hearts of the bold is not going for the first time. during the night campaign, the fighters of shechenko's sabotage and reconnaissance detachments smash german headquarters, blow up warehouses, sow panic and horror in the enemy camp. they made a lot of films of the great patriotic war, referring to the viewer, the broadest event of the great patriotic war is not commented on by historians and politicians, but by today's current russian military officers who commanded a battalion unit in real battles. for example, they took risks, who have military ordinates, and they can to myself try on those events, if there is a forty- fourth year. or the forty-first is a

scenario move, but in fact these are my close friends who arose during business trips to these modern ones, on which i was almost on everything, everything is decided by the interaction of military branches and services, when people are personally acquainted, especially and also it was with us in afghanistan and in chechnya when they fought the same thing, when their own people were already there. you know what they'll do, the possible and the impossible. it took 2 minutes for unikov's division to land with him the best snipers walked along the famous philip shirt on the flash of shell explosions, managed to take aim and hit in complete darkness, not a miss, but first a missile flurry hit the coastal mounts from a boat for the first time military history 600 missiles on a small section of the coast burned all the horsemen on the air transmitted some understandable only to them with the captain’s law, the numbers

and the battery transferred the fire every second by 50 m. into the depths, they went with a blockage of their fire into one holy faith in zubkova’s jewelry precision, therefore they were invulnerable closer to the fire guys, the command sounded. it got even closer. when i was making a film about the war in chechnya, where i filmed the most difficult moment. so i wanted to attract one director, it seemed to me that we could do it together. and the main thing for him was the construction of the form, the main form, and the content is not the main thing, firstly. secondly, it means something, a party, a festival conjuncture, which, by the way, changes very often. so you can follow this conjuncture, trying to get a prize, er, lose your soul. i then told him maybe maybe we'll get some prizes. eh, maybe even the biggest, maybe, uh, some group of such refined

, wonderful professionals will praise us there, and there this one, but these people, from whom they do not fall off my hands. for me it is more important than all these yours. i worked out some principles for myself shooting

on for the war, which was formulated even made a separate film, do not shoot at the cameraman, in which, well, the script move was here is such a, uh, list of rules e war correspondent. how to survive and at the same time to tell the truth to rule number one. follow the soldiers. just don't organize anything. don't ask to shoot for a shot, you just have to. and let it be the most honest soldier rounded up. then you will definitely fall into the center of planetary events. today. this is donbass on asphalt. this splinters do not hide. this must be understood. a cell phone is deadly. today, a mortar or howitzer is pointed at him with an accuracy of 5 meters, but if journalists are being shot at accurately, this is a sure sign, that

they are telling the truth? because it doesn't kill news kills for the truth and the documentary filmmaker just has to be where the main events of this war are taking place. she simply reveals them, no doubt that there is something there that is always latently hidden behind some such varnished lie. suddenly the truth is authenticity. this authenticity is manifested as the time of an earthquake or during a volcanic eruption. this is lava, hot authenticity comes to the surface. you must press the button at this moment. i made a decision for myself. when i don't pick up a weapon, my job is to shoot. i have to be next to

them to share their fate, and they understood this and i understood this, my fellow officers. uh that camera it's 50 times 100. e is a more powerful weapon than any mortar, or howitzer, any machine gun, and so on, and they knew it. they saw that here are some stories that come out, they are, uh, pure lies, and they nullify all their efforts, and so on and so forth, therefore, they protected me and people like me. we write further the charter of the military operator of the rule of the military correspondent number three, you must be on the same side not to run from the federals to the militants and vice versa, the point is not even that it is mortally dangerous, you involuntarily carry intelligence information and you will definitely substitute one or the other, this game of objectivity is very vile. after all. you will be kidnapped, then either killed or sold for the money that will buy weapons, that is, you will multiply death again. let the other

side shoot this moment. e revival and return of history. eh, in fact, or countries, this is, in fact, a direct path. ah, a direct obligation. uh, and it's very hmm very such an efficient perspective way. e for a documentary film. uh, family album. just not directly. well, it's still a family family. and one of the projects, uh, which was called peasant history. uh, culture channel, it's out. it was a four film look at the history of russia from the countryside. in this case, from the village of the cossack, where i come from and the history of the family. uh, my great-grandfather exiled to the northern urals, dispossessed in the exiled family, someone died at that moment. i

was just looking for these places where they were in an absolutely wonderful way. they stayed alive and went into the forest. that is, they didn’t go to the mine , didn’t go to the camp, but simply went to the taiga and how, uh, such hermits lived and they survived. and those who remained at the mine and in the camp all died. we raised the echelon lists. we knew exactly where they were going , except for the family tradition. but since this, well, is not, of course, a direct history, there is my family, but the history of the country. therefore, if somewhere i had a gap, if i did not know something about my own, then i was talking about others exactly the same russians close to people there from the south of russia, well, it’s not so important anyway. and this path is still the most important for me. i have never seen material so symphonic,

so ambiguous and profound. a great-grandfather, aching like this material, in such a house, until he built a second stone one under an iron roof, just such an adobe under reeds, not every master could lay down such a roof. she is a work of art. a very beautiful house. he breathes in the winter it is warm in it, or it is cool there, he sleeps so well in it. he is for rest and cleanliness in it is ideal. after all, almost all household work was either on time in a separate kitchen or under such a canopy. this is how they do it, scourging all the ropes, the ropes are sharp, necessary in the peasant economy right there in the yard. this way of life is 5,000 years old, and it is still possible to live it, while remaining proportionate to nature. these are the water windmills ideal of modern ecologists

were everywhere in order to come up with a rational, more harmonious, more economical, more environmentally friendly. just more beautiful wind. after all, the river will not stop blowing will not stop. and this is such a sustainable production throughout russia that today is called renewable energy sources, the local village came up with such floating mills, an ingenious engineering solution and a river. it is not necessary to block the water level with dams, it rises and falls, and with it the mill river rises and falls. mountain spring spills. this means that livny's gas has grass urgently scientific rivers. honey shores. no, there is no country in the village, when there is a village, it means that the country is accessible, inhabited, everything is processed fields, knowing that there is a real world geopolitical space, it can only be with uh, some kind of empire, which i think it

should, as it was it was a christian empire as soon as people thought that they could refuse christ and how only it arose in the seventeenth year, they said that this glue that bound us christian is wrong. let's think of some other communist, as soon as this is gone and the empire weakened immediately then in the seventeenth year on the borders of the empire lit up about the same from these same points, about the same fire as in 1992, 1995, and on and on and on, i am a supporter of such a deep state. hmm, which would still unite all our peoples. and when this happens, then the war becomes. if this does not happen, as it did not happen now with e, with ukraine, then this is the war and it will bleed endlessly

and the war will go on endlessly. in any case, they will not leave alone, neither ukraine nor belarus will happen, because geopolitics to live between two dragons is still impossible to understand at some point at some point that while remaining personalities to some extent close, but different, we need to be together , we are going to swim there to the upper reaches of the main ural river. is the perm territory the richest gold-bearing tributary to the border of the sverdlovsk region? that is how the russian hunting hunters and the cossacks of ermak went north along the ridge to the wigs, then the gold diggers, the miners, the builders, the factory settlers much later than the son. well, the river is a symbol of time, and

for us cinema exists only in time in space, it does not exist. here in this sense. uh, the conversation about the river is very consonant. mm, the river of time cannot be entered into the same river, there is expression and soviet filmmakers at all times. they filmed a lot on the rivers. or there are also trips along the rivers there and when you are floating over the river with fog, which is very inconvenient to mount the chronicle. here's to talk about time and the river. in different places where i was, i saw that

nevertheless, salvation and the soul, it is precisely here that it is located in the province. not in moscow victory nor salvation in moscow. it’s for sure that she is there, i still see that there are living people, there is a real life that still keeps glimmering, it must be emotional, but in order for you to convey this emotion, so that the viewer feels it. you must have this feeling yourself, if you don't feel it, if you're not interested, if you don't have reviews, let's say you're making a movie in some poor man out there homeless. now, if you don’t feel sorry for him, then you won’t feel sorry for the viewer, no matter how you say it correct words repaired. you yourself have to keep this feeling if you are not

interested in it. well, here's your challenge to success. fixed salary there. well, it's free time on vacation, there to go somewhere to relax. well, that means it's not necessary. this is not your profession. the main purpose of man. this is us philosopher, the great said, whom you wild taught them lucky. my slave konstantinovich bardashvili to you. so he said that the main purpose of human meaning is to be held. i believe that here is our common profession, she i would have her for nothing else didn't change.