go, these are cars not equipped with first- aid kits and fire extinguishers, that is, conditions and malfunctions under which the operation of vehicles is prohibited. this is also a violation of the rules for the transport of passengers, as well as a violation of the rules for maneuvering road signs marking preventive measures cost only in the pershamai region, the substrategist milking has already managed to record more than 80 violations. the transition to artesian water in minsk succumbed to the work of large-scale paralysis, and the project, where the moskut and frunzensky district cities connect you to the underground input springs for 5 days per race. where there would be a pod, yes, at the niche of a plazzolka for one of the facilities near the system for an agro-town, the show is thought to be kolya's friends two months after, and the drilling of the ray sphere at a depth of up to 350 m is subject to. . in order

to build this object and with the least damage to the existing infrastructure. including landscaping, we provide for the whole range of measures to preserve the maximum green finds. that is, somewhere we will transplant somewhere, try to leave with punctures. it's with anyone to use. uh, the technology is comparable to subway tunneling kits. it will be microtunnels. the task was set to complete all the work by the twenty-fifth year. there, regarding the iota, the pump station itself is knitting the reconstruction of the minsk water treatment plant. the new system will make it possible to provide the spot with water. amal million is charon the capital. affordable earned occupations will be tire uruba class by total ukraine violated over 5,000 schoolchildren. children get acquainted with the three disciplines of circuit engineering and microelectronics programming and 3d modeling basics. it technologies schoolchildren from the age of six comprehend the groups are divided according to the

size and are different for 12-15 people. our children study robotics with the help of certain modules, and depending on their age, we develop methods. uh, based just on their age, that is, so that the children can understand. we did several rounds. and there such some cubes fell or while waiting, and we controlled them through the laboratory, he can go one way, or he can go the other way, he can turn off the light and turn it on, or he can blink. and for teachers, advanced training can be carried out on the basis of the pedagogical university and the me-maxim tatanka at the broom of the mentors otrymlyvay povetshina held on the pattern. from a distance to a fashion show in belarus, today you started your one-of-a-kind vova swam youth action with a meeting of led writers

as soon as they hung quests buzzing and quizzes by candlelight at this non-native language event, the ministry of education was in charge of checking the republican dictation measuring the kavana until the day of national unity. the song of the belarusian near the center from the terrible bridge is already the same and the work of the belarusian poets from the canvas of young painters, but the exhibition of the work by the occupiers of the international plein-air halons the theme was 140 years from the day of the birth of the national poets of belarus, yanka kupala and yakub kolas, the destiny accepted and accepted the yak-podchatku. mustaches, as well as folk mastoques from the formidable regions of the allied power. example passed and knitted and in the homeland of kuba kolos these are ismoi and mikolachins albuts. so, here we worked for 16 whole days of this, not counting the day of arrival and the day of departure. e of our guests in russia, the work is dedicated, allegedly to the yankee cole.

this is actually the house where they met, and there was a stone on their property, and uh, i decided to immortalize their names in this stone, as a symbol of the stone. it is something eternal, indestructible , stable. yes, national centers from the terrible bridge near the work were exhibited at the slavyansky bazaar near vitebsk, you can visit the exposition to the end of the bonfire. the french remnant and already put their belarus at painting still lifes at the people's stellali put up at the pushkin library gallery, pictures tell alleys about writing and any to ukraine and what a bridge to live for several years now a house near vitebsk town streets rural bloodworms, all year round over henyae for creativity and a wife. belarusian, your nature. this is the invitation i draw without one bush one

road. everything is beautiful. i really love your uh, from the tanky nature of flattery. eh, it's very beautiful and here i have it. i'm calm. i retired 4 years ago, so here for me every day you can talk. so it's a holiday. we walk not very far. and here i am making a landscape. or a still life, when i do all this winter really shines from it, some kind of inner light comes from it, filled with the love of the one who saw this tree. these fruits, these houses are ours with such typical belarusian roofs. i'm just delighted how much i see the love of respect for our people and our culture. i know that he lives in vitebsk and he told me that

he is insanely inspired by the streets of architecture by people who are simple, but such friendly people are everything in belarus. this excites him and makes him paint and has been painting for more than 30 years . this concludes our issue, probably for the region and insha, the projects of beltelera do the company are available on the website tvr.cropka.by of the reception day.

golden baritone of the country people's artist of the republic of belarus vladimir gromov hello and right away i want to start with a baritone voice - this is the middle voice between a-a, tenor and bass. but you, for example, uh, could take some notes of a tenor or a base, you need

to understand, that is, in principle, this is a bass scale, for example. here , the baritone has a slightly higher segment, but we also have , uh, a certain uh range in which we intersect. tenors are even higher. that is, this does not mean that one sings here, then on the next floor a baritone. and on the third floor there is already no topic. we have when we go to one of these territories, and one and the second and third. it’s just that for some it’s, well, it’s in the middle of the range for someone it’s the same at the bottom. and for some, this is the top, that is. well, in principle, a baritone, if you look at the bass, and it differs from the tender. well, roughly speaking, the bass is a third a quart down. well, 3-4 notes down, and the tenor is 3-4 notes up higher. well, the actual coloring of the voice is also bass. it is so thick, timbre, some kind of santa claus, you know

cedar, this is the voice from which everyone pours there women's hearts, probably in the hall, and the baritone, which, well, the baritone burns. here is the voice, too , women's hearts bleat, and personally yours is what is your favorite party. well, i like it, that is, from our repertoire. here in the theater i probably like it and the closest thing, probably, well, not closer in terms of my human. but closer in that i directly bathe in it. it’s comfortable for me to find some new ones in it every time. nooks and crannies is the part of the scarpei in the play melancholy. e heaving here is the villain.

but it’s interesting to play some of these ambiguous characters who seem to external. i mean now myself behind some kind of external. uh, an absolutely prosperous façade, it turns out, some such secret depths of the human soul of the human, probably the abomination of filth, were stabilized

specifically in this character. and it's interesting to dig there. this is it, this is it. this is also a kind of actor, not just a kind. oh, well, another thing, we all remember very well that this term is such an opera here you need to go out and sing. well, it's good to get out. it's good, but still. we are called those operas and ballets, and if the theater, well in my understanding, these are, well, their own laws, that is, it does not arise any hmm, any rejections or bewilderment of bewilderment about the fact that in a dramatic performance there the actors do something there, something there performs some super-tasks of the directors, so that they tumble there, do something else, move, live on the stage. we are not repulsed by this. why in the opera and ballet theatre, if people live on the stage? why should this

be taken as something with hostility? we just sing to you they say, we sing. well, we have such a musical text. this is its own another thing. yes, it's difficult to combine, because after all, when you move, then, well, something else gets out of breath. naturally. everything is good in moderation, when, for example, the party of one or another character in the opera is overly very heavily overloaded with movement, you are out of breath. let's say we have a very complex performance. it would seem a children's opera, and the tower-teremok is the party, my wolf, we are the funeral service the first uh, the first uh, the first act. you just take off this suit , you can squeeze it out, because, well, you move there is something not like a person who walks upright you walk. but with these some kind of half- bent, this is bestial, something is needed. here's to bring in yourself so that the children believe. yes , when they tell me volodya well, you do

n’t get into the role so much, otherwise the children are crying. they leave the room. i say, that means that the task of art will reach the children, did not remain indifferent. well, jokes are jokes, but nevertheless , just the same, children in children's performances. they see this falsehood, right away . and we also see falsehood in the same way as we switch the television channel, we stop there, let's say some kind of movie, well, 2-3 seconds is enough. you will see how from what angle and how to pronounce the dialogues? how are they written and how are they pronounced? i don’t understand that we won’t watch this, or once we were pulled in there, and we didn’t notice. how about one and a half to two hours. that's it. we are any person. he is a psychologist by nature, because we still live in society since childhood. that's about childhood. what we were like in childhood, you dreamed directly of becoming an opera singer , your parents brought you

up purposefully, for some reason they remembered, uh, zhvanetsky’s phrase how have we been there all our lives, and a man stubbornly crawls to the cemetery, fighting off people in bely, so it didn’t happen here that i dreamed from childhood that i would be on stage no. absolutely not. this came, probably, already later precisely singing. here are the operas in childhood absolutely. i didn’t even think about it, because, in principle, this was not in my life, in my life there was a guitar, and so they kissed it all. you have a mother, a singer, a father, a guitarist , and, in fact, you grew up in this work. and then who did you dream of becoming a father? guitarist mom is a singer and i played the guitar. well , naturally, i drank some children's songs there, it was a hobby of any of this group. there, i remember something at the graduation, something with

a guitar, even some other song scorpion managed, but nevertheless, and all the dreams and thoughts, and somehow here is a projection for the future, how my destiny is being served. i had some guitars in the field. that is, i thought that i would play somewhere. well as a concert performer and teach. actually, i did this for a long time, and already vocals in terms of such as messi's lifestyle already emerged much later during the military service and after the service in the army i seriously decided that yes, we are finishing with the guitar. well, that is, we are finishing completely, but in terms of studies. i also worked for a long time as a performer, but my studies went further in the vocal direction. i tried to enter the preparatory department of the conservatory. well, it didn’t work out there, but adama

ivanovich murzich, when he was sitting at the entrance exams, he looked up and said, so you are our boat, and then he was the head of the department vocals at the minsk musical college. here it is with its easy serving. i entered the music school. well, then after the conservatory school, that is. well, i had wonderful teachers. this is oleg vladimirovich melnikov. now my colleague is the honored artist of the republic of belarus bass adamasmanovich murzich, when melnikov was on tour , he studied with her husband at the school, and at the conservatory. i studied with mikhalych zhuluk, because he was an honored artist of belarus in his teenage years as a soloist of the opera and ballet theatre. that yes, then for some period they also worked as a colleague. that is, even when working on stage, you still feel not just like a soloist already such a creative unit, but this uh such an

adrenaline worm that sharpens you all the time so your teachers are nearby. gotta keep the brand. how far away, they say, keep your back. so he didn't let him relax. actually, this worm, he still does not allow to relax, because somehow you always went on stage every time, everything you also pass the exam in front of you in front of the audience in front of your colleagues. he on the voice is very reflective of ordinary people. but for vocalists, too, this is a very serious aspect that is very difficult to overcome. some are just stuck. that's psychologically clamped. this is where experience comes in handy. i remember absolutely absolutely clearly how i had such a straight click. i'm worried, i'm worried, we have to go on stage, i'm worried. well, stop, i'm worried, i already sang there there in front of so

many incredible ones there, let's say in korea 7.000 spectators and everything is fine, i'm worried here. then, well, okay. here is a difficult party, there is a difficult one, they sing some kind of aria. i'm so worried, but i sang such a performance for a large number of spectators and everything was fine, so i'm trying to persuade myself. you , as a professional, have already reached a certain level, you can do it. that is, you should not worry, that is, excitement is, roughly speaking, you put a stick in your own wheels and saw this soup. on which you sit, that is, like these in your head, it all happens at lightning speed, of course on the stage, because here you go. and here, and you feel, and how it will still jitters and this is the work. strictly speaking, the one that occurs in the head, there are parallel processes to a normal person. this is called god forbid, because you also need to know that

your neighbors are singing there. well, i mean. uh, the other characters with whom you interact with us on the stage with music, there is something to do, you need to sing with words in tongues and still imagine jitters, that is, we want a different one there if you want to fall under the stage, do you do any physical exercises? yes, very often many of my colleagues already know who gromov breaks on their fists, pushes up seriously. interweaving yes, well, how, you need this adrenaline somewhere as children and then again, because there are a lot of people in my time and with good voices they couldn’t cope with excitement. that is, a straight career did not work out sometime, of course, and

what did you do it now you want to fail. well , they came up with something on the go, sometimes, probably, and so it happened. that is, this is such an absolute force majeure, in which you are just time on the stage, here is the theory of relativity, you know, here it really is on the stage. that is scenes. as they say, this is really some kind of incomprehensible one. not a temporary oasis, but something incomprehensible, that is, there is a second for you, it is like this, and someone is there or you, let’s say, are watching, then the recording, yes, it’s not noticeable at all. and for you there, a whole life flashed before that during this period, when there is something going on with you, while you are, forgot a word or something there matists there or something here. well, there are some subtleties. it seems to you that a whole eternity has passed in this sense, you will absolutely want to want to while

you cough. this is very common. the fact is that well, here you need to understand physiology, you know with us. well, as people say, when they work out in the gym, they work with muscles. we have these two little links. he also works there in this mode, but we need it. screaming here fill the whole stage with the sound of the hall. we do n’t have a sound, some people think that he into microphones we sing on the stage of the bolshoi theater no , we sing live. so the ligaments work at the limit, there is even such, uh, some kind of non -statistics, but in terms of the number of decibels of research, the plane on takeoff gives out something, in my opinion, 100 120 db well,

good singers also have a noise load. they have a strong strong voice. they, too, they give out noise. this noise pressure is 80-90 db. that is, you can almost imagine it, and in what mode these two small little muscles work, why? i say that are these muscles working? this is how we have a person, when he works, he sweats, but here are the muscles too, but there they sweat with this sputum, as it is called? and now, when it is here you sing , sing and understand. here she is. here she is, she is being selected, and now she is about to jump out. it 's just a guard. it feels like what are you doing? well, it’s necessary somewhere, somehow, it’s called on skill to relieve momentum somehow, well, every person knows how to hold out the phrase with this to the end, because somewhere in there, somewhere in some interval, they will clear their throat and continue to drink, because, well, it’s true, it’s

really such a scourge and it’s very difficult, but without it, it’s impossible, because no one can cancel it. you came to the opera and ballet theater before you finished your studies, how did it happen that you were invited. well, how, how did your fate come to be, or rather, to the theater. it was a call once. i sang an audition for another fate at a music school in my fourth year, in my opinion, well, they decided to wait there, because it's really early. i understood that it is still one thing to learn, another thing already work. seriously, going on stage, because you can’t explain to the viewer that you haven’t graduated from the conservatory yet, that you’re only studying here at the school, so i had such a concept in my head that it’s not necessary yet, that

is, a person should, in principle, to take place somehow here internally to be ready for some certain, but at the same time, stage in your life, but when you have already studied. at the conservatory, and this happened when i was in my third year, we have, uh. well, every year at the opera studio exams, that is, they prepare performance by students, and there they come. uh, the chairman of the commission, someone comes, then the chairman of the state mission came hmm nina ivanovna kozlova, honored artist of belarus, she was in love and a soloist and was in charge of the opera companies of our theater, and she was sitting at the performance. it was a key performance, in my opinion, i sang there. well , how he sang hematorium and sharpesa, that is, in

one performance of one character in another of another. she listened to speak. oh, so this guy needs to be auditioned. that was already the second entry is the theater, and it’s already there, since 1999 i got into the theater with russia. i was a third-year student, and since then i have been serving our theater, it was difficult to combine study and work, because, well, you need to be called in two places in one at the same time i will not hide it was hard, well, it is called falling asleep in transport. well, just the same, at that time there was a lot of everything learned, done, a reserve for the future. i remember that even the fate of the college and working at a music school. i took a tape recorder with me and there were no smartphones. it's now that everyone has a voice recorder there, then it was necessary to put this tape recorder in the bag. he was heavy there, three or four kilograms, carried with him a music school, recorded something,

listened to it. oh, i recorded it wrong again, again i listened to such a bow in canada no, well, not in the key in the key. there, uh, these are people, let's say, well, who have something of a hearing problem with an ear for music. no, here, uh, tonality and no. there is no slightly high-quality note, that is, the quality of the voice sounds right or wrong, because what this is, in principle, vocal training, after all, in principle. well, what is singing, as adam smanovich murzis said. it's uh, good. decorated scream well, it's such a good expression. here is the vocal training. this is to teach a person not to use unnecessary muscles. we like. here, let's say, here they are standing with you, so i have a clean glass in it pure water, so that there are no impurities nor we are not inside the glass. that is the task of the teacher

to listen. this is the main grain. here is the pure voice of a particular student and force make it so that he doesn’t connect extra muscles, so that it’s his voice that sounds with his timbre, and not some kind of husks there, and that’s just the same, for this, he took a tape recorder with him and listen, because there’s nothing right there you won't believe. you can’t twist it there, only here is the sensations and the ear is the sensation of the ear. blue heights will drop the heart, what to think instead of the camp of the right words? that they will lose their meaning, only one thing i want to say. this land.

thank you for those with all my heart. i owe the best in my life to thank those of our children who grow up because they love me new close since childhood your grace is considered to be creativity. well, it's pretty hard to make money. and when you chose the path, uh, like your parents, uh, didn't they

have such like, let's put it this way. e instruction, what they say son? think, do you need, maybe still an engineer? i believe that my parents were absolutely happy in the profession . mom, as a singer, dad, as a guitarist. he still works with children. well, he enjoys it. he even on vacation he ca n't stop. he still might even with them on the phone he will talk and talk. here, and you do so so so so so for hours, maybe, that is, a person is passionate about this all his life and when a person receives hmm satisfaction from uh, well, moral satisfaction, then, probably, some material goods go to some is another plan. and there is always

something in life. not as, probably, someone would like, but, nevertheless, there is always this balance. are you or happy? and happy, even if by some lesser material means, or you are engaged in unloved business and you have a lot of money there and there is a mass of material wealth. so far, as far as i know, so far, in principle, this is happening, as they say, uh, well, there is such a saying that it is impossible to earn a lot of money with honest work, so the main thing here is to be in harmony with yourself doing what you love, it brings you joy. and then that brings joy. e, surrounding translated specifically for me. i work in the theatre. why do i serve for some kind of ambitions, or still in order to share with people what i overflows. and so, if i position myself, i am in such a world that i

want to sing this or that and show like this for someone for the viewer. i enjoy it, so the viewer will enjoy it. you have traveled a lot around the world , where you have performed in germany and italy and the uk well, of course, here are the countries and kazakhstan, russia and never. well, i guess there were probably some offers to stay somewhere. one should even have been very soaking sentences for many years back. yes, and very seriously discussed. it was just at the dawn of my singing destiny , i had just graduated from the conservatory, but i was already working in the theater, and now after the competition i was offered to go to sing a performance, uh, in chelyabinsk, and they promised there, just mountains of gold. here i come. well, that is, i already had a family and i

already had an older son already. well, he was small and that was all for natalia, so we seriously thought about it for a long time. well , anyway, i decided. probably not. one must not love one's profession in order not to wish holiday. and this happiness for your children. you mentioned about your wife that we met on the poster. so, right off the bat, please, sing while sitting, here in the studio you will get actors. they always play in life. we always wear masks.

you mentioned your spouse and it is very interesting how you met, because you have a sphere of professional activity, well, the culture of art is the wife of a pianist that we met on the poster. well, it really happened. well, that is, in fact, hmm, we existed in parallel. actually in parallel worlds. well, a friend is nearby, because, well, not the musical world, it is quite close. the mutual acquaintances are her girlfriend. uh, she lived next door to me. mom girlfriends with my mom, generally lived in

one in the same room, when natasha studied at the friend there, as she said. here pay attention. oh, no, no, not mine, well, as the years passed, some time passed. here they participated in some general concerts, so they began to communicate. well, now we have two sons. and sons , too, went in your way. yes? well. so to speak not quite along the same path, but in the same direction, for example, well, the eldest son, he first studied music, yes, he studied both the guitar and the piano, but then we stopped professional training, and somehow he fascinated by the acting direction, and he is now studying at the st. petersburg institute of performing arts. e. well, this is a former gimmick. now it's called orgy. well, this is the six boozes in the russian federation theatrical. uh. here, he is studying at the acting

department for the second year already, and the youngest son studying at a music school. well, that is, he studies general education and at a music school. maybe in the eye of a guitar. my dad fedor is 9 years old? the first music school, well, in the class here gromov fedor is studying with gromov valery vladimirovich

and what plans his son has for the future is already being discussed. well, what if he is a musician? i, probably, will only be glad, because when many people say, oh no, so that if he were a musician, god forbid , it somehow hurts me all the time, they say, how one should not love one's profession. to don't want this, this. the holiday and this happiness to their children is such a creative person. and that's very interesting. how did you propose to your wife? well , it was probably some kind of romantic romantic story. no, romance. it wasn't much. uh. in the car and at the entrance on the day of the wedding, it was generally fun there. i put on, i was like, well, my

pajamas looked like such a striped rob from a concentration camp prisoner came with a bouquet. here in this robe, not in a concert costume. i already spoke then. well, that is, he i had a tuxedo with bow ties. well, i came here in this robe. here is such a phrase in this. and in free time, let's say some kind of hobby. maybe, well, sports are not strong, although i like skiing. it is not always possible, though, to combine it, because it is a

winter sport and in the summer you don’t go on vacation in the summer, but you have to sing in the winter. here we recently went there, well, the elder son rode with friends, the younger one rode. i ran after him , ran, that's all, then i started coughing. well, the frost is cold, still singing. yes it is necessary to save, that is, it's all possible, but when there is some kind of temporary reserve for that's the disease, until we pass, if we caught cold air. well, i like it very much, but it's not always possible. and in your career what are your plans for your career? how did it sound in the song everyone believes the best? well, i want there to be new and some interesting performances. and, of course, some of the performances that we had before, so that

they would return to us again in the system of some kind of new production. she enriches herself it is interesting for performers and spectators to look at this or that performance from a different angle in a different setting, and it also enriches the actors a little. they work differently in other performances. here it is right away. over the request to sing, sitting here in the studio, it will work out. why not? there is, uh, hmm, a phrase, what actors say, they always act in life, no, in life we ​​don't act. we are real in life, we play on stage, but i just talked about it. there is a beautiful work such a question and what we talked about works for baritone. and so beautiful aria, mister x but it ends just right.