our main task is to make an adult child laugh easier than an adult, because an adult has a lot of his own problems, a lot of his own thoughts, and when they bring children to the circus, they go for the sake of children. and when they get the same pleasure as the children. they themselves become children, and this is incredible

from their very childhood. i probably already knew what i want to get involved in, and who i am who i will become, because the realization that the circus beckons me and the circus lured me came, probably, about five years, when, uh, for the first time, you can say i touched this art. well , almost no viewer, yes, let's say that, but in general, initially in childhood. well, watching children's videos from kindergarten. i wanted to become a classical surgeon. you know? where is this surgeon from? tell me what are you doing? fly people, well, the years go by, everything changes, and then. maybe, of course, i was still small. i did not know this, but now i can fully say that i made the right choice and the circus is not just a circus for me . this is my life, my plans are. uh,

remained to eat and remain this work and cooperation with belo. state circus in terms of carpet as an artist's unada, yes, and in this genre we are developing and now have developed quite a very good level. here, with my partner natalya suvorov, from whom i work in a duet, here. well , the promotion, of course, of the belarusian circus. we are striving to declare that in belarus there are worthy carpet worthy clowns. in general, when i went to get a job in belgo cheese, for me it was such a big a huge event. i dreamed of getting here from the age of 5 , that is, 5 years. i went straight for every season. i have a large collection of circus programs that are made from white cheese. this is a separate general volume which is already. well, probably, it comes in for a very decent figure. i remember everything, right down to the weather. and how i opened the door

of the service entrance and said that i was to the chief director nikolaev aliyeva alen anatolyevna , that is, well, this moment was, probably, a coup to fate, because i understood that a childhood dream comes true, the most. well, the most sincere thing is that the first conscious childhood dream is to get here to work. my day at the circus always begins with a greeting from our valiant guards, because we are a circus - it's one big family, no matter how we want it, this is a round building. we go around in circles every day and see each person two, three, four times a day and constantly say hello. that is, we have such a tradition in the circus, no matter how many times you see a person. you are still with him say hello. well, after security, we usually go if natalia and i go, then, well, even if

without natalia, we go to the dressing room, there is always a coffee break. a coffee break before a rehearsal is sacred. it's like that's like the law, but then we change into rehearsal clothes, we go to rehearsals, we rehearse, we develop, then we have to go ballet to the hall for sure. this is plastic work. this is work with facial expressions, and physical on start, necessarily some kind of specific after that. uh, we're doing our own things. there we hem we are looking at costumes, where props are broken, what needs to be repaired, what needs to be assembled, please, welcome to the most secret place of build cheese - this is the dressing room of clowns. here. i'm not alone here. i am here with my partner natalya suvorova, with whom we work in a duet. yes, usually we start from the image. yes, that is, the most difficult thing was to find for ourselves, that is, it was precisely some images that we collected from the fact that the

character, yes, and we collected from the character. that is, as if some images were already drawn, but, and then with our chief designer of the circus ekaterina bilan come on, uh, they made sketches. yes, and actually created a full-fledged costume. here is the suit at the waist. full. yes, that is, the clown is coming. there is another vest. now this is more mine. that is, we have such harmony on gray-black and red colors. that is, we are like, uh, yes, there is also a vest of panties, that is, cuffs. yes, here we have a duet called crazy kids crazy children and, accordingly, we kind of started from this, it seems that adults are already, yes in the arena, but it’s all the same, as the children lead himself, so a crazy clown child is always a child at any age. whatever it is, it always stays. this is

professional theatrical makeup. actually, we always do all the make-up for the show, where we do it ourselves all the time, we don’t have make-up artists, because, well, as it were, i think that when the artist himself puts on a mushroom, he transfers himself to this whole. uh, as they say the atmosphere. he feels better the character he works for and more, as it were, goes to mutual interest with makeup for a long time is sought, that is, it must be found precisely in the work, for example, until the moment, this is how i am now gremirovaniya. eh, and how i work now. i worked for a long time. completely in a different way. i trained completely, and the face killed the mask. uh, i played more of this buffoonery clowning. now, thanks to natalia suvorova, i have come more to the

classic look of clowning and such a classic make-up and, accordingly, the image is more based on such a classical russian school for a long time and, probably, we still incumbable was and will be. this is yuri nikulin and mikhail shuin. for me. this, probably, is such a standard, directly the standard of the soviet school, kunans, modern - this, of course, probably, ah. duet of clowns anton and victor franke. here they are, probably, well, from the modern clown, they are just the top ones, here we are in 2018, from 2018 to 2019, there was a

visiting circus program yakut circus was a diamond tour of yakutia and this was my first performance at the e-arena of the belarusian state circus. i went out on new year's fairy tale characters and it was just incredible, because emotions overwhelmed inside and that's it. seething boiled burned, because it was a dream come true. i just had such fireworks inside me so that there was no fear, because i kind of worked before and worked at the arena, and i know what the audience is. that is, i'm not a person who, i 'm sorry, came, yes, and the public came out for the first time. what, what should i do? no-no-no, i kind of already know the audience, we talked and i 'm going out, and i understand that's it. dream childhood dream come true dream completely come true and inside just a surge of emotions, and i'll

probably remember for the rest of my life that this is the first exit. e. well, of course, there was a complete jitters and there was a lot of fear, because after all. still, the dream comes true, after all, this is the arena of the belarusian state circus. this is the level. this is prestige opa natalia let's go to her. come with me, i'll take you . let's go let's go do something with our hats. now we will find out. what are we doing here? both are fine. basically a duet. yes, that's what it's called crazy kids originally planned that we were brother and sister, like an older brother and a younger sister.

and this is how the conflict is tied, natasha is more like that. uh, daring harmful , yes, she is like that and i am everywhere i am everywhere i am like this, and i am like this, and i am like this i am more like a phlegmatic. uh, something like that in the plan, well, i didn’t say that i’m strict, but i’m so u bad. let's put it this way. no, i don't understand at all. i'm like a matik with such a sun. flashes, yes flashes, that is, yes, well , and on this we seem to have a very strong tied up the whole uh, our repertoire. that is, i am doing something, for example, some kind of trick or something like that, yes, natasha interferes all the time. now everything will be done by some kind of, like, here, yes, in its own way, yes, or either a trick in its own way. yes, or there somehow complicates the task. well, here we have one. that's exactly the line of conflict, what are we trying to do? no, i'm better. no, i'm better. well, it's a life

struggle. e brother and sisters e in ordinary life. yes , in the family, that is, every child wants to be a parent, yes, more attention is in this, that is, this is everything and we are tied with us more that's how aimed at adult humor people see their lives. they find some kind of incidental moments. and they laugh at it, as if that's why they accept it, that's why they don't accept it, because they see themselves in you . before the performance, we always look at the viewer, who is sitting where, and how does he react? who is sitting on the phone digging, who is sitting looking at the circus or where we work, and he who is waiting for the performance and we understand from what the viewer will be a good judge, who can be interested in it, who can be pulled out or who can be seen that he brought. here , the child is on vacation, but he, as it were, does not

want to, and we, of course, respect each viewer. we are great when couples are couples. we have recaps. uh, under the apparatus, where we, uh, mix the audience , put them in such very ridiculous poses. uh, beautiful beautiful very beautiful, yes , very yes, they won't even hide secrets. well, it's always interesting to watch. when you you take me a couple there husband or well, you pull someone out is always interesting to watch. what to do at this moment as her partner. for

me it's a duet. this is my first work in a duet with natalia and in general in a duet as the first, so there was a large field that had to be plowed, explored and mastered. how, for example, yes to feel the duet partners. how to work with him exactly, that is, to build all the reprises. well, the stage natalya raised me very much on stage, that is, because before that i worked in a white mask. i was closed. i was stuck for exactly. that 's why this mask in front of the viewer and a special contact with the viewer, as it were, but it was not so bright, not so open, as it is now buffoon. this clown is what it was then, and what you see now is pure classic clownery of the old school for this . many thanks to my mentor. here is the most important mentor, so to speak. oh godmother. omsk couple, it must

somehow be attracted. it should come unexpectedly, that is, it is impossible. like this just sit down and say it. hello. i work with you to work with you and that's it. no. it must be here exactly, uh, fate is a case, so that right now and everything coincides and thank god everything coincides here, the feeling was such that if necessary, if this is really, as they say, fate, the road is further, it will develop. it's already been 2 years. as it turned out, that is not good. yes? good good, at least kaifu yes, we are working. we have found. you know, it is very important for duet work to contact with a partner, that is, regardless of what the partner is doing on the court. you must feel it and even some degree of foresight. you know what he will do

next in the event of some kind of improvisation or something else, there was no disagreement, because if you allow any, that is, there were no obvious ones, but i am a person. uh-huh tactful, if necessary, i will carefully go around and anyway, what i need, i will bring out in the right direction. you can say so, danik at first bit and kicked, but then he didn’t. i'm joking, of course, but just with my right approach gradually in the right direction. and so it happened, you can say that in any incomprehensible situation that would not go. yes, from the very beginning, surprisingly, we found a compromise, well, we never quarreled with you at all. yes, well, the brightest, personally, i remember for the rest of my life . hmm. well, for my longest life. i remember

this incident. we worked at the zubrenok summer camp with the belarusian circus. yes, and find out from us such a reprise was with water, where we poured ourselves. and he took off and she runs, and i hitch and just me i understand that i have a wig, and she is without a wig. she pulls out her wig running backstage, yes, a fool and flew. and i'm standing. firstly, i'm in a slight shock, i think, e-mine, yes, a and went on to beat some one. well, he did something there, for now. once i got dressed back, well, it’s not so difficult to find a common language with children,

no matter how children are. they comprehend. they learn something, they constantly strive for something new and it’s easy with them. find a language. here we worked every summer. i don't know how it will be this year, but every year we have worked on such an event as book kids is held in the botanical garden. this is where the kids, uh, where a lot of different representatives of the spheres are located yes, and the kids are looking for e where they work, like they get a job. and so it is incredible. uh, such a colossal return from children is coming, you get such good energy that you don’t love. they are simply impossible. it's incredible. i don't even know how to explain this. i have no such words, because it is really incredible. children rush, and children are the most, honest and purest spectator. they carry the most that's the truth by him. you can understand whether you have succeeded or not

, and the repertoire is not working, that is, despite the fact that you work for someone. and how do you work in any. it sounds like you are working for the public, and the public is both adults and children, but the main, of course, the spectator in the circus is, as i said, 10. in general, it is very interesting to meet new people, especially when a lawyer or some kind of sales manager and all such people get to know each other, then you ask, this is how you work, and i'm a clown. i work in circus, when you go to work, like hard labor and think, it's nine again now, while i'm sitting until 6:00, while it's all done. and then another annual report asks. oh god, there is such a plan. yeah, and uh, i'm not interested. i just don't care. i love it so

that i woke up and you damn would rather have cheese. i would rather have cheese, i will say that i still have it so it turned out that i have a very creative family. and most importantly, what was most important for me was that the family accepted my choice. and what i'm like. not shocked them with his statement. and they seemed to be ready. they are like, well, we knew that you would go there, probably from childhood. i comprehended various in general. uh, how to say it, the genres of circus art were originally told to me by my grandfathers that a clown should be able to work in a circus, everything, respectively, i aspired to this, and thanks to this and thanks to him, i have a lot of, uh, genres behind me now, which i can safely use in my reprises and exits in the arena. that is, this is juggling and tightrope walking and balancing, e riding on motorcycle. here, e from eclibristics. i have a trick where i stand on a suitcase with a reel

and twist three hula, one such big hoop and two standard hoops. that's it. well, and many other genres, at least, except for aerial gymnastics, but here, unfortunately. not mine, of course, energy is very important for me, because without it good work will definitely not work, and i take it, i probably squeeze it out of everything right to the maximum, the most important source of energy. for me, it's music. that is, i constantly wear headphones. i am constantly in i listen to music all the time, but i listen, i look for something somewhere , i use my fantasies to somehow implement it into my work, and the second one is strong. eh, energetic one. here is the exchange. i get from watching performances. i have a lot of good friends who work in belarus in different theaters and, uh, i constantly visit

. the energy they carry. it 's just unbelievable and i'm coming out of there like as if reborn. when i'm in a bad mood usually, if i'm in time for the show, i try to watch some good comedy, or some kind of comedy show, just to at least hmm switch my brain to the positive. if, nevertheless, i do not have time, then the energy of the viewer and communication with the viewer. this first exit itself is called the exit reprise, and it carries such such, even i will say energetically the message that you forget for a moment. every program every season i've attended since i was

11, i've always bought the same seat ticket for the same. this is the first sector of the ninth row, the fourteenth place. i don't know why this is, but here's me like in the eleventh year. uh, my grandmother brought. we somehow here this and all. and after that, i tried to always buy at this particular place, while i was a spectator, while i came here, as a spectator, now my most important mentor in life and the person whose word i listen to is grandfather. here grandfather is the one who is at the very origins at how can i say so, but he did not lead, but did so that i was born as a circus performer, and i will say. so, everything he does and helps almost all the props. uh, it's his job and his merit. yes, that is, somewhere we did something together, somewhere he did something. hands mom, uh, mom, well, sometimes she happens. uh, as

she says, i will not go to the performance, because if i watch the performance, you worry, you will not succeed. in fact, it is absolutely not the case when it is. well, when she watched all my programs, everything was calm. all was good. here, well, come periodically. i certainly do not come to the circus as a spectator. and as an employee, an employee, but awe and still some kind of state of mind. it is always magical, because in such a place you ca n’t just feel like you’re just working on something somewhere at work, you don’t work, but here it’s just such magic, some kind of magic. still, i'm more for art. that is, i create art for myself, i develop myself, i try

to learn something. eh, i'm always on the lookout for something. that's important to me as well. it it is important and therefore there is no such thing to quit, this has never happened and will never happen because it's a circus. this is my life. this is the same as simply taking away a house from a person, because the circus is really our home for all circus artists - this is a home. this is the same thing as taking a person away from home just looking for it. well , that's all, live and i, probably, with great yes, with great confidence you say that never, no matter what happens. i say, i will find myself in the circus for sure.