little chapel right here. here was another sign. here is an azeri artist who sketched both. why were there two, because one was like a patroness, so that people would not get sick. right at this place. here she was where we stand. that is, it was a long time ago, she was offended on the left and on the right, that's how it was done. here, and there was another sign on the other side of the turn. here is such a format, she was still the patroness, so that the cattle would not get sick. that is, as it were, it worked so that people were healthy and animals were so people. well thanks to the attitude towards god, they strengthened their health. and with such a wave , he established it when he was there with guise, but if you didn’t know there, yes, you are exactly the same when you dug up history, they were ancient and found out that the population was founded in 1.378.

we dug out a case of him here and raised it. this is where our church was. saint paraskeva and here is a cross people have established a memory of the shrine of the former kitten, it was, if it will be in our memory. it was a church, very beautiful, you could see it, who was on the boat, who was on these boats, she was an ornament the village could be seen very far away somewhere for 10-15 km. philosophical interesting is

written like that. if you find a job you like, you don't work for two days. i am 26 years old and not working. on vacation only twice for 10 days in 6 years and there were such interesting trips super so cool in our tone in new york and traveled around europe, that is, i have no days off. to the maximum

portraits of my memory of the people who have shaped me. here, as it were, something creative, yes, and human would have a very great influence, and here among them is a bright such a portrait of the person with whom i talked . probably the most difficult moment of his life. from spring to late autumn of 1970 this is oleg

efremov why am i talking about the most difficult period of his life, because it was not only a breakdown of his biography. it was a break in his fate, because he left the sovremennik he created for the main director of the moscow art theater. envious people, probably, as if so gloatingly said, yes, what kind of artist is he? he is ivanov from this film, the living dead tankers ivanov, when they strictly ask him, what is your last name, and he getting out of the tower, grinning with such a wandering smile, my surname

ivanov says on my surname all of russia keeps ivanov he almost did not change his appearance, well, maybe , except for aibolit, but in every role. which he performed, he seemed to expand the space of this role. bringing there something of his own unique efremov.

the moscow art theater is already in the seventieth year. it was a museum. old performances were staged; almost nothing new was staged. there, they played out everything, replayed before face, resumed something. and the group is like they called themselves starikov veterans of the theater realized that a powerful leader was needed, and they saw such a leader as a pupil of the khatov school who led. the

theater created by him sovremennik is such a person. they saw oleg efremov and that's all i'm going to tell. i know this from the words of efremov himself, and these old people, as he called them. prutkin villages invited him to the house, yanshin for some kind of tea party. and they offered him to head the moscow art theater, and during this period, from spring to autumn, when he moved oleg nikolayevich moscow art theater almost every day while communicating, he reported on how this process of transition is taking place, because it is not just a change of job, an entry in the work book. it really needed to be changed. everything, it was necessary to come to this theater after this unexpected proposal with some kind of creative program. and here we are the

film crew of the film all the king's men, where oleg nikolaevich played a role. eh, doctors. adam stanton, we perceived his stories. just you know, like here are the reports from the front, because every day something happened, for example, he came and spoke. boris livanov, people's artist of the ussr, said that if this boy efremov comes to you at the moscow art theater, my leg will not be there . rehearsals of the duet scenes of governor stark and dr. stanton, pavel luspekaev and oleg efremov in the film all the king's men took place in the

room, its success in the beijing hotel. hotel beijing from sovremennik old. mm. just across a very narrow street for two cars only the official entrance of sovremennik will pass each other and they rehearsed directly to beijing. they must be said reluctantly about muttering the text, then they quickly switch to some actor 's memoirs to some actor's stories. here , of course, it already turned out. who left sovremennik for the sake of our film all the royal army misha kazakov came from his contemporaries tatyana lavrova evgeny alexandrovich evstigneev came sometimes. the actors began to sit, of course, all this was at the laid table. naturally with booze. well, everything was very modest, because

that everyone still had evening performances ahead, everything was different there. and so these actor's tales began, stories about each other began. kazakov says oleg do you remember what happened when the great english actor john gild efremov came to us like that, smiling, chewing like always , he came to the performance sovremennik well , probably, it was the naked king. delighted, in general, the british embassy suits sovremennik artists gather for a reception after the performance, the english embassy is at a banquet after the performance, embassy cars with flags. the first one sits down, efremov the rest

means the artists sit down. well, the artists are young . everything is contemporary, they are 10 more years old. all hungry all tired after the performance, of course, the desire to drink and eat it. naturally, as after a hard day they go to the english embassy, ​​they all come there to meet the ladies, in the neckline in fluff in furs, the diamonds sparkle the ambassador, all sorts of people there are peers. sulfur measures in in blue ribbons, means misha tells, and we say, everyone has one desire to drink and eat , the door to the banquet hall opens well. we say our eyes are blinded by the brilliance of silver crystal. in front of each device are five to six glasses of three to four forks. some scoops pressed , some something else shine from an

unprecedented number and shape of bottles of some kind. well, we say, we notice that some nuts, some sweets, some cookies, and here is efremov between the year and the ambassador. he notices and says that the guys are passing out one by one , because there is nothing to eat. them now the ambassadors, under white hands, into cars and already knew the addresses, they were the last to go home , they said, kazakov stayed, efremov well, i myself have already observed this, when he is angry, efremov he is angry, but restraining himself he lived here like this in their and mishka says. i see that efremov is beginning to mean that these people lived in the oka at last. all the banquet is over efremov, too, already slightly. the swaying one

is put into a car and driven home to leningradsky prospekt. suddenly in the middle of the road. efremov pats the driver on the shoulder, says, stop back to embassy. he says as it unfolds they come to the embassy. there they knock, they call , they open, efremov demands a serogil through an interpreter, where he already touched in the bedroom already departing, well, you can’t object to efremov if he’s something special, if you object in such a slightly gassy mood, probably, this gill could not be resorted to. that's where efremov approaches him. with your finger you something in my chest and says. so, sir, john turns again, swaying, gets into the car and leaves without finishing, there was some kind of internal monologue, which ended with a sentence. that's it sir, john of course

everyone laughs. but efremov says mishka how can you know it says, efremov is so with a grin you are one of the first, as you were taken away from here who passed out. where can you laugh again, so it goes, here come these some acting memoirs tanya lavrova says a banquet. we have some kind of taxi in the restaurant of the moscow hotel, efremov , throws open the door, rushes into the back seat , screams, a car has gone there, says it’s leaving. we see that he fell out of the opposite rear doors and wallows, except in the snow. laughter again. he reassures, oleg is true, they say that you at a meeting of the collegium of the ministry - he said to furtseva that ekaterina alekseevna is a brake on the development of soviet theatrical art. she

said, oleg nikolaevich, you are drunk. he said not at all. i just drank again laughter but efremov in the stories about him all the time you know, like this he grinned, it is not clear whether this is true or not. he later told me an interesting thing about this, he says, you say, you saw a picture of burn, burn, my star. i say yes, i read it. i say, even the scripts before that it was called uh comedy about the spark of the masses art from creamas, revolutionary to the masses. this is how the main character oleg tabakov called himself, and this is what efremov says. he says he took the script. i was offered there, which means that i should play the role of a rural artist, who could not see at all a clean

plane, not filled with colors, as if it were a gate. uh, care is in the fence, as if it were a table or some kind of closet . here he saw the plane and now this character of his began to paint and paint, that is, such an artist is a rural primitivist, like, and not to revise the type. rousseau of the french primist and efremov says, i read read read, i liked the role, how i liked the function, but for sex he says some was, as it seemed to me not necessary. i say, sasha says to me, and let's play this role without words. he says, how and like this he says, so i say showed him. how to play this role? and we tell you, you liked it. and so efremov is silent, as if only grinning so remained in this

film. here. remember, the scene is such, where after the bath at night the owner of the imposing such yevgeny leonov sits impulsive tabakov oleg from the cream. and here is this grinning oleg efremov, all kvass beer steamed after the bath in front of them, and such a mountain of red crayfish after that by chance. and just like that, just like that, the white guard officer kills this artist. it just kills talent, and efremov's acting talent was huge.

here in our film all royal, he himself offered such a function to himself that here is his hero adam stanton his character will play the piano, because the ability to play the piano. already shows some degree of intelligence of the human intellect. he tells me. aibolit 66 says about his role as aibolit in rollan bykov's film somehow he calls, vadim korostelev tells me,

the author of the script starts telling me to complain. here oleg is both bad and also bad. and then he is bad, and i speak, i listen , i listen, then he says, i say, listen vadim so it's good that while we feel bad and he talks, he suddenly catches himself and hangs up. after a while, he calls me and says, oleg i am from your phrase. well, so far so bad. i say aibolit wrote this song. you will sing it. if the harmful barmaley did not intrigue us. we wouldn't know that we apparently didn't become heroes. none of us want or want to. it is very good that so far we are not well. it's even good that so far we feel bad. lived not sick. we would not know what there is in the world of barmaley that everywhere we have

to expect from them, that's even good. it 's even good, well, since there is a song about aibolit , then barmaley should have the song well, here already says to russell wrote and barmaley to bykov himself a song, if you remember the chorus, normal heroes always go around. and you are crooked underground smart heroes. mole normal heroes always go normal heroes always go hike invites. he says, sergei fedorovich bondarchuk is filming war and

peace and says, oleg nikolaevich i have long wanted to shoot you in some of my films. and now i'm starting to shoot the film war and peace. here, look at the list of roles , a huge list of roles, well, according to tolstoy, and here he says, here is the place and the number of shooting days you choose, - he says - please, whatever you want. i say, oleg tells. i didn’t look at the characters, he says. i say, i immediately looked to make sure that the shooting was not far from moscow and the number of shooting days, too, so that it was not very much. i say, when i found it, dolokhov led the hand here. bondarchuk says he looked at me, i say oleg nikolaevich well, the duty is handsome. secular lion i says shrugged and bondarchuk gave this role to efremov.

if someone makes imperials too, you understand if anyone else meddles with me, i'll let him down right here. then a duel with pierre . you know, i have probably seen this scene 10 times already. and i'm sorry, i can't resist. from tears, how efremov plays this will be an opportunity to reconsider.

he was a great actor, an improviser in one of the last days of the leadership of his contemporaries. i came to his office. and suddenly he says, you know, that's when you

say in the fall, after the expedition. you will come here to ask tanya lavrova or zhenya signeeva to shoot. here on this in my place will sit. theater director lyolik tabakov , here he will have a large briefcase. here he will have a large thermos. he will sit like this and talk to you. and just like that, oleg efremov, thin with such an ascetic face, suddenly turned into a smiling tabakov, i must say that when in september i really came to ask the actors away. tabakov definitely had a briefcase and a thermos. and tabakov

spoke to me well, but for sure, as efremov showed me before that irony fate when oleg nikolaevich died on march 20 , 2000. then he also inherited him in the moscow art theater, tabakov tells mishka kazakov says that when it was the anniversary of sovremennik, our two sons kirill and misha efremov played us with oleg, but he says so, it seems that everyone was laughing. not only that, then he says, mishka efremov hugged, says my cyril and said, well, dear, let's go. let's note this, it means our meeting. well, he says, he even says his father’s intonations, says mikhail

olegovich misha efremov, so he repeated it very much, he says it was talented, played, very funny. transition, he understood that he could not come empty-handed . and he scored a repertoire. these were completely new unknown works. it was dulcinea tobota. volodina it was the old new year, roschino is deer, shalashovka, solzhenitsyn is otherworldly meetings. levaginsburg and bykov's story, i don't remember its name, where a soviet soldier and the germans fall asleep in the basement. and how they are from confrontation, so they begin to

understand and get out of this common. uh, grief from this common tragic situations as they gradually converge there. here efremov came with this. and they practically approved it. he did some of this, in my opinion, he set up the old new year, and along the blue obosskaya. bykov was staged not very well, in my opinion, vasily vladimirovich once told me about this that, well, it says so, well, he staged yes, and he staged it. but most importantly, he announced the play to the deer, the shalashovka, the half-protected or already completely banned solzhenitsyn, and he boldly declared that he wants to stage it more than that, when we have this tragedy happened to the luspikav when he did not become the performer of the main role of the governor. stark, we began to rush about in search of a replacement; one of the options was to throw oleg efremov from the

role. adam stanton for governor. they decided to make such a test as partners to take sour milk, but did not play. well, efremov understood what he did there simply out of a favor to us. it's just not that. he didn't want to and he wasn't interested, because he had already become attached to the role of stanton. and so i once came, uh, to him on leningradsky prospekt to pick him up for this very one, and which ones for testing? and he tells me to sit down, but i sat down to dad, nikolai ivanovich says, make us coffee, dad brought us a large mug of hot, which means drinking coffee, and he read the whole play to me, deer, shalashovka. it lasted an hour and a half, for sure. how long does it take to read the play, a car was waiting downstairs there, a hundred film crew kvasha was waiting there for everything no, i understand that he didn’t need me , like, uh, there is an interlocutor. just like

playing squash, he needed someone's ears , someone's eyes, to read to someone. here it is i read this whole play, deer, shalashovka, i don’t know if he staged it or not. only two of their own cars were allowed into mosfilm. it was the personal car of sergei fedorovich bondarchuk and 21 volga with a deer on the radiator oleg nikolaevich efremov happened after the shooting. he asked me to organize such a small one, as if in 100 years. if you can call it at the table, well, let's just say a snack. i usually entrusted this to the wonderful assistant gene glebko. then he invited me to his volga, anastasia vertinskaya came there with whom then oleg

nikolayevich had a very close romantic relationship. not only that, they starred together in the film case with wormwood. and there, as it were, i was present, while oleg nikolayevich was talking about the role of some of his plans, it was such tenderness, there were such wonderful scenes. well, a little, of course, there, but we drank cognac and then we went somewhere. oleg, of course, was tipsy. well , although he drove the car well, normally, and when he stopped at intersections at a red light. uh, the policemen looked in traffic cops, it means that the little one saw efremov, they took it under the visor. and we, therefore, went somewhere further, of ​​course, a completely amazing person, but the charm and some direct

leadership qualities superimposed on him were very interestingly told by the playwright victor rozov, when the future contemporaries decided to open their own theater of plays pink, eternally alive. they agreed to meet somewhere. for some reason, this meeting happened. maybe even by chance on some beach on the shore there. uh, so there are moscow rivers and a rose. b says that i see a group of young people approaching me artists, and i say, i immediately saw that this guy is the leader. it was oleg efremov on the evening of pavlovsky's death in april 1970. did the group meet? go to leningrad for the funeral. i call efremov and say, oleg, here the red arrow goes to

leningrad, he tells me, it’s at 5 or 4 o’clock somewhere, he releases a seagull, he says, call me in an hour. if i untie, i'll go, if i don't untie, no, i call him, an hour later there were no mobile phones. it was the phone in his office. he comes to the phone or they tell him there, i don’t know, he says no. call back in an hour. and so it went on, perhaps, four times before the departure of the red arrow. i didn’t untie it, and i understood that these jaws, for sure, he went sharper and sharper, but after three or four days we all warmly applauded. at the premiere of his latest production in sovremennik on his seagulls. and now he is the chief director of the moscow art theater, i come to him in the office of the chief

directors of the fool. of course, a huge cabinet of antique furniture. table chair on which the stanislav nemirovich-danchenko sat there livanov there androvskaya yanshin prudkin toporkov gorky on the couch, so there was a stack. bound plays the table was absolutely clean ha or a sting on the table a pamphlet, 150 tips for motorists, this was very amused, of course. he says one and a half hundred artists of the moscow art theater, some say, have not

been on stage for 20 years. well, they travel all over the vast soviet union with a poster as an artist, a hut such and such, from your brest to kamchatka, they say they go. and he says he doesn’t need to go to the theater. why would he be here? here he is, he says he goes to earn money. everything, i have, says there was one task for everyone to work. i put salug puts vasiliev puts our friend with you. mishka kazakov bets. i myself say i'll put it in. i say i want all the artists to be busy. what do you think, do you think that we in sovremennik in our youth say such things, all the geniuses were not, they knew they say, now i am quoting as he said to tanka lavrov, he says, they knew zhenya and in his sign mishka your friend. kazakov knew me from the cinema, he says, they knew the artist should know, let him

give an interview. let them act in good movie. let them sell postcards. let the magazines print their pictures the artist should know. it says, a public person for an artist should buy tickets for artists, they say, they should go like this. here in sovremennik he had the first production of his house . he very subtly felt that the old people had all invited him, that they were all leaving, and he found it. a play by the czech playwright fencer solo for hours of failure, where he took them all to prutkin androvskaya village on gribovo well, young miroshnichenko played there here, but the main thing is that he occupied all these old people and really this performance. he also achieved the fact that he was filmed then

no video was filmed this performance, and fortunately it exists now on film, where these artists, in fact, played their last roles. this is all thanks to oleg nikolaevich efremov. and literally after this performance and the film, they began to leave this world one by one. a few years later, when i was in czechoslovakia and met the playwright zagradnik there, of course, we remembered this a play was still a play. there's an aria for

his peacock. but we remembered, basically. here is this play of his and this performance, which, fortunately. eh, a playwright, a foreigner also saw and, of course, we remembered oleg efremov , who was well known to him and me, don quixote died. sancho is completely old, the degraded governor of some of this province, the old one is already stronger along the togo and the inquisitor of old sancho appears playing the pants. mikhailovich yashin faded along the blue, but tatyana doronina still played beautifully.

efremov played the inquisitor, of course, with him was the most interesting, the most winning role. he is an inquisitor, he begins to investigate the phenomenon of don quixote, but gradually he is so imbued with ideas, actions and character traits that he takes them from the late don quixote, who has already gone into oblivion, that he himself gradually becomes a don quixote when i was already filming another completely film. i came to moscow, i had an object there. i called him, and he invited me, just to this performance. i watched this performance. this is of course. an amazing acting feast and such a bright efremov was in this role in this

the role of the inquisitor. well, i don’t know, maybe there really was something from his ivanov from the living and the dead in this. well, ivanov was in the boy from the film first echelon and in a taxi driver from three poplars on plyushchikha and from adam stanton in our entire royal walkie-talkie. i am dorokhova in war and peace and a surveyor. beware of this car hurts. yes, there was something everywhere, probably from this ivanov. but the most important thing is that it was all from efremov, of course, at night you can be unhappy , it happens that you just got unlucky. but we called to leave joy without participation. the one who stands in front of the camera from grief,

we will immediately correct this evil with a movie camera. there is no longer any of our film crew big enough films. all the royal army has long been gone my dear uh comrades in this film, oleg efremov, my friend's lions. misha kazakova the final scene in the entire royal hall, where adam stanton oleg efremov kills the governor, zhenova says. damn zhora, then the bodyguards, the driver of the governor, performed by durov, kills efremov, this was the last scene of efremov in this film and his last shooting day. somehow, you know, it was sad to leave , i understand that on the site we will not

see each other again. i remember him like this with his hair slicked back. and when he changed his hairstyle with age, he began to wear such a short haircut under the roman patrician, he let go of his beard, and then one of the actors remembers how it was for several months, or something, until death, leaning with difficulty on a stick. yefremov climbed the stairs. there in the moscow art theater i did not see him like that. yes, you probably know and did not want to, because he is in my memory. here , uh, remains as i remember him throughout the royal hall. ironic, grinning with these jaws in the fire, walking unequally , like this, he remained in my

memory, this is adam, the stand he was in the seventieth year, when he was given 50 good port wine with candy, but he poured me a glass in the movies of the unfortunate ends, but it just doesn’t happen in the cinema that happy endings are given the lead. both adults and children are great. this is known, especially, especially by those who like to go to the cinema.

how to find humility and avoid all these sins, but the answers are the result of a person’s prayer, what do we know about the ancient and unique shrines of belarus, having found the icon of the mother of god, brought this small sample here and alexander soltan already realized this great gift of god in the form of this

icon decided to build a temple, where now it is located in the holy dormition zheloi monastery, which is the power of the cross of the lord and the skin sign, who heals in himself a christian, we measure to give soprano and light about the life-giving power of the roof. what is he media image of a priest? now more and more priests are entering the format of the media space with different content on different topics. and even in our theological academy, and there were projects that were so successful at some points for different target audiences, we will tell and show them in spiritual and educational projects on belarus 24 tv channel. the

news is on the air with you lyudmila kozak good afternoon , despite the rainy weather, see the new minister in this issue. seat guide update assistant vertical and banking sector in the palace of independence personnel day. rumor has it that it won't last until christmas, and the wonderful listing of her failed plan to save the economy did not live up to the expectations of the british. almost