out of confidence, the girl’s partner will not understand him, she becomes more feminine and learns to follow the girl’s partner, who have been dancing for a long time, they can be seen just on the street with more plastic movements and a lighter gait. uh, quite different people come to chat on average - this is the age from 25 to 305 years. but there are, uh, guys who are both very young and very old after 50 come in general, bachata is a fairly easy dance to start mastering, so a very large number of absolutely different people, but in the same movie, when we watched about chat. and i really liked the phrase such that it’s really a budget, but completely different people meet in the afternoon. he might be some kind of director there. yes, and another person can work during the day, i don’t know, as a laboratory assistant there. yes, somewhere they come later. to dance and all the edges, all the frames are

erased, yes, that is, here all the people are just who are engaged in dancing or what they like, that's why i also love bachata very much. it's a hobby that brings together completely different people so that so many people are in the classroom. we put in a lot of effort. girls are traditionally more interested in dancing than guys. this is more connected with the history that has developed in the post-soviet space. and some people, men, think that, uh, there is such a belief that men do not dance, in fact, uh, historically , dances before the great patriotic war. it was a tradition and culture that dances were taught in any military school, and any people of the upper classes had to be able to dance, and all kinds of dances in order to build. my career and my personal life, and now

we will show a few simple movements, uh, the main ones for bachata, the first movement that we will do is called step point here , before moving on to it, we will do the correct body positioning, the weight is transferred to the front of the foot of the knee soften a little, that is, the chest is bent . and so they should be above the boards and our first movement is called step dot step dot step dot step dot everything is enough just the second move we're going to do is the basic or basic step-boots on the left foot. we go to the side three steps and dot one two three dot five six seven and again two three dot five six seven dots the third movement that we will make is called a turn. it is based on our basic at the base step. let's do it now. from the left foot, we begin

to turn one two three points what are we paying attention to? first we have to put the foot on the first step at 90°, 1 on the second step. we pivot on the forefoot and we make sure that the legs are not placed clubfoot, then we turn further in a straight line. and dot turn again 1 2 3 dot 5 6 7 dot and now let's do it in pairs. they began to give each other fingers perpendicular to the floor, the hands lowered down, the girl trusts her partner and puts her hands on her partner's hands. on

what success in dancing depends, the first thing i would pay attention to is focus, how much a person is passionate about what he does. there are guys who come to class, but their thoughts are somewhere aside. they are they think about work and cannot completely switch over; someone is more enthusiastic and listens attentively to teachers, tries to ask questions. and these people always grow faster. the second point is the amount of time. how many people spend on classes per week? the more he trains, the more. he goes to parties at the potential, and the faster he grows. uh, the third is his data initially, and then they actually influence much less, but still, it also matters. has a person danced before, for example, people who grow up very well

before that, they were engaged in any musical instruments. they have the ability to hear the music, and it's easier for them to start dancing, even if they have never danced in their lives, and also we have a good grasp of the material of a guy who did his favorite martial arts, sometime in his life or sports. eh, if a person has the will to achieve some goals, then he will also succeed in the dances for people who do not hear music. well, sometimes there is a conviction, and the bear stepped on my ear. they are approximately such phrases. usually they say, and i have no hearing, in fact, both hearing and rhythm are a sense of rhythm. these are all learned skills. people are never born with them. it's not something genetically built in, it's just that someone can get these skills in childhood in kindergarten . can get them in adulthood , but now there are enough techniques that we also use in order to

train e rhythm, train e, ear to hear accents, and for some it comes a little easier. eh, but that doesn't mean it cannot be learned. i have such an attitude, in the theater i am a ballerina at home. i am a mother and at some point i needed to understand this for myself, decide in my head to distinguish between. and basically, i succeeded. that is, i go to the theater. i give myself completely to my work. as soon as i leave the theatre. i am engaged in ordinary life affairs, it happens when the staging process is going on, some new performance is being staged. we are in the theatre. well, how about time. at 10:00 we definitely have this classic lesson, then some

solo rehearsals staged rehearsals. then there is a short break and in the evening it continues again. that's it staged rehearsals. plus at the same time. i rehearse the current repertoire sometimes, uh, and there are moments when you know how everything will come together and the performances and the repertoire. when i was very young. it seemed to me that it was impossible. it's so hard so much physical activity. how can you endure it, but then it becomes a kind of habit every age. i had different motivations. in my youth i was motivated, but by the fact that i dedicated her work. my parents then had a motivation, probably for their own sake. i kind of got hooked. i already liked it. you know, how such masochism, probably, when you enjoy the fact that you are hard to overcome. eh, this is a difficult period, and you come to certain

results, and you rejoice in this. you are satisfied , it's some kind of addiction, when you have to feel your body, that you have worked, that your muscles have worked, that your body is in good shape, probably, that's who a lot of physical activity, i will understand. there is such a state of attraction of the scene, when in different periods of different ages the sensations are different there was a period when the photo performance was dancing on bows. here, when the applause goes, they accept you. you understand that the audience likes you, there is just such an egoistic state when you get high from it. and then i switched. it's in such a state when i danced in a performance, i should feel that i did everything that i didn’t cheat anywhere, that i

didn’t fake anywhere. that is, it was not it's just acting. and it was a real, lived life only on the stage, and then i also had such a period when you were listening there, the performance was already many, many, many times and you couldn’t. eh, relive it every time. here again for real and again and again you die and again you die. well, you're dying. i realized that i could no longer truly die. i'm already on stage and i don't want to feel like i'm dying. that is, i have to learn. uh, this play, every year we come to the choreographic college to congratulate our teachers happy teacher's day for them. show your skill. this is what we have become, so that they look at us and be proud of their students and also, of course, i want to come here and dance for children who, having looked

at our dance, fell in love with ballet. these are our folk artists olga gaiko. igor artamonov so anton kravchenko yes, this is my favorite partner. and here i am wondering for a long time you have already had this. it's me here in the role of burke , i also love this performance very much. it is very interesting and complex, i remember my teacher favourite. e, savelyeva irina nikolaevna who devoted so many years to us all my girls, they remember everything. and how she told us that we must be strong. uh, because our profession is we are obliged. you have to be able to endure. we must strive to work, we always remember her such elementary

expressions, but for us they are so significant. we always remember what they called us, rabbit brothers, rabbit brothers. let's well done our course is scattered all over the world all over the whole earth. and we are in st. petersburg and in america our girls, but we are in russia, too. here, but we are going here last year, for example, we all got together. one classmate came from st. petersburg only so that we could visit our teacher. she arrived by train in the morning. we went to visit. in the evening. we put her on a plane, but she flew away. well done, everything will work out. so you have washed good data. fathers and legs you have beautiful smart girls. i had good data. yes, i had good flexibility. i have a good top eversion. i have very light legs, that is, i have very good stretched, but i have the only thing on it

here. uh, the lower turnout was a little lacking, so i still imagine working on it, that is, even until now, working in the theater first of all. it is i who begin to make sure that my legs turn out, and when i dance, i always follow the heel. it's physically difficult here, because you have to sort of break your body, if a person walks. this is how you should walk like this, if, according to physiology, in our body one thing is conceived in if you are sick, it’s completely different to twist your legs, you need to twist them correctly to make the muscles work. uh, stretch flexibility. all this, of course, is given to someone easier, to someone more difficult, but certain efforts through a certain pain therefore, probably, not everyone will be able to study in this institution children with certain characteristics are selected a

person who does not have the characteristics, he will not be able to study no matter how hard he tried . it is necessary to have a little bit longer tetyudik, this is the desire, these are the difficulties, they bring up the will. i am i lie with my eyes closed and think what sequence i need to do later today, so as not to forget, quickly reaching

the office by car and carefully recording everything. i need to make such a plan, at least for a week, that's where my schedule hangs. this is my weekly flag. then i have to combine all this, when we rehearse, when we put on something new, when we consult, who we introduce, i calculated everything, then i came to the rehearsal, and that's it. you can start over with the fact that the child got sick, and then got sick. himself inadvertently i sprained my leg and you understand everything works such that i have already decided something. and this i can do according to plan does not happen, the girls are all brand new, which were. come here to me quickly stand up and move a little, a little wider so this is uh, this is our newcomers. well, masha , what a place you have not become, stand next to the smallest and show how big and beautiful you are. this is a new set of girls you can imagine waiting for. but

what awaits girls depends only on themselves. now the whole month of october is free for us from the concert will be into the water into the water of the program so that they can dance everything, that's what the main cast is dancing today. uh, in the concert hall in minsk it doesn't even have to be all dancing, yes, that's all. that's all. that's all that awaits them, girls, continue forward 60 years. and i work 33 you can imagine, and for me it was probably 10 were together. of course, this is bad, because the good never happens. such a frequent change. all good things. and in general, significant, in fact, it is done for a long time overnight, nothing can be done. it

the fantasy that a year came and changed and life went differently for a long time and stubbornly, not everything turns out to be patient at once. yes, and then you need to collect people to love them and collect to collect good artists. one of the first numbers that i staged in my ensemble just arrived. this is a quadrille on zelik at the university of culture, then it was an institute of culture, then it was the head of the department , july mikhailovich, there was no creative laboratory. here is such a folklore one, and in the summer they went on an expedition to the woodland with the students. and somewhere they are like this such small pieces. this is folklore, they found something small, for example, a fragment. they went into some kind of hut and there , somewhere with a grandmother, they stood on a bench. and they

trampled trampled trampled trampled trampled down on the bench. well, the little backdrop is called belarusian victory. well, i came, in general, why do we put the situation like a tall , such a beautiful girl, and he is so small , smart, very smart, but what to do for a chin, but put all this picture evenly in pills, and in what form should i do it? well better make four because it's very matzam at the same time as the solo number, that's folklore. yes, it's all invented, i if