this is the dispensing of prescription drugs, people are grateful that somewhere with a loan taken, the ministry of health has revised the list of uh prescription drugs and expanded the list for which a prescription is not needed in retail facilities is carried out regularly. it is precisely such a systemic audit that allows us to form an objective picture and develop ways of regulation. the sad news came a few minutes ago, in the sixty-ninth year of his life , singer boris moiseev, a native of mogilev, began his creative career as dancers choreographer to the popularity he received as a singer recently, boris moiseev was ill he suffered several strokes. this is the latest news for this minute see you at 19:00.

hello on the air, the program shots of life, which means that today we have another wonderful guest in the studio who is ready to share not only unique shots that are most directly related, but also memories of how these shots were created, our hero gave cinema more than 50 years participated in the creation of dozens of films, worked with outstanding directors of belarus and russia, was friends with famous actors, but due to his profession, as a rule, remained behind the scenes. today we have a legendary artist and decorator ivangaiten in our studio. at that time

i had a heart disease congenital heart disease, that time had already done probing. here through the hand. i drew more with my left and started to write lazily. lefty well, at school my uncle taught me the elementary grades. he taught me so well that i changed my hand further granddaughter, left-handed and younger and older. the daughter also writes on the left maybe an anarchitect draws everything, not a gram of hack should be seen by the camera, that is, hack should not pass. if you don’t know how to make an invoice so that it’s like the present, then it’s better not to tie it up. ivan aleksandrovich rogatini was born in the village of zarubchiki, gluboksky district, vitebsk region. he was the

fifth child in the family, his parents lived hard, ivana was sent to study at your myah boarding school, which he graduated with a silver medal from childhood he loved to draw after school he entered the minsk polytechnic institute at the architectural department first came to the set in 1965, and since 1968. he has already worked in the staff of the film studio of belarus for 50 years of work in the cinema, he participated in the creation of dozens of films with outstanding masters of his time. i am very glad to see you in our studio. and you know, why i study your filmography was just amazed and surprised amazed, because, well, so many films you worked, and surprised, because i also worked on many of these films. as a journalist filmed stories, but did not see you. and

i was very surprised, and therefore i am very glad that today we can meet with you and talk and remember our favorite films. you graduated from a boarding school with living parents. and what was the reason for this, was your father blind? he returned

; our vegetable garden was stuck right into the lake. there's a nest there washed clothes there for fishing. as far as i can remember, i immediately made a fishing rod myself and caught crayfish fish, swam, on the internet. it was hard to study. no, but a craving for drawing. in the same place, at school, it manifested itself . i took the architecture there easily. i already started sketching sketches there, i started designing something myself in 64, when i

entered the newspaper znamya yunost came out and for me i helped the district committee of the party draw there at school there something i had a lot of pictures. they would write to me to become this article came out , and there everyone in minsk here acted so cool. i’m all like this under a shirt, it’s in panties that i passed exams or gave and waited for a drawing and everything for normal grades. and why, after the architectural one, they went to work in the cinema, and not in architecture. i studied with yuri marukhin's brother as a cameraman, he was already at the film studio at that time and i was. forged here with this group of cinema. i

didn't work, but on the set there was an island in a rural town. i remember three times. i was on set. maybe a bull then, in general, a good, very good person and director joined a lot. it was a big building. great decoration, great decoration. i went to work as an artist in a regional cinema. then they called me. i arrived, the movie starts. as soon as you can work. ah, slide, let's go play grigoriev, this is brys as there was at that time

it was not melted. there, the only place we were shown places where you can painlessly. this is the brest fortress. that's it, then there was a little pavilion your immediate chief on site. this is a production designer. how the duties are distributed between you the artist is responsible for everything for all objects selection of nature selection of nature and for the frame is also responsible because of the costumes because of the props. the property owner must also follow the work of preparing objects. and if the scenery, then the construction of the declaration, if the general was made by the artist, i then draw the drawings. dr.

francis asks permission to open a hospital for the poor, let him open only let him leave, he needs money. i don't have their money. what money is the society of saint lazarus, according to help your power. well, that's good. anchor with god, go. on the one hand , it is very difficult to work on historical paintings, because the artist must correspond to the time correctly. he had a very clear knowledge of history and architecture. and i, too, was already connected with architecture, so there were no problems for me. there stiller architecture is such a yard, sarcado folded arches, that's all we are building belarus three floors 30 by 40 meters the yard itself. arcade in a circle foam. the first time we have so much of this

brick from the brick wall, second floor tile. well, the texture under the stone is completely a copy of the photographs. well, of course. this is a monument of architecture, there is a layout all along the columns. it's difficult there. this is all the decoration of the stairs. these scenery were drawn by demons, i did the detailing. as i understand it, after this film you became a great specialist in historical cinema. the fact is that i did not have time to finish the film when i was offered, that is, they saw that something was thinking. it was even a large volume of five feature films. uh, the tv movie studio is also 5-7. that is, without

work. it was impossible there, because you were intercepted strangely to me. why, when i came to the set to shoot the films on which you worked, i saw the cameraman, the director of the director of the actors, and you never somehow collide. in triplets and from the landing settings, i am almost always preparing for the landing, if there are a lot of objects, then they need to be prepared, i prepare before shooting. this is shouting from the mogilev region. rekosos i recognize i recognize i know i scream i know that there were construction quarries there, which emerald water because

that there is a huge construction plant. and these are the careers. here we also used sasha zaitsev there. by the way, he invented a lot from himself and otherwise ate it here, and he came up with this corpse. i wondered where this tool came from. he came up with this pipe. there were a lot of improvisations here. on the set, i manage to communicate with the actors, of course, i was friends with many. well, sociable, in principle, i was friends. if you list lev dear, my friend was i was scheduled for him in moscow. i am a prince. you are now keeping in touch. he

the rector of the pike is now in conflict. there are no conflicts, but to demand now i have students, many have already gone through my school. i when i pass said thank you sucks. so it is necessary to redo it, it means that the hack-work was driven out. i point my finger at them, but they are offended no longer to redo it during working hours, no, no. i want us to see some more footage from the set. i honestly say, i peered peered and wanted to see you, because i know that you were working on this picture, but i don’t know, now, if you see yourself, will you tell me where you are good there?

let's see, the belarusians are the first thing i never knew, well, i didn't recognize you, damn, you need it. this flame was a mighty movie. there, by order of masherov, a line of partisan defense of polotsk was built here . a fragment of a wide-screen bridge film has been dug up by a

hawker of an echelon , how is it removed at the film studio belarusfilm? stage a picture director vitalik shafikov associated with the legendary operation i remember when evgeny ignatiev stage designer in this picture he talked about this movie. he said that the partisan camp was built so accurately that then documentary filmmakers came to shoot documentary films there, as if it were a real partisan camp. yes, i was preparing the scene. i remember, it's near you, maxim's hut is an object. there, postinare, the tank

shoots at the house with direct fire. i built this set. so we moved this house. we bought a ticket. now made with bricks. everything was one to one otherwise, then too, but from behind for removal, i took away the wall 3 m. they cut it out in preparation for filming, the shot was built so that in this opening there was the interior of the pyrotechnics house, they were preparing an explosion, that is, we cut the beams, the camera was placed in a log house to puncture the glass, the whole group behind the well. well, that's it, the fact is that the corners are all soft, and the blast wave went only here through the small windows. and when this explosion blew, the house shattered and the blast wave demolished this march, the well

of the camera suffered, the lens was broken. knowing your such demanding attitude to textures, tell me how you watch films today on a historical theme and on the war you note the shoals of young directors of young artists. it doesn't bother you. or do not pay attention please contact. this is purely professional. i'm watching, dude. i remember evgeny ignatiev was very indignant, he says he shoots the wrong fonts, buttonholes, they

say the wrong costumes, well, how can one relate to this and began to demand very much. it was the same loop in that respect the sketches in it were detailed. tell me why you received a gold medal, vdnkh i was also engaged in the design of the studio and i was also called a court painter, that is the director gave me a task on the interiors of the studio there, i did everything three times in belarusian cinema in moscow well, this is usually either a congress at the party or, as its anniversary of the republic a, the

fourth time there was an exhibition in 79 60 years of soviet cinema at vdnkh and by this time i already knew very well how to build dugouts there , to have everything there, and, first of all, there was already an archivist. because the guerrilla camp i have already several times dugouts in the scenery was evgeniy markovich galkin he was identified as an artist we decided that we needed three dugouts, one headquarters. such a general and a medical kitchen with a dining room, a forge, a brick oven was installed completely. she was burning , she was pulling, there was fire and props from minsk, three forests passed with the forest.

bondarchuk came in at our request . thanks to our studio. here consisted of muscovites and guests of the capital. today in belarusfilm is trying to film in all genres mostatian woods documentary educational animations the studio has become one of the best in ukraine broadcast 24/7 this is a project in which there is a place for a brief review on important topics of the outgoing week, let's not forget about the unique rituals and original culture of belarus. in addition, we'll take a walk with

our guides and learn a couple of unusual belarusian words. we will cut off a loaf of bread at a time, cut off a loaf of bread, and you, too, and do not forget to appreciate the work of people who make bread with gratitude - this is for you to grow year-old cava with chewed. we talk about the most important thing, watch the air 24/7 every friday evening. one of my favorite films that you have also worked on is the wreath of sonnets. valery rubinchika i want us to remember these shots. oh, i remember warmly, so and but here is the military descent of this particular scene. here we

raise pushkin, look. and the tap, and the tap - it's for this that i put a bottle of cognac in a ruby. this faucet problem arose. this is a pioneer construction crane , they cleaned the whole space so much. it 's garbage. the mountain was this sketches just in time for the fin-kusaneta. it's your. pushkin is back, that's what they call it. this crane means pioneer, and what was the difficulty with this crane, that the scene had to be solved. pushkin was about 150 kg and me it dawned on me that this is one to one lorry. we opened the sides. the playground secured us. and he's only the only thing that he was electric from the

electric motor, it was necessary to connect the cable, well, how to connect went to the nerja district, they looked at the plan. good? let's all make a deal. we remember all this, we signed an agreement for 320 rubles. preparations are underway. we clean everything there. it's all decoration. here is more suffering. this one i left here the tiles. it's not like this is our whole day, when we need people to come with a cable over their shoulder. you see, the butovochka is small and we thought that it was a street pedestal for a poster. this is a german transformer. he cleaned them with a worker. they cut ours and used it as posters, they cut this one, they opened it, they connected the

cable, they hid it. we were in the trash. and there they just became three meters so that for the action they just turned on the whole screen, it worked. well, well, then we laughed at the fact that 320 rubles. who are you to the soul and tormented by war and torment, captivating cast-iron swarthy with curls, press him in the rain, still laughing, already tormented longing, troubles, everything, victorious and all wise. to that you come to the soul that there is no such war for him, so that we can be separated from you and not

go to peace. and this boy is unknown involved in the music of heavenly themes, he has to do with you and we had to make all the objects in these ruins around the cat to the theater in vitebsk, this bedside table with posters. there was also a train station there. and here is the school. so i went to school at four levels. and there were five classes at once. this scene was and here i was doing physical education downstairs, well, preparation big because it was rubbish was a lot. sit down sit down guys, students

of the musical platoon of the aviation school will study at our school today. i really liked it here. here are these interiors, when they are sitting at the tables, as far as i remember, i remember something about this film, the table is set all the time, guests come all the time, dear, evening good guy, get settled, good evening, friends. as at home, pass you health, i suppose, you are hungry and cold, i ask you to the table.

meet understand greta my housekeeper, my late wife's sister, what i was doing there in shelikhov, came to the mine cave, i remember i made a prepared object. a mine was blown up there, a huge height, a dwarf was filmed there. there was such a scene that we were filming our dressing room and everyone was lowered underground. under the ground rushed no, where they began to look for screaming, back and forth. and where are there? yes? there, dead ends screamed for about 15 minutes, the dresser of these wardrobe

boxes made of plywood 1.5 m went, opened something, and he was sleeping there. you are not liked. you smell something to me from you wine, all brownies, like brownies, i should be more. well, turn around. and one more movie already. not belarusian, but which was filmed here in belarus, i’m very sorry that the plot from the set i shot was not preserved. i didn’t manage to save this plot, but i want to remind you of the frames of this film. let's see. good afternoon

and what is this winter ailments? already played i see that you will fit. i say, a good policeman, a good policeman, this is what they burned, the village, my village is on fire. i don't have it here. there is a panorama, we built 18 houses and immediately burned everything together. here is a panorama of the fire. here we are on the mountain. i nearly cried there. no, it was a pity i spent it. i am two months old. i practically the whole village from and to the house. these birdhouses are also ignatievsky, a technique, a birdhouse is a living species. the whole village was on fire. here are the fires i did the sketch

done. yes, but the panorama is all construction. this empty place was not a single house. here you are an experienced decorator artist decorator, but you never wanted

to become a production designer there were 10 more than 10 films directed by krasnopil a7 films, and they came from moscow they say we are launching. messing will go as an artist. i asked so little. the script was sent to me right away. i read it, and there is a period from 900 calvare to 75. moreover , germany there is a messing performance, and there were so many objects there.

but tell me volik and it often happens to you. well, often you see the future, well, i don't know, this is a young messing in childhood. i know you were nominated for taff for this series, yes. it was i who bought the book architecture of wooden synagoguevil. i keep starting lapels and ending with a star. david exactly. here it is in the zaslavl complex. it's a fucking complex. that's what they've been doing

for places inside in recent years. for almost 20 years now, you have been working with russian directors. and you have something to compare the belarusian directors with whom you worked a lot russian. that's what our directors today lack, for example, to reach the level. we have the same russian ones or something. everything depends on the script. here is no all write any. to be honest, series, i call them juicer. there are movies that are 5 days gray for five days. well, listen, you've worked on some really good shows. peoples. miraculously gloomy yermolov river. i worked,

which is not a dummy quality serials. here are some good materials, and krasnopolsky is easy to work with. an excellent director. he practically lives in cinema, he is still right now, they sent me two scripts to krasnopolsky, 86 or 88 he already wanted there, so he sits. a young director makes a movie, but he is in control. maybe he doesn’t sleep in the morning, oh, first of all, a joke, and then we start and then this scene. he cooked something. that's decided so something is being remade by the actors, it

works great. well, in our studio, do you think we have very good workshops, costumes, weapons. well, not the props are still there, that is, but now it is not involved. well, no, movies. no, it's all a shame, but what kind of furniture do we have? i would keep a

carpenter to repair furniture for renovation, so that it does not break and now there are no carpenters, or what? well, it's hard, so now all the accidents are in decline. director leo golub, i think for dachas based on films the children of the partisan koshuk, fuck

pansy, the road, ending with the haze of the mostatsky film, the polonaise of ain, the cameraman of rekormosalsky noah, because with blue. i had two films made by a little sergeant and half of the sayan, we filmed this in slonim. there is an organ in the pan on this film. i got married very much. i just built the scenery, and opposite was a department store. nice women worked there. so for 3 months. i got married. i had a wedding so quickly you decided your fate. how did it happen? i already had? i didn’t understand, 20. 23 or something, there is young quite, well, young, well, hot, but they never

regretted such a hasty marriage so much, loved it, it’s not just that they lived normally, 47. and who raised the children? well, i raised one daughter. well, basically, i'm always 11:00. now i have two grandsons, two granddaughters, the eldest daughter is already 50. well, they somehow continued your creative dynasty. the eldest daughter to an architect graduated from architecture now a chic architect, the designer needs to be in demand great designers, the second daughter lives with me, she is self-employed, she is a confectioner, she makes great cakes for her such a list of cakes that she grabs. she works well. most

importantly, when she makes gingerbread, i just like artists sometimes. and the grandchildren, the grandchildren, the younger one, the grandson went through the stitches, i’m going through now, yesterday i was healthy, i wish i wish. i say you don't regret it. and now i ’m talking about how you got out of the habit of cross-country daily in the morning 3 km in hand, i’ll do it at home, well done, but he’s in the lead in the older group , his grandson also went, probably, they study architecture on ntv i want to show you very rare , because, probably, except for me, none who do not have these shots and shots that are very dear to me , because, well, first of all, i shot them. and secondly, my daughter helped me on these shootings. she was interviewing. let's

watch the interview. i did not take, but frames. i think you will find out. how much noise he put on when he arrived at the film studio, i did, but the columns removed the inscriptions for him there. he knew me well, this film the path to

glory alexandrovich piston is worth playing there. he brought him here from bulgaria minakina he wanted in bulgaria and he dragged him to belarus came here and found out the base and everything, and volodya grabbed it at night, how long did we work on the number too? ivan alexandrovich, in my opinion, you worked with

all the directors who came to our studio. one of the most filming directors. we have a russian director in belarus, astrakhan astrakhan, and i have been trying to ask this a lot. congratulations. i know you are the teacher of the year, but i congratulate you. thank you happiness congratulations. happiness facility was preparing there filmed in the old city. and how is

dmitry khananych on the court? well he has a voice heard far so, well, so normal. he is a business director. he works very well with the actors - i like the way he sets the task with the actors for three or two minutes. that's it, mom, why do you say that she is my mom, because my mom is you dad, do you want to give me to them? why let's go home, mother, let's go home, mother. put daughter

and what else besides cinema do we still have enough strength for something else you are fond of. oh, to be honest, i can’t live without work, there is a radoshkovich station, there are parsley and there is a workshop, where the bones will be thrown, and now there is a room in the studio, where i draw. now, to be honest, i have planned four or five paintings, which

are already nostalgia. the old one began to eat stump. ah, childhood memories. i went home. now i want to drive through the lakes again . there is a church there, the intercession church, and i was baptized. it stands on the high shore of the lake, a chic place for a monument of architecture. it's on the list in the book. i want a panorama of this church for us . i was almost mature, i drew a lot, just a picture, i handed them all out, but i managed to sell them. no it's at that time no brains yet. movies probably allowed you to travel around the soviet union, and probably not around the world. yes , there is, of course, all the time a new place

went to the cinema. like this next. there i stayed for two weeks at the resort, more money was paid 50 euros per day. well italians, first of all, they have lunch without red wine on the table. well, that's the way it is. yes, i didn’t drink the wrong way of life from and so someone there timurchik everyone is happy there for a glass. and you don't drink at all now , no, you worked for almost everyone cult films belarusfilms of the best. let's remember another work in which you also took part.

yes. and this one we did in a food warehouse with elephants. zisky one 72 15 your car, this is my car worked fine. we prepared a lot of objects, and practically i was in preparation all the time. i really like the prices at the station are so voluminous. it's me who made the sign lida this word german station. and lida says everyone is going by train for a whole week, she hung a little more so where did you come. strongly polyakov alyokhina i'm sending you the transcribed intercept in the case, according to the text. you are dealing with agents leading the surveillance of the railway

established undercover nicknames matilda kravtsov and the presence of a knowledgeable agent in the yegor area well , who knew that this would be his last job? listen, i remember with him after this movie.

there is a yauf in the studio, you know what it is. i know for a film, but there is not a film, there is an object connected with your life. so i'm wondering how you comment on it. do you know this instrument, have you played the clarinet? yes, i didn’t play for long, because this little finger broke off from me. here on the baratone. it's calm. the funny thing is that he also played the baritone in the school brass band. when we left the school, the demonstration demanded from us the march of the

winners. it was hard, but it was in front of the podium that we played dances next to the technical school next to the boarding school, the cooperative technical school. there, some of my girls played at the dances, and in turn they took them into the hall and went out to dance, well, we ourselves played with washrooms. then he sometimes took us to funeral. ah this already and we already knew about six. the most important thing is the funeral marches. i'm not calm. well, there we have sweets. 6 8 9

4 years we are about 14 15 16 years old ivan aleksandrovich we still have one tradition at the end of the program. we are doing a pliz poll with our hero. short question short answer do you agree your favorite place in minsk green onion your favorite vacation spot the side that impressed you the most italy your favorite dish bulba heat on your favorite drink, now i'm drinking cold water. your main drawback sometimes i lie where they are

supposed to. your main asset. of course everything is open. what is the most important thing in a woman in your opinion? smile what is the meaning of life for you? gotta hold on, but you've been happy in this life. yes, thank you very much. thank you for coming to our studio. thank you for the pictures you gave us. well, and of course, god grant you many long years of life, i brought you gifts of your choice, these are sketches. which i want to leave you. thanks a lot. thank you.

belarus

24 presents a new project about young excellent students of fire and rescue sports. and the main prize, we will find out in the game 16 best teams and 48 selected from all over the country, our participants will face the hardest tests. all players. the chosen ones do not frighten them, neither water, nor height, nor even fire seems to be a superpower for nikita, a common thing. we stand 15. yes, he has achieved what they can

achieve. even some of their twenty real emotions and serious trials. i wouldn't say it was easy. it was difficult in its own way. but i made it to the end and win, watch the new sports and entertainment show hero on our tv channel. one capital of the minsk region