same nothing had to be bombed or destroyed. everything was nothing, as they say, at that time

a lot of war films were shot, in the late fifties in the early sixties in moscow, a number of young talented graduates of film directors and screenwriters graduated from the gig, a whole galaxy of professionals came to minsk among them anatoly zabolotskoy and viktor tours. i can say that it was no coincidence that they were attracted to the city because the most comfortable, convenient for filming, the smallest town was then still somewhere around a million residents. that's it and more. and the objects that housed this tractor plant and for example, i shot a black birch at the beginning of the

picture there. the whole center in minsk too. in general, if i can say that a more convenient place for filming is comfortable. the studio was nearby. and the equipment could be safely brought in at any time. wherever it was possible to settle down ? the film was shot by a filmmaker in minsk back in 1957. directed by sergei solid, the household comedy our neighbors was filmed. i know they love this movie viewers of different generations and love to revise it. antonina karpilova. phd

in art history. film critic. this is an everyday comedy that tells about squabbles and quarrels in the communal apartment. and what actors play there gleb glebov olga screw anatoly doskin and others and gradually the actions, e from the streets of minsk passes into this communal apartment and back and these two worlds closed home with these quarrels echoes such a peaceful sunny summer minsk these famous kiosks are well captured. minsk city council they were then so in demand there you could get information. well, as now on the internet, filming took place on victory square near gorky park trolleybuses with an observatory signboard, the station was also real in the fifties, there really was such a route at number one. it would be nice if

i died in it. i think it's good to invite all the neighbors all all. at that time there was some other slightly different attitude of cinema and where we didn’t shoot you, we were always very rarely helped. so to speak, the public is the people actively participated filmed came to help, as they say, it was not necessary. invite, call, persuade. everything was done by itself, if we talk about where minsk

looks like a beautiful sunny cozy city, then this is a film, beloved, shot in 1965 by director richard victor based on the novel by nikolai pogodin amber necklace, and yuri marukhin became the operator of this picture. here you can enjoy the panorama of minsk from a bird's eye view. i'm just risking my life. many scenes. it shows the construction of a sports palace and the main character is watching this construction site. and it was an event. it was then the most powerful sports complex for the whole country. in this film, there are absolutely excellent shots of the avenue, and there the palace of trade unions is shown, again the center. lenin square is a scene where the main characters

are warming themselves by the eternal flame on victory square. one of the key scenes of their relationship , the showdown takes place on the roof of the belarusian state circus. these are really such risky scenes, but they showed minsk, as it were, well, almost from bird's eye view from a rooftop. it was a wonderfully shown film, and remains some kind of romantic anthem. eh, the minsk under construction, which then acquired in the sixties in its own may be a second person. this is history. well, modern in those years, 605 , natalya agafonova is a candidate of art criticism. film critic, associate professor, you know, a semi-romantic, melodramatic story. yes, the protagonist is young people. well , with these triangles mutually. well, it turned out,

so the plot of the picture itself turned out to be weak then, what is the dignity of this film, and the dignity turned out to be in what yuri marukhin did, and then, of course, the director, of course, also collected a-a with the help of editing. over the course of the film, here is such an integral image of minsk, it turned out that the image of minsk became the main achievement of this film, very lively and at the same time not hasty, but uh, not with these hmm familiar avenues. yes, but still with characteristic, uh, courtyards, back streets and lanes. and now, probably, it is this picture that reflects such an interesting solar epoch, epoch. some hope aspirations that are now captured on film. the six-episode

television film ruins are shooting was filmed in the 70s by director vitaly chetverikov. the director tells about the heroic deed of the minsk underground during the german occupation during the great patriotic war. vitaly chetverikov, wonderful shot. here is this old already departed bliss. now you look at this playful picture, and it is perceived simply as a documentary, because, well, not in a moment, like no other street, probably, has changed so much over the past years.

sorry . in the seventies, many films for children were released, for example, the adventures of pinocchio in 1975 filmed one of the few scenes in the pavilions of belarus in the open air near minsk near a specially dug pond. it was a meeting of pinocchio and the turtle tortilla of the city, we will not see here without a brainy, fool who was deceived by the cat and the fox cat the fox and who are you to slander

my friends? turtle, right? first, don't talk to me like you, i'm 300 years older than you and i know life 300 times better, really, you you don’t understand this, because because you dropped out of school and i don’t know how to count at all, but in the film, secretly around the world , filmed in 1976 based on deniskin’s stories by viktor dragunsky, the main character denis korablev, we also meet streets on leninsky prospekt then vera khoruzhey on the rides in chelyuskintsev park and yanka kupala bantik now get away from the car. not from other cars, or what? i'm telling you.

let's see slowly. the loshitsa manor park complex boasts not only a rich history, but also some movie history. some episodes of the film dagger directed by nikolai kalinin were filmed here, so under the house of polikar poterev, the lyubansky manor is hidden. in general, you don’t tell your father to anyone . okay, dad died. sorry i didn't know. how are you now alone we live and work, two bush 2 air attractions. this is where she lives. and one of our cult films from my

childhood there. at least, this is the bronze bird elena turova, director, screenwriter, this is the most horsey, estate, then we are schoolchildren and then, as students, they went there and still felt this atmosphere of this bronze bird. that is, they were looking for this house, looking, where did you sit? this is aha, an iconic bird, which, in fact, is remembered. this park in the manor complex

is captured, well, by many filmmakers. there, just by magic, there are legends of ghosts and so on and so forth, but for example, i remember the film undeservedly forgotten based on the stories of ivan bunin , a wonderful russian writer. not an urgent spring. this film was directed by a director. vladimir pushers, the director was then in love with his wife, actress magic buninskaya. the lake 's prose smooth surface, the very atmosphere of the horse park, just formed into this mystery. and the mysticism of the film itself, which is repetitive, takes on a new life as a kendrovilian ghost. this is it. uh, you can say, ah, the creepy place of the cemetery was there according to this very scenario. we filmed in a loshitsa in a horse

park, of course, we didn’t go to any real cemetery and didn’t drag children there, all the tombstones are so old in such a slightly scandinavian form honestly from the foam at the film studio. what is the role of youth in the religious life of the country, but in fact, when you enter the temple, and among people of respectable age, our youth. she, uh, is especially noticeable in the temple and is also especially noticeable. and in general, in church life, through what kind of experience do you need to go through in order to realize the deep meaning of the faith, you are kryzhov and the way is skinny and you understand. she was

paid for us sinners. what should a believer do in order to get closer to god on the path you will bring our chan. better they esusa. blame him with a faithful thought word and christian men waiting and uh. yes, we have the freedom to invite him to our hearts or not, watch spiritual about amateur projects on belarus 24 tv channel to cook a dish, like in a restaurant, you need to think like a chef, if i see in the recipe that the tomatoes need to be cooked, then they i immediately replace it with tomatoes in my own juice. it is much more profitable in a project for a week together with a culinary guru. we test recipes from the internet in search of

new recipes, we look at culinary sites, but are these recipes good, which gaining a million views and the same number of likes. today we will check it and turn them into real masterpieces. they certainly complicate the recipes. we already have amazing tasty potatoes, we already have our usual cutlets, you can start dinner, but no. look how beautiful we turned out looks just gorgeous. watch on belarus 24 tv channel. minsk of the eighties is captured in the famous film let's get married, filmed in 1982 by director alexander efremov, actors yuri nazarov and margarita terekhova superbly played life story in film. we see the streets of

minsk, lenin square, komarovsky market , cinema, moscow, as well as a view of the upper city, the heroes run under the bridge along the highway, which is currently difficult to imagine due to traffic density. well, is everything clear for today? and tomorrow? there will be a day. there will be worries. minsk of the 80s is also captured in a short comedy in 1989 , i don’t understand where mikhail zadornov and semyon altov played the main roles, and the film plumbum or a dangerous game is also remembered. this is a russian film by a famous director. abdrashitov according to mindadze's scenario. the

1986 drama film tells about a teenager named plumbu in the translation of lead, who had a burning desire to help the police identify violations of the law, this is a cruel and harsh film of the perestroika period, in which minsk is in the form of a provincial city, but the context is still completely different, because it is social drama and is told in a very difficult way. and in the end, the girlfriend of this plumbum falls from the roof of the minsk house and dies, that is, this film ends with the death of a teenager, and therefore the whole minsky’s entourage is by no means romantic, it ’s so prosaic. in fact, minsk here plays the role of such a background, quite gray for this harsh drama and the role of a provincial town, which is completely unusual for him,

because the directors, because of the author’s intentions, planned to show this film as a provincial drama.

the dashing nineties, this period is characterized by a certain stagnation in cinematography. many films released in this decade turned out to be unclaimed in minsk in 1999, an american action movie was being shot. lima breaking the silence of the director minakhi, mogolan, the film was dedicated to the hostage-taking, peru in 1996 , but in the frames we see not the capital of the republic of pero at all, but minsk airport with a belarusian flight schedule of palm trees near the building of the former prison on volodarsky street , minsk streets and the well-known ikarus 250 in classic red and white colors with a sticker of the express label from other films, of course, but our famous director alexander

efremov poeticized minsk. german mansion. there, in the film sniper, weapons of retaliation and the film dunechka, and our man in san remo minsk, we filmed alexander efremov, people's artist of belarus , theater director and screenwriter. of course, it's impossible to remove everything. there are things that you want to shoot new ones again, because they change, they are good, they appear some new, er, and geographical emotional information. full. let's call. why do you need me, finally? needed we're going i'm going to buy an outfit for big money fathers. why do you need an outfit you wear jeans all the time? the series kamenskaya, which

is based on the detective stories of the russian writer alexandra marinina, was almost entirely filmed in minsk, a detective series it was still 1999, and they filmed six seasons, but in my opinion, yes, not, in my opinion, for sure in 2011 it was released, but the sixth season and this series is on the russian tv channel. uh, the residents of minsk recognized it, it’s just that their yards are parks there, well, they were absolutely quite common for us, but the usual places. they love it very much. they are here near gorky park, right here on the bridge to the svisloch. and to shoot yes, something near the gum, well, microdistricts of the yard yards yards hello. oh, i scared you, hi where are you from? you're like thank you. i

need to discuss one issue with you, which is very urgent. yes, i received royalties for a textbook that was translated in the states. congratulations, thank you. i want to send you to rest. you look very bad. you are tired. to be treated. so come on, choose the time and go, or what? well , if you don't mind, i'll go along with you. how do you like my offer in the 2011 film pyramid directed by eldar salavatov, minsk reminded moscow of the nineties , the familiar streets of the palace of the republic appear in the frame, which played the role of the house of the government of russia. the palace of culture of trade unions became the office of a large moscow bank. and the national beauty school is a television center, ostankino sergey kondratievich

it seems to me that anger does more harm to you than what makes you angry. i don't know what anger is. i'm just drawing conclusions. well, of course, we immediately recall from stilyagi where gum and a part near gum simply played the role of tverskaya street. it was then called, gorkov street, the fifties in moscow, and therefore moscow broadway, and we had minsk broadway, and this is what young people defiled under the name stilyagi. so, what's going on here, huh? what are you touching him completely? a harmless flute film stilyagi

directed by valery todorovsky, released on screens in 2008, tells the story of an ordinary soviet guy who found himself among the style. it was youth in the fifties who was fond of the american way of life, loved bright clothes and listened to jazz, the box office of the film amounted to almost 17 million dollars. but few can recognize the streets of the belarusian capital in the film, because we understand that the action is happening. e in moscow and in minsk, several locations were filmed, including the famous facade. uh, here is the knowledge of the mind, here again, my love, uh, my favorite place. it's in the

gorky park area, but they worked these locations, because films work in absolutely no way. like who is the space of the then moscow hmm in which the events unfold and the center of the belarusian capital was built up after the war in the stalinist empire style, and since the adventure of the heroes took place in the 1950s, the hipsters looked very organic in belarusian interiors, the russian director calls it the reserve of the fifties and seventies, that is, they see here a very bright colorful texture for retro films. as i remember now, in my first film i played acting. new year's adventure in july. there is episode where children are in a virtual country. they mean in the circus they are loaded into a cannon, and they shoot, they fly, they land

somewhere on the moon. so this is the gun. she was also discovered by me in stilyagi, and the russian film stilyagi is more than popular. there is an episode there, when uh, literally towards the end, when hmm komsomol members come, uh, cut their hair. eh, the heroines of akinshina's favor. this is how they are at this time in the circus, and there, so i see our cannon is worth it, our wonderful. candy, blue with a red one, which we honestly painted there and apparently there was simply nowhere to store it. she probably stayed there to save. these are the greetings you can say, from the past you often had to play the role of other cities, for example, in the film spy directed by alexei adrianov, which takes place in 1941 in moscow, the main character of the film, fyodor bondarchuk and danila kozlovsky, arranges a chase for german liaisons in dota, this is a real square on troitskaya grief, the heroes

run into the bus, pass by the grocery stores at the suvorov military school. further heading towards komarovka and bogdanovich street, of course, the artists finished drawing the chase continues, but all movements are chaotic, often the frames of minsk avenues are replaced by moscow ones, and the shot near the kgb building makes you think because the moscow monument stands on the site of the familiar bust of dzerzhinsky. pushkin, in general, to walk around the whole of minsk, you can find a lot of places, for example, the trinity suburb. what roles did it play? if possible, so to speak, the architectural ensemble and the role mansions. warsaw and berlin and tallinn, that is, we are sometimes, as it were, skeptical of such homeworks, because, well, the trinity suburb. it, of course, was

restored, but in fact this is the most fertile place for cinema, and again proximity to nemiga ksenia to these two key waterways, in no way, to the site to the film set, you need to relate to the city, but appreciate that you can still here you can shoot the texture and the fifties of the last century and the nineties. and even forty-two forty-three years, so why film crews from other countries go to minsk why is the belarusian capital so attractive to film directors that russians come here to film cheaper, to put it mildly, than, let's say the same thing in moscow in minsk, a film crew can move several times from

the point at the points ivan pavlov director actor screenwriter in moscow due to traffic congestion. that is, i arrived, and you sit there, if you move once, then it’s spent, there are 3-5 hours of filming time, it’s very expensive. we still have a good base at the film studio and technical and a-and material, that is, there is a platform for the tour in smolevichi called foundwood. we have a rather talented and at the level of moscow actors, our belarusian actors who filmed and are filming a not very expensive second cast. that is, these are people who are irreplaceable . well, as for a more modest salary, which also seems big to us, how would such a designation city n what city n is it in russia with

the graphics help so much when you see specifically a-a, similar to the streets, but we have to finish drawing somewhere in a lot of the horizon. the same kremlin sticks out there or what? yes, please, now you can do anything you want, it used to be, of course, it’s more problematic now you can get out, that is, we have streets that are really very suitable. there are a lot of russian films in which minsk practically played a role as a character. when we talk about the city in the cinema, we immediately mean several stories. the first is when the city is just is the scene of action, that is , some events unfold on some streets. and these streets city spaces serve just as a backdrop, another story. completely different. yes, it is different and much more

complex. that is, when the city turns, if you want in the hero of the film it's quite a. uh, comparable to the character. well, with the actors, when the city is not so much a place. e actions. yes, how much atmosphere is the mood of the story, but the emotional state, including the characters, because in this case the city is created. eh, how world studies, how does it feel to be in this? in the early days of the author of the film, when we talk about minsk presented in the cinema exactly as the city of minsk, and he does not pass himself off as another city. then it becomes no longer a decoration and no longer a shooting location, but the protagonist we are talking about films. where do we understand, and

even indirectly, that this is minsk and no other. ah, space. what does mediated mean? well, that's followed by a hero ride, for example, in a tram, and we are on the announcement of stops. uh, or he rides the subway. yes we are we understand that he travels precisely in minsk and nowhere else anywhere else, and in the place the series that i know, the belarusian tv channels are shown more than once, and he has a decent rating every time, this is all we need for the 2011 series. well, as a mini-series, these are four episodes directed by ivan pavlov, this is such a new year's urban story. we showed new year's minsk the weather helped us a lot then. very beautiful places, of course, in the area of ​​the embankment, where m-m near

victory square there. that is, i told the operator that he must shoot beautiful. a bad word, of course, but after all, when we shoot a city, we take it as an interruption between some game plots, and this is filmed all over the world. sorry for a short time. does it have any? there in the film, all we need is one of the

critics. he even said that minsk is one of the heroes, because a lot of such beautiful cars drive to the music of these winter winter minsks. there the river frozen trees are very beautiful. uh, romantic heroes walk in their thoughts and minsk is one of heroes, something that has preserved history, something that evokes certain emotions. the viewer has something that causes certain feelings and thoughts, and this is the meaning of the choice of nature. you wouldn't just find a corner or there, uh? door no, you find this one, you try to find something that makes you feel some kind of emotion. warmth, tenderness or hostility,

some kind of irritation. but this is first of all. this is the first sensation of textures. uh, nature, or interiors or exteriors, choosing a location for shooting helps tell the story of the film. now , thanks to the internet, nature can be found easier, but it also appeared in its complexities centuries ago, as e cinema was clear, but the soviet union but the time when the director, in my opinion, was his father’s colleagues in arms there, and there were no problems at all , but with some kind, because the vast soviet union provided practically the scenery, what do you want to choose for? e cloak, as if the city is like a film set depending on the textures that require dramaturgy, well, among other things, there is more personal relationship to the city in which the shooting takes place, and since i live in this

city and the city. i love it. i tried to shoot as much as possible right here in minsk, minsk as an image of the urban space. here, with his character, with his own, he will flog us with his atmosphere of mood, but he does not appear so often, he is in feature films and i must say that this becomes more distinct precisely in the latter. well years eight eight ten words nikiforov one of the oldest masters of belarusian cinema in 2017 year removes the film thumbs, victory. this is such a movie for children and adults let's say a family movie, and the main character. hey, eight year old boy. well, he's pretty cheeky. and ah, very cheerful, very active, mobile, and

the city of minsk, in which there are activities , undertakes all sorts of things there, but complex ones. uh, well for his age anyway, but the problem is he's supported. e image of the city yes, but with all sorts of shootings from drones in this whole dynamics of the fluidity of fluency. yes, he is more like e. well, as we speak for some touristic, minsk films on the back of a black cat, the script was written that our two heroes two grandfathers meet a businessman at the train station in minsk.

i suggested that there is no need for a star, the script writer suggested nikita mikhalkov for the role of a star, but after unsuccessful attempts to get through to him , three more candidates were offered. leshchenko gurchenko and kirkorov naturally. we stopped. and here we are at the station at our station everything was ready brought kirkorov and he did not understand at first what to do, and then i he explained that he was going out to the angel, said thank you and left. i like this idea. and so he says to the angel, thanks to denisov alexander denisov here is the actor who then came from the united states and kirkorov goes there so he goes to the station he goes far away. thank you something i can not

believe that it was actually. and if the truth is a pity that i was not with them, that would be great. it is on these tablets that we will record our fate as infantry in reserve. i saw the girls that you left the station, and their legs were already sagging, because they understood what was coming. it just just goes. they understood that kirkorov was just coming towards them. well then quickly well, everything was filmed. kirkorov, everyone liked the film, it came in, and then the grandfathers get into a limousine and drive along the avenue, and now through the eyes of the grandfathers. we

filmed this avenue. and black with a black set my grandmother smokes a corpse ready for a dead sailor's garden, my grandmother root a pipe. i love fire rock. and when i pop in for a minute, the tobot sings, well, there was a situation when our whole long film column, firstly, a long car, a limousine. secondly, there are cameras, vaginas, dressing rooms and something else, in short, there are five in the car, probably, the convoy should follow us. uh, the traffic police couldn't go ahead, because the operator was filming, just uh, he could capture the windshield. that is, the traffic police was

following us, and i mean, with a walkie-talkie in my hands, i went out and pushed all the cars apart and put our convoy. and we went, either our people, they are afraid of a person, to shit, and either he loves a movie, we drove and filmed. here is the city practically. here, through the eyes of these grandfathers, they later put the song under the song my grandmother smokes sukachev's pipe . and well, i don’t know, it seems to me that we so uh love for the city filmed some such iconic places, the wide avenues of minsk are narrow, mysterious streets the historical center of the city and modern buildings attract and inspire directors from all over the world, but sometimes filming in the city interfere with the local population. after all, you have to block traffic and it becomes problematic

to get to the right place. it's like a container passed memes are not like we all will be clean. everything you need is everything you say so, in fact, of course, a film group is a matter that needs to be spontaneous, it happens in different ways. of course, you need to control very much in order to put behind yourself only order, but also a good good glory so that the next, uh, group does not receive. well , let's say a lapel. it's getting harder and harder to shoot in apartments. we can't shoot. there you need to ask permission from the whole house, because the film crew of 50 people, 15 caravan cars will arrive in the yard as soon as they arrive. therefore, with apartments, of course, well, it is desirable to build a pavilion. well, there are a lot of a number of apartments that are rented out for shooting, we know them, and very

quietly and secretly. we're filming somewhere. if you need to shoot some area, but you need to expose people, so that at least at some interval exactly when the camera is turned on. well, they didn’t go, so outsiders. well, in principle, sometimes you need one of the passers-by to pass there, but the fact is that people react differently. someone may come back at the wrong moment and look directly into the camera. well, let's put it this way. of course, an undesirable moment, so, of course, control is needed. and this requires the efforts of special letters. permission for this is handled by the director's part for groups of all these permissions. it is a must to take. and in principle, if you shoot it somewhere, you need a warning, that is, you need permission from the city, of course, a list and n where the belarusian capital is depicted in different eras of the vast i don’t want to marry the station personal scores, waiting room the return of mukhtar the guide

rhymes with love between life and death accelerated help and many other films kept in their frames, the city of minsk is always different, but such a native and warm happiness. uh, the matchmakers were filmed for some season. the matchmaker was filmed. i know that here the fans caught their idols, so to speak, and this complex was not quickly lit up in the legendary russian film. legend number 17, where he played, in fact, the role of the montreal complex. this film tells about the fate of a genius. hockey players valery kharlamov, if you just take, for example, compare the street of minsk, for example, with the same moscow in moscow, in my opinion, there advertising, well, half a year is closed, that is, it, of course, you can also clean it up with the help of graphics. but it’s still technically stressful, we can take some things off, probably,

we don’t have to dodge these advertising bills forever, and some streets or parks are squares there, that is, they protect enough, and where is the pristine color -that 's the middle of the last century, that is, and some revolutionary films are being partially shot and i hope the city will still be fine, but retain its own uniqueness. here's some hmm in the width of their streets will keep. amazing corners so warm and so and thoughtful and wise corners in their outskirts of their districts of some secrets of minsk , of course, are not fully disclosed, including in the cinema this city can be filmed and you need to shoot it is good. somehow, the

cinematic phenomenon in it still retained a lot, and it ceased to be targeted only to belong to this time, there are many times in it, there are many stories in it. although i repeat, it seems to have been destroyed, but no, something like that lives in it. what is dear to all of us . every

day we experience millions of emotions. we can to rejoice to be angry to be surprised to be sad, sometimes our emotions. we are not subject to, and music expresses our emotions much more strongly. this emotional force literally takes back, and has already hit us. it becomes an integral puzzle of life, because

the secret of music is that it finds an inexhaustible source of expression, where speech is silenced by music instead of a thousand words. president of belarus alexander lukashenko on a working visit to uzbekistan, the head of state will take part in the summit of the shanghai cooperation organization, which will take place on september 15-16, it is planned

that the belarusian leader will speak at the meeting and announce the priorities of belarus' interaction in the format of the organization. earlier, belarus applied to join the shanghai cooperation organization as a full member. now the country is an observer in the sco. the largest construction forum in belarus has started in minsk. 34 companies are taking part in it. progress will present large and small-sized road construction equipment at the exhibition site. chinese companies presented novelties of fire-fighting furniture within the framework of the forum round tables will be held to discuss topical topics for industry experts, integration issues, the belarusian and russian construction complex digital innovations in construction, the use of innovative materials and technologies forum participants present advanced solutions in the field of designing the construction and decoration of buildings the russian federation today, nu is implementing grandiose large-scale projects.