uh, clean it then split it with a column and pass it through a knife to get a thin vine ribbon and then i get to work olga tell me where we generally get ideas for creativity. we have in the center of every event some kind of holiday. uh, we make some products, for example, if it's easter, then we make baskets. if it 's some other event. well, that is, for each event for each holiday their products. this is an original craft. how developed is it in the grodno region. are there any other masters like you many try it, many do it in the grodno region, but basically a lot of craftsmen - this is vitebsk in the center of crafts. you lead a circle of grass weaving. tell us who your students are. well, today all my students have gathered, the blood weaving circle is designed more for adults , because mother e

tools are used, which are not for small children, this is a laborious process, strength is needed here and not every small child and even the first grade, the second third grade. they won't be able to pull a needle through the grass. this is very difficult, what about strength and durability. here are herbal products. and it's all solid and durable. if there is only one moment such that, if here we have a coaster for hot, if suddenly, uh, tea is spilled , water, it just needs to be dried and used further, it matters. what season to do blood weaving there in winter and summer in autumn. no, it doesn't matter. we harvest grass in summer, because in winter we don’t have it, but we need to use it. well, you can at any time in our country there are many festivals. here's the folk creativity of traditional crafts. do you take part in them? tell about it. we

take part in various events, and i conduct master classes. at these events , many people are participating in the master class. many try, many like it. now, perhaps more than ever, grass weaving is in great demand. tell us that's why such an interest in this craft far, far away in those days, our ancestors. they were engaged in blood-weaving already then there was this craft of grass-weaving. they made weaving, let's say, weaving shoes they wove their own housing in rus'. uh, hop ropes. uh, nettle cloth. uh, hats are some household utensils. today we will make a hot stand with you. to do this, we need a grass, a needle, a thread, we take a small bunch of grass like this and twist it with our

right hand. we twist from ourselves left to ourselves and twist just such a snail so that it is not round, but flat. twisted and now we pierce the middle with a needle from bottom to top and pull it out and we hide this thread here in this tail of grass and again from the bottom up. this is how we do it, and we try to have the same distance between the loops. so we do until we pierce the middle, until we come across the first loop. all of us have encountered the first loop. and here is an important point so that all these loops are at the same distance, because then we will not get a beautiful drawing. how is it on this stand? it's just that we're all going nicely side by side. we then do

the second row, twisted all the time that we weave. we twist with the left hand. this flagellum. we should have it of the same diameter, if we feel that it has become thinner, then we take a bunch of grass and put it in the middle. some masters use a special blank, which determines the thickness, but it is inconvenient for me to work with it, so i feel the diameter of the tourniquet with my left hand, and when we encountered the first loop. we further pierce the needle no longer in the middle, but in front of each loop. before there is one more way after each loop. but then another picture is already obtained. we will pierce the pepper. we twist, we throw, we pierce, we stretch. and so, what we get is a hot stand, it can be of various sizes, it can be large, it can be for

a mug, it can be for a glass, it can be used for a frying pan for a very long time. well, i already said, i repeat, that if you suddenly spill some kind of tea, uh, or coffee, just rinse, dry and use further. there is one more point since i said that i use sedge. i like to work with it, then you need to dry it, and then use it to soak and use it in work, because it is prickly and you can cut your hands and there is one more interesting point that we are preparing the grass. we cut it before the first frost, if we pick it, and it is already frozen, then it should not be used, because when it dries, it will break, but it's just a plane and it's easy to weave. but there are uh, such product works. for me, like barrels of breadbaskets

, some baskets use molds for this and braid, i don’t do this. if we want to make some kind of barrel or some kind of basket, we need to have walls and for this we need to climb up. we simply do this by raising our flagellum, superimposing it on the previous ones, rising up. and we fix it in the same way and in this position we weave further, if with a thread with a needle, everything is clear. but tell us how you work with the vine. yes? to do this, we need such a, uh, pinch, i will now show what it does. and here is the column that will split the hole. and what i want to say about the vine is also not that it is not harvested in the same way that i wanted to harvest it today. at i've run out of tape and that's it. i went to

cut it. i did everything i prepared the tape and the stove. no, also in certain months. here i have a vine. this is an example of the fact that this month it is not worth harvesting it, because it needs to be cleaned to clean this bark, it is not cleaned, if it is cut in the spring, then this is the bark itself. i just want it to fly off by itself, but in order to clean it, we need to put it in water for a month and a half, so that it collects juice, but we will assume that we have cleaned it. that's all, we have a twig clean, for this we need to take a knife. share it. we also have secateurs. here is such a tool that needs to be cut off neatly. divide into four parts, this twig was divided. now we take

the column, put it in the middle. and that's what we get, we split it into four parts. they did everything. now we have, well, not here now, but we need to make a tape, and since we have a machine in another place. we need this core. we need to remove it. and we gently, take it neatly clean it . all we have done is tape, and we can with work with it in the same way as with a thread, we stretch it in the same way as we worked with them olga, you tell it so interestingly that i wanted to try it right now, please. green art is gaining great popularity in our country. first, it is environmentally friendly. secondly, these are unique products that no one else will have, the same handmade

and thirdly, these are our origins, our roots - this is our history. appreciate your origins. study the history and follow the fashion trends in the cultural life of our country with you were alina not war and remember to be cultured. it's fashionable see you in a week before new cultural meetings.

dance is another language in which people communicate. and despite the fact that the art of dance is one of the most ancient, it has not lost its uniqueness and relevance in modern times. now, it is probably impossible to find a person who has never

danced in his life, and the rich history of dance will help determine the direction in this art form. these perfectly balanced movements to the rhythms of the music will not leave you nobody indifferent.

what are the benefits of dancing? the first is motor activity. now there are a lot of people who are sitting at the computer, and they just lack the activity to move somewhere, but dancing. this gives the opportunity, the second benefit is the communication of the community, which e will always support. e, where you can get acquainted with a large number of people in a short period of time, where there are many people of the opposite sex. e for dating. these are also great places, business partners are here and new couples are formed.

new relationship appears. this is also very much, because our social dancing, why and the social part? yes, because we constantly have a transition and we dance in the same couples. we constantly have a shift, therefore , even when you may come and think everything, but it won’t work, because there they change, this shift, it just liberates people more, yes, that is, you have to switch to there to another partner, yes, and willy-nilly and by itself during the whole lesson there, yes, there and in the future time, as a person becomes liberated, becomes more sociable, less afraid. here are some of these acquaintances, men become more confident, because without confidence they will not understand him, the girl’s partner becomes more feminine and learns to follow the girl’s partner, who have been dancing for a long time, they can be seen just on the street through more plastic movements along a lighter gait,

in fact, completely different people come on average - this is the age from five to thirty- five years, but there are, uh, guys who very young and very adults after fifty years old come in general, bachata is a fairly easy dance to start mastering, so a very large number of completely different people come to it, and in one fibo x, which is a really big chat, and completely different people meet even during the day. he may be some kind of director there. yes, and another person may work during the day, i don’t know , as a laboratory assistant there. yes, they come somewhere, then they dance and all the edges of all the frames are erased, yes, that is, all the people are here just people who do dancing or whatever they like, so that's why i love typing too. this is a hobby that

brings together very different people to have so many people in the classroom. we put in a lot of effort. girls are traditionally more interested in dancing than guys. this is more related to the history that has developed in the post-soviet space, and hmm, some people, men, think that , uh, there is such a belief that men do not actually dance, uh, historical before the great patriotic war. dancing was a tradition and culture in any military school , dancing was always taught. eh, any people of the upper classes had to be able to dance, and all kinds of dances in order to build their own career and personal life. and now we will show a few simple movements, and the main movement for the cob, the first movement that we will do is called the step point. before we move on to it, we will make the correct

setting of the body, the weight is transferred to the front of the foot, the knees soften a little, that is, the chest also bends. cell. and so it should be above the boards and our first movement is called step dot step dot step dot step dot everything is quite simple the second movement that we will do is the basic or basic bachata step from the left foot. we go to the side three steps and dot one two three dot five six 7 and one more time two three dot five six seven dot the third movement that we will do is called turn, it is based on our basic step. now we will do it from the left foot, we begin to turn one two three point what pay attention? first, we must put the foot of the first step at 90 °. once in the second step, we turn on the forefoot and

make sure that many do not put clubfoot, then we turn further in a straight line and point and again turn two three points five six seven points, and now we will do this already in pairs . the old fingers gave each other perpendicular to the floor, the hands were lowered down, the girl trusts her partner and puts her hands on her partner's hands. what success depends on, the first thing that i should pay attention to is focus, then how much

man is passionate about what he does. there are guys who come to class, but their thoughts are somewhere aside. they think about work and cannot completely switch over to someone who is more enthusiastic and listens attentively to teachers stara asks a question. and these people always grow faster. the second point is the amount of time. how many people spend on classes per week? the more he trains, the more. he walks at the party at the scuffle. uh, the faster it grows, and the third is its data initially , and then they actually affect much less, but still, it matters too. did a person dance before, for example, people who have previously played any musical instruments grow very well. they have the ability to hear the music, and it is easier for them to start dancing, even if they have never danced in their lives, and also we have a good grasp of the material of a guy who did his favorite

martial arts once in his life or sports. uh, if a person has the will and purposefulness to achieve some goals, then in the dances he will also succeed for people, who do not hear the music. well, sometimes from my convictions, the bear came into my ear. they are approximately in such phrases. usually they say, and i have no hearing, in fact, both hearing and rhythm are a sense of rhythm. these are all learned skills people are never born with. it's not something genetically built in. it's just that someone can get these skills in childhood in kindergarten. someone can get them in adulthood, but now there are enough methods that we also use in order to train e rhythm, train e, hear hearing accents, and for some it comes a little easier. but that doesn't mean it can't be learned. i have such a theater setting i am a

ballerina at home. i am a mother and at some point i needed to understand this for myself, decide in my head to distinguish between. and basically, i succeeded. that is, i go to the theater. i give myself completely to work. as soon as i leave the theatre. i am engaged in ordinary life affairs, it happens when the staging process is going on, some new performance is being staged. we are in the theatre. well, at 10:00 we definitely have a classic lesson then there are some solo rehearsals, staged rehearsals. then there is a short break and in the evening it continues again. that's it staged rehearsals. plus at the same time. i rehearse the current repertoire sometimes

uh, and such moments. when you understand how everything will come together in a heap and productions and repertoire. when i was very young. it seemed to me that it was impossible. it's so hard so much physical activity. how can you endure it, but then it becomes a kind of habit every age. i had different motivation. in my youth, i was motivated, but by the fact that i dedicated my work. my parents then had a motivation, probably for their own sake. i kind of got hooked. i already liked it. you know, how such masochism, probably, when you enjoy the fact that you are hard to overcome. eh, this is a difficult period, and you come to certain results, and you rejoice in this. are you satisfied , it's some kind of addiction, when you have to feel your body, that you have

worked, that your muscles have worked, that your body is in good shape, probably, those who have a lot of physical activity, i will understand. there is such a state of attraction of the scene, when in different periods of different ages the sensations are different there was a period when dancing here is a performance on bows. here, when the applause goes, they accept you. you understand that the audience likes you, there is just such an egoistic state when you get high from it. then i switched. it's in such a state when i danced a performance, i should feel that i did everything i didn’t cheat anywhere that i wasn’t fake anywhere. i mean, it wasn't just acting. and it was a truly lived life only on the stage, and then

i also had such a period when you were there listening to the performance many, many, many times and you just couldn’t. eh, relive it every time. here again for real and again and again you die and again you die. well, you're dying. i realized that i could no longer truly die. i'm already on stage and i don't want to feel like i'm dying. that is, i have to learn. uh, this play, every year we come to the choreographic college to congratulate our teachers on teacher's day for them stan to show their skills. this is what we have become, so that they look at us and be proud of their students and also, of course, i want to come here and dance for the children who, after looking at our dance, fell in love. in jack, these are our folk artists olga gaiko. igor artamonov so anton kravchenko yes, this is my

favorite partner. and here i am wondering for a long time you have already had this. it's me here, like holes, too, love very much this performance. he is very interesting and complex, i remember my favorite teacher. e, savelyeva irina nikolaevna who devoted so many years to us all my girls, they remember everything. and how she told us that we must be strong. uh, because our profession is we are obliged. you have to be able to endure. we must strive to work, we always remember her such elementary expressions, but for us they are so significant. we always remember what they called us, rabbit brothers, rabbit brothers. let's do the course of ours scattered all over the world all over the

whole earth. and we are both in st. petersburg and in america , our girls, but we are in russia, too. but we are going here last year, for example, we all got together. one classmate came from st. petersburg only so that we could visit our teacher. she arrived by train in the morning. we went to visit. in the evening. we put her on the plane. she flew away. well done, everything will work out. so you have washed good data. fathers and legs you have beautiful clever girls. i had good data. yes, i had good flexibility. i have a good top eversion. i have very light legs, that is, i have very good stretch, but i have the only thing for this . uh, the lower turnout was a little lacking, so i'm still working on it, that is, even now, working in the theater first of all. it is i who begin to

make sure that my legs turn out, and when i dance, i will always tie behind the heel. it's hard here physically, because you have to break yourself break your body if the person walks. this is how you should walk like this, if, according to physiology, one thing is conceived in our body in the hospital, it’s completely different, you need to twist your legs, you need to twist it correctly to make the muscles work. uh, stretch flexibility. all this, of course, is given to someone easier, someone more difficult, but certain efforts through a certain pain. therefore, probably, not everyone will be able to study in this institution. children with certain characteristics are selected for a person who does not have data. he won't be able to learn no matter how hard he tries there. it is necessary that the aunt is a little longer, this is

the desire, these are the difficulties, they bring up the will. i lie in bed with my eyes closed and think about what sequence i need to do later today so as not to forget, quickly driving to the office by car and carefully writing everything down. i need to do something else. i have such a plan, at least for a week. that's where my schedule is. this is my weekly plan. then i have to combine all this

, when we were five, when we put on something new, when we consult, who we introduce i calculated it all, then i came to the rehearsal, and that's it. you can start over with the fact that the child got sick, and then got sick. i accidentally twisted my leg myself and you understand everything, the work is such that i have already decided something. and this i can do according to plan does not happen, the girls are all brand new, which were. come here to me quickly. get up and move a little. so this is, uh, this is our newbies. well, masha , what a place you have not become, stand next to me, the smallest and show how big and beautiful you are. here is a set of girls. can you imagine? yes what do waits depends only on themselves. right now, the whole month of october will be free from the concert. here is the program so that they can dance everything, that's what that is, today the main composition, uh, in the concert hall in

minsk . that's all. that's all that awaits them, girls, we continue forward. you know that the ensemble is celebrating its 60th anniversary, and i've been working for 33, you can imagine, and before me it was probably 10 will be 200. of course, this is bad, because good never happens. such a frequent change. all good things. and generally speaking significant, in fact, it is done for a long time overnight, nothing can be done. this is a fantasy that even a year came and changed and life went differently for a long time and stubbornly, not everything at once turns out to be patient. yes, and then you need to collect people

to love them and collect good artists. one of the first numbers that i staged in my ensemble just arrived. this is a quadrille on zelik at the university of culture, then it was an institute of culture, then it was the head, department of july, mikhailovichavko. i was e creative lab. like this folklore, and in the summer they went on an expedition to the woodland with the students. and there, somewhere, they are just such little fragments. this is folklore, they found something small, for example, a fragment. they went into some kind of hut, and there grandfather and grandmother stood on a bench. and so they trampled trampled trampled trampled trampled down on a bench, normally a small one is called in general, for which it is behind. yes, we put the situation, such a tall girl is beautiful, and he is so small, smart, very

smart, but yes, a chin or what to do, but they put a pill on progress, it 's all smooth. that is, i created a picture from this. and in what form will i do it. well, it's better to do a square dance for four, because it's not very massive at the same time as a solo number. that's folklore. yes, i figured it all out. if all the time the folk let go , i’m quite loyal even to the fact that e uses our repertoire amateur performances with one condition, be sure to indicate the first source. i don't like it when, uh, this is either sent trying to appropriate it or just soak. it's just not pretty enough. well , i'm not complaining. i always say that come on, let him steal. eh, i'll think of something anyway. well, let's get dressed, they don't know how to do

it . can i ask you a couple of beautiful guys. i'm sewing, as if in the forest more often the background is so wide. i have some kind of such costumes. i liked them so

much. let's buy them for you. i ordered four more girls costumes for i made a number of the same entourage, first about 60 acting dances, more than four full-fledged programs, then different stories. by the way, she is a different branch. this is omlet and euphrosyne, two main denominations. this is a purely folklore folklore. we have modern folk dances and we have pure. just modern still a whole group. now formed, regardless of whether we want it or not, these are the dances that we dance with our leading performers. fairy volotskaya

erbolenko, today we are dancing the springs of the concerts took copper. i have a lot people of artists people of artists, not just people, these are people, but people are artists - this is a completely different psychology for them, it’s not crazy, like the psychology of a friend. they are very emotional. they are sort of well scattered. they offended in a good way. they are in a good way, they are capricious, than talented artists there are more problems with him. i have to settle all this, because as soon as the little artist is mixed. it also feels and parsing staggering begins. i have a job ear, keep east in our time here was to get. virtually impossible, it seemed so

us, because they took the best selected exceptional ones to the theater, because such a profession where hundreds of people dance plus or minus there are very few of us and therefore it hurts for me. this is my conscious choice. and ballet it 's not easy. somehow downstream for me is ballet. it's a big big deliberate step. i understand that it’s great that you won’t dance all your life. it's a very short age to get sick. therefore, i consciously sacrifice something for the sake of ballet, of

course, i sacrifice, probably my personal time, my personal life. the only thing i can't sacrifice. these are my children. my family, of course, partly even for the most part , ballet becomes my way of life, any problem that a person doesn’t have, i don’t know, doesn’t hear music. yes, there e body is not so plastic. everything can be changed there. everything can be done cool great cool. the only thing. if there is a desire to come, people sometimes, who are just not my type of people. yes, it’s very difficult for me with such people . when they come oh, how cool, how cool are you dancing? yes, i also want to, but they don’t work. eh, you have to understand. yes to for in order to achieve something, to develop something. yes , even the smallest. yes, but if you want it, it will be, if you just look, yes, and do not work yourself. well, nothing will work

for me, for example, you are the most important aspect that people of any business, so that they don’t want to, whatever they don’t want to do. just sitting is nothing. there will be

a surname started from the local vertical of power baranovichi zlobinsk, rechitsa, slavgorod other district executive committees updated leadership 12 appointees received personal parting words from alexander lukashenko for rural areas