from the category of handicraft to something more extensive and phytodesigns, just the direction that interests me. now i can’t quite call myself a full-fledged phytodesigner, because after all, this is a person, probably, who not only makes some separate compositions, but also, uh, has such a sense of style and such knowledge that allows you to implement. this is directly in the interior of the apartment and office of various other premises, and also. perhaps you are a person who has some knowledge in the field. even biology probably has some kind of scientific approach to combine, uh, different types of plants with each other to live them in interior apartments from a psychological point of view. i believe that this is phytodesign, it definitely affects the psychological state of a person. i believe that it has some kind of calming properties, that is, a person, when he looks at it, is natural, something natural and also

green. i think that he is in a state of harmony, his thoughts calm down and come in order. e. well, in principle, only positive can only positively influence the internal state of a person when sending it to do it and showing it to their loved ones. i have already said that the initiator, and the initiator of this moss, was my husband, who, so to speak, threw this idea to me and you don’t want to do this, and indeed, when i bought this bridge, i began to take the first steps. i can see that he liked what i get. he began to support me in every way helps me in the development of my small business. parents who, as it were, are always in favor of having something stable and understandable. but not all of this , in principle, they also somehow turned in this direction, but they liked what i do. and they somehow became their acquaintances, so to speak, to advertise, maybe . he says, something i have here is a child

doing this. it's very interesting, and it seems to me that, uh. they most, most importantly, saw that i like it, that i find some kind of outlet in it, and i only get better from it. with my from the point of view of uh, creativity is, uh, no innate quality of a person, it is acquired. that is, we are all, deep down , creative individuals to one degree or another. and i'm not that i think that e creativity needs to be developed in each person. it is necessary to develop the foresight to look for some materials for yourself. well, in some way to find someone is engaged in music, someone is engaged in singing and drawing. that is, i once again emphasize even in every profession, even in the most technical, even in the simplest and, uh, mechanical, let's say, uh. can be found some elements of creativity and bring it

into my life, and even what came to my creativity at such a conscious age. i don't think this is just the case. it was my need to find this creativity. i found it for myself.

to confuse such a private theme. intonation is a little dancey and very often through tears, plus a person of brightness along the way. yes, pushkin dune for the

howl of people to shovel the simple ones. who was like? he was such a glorious one or such a naive one it was impossible to say what he was without compromising severe everything knew. i'm nevrovudnoe joked in umaru. he started his conversation, be sure to tell you know the key. sounds like an accent of self-irony and gallantry crushed his favorite. if the girls came in, he jumped up right away and i said, cat. sit down, you bit composer , honored day, people's artist of belarus , professor, won the awards of ukraine and the lenin komsomol, 2.

the color of the magnificent culture of belarus was lulled by the first ukrainian or opera singer, written by the name of arkady kulyashov. a song about gloriously along the way. yes, music could not be confused with anyone. well here is such an intonation a little dancey and very often over the top through tears. i saw terrible days, difficult for our motherland. although

i survived everything, but i am an optimist by nature and a lot of my music too. my music has a lot of optimism. but i wouldn't want to say that it's only the optimism of the lyrics that is the dramatic work. i have anyway , trying to keep up with the times. this music, which was written somewhere in the late sixties. it sounded no less modern than the music of the composer who is being written now, that is, it seems to me that that's probably the best praise for a composer. the fact that his music remained in demand remained relevant. the as of the polish city was sensible to the girard and he was

on the train along the path of the father and the camp of the feudal musician yasha in the early diatinstvo. in 1920, at the age of seven, ion went to school, daddysh, went to take private music lessons at 10, dad attached heinrich wagner to the warsaw music institute with two stanislav manyushkas. and at fourteen, being music, he entered the warsaw conservatory in the piano class. then yours is such a fairly large cultural center, he finishes his first year and goes to the camp with his friends and on september 1 the war begins. he calls home. the telephone connection somehow miraculously works and the relatives are told not to come back under any circumstances. in warsaw, it’s better to cross the border in

accordance with the unions, he didn’t know that other people’s voices and relatives about the pistons. many years later, when wagner was already in his hometown as part of a delegation of belarusian composers , he found a neighbor who said that all his relatives had died. trachedia it means that there was a lustration of the decoction of the memory of his relatives and friends, the composer enlightened the vocal symphonic poem with eternally living utensils, not oils. he wrote it for the orchestra and zhanna jakharu in his best compositions. incredible sincerity. here is an ever-living symphonic poem. here it would seem that such a name is quite stilted. yes. here are forever alive. how many times has it been used? that's how cliché the title is, but that's how he tackled the subject. at first it sounds very touching. it is the belief of the wind to the belief of the people song. she is so plaintive, she is so, i

understand you, that people have lost everything. then the development of the fugue began there, very difficult, but all the same, this quivering quivering of this song remained. military padey and not the strength of the spirit of the belarusian people, but his trumpet darling heinrichvager swelled 1939 young student of the warsaw conservatory, according to the rumor of the father, and thought of it recently returned, and together with his collections of this tyrmand, in any case, obilievich and moses weinberg and ketok most of the time became popular composers. king of the noise with a knife, the ussr and turned out to be bruised, the fact that wagner ended up in belarus also had an impact, because

, of course, he has some elements of the belarusian song. the composer had the status of refugees, fraternized with his comrades at the sawmill near baranovichi, not spirits, lay down at the avito-hot-makers, grew out of her husband. his grandeur of outbursts is somewhere nearby there is some kind of house of culture and there are broken pianos. well, in the breaks between work, wagner plays music; the head of security hears this . guys a. what are you doing here? what talents? you should study at the conservatory in minsk and send them to minsk. the path of such led persons yak hedgehogs of the petrosburg autotan, the stagnant sun, these rozners

trumpeted creaking and glorified jazz, the bssr orchestra all over the world and the guitars of the tables and markovich, dotted with jelly and formed according to the principle of prosternity dozorakhtnost the heaps of refugees from poland deprived the belarusian, infected conservatory, the young composer got better in the class of the italian professor and pianist georgy shershevsky oleosiplan. took out a couple, there was a war this time velikaya shinnaya was sleeping jaga, minskskaya 19 years old. the pianist with the real estate is clawing at moscow for the debts of the winding way and at the volga or the tropley at the gray asia at dushanbe there he goes straight to the warehouse of pedestrians ceramist for the spirit of the dramatic artist georgy minvlets. there is a problem here, one wagner pianist, and to bring the piano to the front, well, there is no possibility, and therefore he says give me the accordion and

a week of time for him a week was a lot, he already played the cordion in a few days. and it seemed that he happened to sing some song, even an unknown one. he could play the accordion one or two auditions. at first he acts as an accompanist. he told you later, and as a soloist of the acardionists at the front, he performed before zhukov, he performed before horsemeat before the rokossian once from the artists. heinrich matus. you see that concerts for lamb and front-line soldiers of the protsars a concert by a master at the tajik state philharmonic society, and in 1943 he began to look at him with an excessive shatsk theater front-line throwing you with george mentality linked the composer to everyone. i disperse you in prison pig i prefer to sit in prison with the french than to stomp free under the german velvet banners tajikistan

has become an entry point for creativity in dushanbe wagner wrote serious walking music on a weed for director sergei yurkevich, for a short story, brave soldier sheik from a brazilian. well , the khultima of the war for everything, got an important one. and why is she hungry in this, and she burned at the composer’s soul illegally, so the national musical cultures of the scorpion are called and opera stashkoy to the inhabitants of some kind, laying out about the dramatic military alice this was the beginning in general, by the way, the revival of opera. cabbage i hear the porcini mushroom of his glory the lord you yourself bykov yakim choked up and wrote an opera

the reason for his story block henrichvatner's overcoat, as one hero i ask for a story, i have a little serious probation after the war returned to minsk to part with a third chance to become a diploma musician. why heinrich 's fortified sound, soft touch on the keys, we had the same piano teacher. he came here and also went to lesson gregory i fly shish kebab border. jews learned to play the piano, and we have life. experience as a musical instrument on the hedger of minsk was not sad to the edge, you passed me on the way

. that is, he even boasted to me that i have such a student. he liked wagner's music. that is, she was close to the hero, not about every student. he says some flattering words, where is it better for the people's artist of the bssr wagner mastered, who poured belarusian tradition, like the current bridge, they seriously marked everything with folklore and history, his spiritual work, a youth suite, a strenuous exam, threw out a well-deserved team of an academic choir and a pretty orchestra of the republic of belarus for two composers. , well, otherwise edith utyosova would not have sung this, but in the symphony, the excellent knowledge of the possibility of understanding that the yaku orchestra, the vocal symphonic poem and the hero of brest, written in 1975 in memory simple. who fought at the fortress in 1946? in

the company, one of the most popular forum music, where one animal lyric and strained dramas soldered by the hero of the spray, heinrichwagner, tore off the lenin komsomol russian prize. i adored him, because, firstly, he was a very good musician and a musician who understood modern music. therefore, one could consult with him and ask for the comments that he makes to me as a young composer . well, what is called the top ten i always listened to him and corrected what he said correctly. he was very sincere and naive. you see, there are some gender things that

are not redundant. i am all my new work, and he praises him, and among these currency words, you know, you know, well, i listened. it is so well written, as if even i say, well, thank you, hundreds of jeanne 's best hearts parted from the gallantry and self- irony of yenakh, varner. i remember wagner. maybe like a man from the year of the 19th century, because he had such courtesy with women. that is, he led himself, as some kind of officer, and even here there are, these military memories, he always helped there to convey some kind of requisitions to the girls there or put them on the sides of the truck let's say or something like that. now, if the girls came in, he immediately downloaded it, i told her the cat. sit down , they even called him a cat. wagner could

listen. i can only say, and his sonishness, and his correctness, and his such gallantry, i would say. tatyana alekseeva , an actress of the kupala guateatre, later dedicated her tenant to the belarusian radio and, of course, to my husband the culinary traditions of belarusians, this is the simplicity of folk recipes and not the sound of cooking methods, the task we have with you today i can’t say that it’s very difficult, but interesting, in any case, with gingerbread, he has never cooked meat with you, share recipes. i have been passed down to you from the generation of the generation of alexandrovna's throat. we will be ready with a plum and these cutlets.

yes potato tell, please wow culinary show belarusian cuisine. tv channel belarus 20 shatyrs took a sloop genra khotatyan in 1946, galina and son yuri, the composer's father-in-law and mother-in-law, people's artists of the ussr, actors leonid rakhlenko, were born to them from the dacha galina and son yuri. and lydia rzhevskaya ryba to say that they recognized shmat as their son-in-law. good brightness, olymknulis to check the distance half a half, three were with character. who

stack the same that the composer was a man. whether he just winged for me and for the palpitated of the opponent. could not dilute with moves, eat rest, that's it. well, such was glorious and such. he was naive, it was impossible to say that he was just like that without compromise, harsh with everyone. it was completely estrogen, a unique personality with a sense of humor with an incredible temperament with its intonation, by the way, maybe even somewhat of a national center. he always helped, if you needed a recommendation, he would always write recommendations, he would always arrange an audition there for someone to ask to return such a good boy. here, he wants

to act here, maybe, yes, of course, just all soviet times, there were clubs in prisons. some cultural events were also planned in these clubs, including meetings with some famous people, belarus and now he was once offered a ledge in a prison in a club before being imprisoned, it was a prison on volodarsky for special criminals. he asked me to play, before he spoke he was warned by the local authorities. you, please, only well, please, citizens, citizens, prisoners there, but he was a very emotional fantai in him. just any emotions jumped out. after some time, he turned to these prisoners. yes, not friends, dear, mine pulled him

every time and branched efforts, with this temperamental and emotions in such situations, the date would have played a joke on umaru, of course, it was the soul of the company. he knew how to make all sorts of parodies for us, very dashing musical, he was portrayed as a composer, as one of the belarusian composers wrote a violin concerto. you know this kind of music, it's me. pam-pum-pum-pum and we are all learning, we changed each time we met. he started you conversation necessarily stories of some new joke. it was overcrowded. i think it was he who knew the key to in order to relax, to relieve tension and start a normal conversation. he remembers me from childhood. we had

just such family friendships . although i must say that he and dad had some what is called friction. uh, because my father thought that when he was a secretary. eh, the union of composers, he pulled the blanket over himself too much, and therefore, on the occasion, his father wrote some kind of vile program for him, it later appeared somewhere in the press. yes, even i laughed a lot, but i had such a mutual attraction and, together with the more significant justify the relationship. better anusin and connected heinrich wahder not only with fellow composers alice, poets arkady kulyashov maxim tank and yegor borodulin, the closest syabrs were georgy sharshinsky and georgy menglet nedinov minovito yana and rested a cold role. at lesya and the work of composers gathered. he knew how to shodro in 16 he was a refusal socrotar

of the union of composers of belarus and jess, young musicians tear off hissing, they didn’t realize that this was a good kishin varnera artist, nicole didn’t ask at the conservatory he was a professor at the maxim tank pedagogical institute. well, i don’t know, this is a story and not a story, but they told me. so once upon a time one person hmm when wagner introduced himself as a composer. wagner he said, oh, you know, and i know your music. i was at the opera house and heard your opera longgrin and tanks geyser. and after that, he always presented himself like this, but the composer wagner, but not the one you thought of henrihamata often perform equaled by the violent, reformer, opera, german composer and duty officer o richard wagner. first of all, i am not the only one . three composers live in moscow. tchaikovsky boris alexandrovich was our most famous

composer earamic. yes, by the way, in romania, i was there the composer was mendelssohn and the director of the conservatory or institute in america, liszt, so i'm not embarrassed. heinrich wagner will be a court symphonist for a tented symphony over the crimea, the title of laureate of the state prize of the bssr in semey if father and mother to have children, if guests come, then even that child, who may seem less brightly as a bone, tries to be somewhere further from the guest, you know, the same composer. and, of course, not everything is equal. but every composition that you finish and

expect to be performed is like your own baby. the composer slapped the creation and folk songs were formed. curd for children. so she wrote music date from real performances and movies. he was so very light, he was interested to the last, probably with some musical novelties one could always see him in the philharmonic hall or at the opera house. when he received the people's also shortly before his death. perhaps he somehow began to joke less. i do not know why. or did he

become more solid, maybe, huh? maybe he began to feel bad such things are not told, i don’t know, but he somehow matured. he is such a. here was a boy, and the breadth of sullinity was everywhere. we were caught by his principles at the end of genrikhmatasovich's life. shmat thought about the war, warsaw eta and khatyn close to the abbess, that go and minutes. he got with the composer mental pain did not pass colleagues. wagner was dying slave. there for mosquitoes. the legendary musician of the fifteen-year-old 2000s has not become a national polish sea, as for me the ideal composer, when the composer is multifaceted. but you know that let's say the song was in the repertoire. here, and wagner specially wrote two songs for edith utyosova from a lullaby

wonderful lullaby. and she was sometimes written to work at the front-line theater in that period, the smart timaestro was already crushed. i'm that person about akuga, we remember him with pavakha and padyakoy, so it's good to fall over you and say, why is this boy not sleeping in a central place. in the work of henry khabarovner. i am engaged in the alignment of a violent form. the most popular opera screed of life in the walking belarussian theoretical-opera rannitsa three concertos for piano and orchestra vocal symphonic poem forever alive and the hero of brest from oksana trumpets a fictitious bride after the aval of the holy shadow.