so here meat taste wow meat taste. good, so it is right to be meat rightly. uh, on the roof for such wild forgers. i'm at the lip and you know that i'm sitting. listen vartan i really like to cook cabbage at home with and without meat. uh-huh, i have to be honest with you . i reacted with such apprehension. here's to this gravy that you that you started is ready. i thought no. it's probably not there anyway. but now i understand that this is really the case. very good for belarusian cuisine. it typical shavings thickening, how could i give you more increase in density, our cabbage is both walking grass and other immediately

good and went to the fields with me. after all , the quarter did even more in belarusian, than in the village you had wheat flour, and we have rye oh. oh, that's just the court well done thank you bro, wonderful, wonderfully good recipe larisa well done hostess. thank you excellent. try to repeat either the way it was in the village or the way we had it in the television kitchen, and you will not regret it, and you and your relatives and friends all your friends who you will treat with this dish will be satisfied. well, that's all for today. we say goodbye to you, as always, nena. we'll be back soon with new stories and new recipes. cook with us every week and enjoy your meal in belarusian cuisine . all the best to you and goodbye.

we are going on an expedition on the jackets of our ukraine for people who are crazy to put our ovular stuffing out of minced meat, they won’t burst us, raw foodists side or is it true that with theobagite all the fears of cooking leave shima beach and here we are at the siege of dedin, in the new york area you decided zazernut prick lyusya diva rudnitsky let's investigate. i took her history of meat images and curled her beard back. holy apostle ya, that's how they showed it to the news. have a pivotal day. let's give the second tradition a new

life, it seems that the wife remains, what do you think, look, the project on the pirate has passed on our tv channel. removed from the city mitusni here is your karani and your strength. truth before the cop. forgive yourself. to get carried away and tear off a special one. and to the right, tell the elements. skin grock and one not with

nature. wild watchful own belarus do not know i find it difficult to answer than happiness. i know that i know that i know for sure that it exists, that happiness exists. and what to live here, well, i'm not here, it's infinitely interesting. there are questions

of life and death. it is important. this is the question of life death. but there are questions of fate and these questions may be more important than life and death, because if at some point you did not feel your destiny and refused it. this is scary. valery timoshchenko was born on january 21 , 1959 in krasnodar in 1981 he graduated from the screenwriting department of film criticism. all-union state institute of cinematography in moscow as a journalist , cameraman and director, he worked during military conflicts in karabakh, chechnya, south ossetia, ukraine in the nineties, organized a private film studio in krasnodar, which successfully cooperates with russian federal television channels. they say every generation has its own war. here are the young people

of today, who are trying, they still won’t leave, from this you still need to understand that there are some main tests where you should be. if i didn't i was, for example, in chechnya then with these young nineteen-year-old guys i didn’t share their fate and generally got stuck. so i have to be there and when some of my comrades, whom i studied in the wild, spoke. i say, well, come on, maybe you want, let's go, yes, he is in abkhazia, no, i don't know, well, this is how much i should be paid for this. well, this is professional unsuitability, that is, if a documentary filmmaker who studied with us in the comments, there he does not go to war. well, when she had a 20 km war in the donbass in southeastern ukraine, she started, then the fragments of mines and shells were already falling on the territory of the russian federation valery kimoshchenko, a member of the board of the union of cinematographers of

russia, is recognized as an authority in russian documentary cinema, as a teacher at vgik, he believes that you need to go to directing with rich life experience behind you. true, he agrees that recently the director's profession has become much younger, and he also has guys on the course who entered right after school. i was just such a young man. which at the age of 17 was rarely entered. it was such a script. film studies department for directing, they didn’t take such people, they said you need experience, go serve in the army there, for example, they went there for a geological expedition somewhere else like tarkovsky and then only you can talk about something i absolutely agree with this, but i had such a situation, uh, when i arrived after school, uh, i was surprised myself . so when i finished it, i

myself felt it, i understood that the lack of social experience is catastrophic. that is, what you will talk about and many students, they either shoot at each other or make up some stories or try to imitate someone. it is in any case the way to nowhere and realizing. this i did once two correct ones. intuitively, er, so step i made the decision to return home. and when you're in the capital, uh, and in this rat on the run or there in the vanity fair you participate you are a huge danger. and so i returned home and tried to understand that i have this experience again. i will try to be myself, because when you are extremely individual, only then you are interesting to everyone, including in new york and paris. and when you try to be like a new yorker or a parisian there, they are not

interested, and the second step was when i was born cinema is completely missing. i have to create it myself i have to create uh, a cinematic space studio to try, survive and financially sense there in any other way. but at the same time, i understood that i needed social experience, and where to get it, and then i went into direct journalism. i realized that i need to go to text newspaper into a good newspaper. why because for a young man? this experience of being a journalist is very convenient and valuable, because you see all layers of society. today you spoke to the director of a large enterprise there. tomorrow you're interviewing a homeless person there. you can go to war and so on. i am such a job as a journalist. she gives a lot of invaluable experience as a journalist, which i had a real complex dangerous

topic, including investigative journalism, which i then dealt with as a young man. she brought me the plot and the heroes are not fictional and some of the heroes that came then from this journalistic work. they still continue to work. dedication to my wonderful hero, who was then a huntsman in the caucasian reserve, and then he communicated with this amazing nature. this hero, uh, believed and then became a priest was supposed to. today he is the confessor of a huge diocese, that is, they confess to him. hey priests. all this is one of my close friends and very powerful heroes, uh, which he is dedicated to several films at once. whole cycle. mm, the grandfather is a war hero, a veteran of the marines, wonderful, whom

we also once encountered through journalistic activities, and then became friends and he became a close person and my youngest son. in general, until the last, he believed that it was just his grandfather, because he often came to us, and he saw that we had such a close relationship. he thought it wasn't there. all these heroes came from journalism. unfortunately , my relatives. my grandfather went missing, and i don’t know his grave for sure, but while studying the project was a clear victory, having the opportunity for almost a decade of these, i could engage in, among other things, the search for the history of my grandfather's family. i know exactly where his unit died. what kind of battle was it, how did they act, and so on. valery timoshchenko, as a screenwriter, director participated in the creation of dozens of films, which more than once became participants and prize-winners of various national and international film festivals , his

documentaries from the cycles, the russian reserve, pure victory, peasant history. the great rivers of russia for many years, the warmest working relationship connects him with the golden vityaz international film festival, the closest to me all this is now with age. you understand that this is more important than the class of the hotel or the class there, the festival hierarchy. i understand that here we are like-minded people, and, indeed, a very deep, very serious professional and having understood this. quite a long time ago , about 20 years ago, when i arrived with my film, well, the first film, lonely paradise. it was uh the film is undoubtedly orthodox uh my hero, when he is still we are close

there at that moment the young man was spicy-sharp. some support was needed. that's when the silver knight turned out, they told me, act in the same spirit. and in fact, in the same vein. i am still active. well, we are going to such a village abode. it's called hot. according to statistics, the poorest village in russia, how did it happen? no, maybe , of course, others from poor villages. well , according to the statistics, i understand the samoyed, now as chairman. so i understand how much this support is for someone. this praise is needed. now i once understood that

you have to create for yourself a kind of reference group that you address, you need to contact someone , from this. strictly speaking, there is a construction site, but its tonality. dance is the pulse of movement breathing is the rhythm of life of fashion ideas in visual form. is it so? new theatrical forms author's reading of classical works search for

sacred meaning every week we are in a new place, see the fashion for culture project on wednesdays on tv channel belarus 24 in belarus are easy to follow. the only report of our trip is the station baranovichi central historical place, from which similar railway boom began in the country. this is the first secular residential stone structure of the late 18th century, the palace would be right now. one has only to make a list of places that you want to visit and set off on a journey, the naturalist built more than just a house. he raised not even chekhov's cherry, and i'm not ashamed of this word, a real paradise apple garden. landscapes full of thought and

sorrows enchant even the most fastidious travelers. and if there is no such opportunity, the city of belarus is what you need, but for now the whole world in the photographs does not let the leaning tower of pisa fall. i will support the finnish in every sense, watch the project on our tv channel and travel online hearts of the brave is not the first time that the fighters of the shechenko sabotage and reconnaissance detachments, thugs, german headquarters are going on a night hike to blow up warehouses to sow

panic and horror in the camp of the enemy. made a lot of films of the great patriotic war, addressing the viewer that it is not historians and politicians who comment on the widest event of the great patriotic war, but today's current russian military officers who commanded a battalion unit in real battles. for example , they took risks, who have military ordinates, and they can try on those events, if there is forty-fourth year. or the forty-first is a scenario move, but in fact these are my close friends who arose during business trips to these modern ones, on which i was almost everything decides the interaction of military branches and services, when people are personally acquainted, especially and it was the same with us in afghanistan and in chechnya when they fought the same thing, when there were already our own there. you know

what they'll do, the possible and the impossible. it took 2 minutes for kunikov’s division to land with him, the best snipers , the famous philipp shirt, went by the flash of a shell explosion, managed to aim and hit in complete darkness without a miss, but first, a missile flurry hit the coastal fortifications from a boat for the first time in military history 600 missiles on a small section of the coast was on fire, all the cavalry on the air transmitted some numbers understandable only to them and the captain by law , and the battery transferred the fire every second by 50 m. to the fire guys, the command sounded. it got even closer. when i was making a film about the war in chechnya, where i filmed the most difficult moment. so i wanted to attract one director

, it seemed to me that the two of us can do it to do and the main thing for him was the construction of the form, the main form, and the content is not the main thing, in the first place. secondly, it means something, a party, a festival conjuncture, which, by the way, changes very often. so you can follow this conjuncture, trying to get a prize, er, lose your soul. i told him then, maybe we will get some prizes. uh, maybe even the biggest ones , uh, some group of such refined wonderful professionals will praise us there, and there this one, but these people, with with which they do not fall off my hands. for me it is more important than all these yours.

hmm, i worked out some principles for myself shooting on for in the war, which i even formulated a separate film, do not shoot at the cameraman, in which, as it were , in the script move was here is such a, uh, list of rules for a war correspondent, how to survive and at the same time tell the truth is rule number one. follow the soldiers. just do n't organize anything. do not ask to shoot a whore,

just follow. and let it be the most honest soldier when you definitely get into center of planetary events. today. this is donbass on asphalt. this splinters do not hide. this must be understood. a cell phone is deadly. today, a mortar or howitzer is pointed at him with an accuracy of 5 meters, but if journalists are being shot at accurately, this is a sure sign, that they are telling the truth? because they don’t kill for the news, they kill for the truth, and the documentary filmmaker just has to be where the main events of this time, the war, take place. she simply opens them, no doubt that there is something

there that is always latently hidden behind a certain such a varnished lie. suddenly truth, authenticity. this authenticity is manifested, as during an earthquake or during a volcanic eruption. this is lava, hot authenticity comes to the surface. you must press the button at this moment. i made a decision for myself. when i don’t pick up a weapon, my task is to shoot. i have to be next to them to share their fate, and they understood it and i understood it, my officer friends. uh, what a camera, it hangs 100 times. e is a more powerful weapon than any mortar, or howitzer, any machine gun, and so on, and they are i knew i didn’t see that here are some stories that come out, they are, uh, pure lies, and they

nullify all their efforts, and so on and so on, therefore, they protected me and people like me . we write further the charter of the military operator of the rule of the military correspondent number three, you must be on one side not to run from the federals to the militants and vice versa, it’s not even that it’s deadly, you involuntarily carry intelligence information and you’ll definitely substitute one or the other, it’s very vile this game of objectivity. in the end. you kidnapped, then either killed or sold for the money with which they buy weapons, that is, you again multiply death. let the other side shoot this moment. e revival and return of history. eh, in fact, or the country is here. eh, actually the direct way. ah, a direct obligation. uh, and that's a very hmm very efficient

way forward. e for a documentary film, a family album. only not in a straight line, here, but still it is a family family. and one of the projects, uh, which was called peasant history. uh, tv channel culture, he went out. it was a four film look at the history of russia from the countryside. in this case, from the village of the cossack, where i come from and the history of the family. eh, my great-grandfather from slava to the northern urals dispossessed family. exiled someone died at that moment. i was just looking for these places where they were in an absolutely miraculous way. they stayed alive, they went into the forest, that is, they didn’t go to the mine, they didn’t go to the camp, but they just went to the taiga and how, uh, such hermits lived and they remained alive, and those who remained at the mine and in the camp all died. we raised the echelon lists. we

they knew exactly where they were going, except for the family tradition. but since this, well, is not, of course, a direct history, there is my family, but the history of the country. therefore, if somewhere i had a gap, if i didn’t know, uh, something about my own, then i was talking about other russians who were exactly the same close people there from the south of russia, well, not so important. and this path is still the most important for me. i have never seen material so symphonic, so ambiguous and profound. squeezing like this stuff pradedzhil here in such a house, until he built, the second stone one under an iron roof, just like adobe under reeds, not every master could lay down such a roof. she is a work

of art. a very beautiful house. he breathes in the winter it is warm in it, or it is cool there, he sleeps so well in it. it is perfect for relaxation and cleanliness. after all, almost all household work was either on time in a separate kitchen or under such a canopy. this is how they make ropes and all ropes sharply, which are necessary in the peasant economy right there in the yard. this way of life for 5,000 years, as long as they can live, remaining proportionate to nature. these are the windmills water ideal of modern ecologists were everywhere, so that you come up with rational, more harmonious, more economical, more environmentally friendly. just more beautiful wind. after all, the wind will not stop, the river will not stop. and this is such a sustainable production throughout russia, what is today called renewable energy sources, the local village was invented, such floating mills are an ingenious engineering

solution and a river. don't need dams block the water level, rises and falls along with it rises and falls mill river. mountain spring spills. this means that livny's gas has juicy milk rivers. honey shores. no, there is no country in the village, when there is a village, it means that the country is accessible, all fields are cultivated, inhabited. there is real peace in this geopolitical space. maybe only here under e, some kind of empire, which well, i think it should, as it was it was a christian empire as soon as people thought that they could refuse christ and as soon as it arose in the seventeenth year, they said that this glue that bound us christian was wrong. let's think of some other communist, as soon as this is gone and the empire weakened immediately then in the

seventeenth year on the borders of the empire, about the same from these same points, about the same fire caught fire, as in the ninety-second there in the ninety-fifth year and further and further and then i am a supporter of such a deep state. hmm, which would still unite all our peoples. and when this happens, then the war becomes. if this does not happen, as it did not happen now with, uh, with ukraine, then this is a war and there will be blood. it will bleed endlessly and the war will go on endlessly. in any case, they will not leave alone, neither ukraine nor belarus, and it will be. because geopolitics to live between two dragons is impossible to understand at some point at some point that while remaining personalities to some extent close, but different, we must be together, we go and swim there to the upper

reaches of the main ural river. kyu with the gold-bearing richest tributary to the border sverdlovsk region and perm territory that is how the russian hunting hunters and yermak's cossacks went north along the ridge along the rivers, then the gold diggers of the miners to find out the builders of the factory much later the son was settled. well, the river is a symbol of time, but for us, cinema exists only in time in space, it does not exist. in this sense, uh, the talk about the river is very consonant. mm, the river of time cannot be entered into the same river, there is expression and soviet filmmakers at all times. they filmed a lot

rivers. or there is also travel there and when you are floating over the river with fog, which is very convenient to mount the chronicle. here to tell about time and the river what? nevertheless, salvation and soul is precisely here it is in the province. victory is not in moscow, nor is salvation in moscow. it's for sure that she is there, i still see that there are living people, there is true life, which is still glimmering.