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my name is yevgeny kurchich, musician, singer, producer, senior lecturer at the department of variety music of the belarusian state university of culture and arts. i want to talk about music, about creativity, about students, about state musical projects. hello on the air, the program say, do not be silent in the studio victoria popova and tatyana shcherbina and today we have a guest musician evgeny korchich evgeny let me introduce you to our viewers. you are the winner of the talent academy show, prize-winner of the slaviansky bazaar, teacher of the belarusian state

university of culture of arts, participant in music, kima-break, music producer of state events, that we missed everything exactly. you were a little embarrassed. well, that's all about me, that's all, yes, about me i'm quite a modest person. we are now spinning the flywheel of your biography and people will understand what we are talking about back in 2012, you were yevgeny slutsky. and then a sharp change in image and we returned to our real surname evgenia kurchich. this is how to understand the matured settled down period of time in which i was yevgeny slutsky, this time falls on the team in the theater of the song irina dorofeeva i worked in a team in the creative. e, where was the producer yuri savashe and now, such a date will be invented, i come from the city of slutsk - this is my homeland. not as often, of course, as i would like, but

nevertheless, in the seventeenth year, when i went to the university for distribution. uh, we of course we had to part with this pseudonym name and i took my last name, because, probably, this stage came, i rested. i probably did the program from 12 to 16-17 at the most, and i understood that i needed to do something new, but didn’t you happen to be offended? yes, i think, no, they know me, in fact, in slutsk, by the name of kurcha, because my mother has been with me for quite a few years. e hmm doing amateur performances, despite the fact that more than 30 years. she is a medical worker. and, of course, she is known by her surname kurcha, and i , uh, including myself, a child of the regiment, grew up on the stage. and, of course, they know me by my last name, but they know the audience, including they knew it, and in slutsk they voted for me when there was the academy of talents. uh, as for evgeny slutsky, but

nonetheless. i think it didn’t directly affect my creative destiny, i recognize the styles of yuri sasha then there was a fashion for such names as pseudonitsky slutsky vitebsky yes, but you broke up, you spoke with irina well, i want to be nostalgic together with our viewers , remember how you worked together. let's watch a small video let's. well

, yes, even i remember how i lit under this song, yes, this is a story and honestly, i am very proud and glad that fate brought me together with irina yes, of course, we work together, despite the fact that, as it were, this gap within the team has happened, but today irina is the manager variety department. i am a teacher in this department, you teach, and you were not allowed to take this pseudonym or something, let's, well, i decided, so everything is all over again . so you didn't ask. is it possible yes, i did not ask? i just decided that enough is enough, we start anew and we will do what i consider necessary without producers without intermediaries. uh, i'm moving. i have already raised how it works a clean slate, then there was a slate. i would have felt, yes, in the seventeenth year i took it radically, of course, it’s difficult to break through the measures on my own, but in belarus it’s not, maybe i’ll reveal a secret, i don’t know, they are a

small market in belarus. uh, in show business. and, of course, when you write songs, when you , uh, take the right steps, smart, then everything, in principle, really works out everything we don’t have producers, because they are not needed right e need a director manager who will accompany the artist if the event is large enough, eh? but despite the fact that, as it were, an event, i have enough performances both within the framework of state specialists and within the framework of my creative trips. i still do everything myself, despite the fact that i work as an artist, and work with me in my team, the vocal group status. i, too, am for the role model alexander solodukha, yes, but why not? well, the hairstyles are similar. yes, you were the music director grandiose concert in the minsk arena. uh, dedicated to our history on the seventeenth of september. yes, this is our history. let's

see a little snippet. hai will be a happy hat, ukraine we are the outskirts of the rich. i'm the first go it's day. faith we will soon be our land. we, when i gave birth, we found our happiness, what does it

mean to be eugene the musical director of such a show, you know, when the turn of the twentieth year passed and, let's say, the creative gates opened, but for me it was important to stay in belarus and do everything possible and impossible and to show that our er, artists, our musicians deserve more. they must be bright. they should be musical cool, but the team has opened. agatha matsko. yana kalachinskaya. we began to work on such large scale projects called the state spice state special event. yes, and these are all our famous independence day holidays. may 9 slavianski bazaar festival in the town of molodechno belarusian song of poetry for the second year in a row.

we make national unity day unconditionally. it's a bit of a responsibility. at the beginning of our creative journey, as a musical director it was scary. because it ’s still young and how the director’s artists will perceive communication with me, there and so on, when you contact them, invite them to an event, set a task, but, you know right away it was trust, we were immediately somehow clear, yes, but still unknown was the reaction becomes. strictly speaking, in musical directors. such here. well, probably, willy-nilly fate. i just brought my life together with you, they noticed me. yes they noticed me, they knew me, they knew me aha there we were together and worked at the same university. i studied and she taught. eh, then we began to work together at the university and you get that you don’t want to be invited to this. we have a free niche, let's

act. let's work, of course, work together. this is great. well, this is the team you have, tell us about it. this is a team. aga agata yuryevna, our uh, chief director, uh, i'm a kalachinsky production director, of course, blitmaster. and olga navrodtskaya evgenia chernyshova roma kovalev e hmm that is, this is such a huge gang of ours as i call us more now there were a large forty people working on the project on the day of national unity, the framework, of course, was very serious and there was very little time, because the project is huge more than three hour show and it was necessary to invest in this story. uh, musical history, it was necessary to invest absolutely all the ideas that put us in preparation. yes, there was very little time. yes , she's preparation, because, uh, a large-scale project. everything had to be coordinated of course, the scenery and attributes and costumes.

it's all very hard to invest. let's tell our viewers what song they just got. heard you wrote this the final chord of such a huge show, i imagine you were torn between calling the artists to make sure everything was on the set it's normal to write nothing for hours in the recording studio. uh-huh, we recorded mixing. well, that is, i had a huge layer of work on me and i’m no longer afraid, i don’t worry anymore. eh, i exhale exactly from the moment when it will be, when they come to me ready one of the tracks one of the compositions. and when it turns out, i understand everything that everything will go further according to the rolls of time. you know how to refuse an artist solodukh, for example, you don’t fit in, in the end everything, call me more candy, the very moment when i don’t take on such responsibility, i’m a musical director. i won't decide, that's all. i don't

make those kinds of decisions. i perform only the task that the director sets me. i think this is correct. you know the calls of the artists, they will call all 44 people on the team, of course , calls come in. and after the day of national unity, many who wrote to me and send videos, send their records, of course, yes. take us invite. this suggests that there is trust in our team, this is trust in us, as young directors. eh, and of course. well, everything that depends on me. of course, i suggest, if there is such a task from the director. suggest me something. here. uh, who can we take next some other new artist hmm baby there or some ensemble, of course, i suggest. well, as a matter of fact, we have found many young artists who have little time for you, and also, to go beyond the scope of these lord's events. i think, because they are often criticized by our opponents , in particular, obstinacy for something that is still

stamped, but i can not absolutely say about this concert. that's what we're discussing, what it was. despite the fact that there was little time, the atmosphere was amazing at the minsk arena. i was present, i saw, i, i felt, i know what i'm talking about, how i managed to jump over this one, you know, the vice of what was allowed, what before, maybe it was impossible to implement, you began to trust more. uh. i want to say that, probably, they began to trust us more, began to trust and believe the youth. and the fact that everything can really be done everything can be done. we do not try to somehow denigrate history or something else, we do what is in our hearts, our souls and we are allowed to do this, listen to us, believe us. this is definitely worth it. this is a difficult project for sure. it is interesting because we passed a thousand years of history. uh, from the very beginning, uh, to the present day, and all those

events that took place on the territory of our little earth uh, called belarus, and of course, it was interesting , it was difficult, but not everything worked out, i’ll say not everything right away, i guess it worked, but it was massive. it was bright, but you have time, next time you will implement it, that is, well, you can understand, this is the second project. and uh, every time there are some tricks. every time there are difficulties, because e task with each at once put more and more seriously and more seriously. it 's cool. this this indicates that, and i repeat , they trust us, but i am sure that the next project that we will do is dedicated to the day of national unity. this is the third year in a row. i hope we will do it, and it will be even cooler, because there are already ideas, i will add that you are a playing coach and in this concert you sang a very beautiful song.

let's her. let's see, that is. i scrubs, i glow and silently look at the ground. you under the shui efrosinya illuminator my confessional song does not save your ticket

pilgrimage way to the earth. alice for us before the lord on earth goosebumps yes, there are no words, but i remember in your youth you admired saying in an interview that pakhmutova is a supercomposer. do you think elena ot roshkevich, who wrote the music for this wonderful text, is up to pakhmut's standards. oh, this is this question, but i could say that alexander nikolaevna, of course, this story. this is a man of genius. i happened to get to know them. and, of course, these are the events on all my life or on viktorovna in this song, probably, reflected all, probably love for

belarus all love for music for creativity. there are very beautiful turnovers, musical and arrangers. who wrote the arrangement, but not immediately told me, god , there is such beauty in harmony. we tried to preserve everything unconditionally, because this is the idea of ​​the authors and the song was born, i’ll say this for a long time in 2017, but only now it has been implemented on the scale and in those ideas that probably touch everyone’s soul. yes, you need to mature. i understand this and i i understand, it's uh from every song that you ever performed. uh, there a few years ago. and when we remake them now, we retype them again. they live differently than you. i think you are feeling better, yes, you have changed a lot. i even asked you this entry if you had

plastic surgery. everything about you has changed. i exercise four times a week. i go to the gym, of course, i'm in love with it for the second year in a row. i 'm in the business of gaining mass. yes but it's free from work, we know that you are a senior lecturer in the department of variety music of the belarusian state university ku. and the arts, what are today's students like, how would you describe them? well, let's do it this way today, our students are absolutely not the students who are like what we were because now , uh, the time of the internet is the time of the generation. i say tiktokers. of course they try to capture everything right away, but uh, it has its own charm and its own buzz. they live for today. they want to have fun. that's it. now they believe in their dream. they believe in their ideas and my task. as an educator. mentor. i don’t know, there is a producer to suggest what is good what is. it's bad

that something works, it works further. ah, of course, the twentieth year. he opened my eyes to a lot those who were next to me, they heard me, despite the fact that we were poisoned a lot and wrote a lot of nasty things on social networks and there were black ribbons and that's it. everything was poisoned. ah, teachers and students, those who work at government events, and they wrote to me. how much is your conscience everything else. but er, to be honest, as if time has passed and we see the foam itself has come down, betrayal has collided. that's when the people you helped, i think, took care of, yes, it was the worst thing when the people with whom you practically stood. uh, both of them, uh, hmm next to each other, and on stage, uh, everything was fine. and just like that, in a moment. uh, deleted from life. they just

branded you, you say, these knives in the back do not understand. it's sad, but it's time to put everything in its place. and now we see how returns as it returns. eh, many people return to belarus, we will find out. well, we are silent, yes, but who are the students? they listened to me and made the right choice. they thank me today for this. let's take a break for a while, i remind you, we have a telegram channel. say don't be silent. subscribe to ask questions. suggest guests. we are on the air. i say again, do not be silent. and today our guest is musician yevgeny kurchich. eugene you are from a large family. here, do you think the children who grew up in a large family, they are very

different from those who grew up in a family with one or two children. i think that, of course, there are a few differences, because when there are many of us in the family, when there are many of us with mom, dad has different emotions, these are different feelings. this is another love. and, of course, when there are more of us we can call each other to solve any problem, the problem of the problem, when we are going to the place, of course, there is not enough, but there is such a competition, the replacement of love, no, it does not happen, because we know everyone that and how many of you we have four we have four what account are you in? i am the third. uh, the youngest is younger than me, brother. uh, then comes the sister and the oldest brother. but i just know that my mother loves me the most family - this is not gestalt closed, but i will definitely fulfill this position and i’m sure that maybe i

will once have a big family, i don’t know how large, but i wanted a son you would have applied for participation in the slavianski bazaar within 8 years. she demonstrated this perseverance. only the daughter of the east gunesh. i don’t know any more such artists who would so like to get on this competition. why did i have to shut down? this gestalt and i really wanted to present belarus at the international competition, we really wanted to prepare for 8 years, we spent quite a lot of time, in the end financial costs, because every time we wrote arrangements, every time we sewed costumes, but everything did not happen and more and more i wanted to represent belarus with dignity at the international competition. you felt yourself this power, power, so to speak, yes, that, so i defeated everyone. yes, but when we arrived, of course, the competition was very tough, because they greeted us hello to the winners. that's how they

greeted us, uh, but then tomorrow we got to know the guys already more or less in the fact that you honestly compete with them and did not believe. yes, because, firstly, i already had winners in my biography of a university teacher and various project competitions, and they well, why did you bring it here to the organizers. he already did everything. he did everything. he sang everything. why do non-professionals immediately compete in the competition of the slavic bazaar, and that's all. well this was such a rather biased attitude towards us, but we met and to this day we communicate with friends from georgia from russia from ukraine, we continue to dialogue with them, we communicate and, of course, congratulate each other on their birthday. happy holiday. and why did you decide to perform such a complex composition as the cry of a bird? vladimir's criticism is special. uh, musical love, because there's so much

pain, really. there is such a soul and there is, what to sing uh let's you just flies on the motor inevitably act sloboda gaming created such acquaintances before this wing. so it's very difficult for the composition to fall off here , uh, such a three-part form, because there is something to sing here. there is a show here, what to show in the vocal-technical decorations everything and here to tell, yes, because here, uh, in

such a text of genius, here it is so musical and well, what's the sin to hide? all my life i loved the work of vladimir georgievich lyavin. and for me, it was also a kind of interest to try to touch this creativity, they took third place in the slavic scenario. yes, how has your life? after that, oh well, the slavic bazaar is always such a start for many. yes , of course, of course, they began to invite me more, they began to recognize me more. and it was such a serious year in the rise of my creative, firstly. i already had my last name. many again just rediscovered me the slavic bazaar. i have quite a lot of things that went uphill - songs went up, and i already settled so thoroughly in minsk, i began to do more music and teaching. now you have a whole range dog names. polina smolova vitalik is the same

proud, alexey groys mushroom his roman hair. this is the winner of the festival of the slavic bazaar of different years. that's something you say, slavic bazaar. launch pad about these artists. maybe we hear it today, but before the twentieth we heard m. it's just that someone made the right choice. and someone, probably, also made his choice correctly, but he just put everyone in their places, but i can’t say anything about how they performed within the framework of the slavic bazaar, because they did a lot for in order to represent a worthy country in italy, gordey, who performed the cry of a bird for the first time at the slavic bazaar, as a contestant, and this was also very level worthy, but today vitalik also writes songs and one of which was written jointly by salty lanskaya arriving. it also sounded at the day of national unity, you return to this environment and you know each other well and hear the names , remember, maybe, with your arrival

with this team, by the third year after , well, recognition will begin and honey will begin will begin, of course, and it is already underway, because new artists appear, new faces appear. they are already known. they represent our country in competitions at festivals. they work at government events. on all holidays. it was olya and my love. anya required and alina chizhik and nikita team. these are all new faces, those whom we have discovered over the past 2 years, and we will continue to do the same kasimovich. the first time appeared on our e. holidays may 9 and well , today he is already quite a well-known young man. e performer yes concerts. you are there in the team sign captions, probably, we should try to titrate, of course , let’s say you send some kind of radio composition, you can also record e some kind of id something hello, we don’t do it.

we are busy. uh, concerts and events, of course, we always absolutely title in just there are such numbers as potpourri, there are none, we all have citrus. hmm, it is important to center uh authors, and because copyright in our country works perfectly. i want to say and uh, here at the minsk arena, we titrated. eh, the very core. it, that is, the credits ran with names and surnames. ah, they always hit, well, again, mass scenes are mass numbers. and of course, when. it's cool when there is television. what to shoot? no, i don’t have any questions at all. the concert is ingenious, it’s just how i want the audience. and who is this, but how to answer this question for yourself in order to be and who is already recognizable. you need to sing this at least for several years in such concerts, so that you already have a trained eye. you already knew, but i i saw him somewhere, then you yourself will be interested. e is to find him somewhere to look at, to invite him to write. you have already

mentioned anna trubetskoy, you took an active part in her creative life, so to speak. yes, she is the current winner of the slavic bazaar, a beauty, very talented. what mistakes would you like to save her from, i think they are taking absolutely the right steps. she walks in seven-league ways. and the most important time to write songs now is the most important time to miss the most important. they are my special creative love, because her vocal abilities, her voice, her timbres, her reading of any composition. it 's always a pleasure. and when we invite her. our events, i am always sure that anya will add beauty. i watched her all the time, starting with the x-factor, and the voices a-a, of course it was interesting to invite her to our event. and in the twentieth year, it developed like this and they began to consider a worthy niche in our stage. what kind of conflict did you have with nikolai skorikov, yes, we are ready to tell you that this is not

really any conflict of that kind. hmm i can say it wasn't. it's just, uh, again, the slavic bazaar, the selection of the slavic bazaar - this is a tough stage in the life, probably, of every performer and, uh, nikolai just represented , uh, his participant at the festival. well, it so happened that i won, and well, at that moment, at that moment, he considered that this was probably wrong and unfair, but i can say that absolutely all the omissions have been exhausted. we are working with him now, everything is fine. we invited him to an event in the city of dobrush. this is the day of belarusian writing. everything is fine, we work, well, again, these are creative people. i'm exactly the same. i can offend someone, for sure, by saying that there it's bad going to rewrite there or i'm not interested. you should be writing at this time and

i can absolutely be the same. i immediately to yes must. probably was to say that i am very hard at work, many of my students. mm. they don’t always stand up, they are probably offended, but at the end of the fourth year, they thank you. uh, they come hugging with tears in their eyes, because they have to say goodbye to someone. they are go on their creative voyage, someone stays with me. and speaking of big events. yes, i am very tough on this , because i don’t think that there should be amateurs in the profession, and in the first season there was an x-factor in belarus, you were a teacher. on vocals in seryoga's team yes , you worked with him seryoga is a cool seryoga is a very open person. again, he is very responsible. we coordinated absolutely everything with him, uh, our creative ideas and details, we know that he loves details. yes, he has. well, it really worked. he he has worked in these

projects for quite a few years, and he knows this cuisine. and, of course , it was very important for me to learn from him with these uh, hmm subtleties, uh hmm today. we communicate with him, despite the fact that he lives far away, but now the new season starts. i think that in the new season you would continue cooperation with him, we will not open it. well, i'm interested. well, i want different ones, yes. or are you right with seryoga on the same wavelength? despite the fact that we are on the same wavelength, but this season i will work with another mentor. so decided the music producer. basically, i don't give a damn. i wanted to say if this is related to the intrigue that we can also reveal, and between the two hymns in the final song. i mean, at the concert on september 17, they chose yours, and not sergey, it has not yet been decided. my participation in the factor and in the team that i will take

part in has been decided quite a long time ago and this in no way affects any of our creative stories, there and so on, but the choice was nevertheless made artistic advice that took uh, hmm this event. well, probably this is a standard powerful finale, where the people should have been happy and joyful to stand up. and, of course, to applaud and so that the hearts beat in unison. well, in principle, this is how belarus independent sounded on camera seryoga no offense. seryoga no offense. all garlic. nothing personal. it's just show business. this is show business. and we had anya trubetskaya , whom you love, for whom you also drown as a guest here, and we tormented her for a long time about the lack of hits. and what will you answer us, so this is work, probably, in everyone's life artist find your author find your

composers er, and make a hit. well, a hit, what is a hit is such a conditional concept, although a song by leps yes a glass of vodka, well, who knew it, when it was bought for $ 200 and became a world hit, everyone knows it, time must pass, but for this time to pass, you need that - something to write. i 'm sure anya is working on it right now with her songs. she has a beautiful already several compositions. i don't know, maybe. say soon we will release with it before . i think it would be interesting a musical collaboration, because i'm very interested in singing some cool composition with her, so that she touches the hearts, they wrote it themselves. yes, you know, we noticed with victoria once discussed that the songs of belarusian authors are not always , so to speak, danceable, that is, in order to go to the masses for a concert, it’s great

to listen to it to get up to it. everything is wonderful, but in order to really go to the masses, roughly speaking, you can’t put it on a corporate party. it all depends on, uh, that idea which we are pursuing and from the task that is before us. if we want to get into the dance segments. we want to get into the radio market. uh, this should be a different song that will not be played at state events. why because a state event is na the concept is the director's idea, and it's not good when artists impose their songs. it is not right. i think there is a director. there is an idea, there is a brain that invites artists to bring this interesting idea to life. and if everyone worked for idea, our event would be even cooler. what are we talking about now, that i won't sing it. yes, there are just such moments that, and i will not sing it. i don't want to go there or

anything, but it's important to understand what you want to do, you want to make a song for a radio station so that people will pick up your song and, uh, drink at corporate parties. as you say, ah, either you still want to get into uh, the television segment, when you are watched, when the audience gathers for your concerts, because uh, today only thanks to really thanks to television. uh, slowly you become famous and develop. is that how youtube works today as it did before 2020? after all, it is. oh , what a sin, there are such. yes, uh, it 's only thanks to our concerts that we do that we put them on the internet. there and so on we are watched, but this is due to what television has already faced blocking, but i still have viewers. i have other social networks. there is youtube there is facebook instagram telegram and so on to choose between here is the launch

pad. here you are as a teacher, say to me. uh, slavic bazaar or factor buy factor, why is factor ba all the same? the school of life, which in a two, probably three-month period, will teach you a lot , a huge team of directors will work with you, it hurts months of teachers, in vocals, uh, stylists, uh, and so on. that is, this is a huge team that will work only for you, the slavic bazaar is one time. you went out and sang, presented a worthy country or not, and that's it. and you can fall, you can stay everything, but no trubetskoy, you warned about this, but they trubetskaya are already experienced actresses. let's start with this. she passed the x factor. uh, the voice is gone. she went through all this, that's why she won at the slavic bazaar. what's wrong with hiding? yeah, she’s just confident in herself as an artist, and she came and won everything is simple, but when we moved in, and when we crossed paths with

her backstage literally 15 minutes before her release, and then we went with our production team to the hall. we screamed as much as we could, we were already restrained. well, take it easy, please, but this is love. yes, it is. creative support and their own need to be supported. and if a our people will start to support our artists powerfully, as they do. there are other countries. we will make the impossible factor of our artists. e push no, wherever i sit on the jury in competitions, there and so on. i stand and go out, that is, let him make a decision if my contestant participates. i never vote, yes, now it’s an understandable factor. buy a big project, go, participate absolutely everything, and i also tell my students, go participate, but everyone came on the wrong day, when i sat on the jury and did the right thing, because they would not have passed. well, yes, i'm tough toughness for you. well, you can’t, it

should still be a fair game, because show business is a dirty business. hmm, but i want it to be all the same, so that everyone gets their own way, of course, from the new season of the bayi factor. hmm we are waiting for bright ones. ah, new faces. we are waiting for new-new music, new and interesting ideas from directors and directors. we hope that the belarusian factor buy will be even brighter, even cooler, and it will open new names. and now we will take a short break. after that, we will return to this studio again for our interesting conversation, while subscribe to our telegram channel. say, do not be silent, we are in touch. 24/7

is a project in which there is a place for a brief overview on an important topic, the outgoing weeks of the unique rituals and original culture of belarus. in addition, we will take a walk with our guides and learn a couple of unusual belarusian words. we will immediately cut off a loksta loaf of bread, cut off a loaf of bread, and you do not forget to appreciate with gratitude the labor of people who have bread - this is for you to raise, ask kovy with chewed. we talk about the most important thing, watch the broadcast 24/7 every friday evening. frankly, hand on heart, i will say that the best son-in-law. if you didn’t want to, you won’t betray, i decided to

issue a power of attorney for you to the management of the company. you can settle down and live. you hear who will pay, watch the series grapes on the tv channel belarus 24 on

the air, say, do not be silent. our guest is musician evgeny korchich, i consider myself a big fan of musicals. and in particular hemorrhoids work. i really liked my time at dubrovsky, in which you also participated. i went several times, in my opinion, it was a cool experience for the university as well. yes , you know, if you ask you about this excuse from your university, for me this is the theater of dorofeev's songs and these are musicals. yeah, a musical dubrovsky musical. uh, hmm casanova is such a cool school of life. it's the kind of experience, uh, that i wish there was more of, because it's not just going out to sing. this is to play the misan scene. this suit is reincarnation. it's yours for three you want, what do you want, what do you do? now you,

unfortunately, are over, because. the previous rector of the university probably thought that it was enough. this is not interesting, but this needs to be done, however, this is advertising, this is popularization in the theater. you have already left the police. i would say that it was no longer an amateur tour, in fact, many viewers already learned that they were playing students? uh-huh they say, come on, well, that is, it's unreal, ah and after that i want to say after the performances. uh, our department of pop music. we have moved to a new standard of education and many disciplines. we have already developed, based on this experience, because the students of our department need to be given. this experience is the substance of the actors biography vocals. it's so cool. this is such a life. it's like that. uh, creative gang, when

we united, we were waiting for performances. we were waiting , we really wanted to go out. i got this one , apparently. it was your energy adrenaline took down. you just understand, we need to think with the new rector, probably discuss the possibility of resuming it all is difficult. of course, it's financial. i understand the costs, but these are the projects that evgeny will unite, so we still can’t figure you out, then you are an adherent of retro and, so to speak, the soviet pop tradition, we suddenly find out that you have some other rock project with the presidential orchestra . tell the presidential orchestra of the rock project eh with our performers with artists and one of which is me, and in 2012. yes, there was the first hurricane project. where was i invited to sing the song final countdown and that's where it all started, uh,

definitely that's mine that's me rig - that's fions ac/dc - that's all mine. this is my love. it is in this that i am real there, when you sang the light fixture you were no less real. yes , but you have not used the techniques of the term music for this. but it's understandable. it all depends on the idea, but the productions depend on the task of the director. and i think that every beginner or well-known artist there should go through this school, starting from soviet music, because, again, music is the same as pugacheva when she wrote her own songs. this is also something to sing the music of pauls. is there something to sing too? hmm, there you are, this new duet. this is sanya, who announces these are you there, like a fret with different sorats hurt, and with allegrova

, we’ll probably take a younger one. here is no em, of course, style. let there be rock style. yes, i think, but it seems to me that they gravitate towards this too. she loves harder, we love all probably this kind of music. we were all brought up on it, we all grew up, and anya worked for quite a long time in bandy, where there are live instruments, rock, uh, and so on. well, i won't reveal any more secrets. uh, i think i'll hear soon, but pugachev was mentioned, your opinion is interesting. e, here you are, when you admired, and now let's say her position is civil, e, how do you feel about her current behavior, listen. well, to be honest , i am following the situation in our country, and i look at what is happening in our country, all the rest even watch, but for their own country

, for their own words, and so on. here is her choice. if we are talking about creativity, then of course, she is a brilliant artist she is a very big deal for the soviet union and sang a lot of real songs that went to the people her civic position is her personal right. support eugene we live in democratic countries. and he says, everyone says what he sees fit and let them live with these and let someone accuse us of the fact that we do not have democracy just about. we are talking today, and i think it's absolutely cool when we can say our position and say our position openly, and i repeat that i also spoke about my position. just for that the moment it happened. this is the whole situation. they just started to destroy me very, very much. uh, although i was one of the first to defend the university when our previous editor was fired. mm everyone was

hyped. and i say, no, guys, here in general politics is not out of the question in politics. i wrote this huge post and just my heart ached for our musicals, which were filmed, my soul ached for the students who did not know what to do. and there are no projects to do, nothing new appears, everything is closed. where do they need these, of course, on the street, but the street with its laws poured out on surprise, therefore it is important to work, it is important not to chat with the language, but to show the result so that the students believe you, that they follow you and this happened to me in the twentieth year today, all the students who work with me. i'm sure if you ask them they'll say that but this crazy artist is good. in the sense of the word. and it's love at first sight because they all work. they are all in the profession. they didn't go missing. well , i still see you, i feel a little. this is where it hurts. of course, when you

encounter such a wave of negativity, it inflicts such spiritual wounds that are very difficult to heal. i would not have been ready for this, of course, we were not ready for the fact that this could happen and seven collapse, there age-old friendships friends diverge there. and, well, that's not possible. that's politics. what for? why climb it and many people asked me, in fact, both artists and colleagues. i said that my position in music is in creativity. history is our single pirate hai you will be happy shlyakh belarus is ours ukraine and we are proud to tear off the properties of a beautiful point well, let's ask the most banal question in the final. what are your creative plans? oh, the idea is very much, there are a lot of interesting projects that we have to implement. of course, this is the fighting factor. and this is

the b60 plus factor, because i really want to wait for this project, because there are a lot of cool bright and artists. we selected. oh, of course they are waiting for me. uh, big deal with writing a dissertation. i finish writing my dissertation and of course the music of the song creativity many interesting projects many interesting ideas there is also a project of maracas and have not been specified. you ran his university at one time. yes, i was the art director. e of this project in the seventeenth year. we have created this project. this is again hmm such a creative idea. which was born and we just wanted to attract our students to professional art, and so that they would work at big events. we also worked on e-television within the framework of state concerts and at the receptions of the head states have always received us brightly, because we were such that we had interesting bright costumes. well, in

general, this is such a huge creative breakthrough for each student. and well, you already said that my heart ached and my soul ached for our uh graduates from our students, because i believe that those who want, they should do their own thing and my task, as a teacher, help to push to attract to give it, yes, or despite the fact that there is a place with pleasure and only help. we were just discussing this today , well, there. it's great when young girls appear and they are excluded from our lives, in my opinion, this is not very correct for them. yes , you need to support, you need to give, uh, a chance for a mistake, of course, there are different mistakes. but when you see how their eyes light up, when you see that they feel that professionals are behind them, they support

them, they have this grain. they believe in it, of course, educate. uh, artists, for example, who, well, now there are not admits there are some activities. uh, if they are involved in work in interesting work, so that they really light up their eyes from it, maybe next time. they will not go, it is important to give people a chance. eh, so that they still believe in themselves and believe that after all our belarus, e, is an open country for creativity for creation. i love, we all always say in this studio very often that we faced this for the first time, no one a little, who imagined who how to behave in a situation? and do you have any competitors? ah. well, i i repeat that i'm not afraid of competition, it 's cool when there are people, uh, with whom you can compete in a good way in vocal terms, in vocal and technical terms, in

song, yes, art, when someone has a song so you also need to do something interesting, who is the spokes in the wheels to you, uh, about those who are the spokes in the wheels is unconditionally. they are, we know them and sooner or later they will come for them, said not bloodthirsty evgenia in fact. just uh, those people who gloat and those who try destroy us. e, writing nasty things, they say there. some incomprehensible, impartial expression behind our backs. eh, after all, the boomerang of goodness works. this has already been tested by time and not to be said. we proved our belonging to this country by deed in your concerts. yes, they speak for themselves. thank you very much for this conversation. it was really nice to meet you once virtualized. the first interview i have with evgeniy, i learned a lot of new things from you.

e. i hope that in the third one it will really get in your team, and not like ours this is often the case. suddenly, the team disappeared from the horizon somewhere. new people are doing it. it seems to me that it is important to develop traditions and good luck in this matter too. well, that is tatyana shcherbina victoria popova we say goodbye to you today. goodbye. goodbye. and now yevgeny kurochek is speaking, dear friends. i would like to say that i love my country. i love my audience. i love my profession and i want each of you to love it too. my business my loved one my family my parents and loved ones and when we will love it all for real, we will be strong, invincible, we will be together and united.

we follow the sports life of our country, the star team dream team 7.0 has begun preparations for the minsk half marathon 2022, which will be held on september 11, we will find out how new heights are reached, belarus by origin. pavel karnaukhov won the gagarin cup brought him home to minsk a good athlete. you differ from the average athlete in that he always has to develop, always has to learn and move forward, but in any profession. if you won't work hard to strive for it, you will never achieve anything. and how do you want, as if you can’t beat it, don’t run, don’t

jump, don’t overtake your opponent and help keep yourself in shape. the training is aimed at the fact that we are working on something, improving and improving the technique of this movement. we just need a coordination ladder and 10 minutes of free time. do not miss all the most relevant sports projects on our tv channel.

flowers, toys and lamps near the izhevsk school where the tragedy occurred, a spontaneous memorial in udmurt mourning under the dead