road spoon to dinner is it? new theatrical forms author’s interpretation of classical works search for sacred meaning every week we are in a new place, watch the fashion project for culture on wednesdays on belarus 24 tv channel

. oh, good smoke, what is it? yes? the girl listened. you’ll stay here a little cover , i’ll go, i’ll arrange a spell for him. come on, that's it, i went baby walks. she is my help.

robella, you should be ashamed. it froze everything. give oh thanks. you are ours rejoice in this came. yes, they helped us with church grass for the harvest. it just came out. oh, get up to what the little mouse is called going to be mats. responds, and i went to

work became greedy on the edge of the whole brigade screamed mine, so may. oh, fold back collected poured. why are we little michons responding. i came, come fish very fly carrots. i dug and pressed. oh , you need to get enough that the soap is not a bag, we respond with a treat at the end of the tragic district of davilovsky, the goat tract also applies, that months of action near kilometers from the village did not squash was the social deserted bread. she squeezed herself out of the frames. i only had a day. go grew up like a step, russia

some roots guessing casein and a beard, let them call the tracts of kozlov

goats like that my god you are my secrets of the rose and her

bald ? no, not by myself, i'm standing here. i hug you wholeheartedly, your friend. thanks a lot. we

are approaching the finale of this song, and you in life i would like to become some kind of artist , what plan, probably, i'm more inclined to what i want to be, and a pop singer, that is, some foreign compositions to sing, well, after all, both in russian and in belarusian in any case, we have such compositions in our repertoire. in any case, there will be such a composition. could be in your repertoire too. i think yes, well, it will definitely be in your repertoire. well, you and i are finishing this. we set off to explore new routes and lay new ones droy's paths are a museum city. there is just a little bit left and crowds of tourists will go here. start yourself admiring the unusual, landscapes of the shaman castle, the residence of the magnate gardens. sapegal 16-17 stack. i am my housekeeper out to dispose you to the walls of

our castle. pay attention to the tower clock. they are not typical for orthodox architecture money. the parishioners themselves gathered for them. let's stop in small towns and find out their history. the town consisted of only one street. it branched out. at the confluence of the rivers and reminded. the area is the so-called city center. this building on lenina 14 is the building of the railway station. travel with us to belarus 24. real professionals and masters of their craft good afternoon, please visit us in gomel provence one of the only brands will introduce you closer to our country with its accusations. belarus who is engaged in leather jackets, and we collect them here one leather

jacket is collected by six people at once and we were the first in belarus who, uh, grow lavender on such a scale, will share experience and secrets of a good mood and the peculiarity of our brand is that we are not afraid to do. we just do we try to grow even more new varieties to produce so that we do not offend them, so that they enjoy our work.

you are my business friend.

and the love of the eye thank you, i will complete the tragic region and i extend it to you to dispose of special facts of its history varta will guess that you will remember the gates, having completed the neighboring haulage of nikik, flowed gladly in the stockings of the khorys, as a result i collected the skrynishki and revived with their icy water. in summer

zhan-tires, the urezh people left, in fact with milk, and it stayed for a long time and was fresh for a very dry year. hara didn’t dry out, sometimes it fell out. a belt of baked summer, which was new at the wells, there was no water, dadas stretched. yes, i drive the shagun colle of veronica a cart with droulians, cebras, and buckets about it, later on, press the charit on the subcalculus more than the stem rivers. i eat taken from the canal. so

what is the end of our work? i am very satisfied. please tell me what impressions did you have, i really liked our job. i think that we have changed this song a little in a good way, that it will be remembered by everyone and will be liked by the listeners who will listen to it. i wish you success. to become a great great artist that everyone will love thank you let it not matter, the minus has completed creating a fresh musical pressure

for a song recorded at the ends of the drohichinsky district. yes, and our guest there is now varta to listen to kolka organically drown out, i’ll take a video stream to save alina burashevskaya’s youth. as a tradition, i call you to finish your studies to our flame folklore stories of sleep, more expensive, exactly simple money. i didn't get it. let me stand here talking,

my pretty little punch is raging, my pretty little duck. not there, i'm standing here, kissing, wrapping around your girlfriend with me. you praise yours, i'm not

ashamed of you. i'm outspoken. it's a pity, the sadness of my soul hates heavily. thank you, thank you see i

was for love. dug out

hurray

and glorifying the chignezaire blue to the sky early, which ruled the mlesse race. ponajak quarrels fly up. we are creatures. yes, the shrines emanate under heaven, throwing shi not lakes with charotins, for woven mouth-furry under the sun. you'll see, he and nick are not over, but that gold sandy beer would drink from their endless outline. here, all the more, i just want from stress, so that i don’t know the mountains, and the lake is theirs. don’t if,

don’t forget, the heart loves like a channel. hello on the air, the program shots of life, which means that today we have another wonderful guest in the studio who is ready to share not only unique shots that are most directly related, but also memories of how these shots

were created, our hero gave cinema more than 50 years participated in the creation of dozens of films, worked with prominent directors of belarus and russia, was friends with famous actors, but due to his profession, as a rule, remained behind the scenes. today we have the legendary artist decorator ivan rogaten in our studio. at that time i had a heart disease congenital heart disease, that time had already done probing. here, through my hand, i drew more with the left and started as writers for the left-hander, but at school my uncle taught me the elementary grades. he taught me so well that i changed my hand further granddaughter, left-handed and the youngest and eldest daughter also writes on the left, she can draw everything she is an architect, the

camera should not see a single gram of hack, all the hack should not go through. if you don’t know how to make an invoice so that it’s like a real one, then it’s better not to tie it up. ivan alexandrovich rogaten was born in the village of zarubchiki, gluboksky district, vitebsk region. he was the fifth child in the family, his parents lived hard, ivan was sent to study at the vashmyany boarding school, which he graduated from. for the first time on the set he got to the architectural department in 1965, and since 1968. he already worked in the staff of the film studio. belarus for 50 years of work in the cinema participated in the creation of dozens of films with outstanding masters of his time. i am very glad to see

you in our studio. and you know why i study your filmography was just amazed and surprised amazed because, well, so many films you worked, but surprised because i also worked on many of these films. as a journalist filmed stories, but did not see you. and i was very surprised, and therefore i am very glad that today we can meet with you and talk and remember our favorite films. you

graduated from a boarding school with living parents. and what was the reason for this, was your father blind? he returned, his germans took him to germany in 1940, they were liberated by the americans, and he was sick, they sold a cow to cure him, but they did not save him, and he went blind, his childhood was completely in the village, vitebsk region, the lubok region was raised on the lake. lake district, our garden was stuck right in lake. there's a closet there, they washed clothes there for fishing. for as long as i can remember, i’ve been making a fishing rod myself and catching crayfish, swimming, well, it was hard to learn on the internet. no, but a craving for drawing. in the same place, at

school, it manifested itself . just took the architecture there. i already started voting there sketches like that i started designing something myself in 64, when i entered the newspaper znamya yunost was published and for me i helped the district committee of the party draw there at school there something i had a lot of pictures. they would write to me to become this article came out , and there everyone in minsk acted so cool here. i'm all like that on one shirt, and there panties for exams. they handed over, gave and waited, and decided on k- and everything

on normal grades. and why, after architecture, they went to work in the cinema, and not in architecture, i studied with yuri marukhin's brother as a cameraman, he was already at that time, yes, film studios and i forged with this group of cinema. i didn't work, but on the set there was an island in a rural town. i remember three times. i was on set. maybe a bull then docked a lot, a good, very good person and director. it was a big building. great decoration , huge decoration, glory to the craft of the gas dealers. i went to work as

an artist in a regional cinema. then they called me. i arrived, the movie starts. as soon as you can work. let's go play grigoriev , this is the brest fortress. there was a time when it was not restored. there, the only thing they showed us were the places where you can see this brest fortress, then your immediate supervisor on the site was a little to blame. it production designer. how the duties are distributed between you the artist is responsible for all objects selection of nature selection of nature and for the

frame is also responsible because of the costumes because of the props. there is work is the work of preparing objects. and if the scenery, then the construction of the scenery, if the artist made the general ones, and then i made the drawings. dr. francis asks for permission to open a hospital for the poor, let him open it, just let him leave, he needs money. i don't have their money. what money society of saint lazarus, according to help your power. well, that's good. anchor with god, go. on the one hand , it is very difficult to work on historical paintings, because you need to match the time correctly. there was less of an artist. he had a very clear knowledge of history and architecture. and i, too, was already

connected with architecture, so there were no problems for me. there stiller architecture is such a yard, sarcado arches are built, that's all we are building belarus three floors 30 by 40 years the yard itself. arcade cover of the second floor is brick. it's full of foam. the first time we have so much of this brick brick wall, second floor, tile all of the accident well, the texture under the stone is completely a copy of the photographs. well, of course. this is a monument of architecture, there is a layout all along the columns. it's difficult there. this is all the decoration of the stairs. these scenery i drew demons, i

did the detailing. as i understand it, after this film you became a great specialist in historical cinema. the fact is that i did not have time to finish the film when i received an offer, that is, they saw that they were thinking something. it was even a large volume of five feature films. uh, the tv movie studio is also 5-7. that is, without work. it was impossible there, because you were intercepted strangely to me. why, when i came to the set to shoot films on which you worked, i saw the director of photography of the production designer of the director of the actors, and you never somehow run into each other. at construction sites and from landing settings, i am almost always preparing for landing, if there are a lot of objects, then they need to be prepared, i prepare before shooting. this is shouting from

the mogilev region. rekosos i recognize i recognize i know i scream. i know that there were construction quarries, which are emerald water, because there huge construction plant. and these are the careers. here we also used sasha zaitsev there. by the way, he invented a lot from himself and otherwise in this food here, and he came up with these pipes. so i was wondering where this tool came from. he came up with this pipe. there were a lot of improvisations here.

you, as an artist-decorator on the set , are given the opportunity to communicate with the actors, of course, but how did i make friends with many? well, sociable, in principle, i was friends. if you list, well, lyova dear, my friend was, i was in him in moscow in place. now i keep in touch. he is the rector of the pike , now he is in conflict. there are no conflicts, but to demand now i have students, many have already gone through my school. i when i pass said thank you sucks. so it is necessary to redo it, it means that the hack-work was driven out. i point my finger at them, but they are

offended no longer to redo it during working hours, no, no. i want us to see some more footage from the set. to be honest, i peered peered and wanted to see you, because i know that you were working on this picture, but i don’t know if you you will see yourself, you tell me where you are there well? let's see the work of belarusians, here's the first thing that's never like not him, well, i didn't recognize you like that. this flame was a powerful movie there, commissioned by the macher. here they built

the line of the partisan defense in polotsk, traces of history, according to them, we will read in the film frames of the cameraman boris alifer, the mighty glorious tread of our people to the great pirogue. a fragment of a wide-screen bridge film has been dug up by a hawker of an echelon , how is it removed at the film studio belarusfilm? to stage a film director vitalik shestyryakov the film will tell stories related to the legendary operation. i remember when evgeny ignatiev, the director of this picture , spoke about this film. he said that the partisan

camp was built so accurately that then documentary filmmakers came to shoot documentary films there, as if it were a real partisan camp. yes, i was preparing the scene. i remember, it's near you, maxim's hut is an object. there, postinare, a tank shoots at the house with direct fire. i built this set. here i go, this house. we have moved bought a ticket. now made with bricks. everything was one to one, otherwise it was a tattoo, but i took away the wall 3 m from the back for removal. they cut it, took it out during preparation for filming, the frame was built so that in this opening there was the interior of the pyrotechnics house, they were preparing an explosion, that is, they cut

the beams, the camera was put in a log house to pin up glass the whole group behind the wells. well, that's it, the fact is that the corners are all dormant, but all the same, the wave went only here through the small windows. and when this explosion blew, the house shattered and the blast wave demolished this march, the well of the chamber the lens is broken. knowing your such demanding attitude to textures, tell me how you watch

films today on a historical theme for the war. you note the shoals of young directors of young artists. it doesn’t hurt you or don’t pay attention, please, he says he takes off the fonts, the wrong buttonholes. tell me why you got the gold

medal, vdnkh i was also involved in the design of the studio and they called me a court painter, that is, the director gave me the building and i did everything for the interiors of the studio there three times gay belarusian cinema in moscow well, this is usually either a congress at the party or as the anniversary of the republic, but the fourth time. there was an exhibition in 1979 60 years of soviet cinema at vdnkh, and by that time i already knew this before how to build dugouts. i have everything there, and firstly, there was already an archipelago, because the partisan camp had already been several times and the dugouts in the scenery were gankin evgeny markovich. he was identified as an artist. we decided that we needed three dugouts, one headquarters. such a common and

medical kitchen with a dining room blacksmith's oven was completely brick. she was on fire i pulled, there was fire and props from minsk, the trailer came with a forest, according to our application , bondarchuk came in, he was the first, and, most importantly, he looked, well done, shook my hand. thank you today at belarusfilm is trying to film in all genres mostatian woods documentary educational animation studio has become one of the most painful in ukraine in our program,

only the most pressing topics and questions. let's figure it out. why do we need these psychological settings, what are the limits of our self and where are we real stars and expert psychotherapists, in fact, i, although honored artist. i am a very bad artist. to me very many consider it strange and crying. you see on the street ask around. i thought that if i suddenly had some hints for the crown, it means that my talent has become less than it is, they will teach me how to safely resolve any conflict situations. we continue to dislike. i'm not insisting in any way. watch the program

to understand and neutralize on the tv channel belarus 24. they live in the south of belarus in the morning the sun rises at dawn, the sonorous cry of cranes is heard native spores, embrace them meet. there is no better village get enormous pleasure. from every passing day, coaxing himself to himself, the dude, so much a reception to me, but the headlight was easier to know. sleeping now. eh, kind unacceptable. i'm not going to come acid any wild veins and instill this love of life in their families and friends 10 daughters and three sons. can you imagine how many cousins ​​it is. family woman. these are people who are already dear to me, watch the poliki project on belarus 24 tv channel. we always cook delicious food from the

heart. well, of course you know that we are today we will cook. i don’t just know what we will cook, but i also know how we will cook , share recipes, dishes that your whole family will definitely like. today we will have a fish for tomorrow. we will have chips on the table. and i think it will turn out very tasty. strong male hands of vortans are definitely needed here, let's analyze all the intricacies of their preparation of cabbage on a steak. you need to cut the back side of the stalk, so that, uh, you cut into steaks to the stalk, and throw out the stalk and tell. how to choose the right vegetables and fruits signs good apples the fruit is without damage and has no traces of parasites on apples there are no dark spots the aroma is felt even through the skin watch culinary programs on our

tv channel. one of my favorite films, on which you also worked, is a wreath of sonnets by valery rubinchik. i want us to remember these shots. oh, i'm warm, i remember like this, but here's my sketch of this particular scene, here we raise pushkin, look. and the screen screen is for this i put a bottle. he is cognac in a ruby. there was a problem with this faucet. here this is a pioneer construction crane. well, there is so much cleared. that's all space. it 's garbage. the mountain was this sketches just in time for the finhusanets. pushkin is back, that's what they call it.

this is a pioneer crane, and what difficulty was with this crane to be solved. pushkin was somewhere around 150 kg, which is one to one lorry. we opened the sides. the playground secured us. and he is only the only thing that he was electric from the electric motor, it was necessary to connect the cable, well, how to connect went to the nerja of the district, they looked at the plan all the cities. good. all let's conclude contract. we organize it all, i remember, we signed an agreement for 320 rubles. preparations are underway. we clean everything there. it's all decoration. here is more suffering. this one i left here the tiles. it's not like this, ours

is everything on the day when we need a man with a cable over his shoulder to come. you see, it will be small and we thought that it was a street stand for a poster. this is a german transformer. i have them listed as a worker. they cut ours and used it as posters, they cut it, they opened it, they connected the cable, they hid it. and there they just became three meters in order for action just turned on the screen, it worked. well, well, then we laughed at the fact that 320 rubles. from which i forgot. who are you

to the soul, and tormented by war and torment, captivating cast-iron swarthy with curls, you will crush him in the rain , still laughing, already tormented by longing, confusion, everything, victorious and all wise. that makes you happy that there is no such war for him, so that we can be separated from you and not go. and this boy is unknown involved in the music of heaven who he is to you and we had to make all the objects in these ruins around the cat to the theater in vitebsk, this bedside table with posters. there was also a train station there. and here is the school. here she went to school. we have

four levels. and there were five classes at once. this scene was and here, e, they were doing physical education on the bottom, well, the preparation was great, because it was a lot of garbage. sit down sit down children of today in our school pupils will study. musical platoon of the aviation school i really liked it here. these are

the interiors, when they are sitting at the table. oh, as far as i remember, i remember something about this film, the table is set all the time, everything time come guests, dear, fuh evening good guy. settle in, good evening, friends. feel at home, come on in. happiness to you , health, i suppose, hungry, frozen, i ask you to the table. meet understand greta and i'm the housekeeper sister of my late wife, what i did there in soligorsk in the mine cave i came, i remember, i prepared the object. they blew up a mine there, a huge height, a dwarf was filmed there,

but there was such a scene that we were filming our clothes, everyone was lowered underground. under the ground rushed no, where they began to look screaming back and forth. and where are there? yes, there were dead ends screaming for about 15 minutes, the dresser went to these dresser boxes made of plywood 1.5 m. she opened something, and he was sleeping there, damn it. you are not liked. do you smell like wine from you to me? tobaccos are all brownies, like brownies, i should rather have. well, turn around. and one more movie already. not belarusian, but which

was filmed here in belarus. i am very sorry that the plot from the film set that i shot was not preserved. i did not manage to save this plot, but i want to remind you of the frames of this film. let's let's see. and what is winter sickness? already played i see that you will fit. i say which of me is a good policeman a good field of tea. and this is what they burned, a village, my village is a fire. i don't have it here. there is a panorama, we built 18

houses and immediately lit everything together. here is a panorama of the fire. here we are on the mountain. i nearly cried there. it's a pity i spent it. i am two months old. i practically the entire village from home. these birdhouses are also ignatievsky, a technique, a birdhouse is a living species. the whole village was on fire. here fry, i did sketch done. yes, but the panorama is all construction. this empty place was not a single house.

here you are an experienced artist decorator decorator, but you never wanted to become a production designer , there were 10 more than 10 films directed by krasnopolsky all films, and they came from moscow they say we are launching a month you will go as an artist. i asked so little. the script was sent to me right away. i read it, and there is a

period from 900 calvare to 75. moreover , germany there is a messing performance, and there were so many objects there. but tell me volik and it often happens to you. well, often you see the future, well, i don't

know, this is a young messing in childhood. i know that for this series you were nominated for tef, then i bought a book on the architecture of wooden synagogues and closed it. i'm still starting the lapels of the final star. david is definitely a fucking complex. that's what they've been doing for places inside in recent years. for almost 20 years now you have been working with russian directors. and you have something to compare the belarusian director with whom the russians worked a lot that's what our directors today lack, for example, to reach the level. we have the same russian ones, either our

script or something. everything rests on the script. here is no all write any. to be honest, the series, i call them the juicer. there are movies that 5 days series 5 days gray. well, listen, you've worked on some really good shows. peoples. the miraculous gloomy river of yermolov. i worked, which is not a dummy quality serials. here are good materials, and krasnopolsky is easy to work with magnificent director. he practically lives in cinema, he is still right now, they sent me two scripts to krasnopolsky, 86 or 88 he already wanted there, so he sits. a young director makes a movie, but he is in control, maybe

he doesn’t sleep in the morning, oh, first of all , an anecdote, and then we’ll start and then this wall. so we decided to redo something.

eh, but in our studio, do you think we have very good workshops, costumes, weapons. well , not props. everything is there, that is, but now it is not involved. well, no, movies. not it's all a shame and furniture, what a lot of furniture it is, i would keep a carpenter to repair furniture for renovation, so that it doesn't break and now there are, perhaps, carpentry? well, it’s difficult, which means that now all accidents are in decline.

director lev golub, i think for the kachan in films the children of a partisan are a girl joking dad, pansies, a road, ending with a haze of the mostat film ainskiy polonaise, cameraman yegor masalsky, because a little sergeant made two films with a dove me and we shot it broke. in the organ pot there stands on this movie i got married. i built the scenery, and opposite was a department store. worked there,

nice woman. so for 3 months. i got married. i had a wedding so quickly you decided your fate. well, it happened. what have i already had? i didn’t understand, 20. 23 or something, there is a very young, well, young, well, hot, but they never regretted such a hasty marriage so much that they fell in love with it, that it’s not just that they lived normally for 47 years. who raised the kids? well, i raised one daughter. well, basically, i'm always 11:00. now i have two grandsons, two granddaughters, the eldest daughter is already 50, but they continued somehow your creative

dynasty. the eldest daughter is an architect graduated from architecture now a chic architect, the designer is in demand magnificent designers, the second daughter lives with me, she is a self-employed confectioner makes great cakes she has such a list of cakes that she is snapping up. she works well. most importantly, when she makes gingerbread, i'm just like an artist sometimes. and grandchildren grandchildren younger grandson went into the hands of the pass. now here yesterday was i wish you good health. i wish i say how you do not regret. and now i'm talking like you weaned from cross-country daily in the morning 3 km in hand, i will now do it at home, well done.