with a performance that we used to have, so that they again return to our system , some kind of new production enriches both the performers themselves and the audience. enriches a little. they work differently in other performances. so here's an over-request right off the bat, to sing while sitting, here in the studio it will work. why not? there is uh hmm such a phrase what actors say they always play in life is not in life. we don't play. we are in life the real us are playing on stage, but that's what i was talking about. there is a beautiful work. so the questions are what we talked about works for baritone. and uh, a beautiful aria, mister x, but it ends with just the same phrase that

indeed we always wear masks always be in a mask, the sun. vladimir thank you very much for the excellent conversation and for such openness and execution, as usual, we still have a blitz survey. mm small questions short and short answer from you. are you an owl or a lark? should a person have enemies? i think that there should be a bitter truth or a lie for the good of life - it's always a compromise, a compromise, which means, probably, a lie for the good on which platform you would like to speak success or money, probably success is a believer. yes? whatever you have never done in your life, you would never want

to live differently. we fell, we will not chop up the new day and rob it to our music. i like to teach intradermally once us. i attacked the whole in the sun, in not timid hands, on the tips of our fingers, music on puffed up to think and opening before us a thousand roads music can change color.

pokulki, i'm a desktop look. we are music inside our skin.

do you know how the middle ages, the local nobility entertained themselves, these were court jesters' balls, and, of course, theatrical performances, but puppet theaters or a battery were in demand among the peasants. this original art has come down to our days. we are in the city of novopolotsk in the center of crafts and traditional culture, where a person lives and works, who day after day revives the traditions of the belarusian batyrka and even directs the folk puppet theater, as a battery appeared in the life of andrey rechikov. and what are the distinctive features inherent in the vitebsk battery, we will find out very soon, and

alina is involuntarily with you, this is a project of fashion for culture. bakeika or the belarusian folk puppet theater is one of the oldest types of art, the name batleyka comes from the city of bethlehem, where, according to the biblical legend, jesus christ was born, theaters of this type appeared in europe in the 15th century, and in belarus a century later, the belarusian batlich theater is characterized by the same features that for the european theaters of the middle ages the repertoire can be divided into two genres, high, religious themes and low satirical scenes from life. in this regard, the hulls of the batleys had their own characteristics, each place of the construction carried its own special symbolism. on the left side of the top tier. usually there was a paradise on the right side of the lower tier, hell, yet the belarusian batleys had their own distinctive features in our country there were several varieties of such theaters, one-story two-story with a tower

three-story shoes with transparent decorations. which changed during the batleyka performance on the principle of the shadow theater of batletics stars and others. let's take a closer look, let's take a look at the battlestick, built on the principle of shadow theater. and it is called a goon, this type of puppet theater was widespread in the vitebsk region in the eighteenth nineteenth centuries. the name goon comes from the word manger, which, according to the gospel story, the mother of god , as in the cradle, put the newborn baby jesus after 1864, the living room was and in the middle of the twentieth century , not a single original device was preserved on the territory of belarus. andrei retikov was directly involved in the restoration of the folk theater, who continues to successfully develop this type of traditional art in march 1996. andrei mikhailovich began

working in the novopolotsk center of crafts and traditional culture. in the same year, he staged his first puppet show based on a play by frantishka, alikhnovich, ulyastny, gushkars, puppet theater, likhtarek, that was the name of the folk theater, kapelyush puppets, then passed, a long way of formation and development, only in 2003 the theater was renamed into a folk theater, a chrysalis, a pilyush, and the batleyka format, creative searches and experiments were finally approved. in this direction, they brought the long-awaited success for participation. in the first polotsk festival, the backstage wings of 2005 and the revival of the battery theater and its permanent leader were awarded the gratitude of the management of the yakub kolas national academic theater. card of novopolotsk puppeteers, and in 2018 andrey reitikov was awarded the title

of the republican contest man of the year. culture in the nomination folk art andrey good afternoon, good afternoon. tell us how the battery came into your life. battery in my life, well, probably it is. it's hard to say, that's what it is so that it suddenly appeared. uh, as if interest in the battery has been around for a long time. uh, but he was walking in parallel somewhere. uh, even at that moment, when i was already specifically interested, but it was there some kind of 90 some year, uh, and i also wanted to make a battery. i also wanted to make such a, uh, some kind of entourage room. here is some kind of small chamber hall to stand there by the batley, everything is there, this is it, but somehow everything

did not come to some point, this is it, that is, the interest was going to the material everything is there, here, something even something was done, there were even some attempts. that's all to do, but then. who is more more more more and already yes, i wanted to make the battery itself first battery, everything is there, then immediately some thought went to work. but i also want such a battery, but i was already there, uh, savvy, i was already there, like this in athletics, and in parallel. here's this idea of ​​what to do here, this one. uh, it was already such a theatrical battery class there, when i had already implemented this idea, uh, an excellent class to do 13 years passed when your first performance kol was released and what kind of performance was the

first performance was in the ninety- sixth year on carols. it was like this staging by the ulyastny gusshara based on the play, frantishka lyakhnovich. we approached this moment in such a naturalistic way, because the scenery we had was such it was made by a screen. we hmm made such gloves. uh, they sewed dolls. eh, they were sheathed from foam rubber there , here we got a shiinka baba kargota there, there grandfather biolun, and so that it was already natural ears. it was only a little in this room. he was like that now there is a stage. there would not be here there was a wall. here, well, anyway, in this room, we had the largest room and we brought real pine trees here since it was such a real one for our ears, it smelled x. and here

such branches hung, there people sat like that, all that. here is such here such immediately. well, that is, we are immediately the first performance and immediately like this, globally, it is very interesting how the batlyka works. here tell me about it, when they say the word battlelake, everyone imagines such a scarf, people open the doors, and there is one tier of the second tier. that is, it is, as it were, in a medieval model of the world, that is, this is the sky, this is the earth. here, uh, that is, they pass up there. uh, let's say the divine part of the esterium on the lower earth is already traumatized there. well, it's like a classic one. an excellent performance, well, then, as it were, already when it wins back, this is the christmas part of the battery. uh, the second part of the folk-everyday sideshow scenes that are being

played can already be played. there, throughout the year, even in this sense, your theater has the sound of droplets, why such a name? well, yes, the theater did not immediately become a drip at first it was simply without a name, and then we worked as a theater lihtarik. already in 2003 there was such a reorganization of our entire theater and in the light of some actions there in terms of touring activities. this and this was already such a new format, then already uh. i already actively began to engage in batleika, and then such a hmm monologue program appeared. van drona halal adventures in blizzablovskaya science based on the play by

petr usesechenko. and how would the question become that this is already time, it will already be such on mobile to andron such a theater. so there were several names. invented well, everything turned out, accumulated a neck and now somehow you imagine that which is called in a different way somehow doesn’t work at all, that is, already a droplet - it has already become such a common noun, just like that. that's what it is, but a drop already arrived. and where a drop is already capillus, healthy, now washed, bought ears and swam on like that. here's how it was born. here is a batleika in the vitebsk region and do you know who was standing. at the origins of the vitebsk redneck. this is a buckley, which is arranged according to the principle of shadow theater. uh, why is malice e redneck redneck feeding trough, feeding trough, where mary put on the newborn christ himself, this theater is like that