the constructor pulled on himself during the performances, a blanket more than some circus concert numbers. nikolaevich was a person who knew in general how to arrange the work of the orchestra in such a way that it worked like clockwork. in 1987, mikhail yakovlevich was appointed artistic director and chief conductor of the state orchestra of symphonic and pop music, which was the first in belarus to receive the title of honored ensemble. and later high statuses, academic and national extremely. the popularity of the orchestra gained thanks to festivals slavyansky bazaar, the national festival of the belarusian song of poetry in molodechno, the international festival of jazz music, minsk jazz, and many other projects, as well as foreign ones, for example, a performance on italian television. she

was called on saturday in the circus, sabbata elchirka. here, well, you are italy, a famous circus country, the homeland, the circus was such a popular television show. guess the melody who played accompanied these releases of these programs by the finnberg orchestra. mikhail finger, in fact, was the first participant in eurovision from belarus in 1995, in recognition of the great contribution of mikhail fing to strengthening the creative ties between the masters of arts of russia and belarus, the star of mikhail fing was laid in moscow, and in 2016 the opening ceremony of the star of mikhail fing and the honored team of the national academic concert orchestra of belarus on the square of stars of vitebsk took place he was it? the great maestro

mikhail yakovlevich is a very difficult person for the orchestra musicians of the soloists. here he was the strictest at the rehearsal of his team, and he always said so nothing personal always helped everyone in any matter. he was here a jew by nationality. he was more belarusian than many belarusians. you see, he really had a peculiar sense of humor, especially when he could call at 7:00 in the morning. uh say good morning to you turbulent, and we had a tradition to say that for all holidays. i always call him on new year's eve and talk all the time. the main thing is that you should be what kind of relationship he had with his family , i say, if you want, maybe somehow make connections, i'll help, and he told me, no, you know, don't. i want never privacy ever. no. he spoke of my personal

life, the tarchester, he had no other life than the orchestra, and this was his happiness, and this was his drama. the life story of mikhail fingerberg. watch right now. in 1922, a seventeen -year-old white woman married a 23-year-old yankel fignberg and the family of the future maestro yankel portnoy and a staunch communist was formed. adela the washerwoman they lived in a wooden house in the village

meleshkovichi, and by 1947 they transported him to mozyr and zanovo; there they gathered five children in the family, of which four were born before the war, a zina girl. unfortunately, she died of starvation on the train, on the way to the evacuation. mikhail friberg was born on the 21st of february. 1947. little misha ross in an absolutely non-musical family one of the rooms of his house. the family handed over the boy to the musician under his influence and decided to link his biography with the muse. mikhail finnberg's mother supported him in his aspiration to become musician from his meager earnings. she paid 65 rubles. a month for a teacher to have her son study music for his studies. he continued at the house of pioneers in an ensemble at a music

school. he tried to do at least 5 times, but each attempt ended in failure. perhaps this was due to the fact that misha liked to play by ear. not wanting to master the notes, probably when entering a music school. some basic knowledge was required olga keychain music and music critic. maybe he didn't have any. he lived in government. we then lived. this i think, many people know how would behind the iron curtain vladimir tkachenko soviet and belarusian musician, arranger honored artist of the republic of belarus what today? jazz is playing, after will sell his homeland there, uh, a rock musician - this is also a rock word horn was associated with something else, not a musical term , some kind of evil rock. this means that it is impossible to transport records or notes across the border. uh, on the radio everything was muffled. that's where

you hear something out of the corner of your ear and where to get these new ideas new melodies jazz rock. here are the beatles melodies, it turned out that only by listening and playing by ear. so because of this, it was simply forbidden, it was the only loophole for the music to somehow penetrate to us. listen to play. and because of this, they punished him very severely, yankil dreamed that his son would become a photographer, but with a firm and decisive character, like his father, misha made the choice to go through life without parental blessing . to teenagers, he ran away at the first opportunity to become a pupil of a military band in kursk and became trombonist. after 2 years from kursk, the finger transferred to the orchestra, the headquarters of the belarusian military district, graduated from the minsk school of music in the trombone class, and then entered

the belarusian state conservatory and graduate school, where he specialized as a conductor always for him. here is a diploma of higher education in music. it was he who had a strong point and he was always all the interviews , all the artists were always educated, by the way, the name finberg already sounded in minsk when mikhail unsuccessfully tried to enter school of music. big brother burukh, fingerberg. he became one of the first civil lawyers. in minsk, he became famous for his participation in courts, where he provided public support. the shield of those arrested and convicted after the war, through the efforts of borukh and his wife dina, not at all young parents from mozyr moved to minsk, which subsequently allowed mikhail to enter the conservatory in minsk, they settled in a rather large cooperative apartment above snyanskaya opposite the back side of the

komarovsky market. in 1967. while still student. michael finmerk. he began work in the orchestra of the state committee of the council of ministers of the bssr for radio broadcasting and television under the direction of boris and politovich raisky raisky was. uh, a man who, uh, who had a hardening, uh, maybe he knew before the military, he was very, as it were, strong. eh, i was brought up, maybe in some chinese musical trade unions, which were not allowed. and there does not play somewhere on the side. so you work in this orchestra. everything you have to serve this orchestra circus orchestra lyudmila colonelova music editor journalist. and so, when they treated the radio, they organized orchestras,

the variety symphony orchestra and offered raisky borisovich as conductors there, then mikhail yakovlevich was offered to lead the circus orchestra, the paradise ones headed both groups for quite a long time, but then he had to choose after he left the orchestra. the circus musicians stayed in it for the finnberg. the stellar moment came, which he managed to take advantage of, but for this he had to pass approval in moscow, the circus is fun always said mikhail yakovlevich about this work of his. he talked about his friendship with pride and joy. with yuri nikulin and how he traveled half the world with oleg popov, how he was friends with igor kio and many other artists, people went to the circus on finnberg. and if the theater began with a hanger, that circus begins with music. she meets and escorts her viewer. i must

tell you that this orchestra pulled, at performances, a blanket more than some concert numbers of the circus, because it played so that they gathered from all over republic to listen to the circus. they came to listen to the orchestra, the circus hemmed not with sensis kim to take revenge and laugh and guitars, and he did not raise and could not sing to himself, and he just loved music at the subs, they beat themselves. at most, that and the team had a trunk, and then i had to take a walk. thus began his path to the creation of the national concert orchestra of the republic of belarus, it was formed by the order of the ministerial culture of the bssr on february 17, 1987 , and mikhail yakovlevich celebrated his fortieth birthday on february 21. that is, i think they

did, he was such a birthday present to himself, he was a man who knew in general how to arrange the work of an orchestra in such a way that it worked like clockwork. eh, what musicians to choose? what workers. and when we say that mikhail yakovlevich created such an orchestra. of course, we cannot tell her two about two magnificent people, musicians, composers, uh, who literally stood nearby and supported and i think that without their support it is so ideological, one can say there was no such musicianship. if this orchestra is, of course, the people's artist of the soviet the union of igor mikhailovich luchinok and yevgeny aleksandrovich glebov are composers who also made a huge contribution to the belarusian stage. and in general, they supported this idea of ​​mikhail yakovlevich at all levels. this is the end of the eighties, when

perestroika had already begun, the economy was already collapsing, communications were collapsing. as they say now, logistics is such a fashionable word, so then it all started and many teams, for economic reasons, curtailed their work. uh, they stopped their activities, and then a new orchestra is formed. do you have any idea how to put together a staff? check out vacancies. it 's not just one, not three people. that's a few dozen. there, probably, under 70 people was a marketer. it was andrei hitlers. it was anatoly, delevich. it was valery, an extraordinary trumpeter, for example. well, now living here is vladimir tkachenko it was sergei antishin, that is, the musicians were of the highest level in 89 , the orchestra conducted by finger was invited to take part in the filming of the italian entertainment television program, which then took place in milan

, it was called saturday at the circus. elchik dog. here, well, you are italy famous circus country parody of the circus. artists from all over the world came here during the week. and so it was necessary e on sunday was a day off, and on monday tuesday on wednesday it was necessary to write a foursome to rehearse and play on friday and went on the air on saturday. so, for 5 years, well, not in a row, but for two or three months a year, we wrote these programs for the whole year. and of course, here, then i already i can say that mikhail femberg became a real arranger, in fact he was the first eurovision participant from belarus in 1995 in dublin when philip kirkorov represented russia at the competition with a lullaby for a volcano, the orchestra was conducted

by fingerberg. you are a gloomy giant with you not dormant. in spite of the war world tai silence further you can recall that look already the nineties were gone. the union had already gained independence, each in its own area, and suddenly the collective was developing. eh, that's how it shoots such was in the most popular television show. guess the melody, who played accompanied these e, releases of these programs, the orchestra, fiberga, work on guess the melodies was very similar to working in italy, that is, e, it was not a live broadcast, these were programs that were recorded. here we are, about four sometimes five programs a day. could

write we are starting a concert here today. republic of belarus in the directions of mikhail finberg according to the requirements of the authors of this program guess the melody, uh, the orchestra should not have played such she was not jazzy. were there an orchestra in moscow then? well, mostly jazz, well, they announced a competition for orchestras. here even at first it was a competition of oranges. that's also worried. and when it wasn't clear. what is needed? no, i wrote several arrangements, and in principle, the very first one passed, then vlad listyev was in charge there , he said, we’ll pick everything up. this orchestra, the orchestra , corresponds to the demands that these russian channels put forward at that time. it was also a very bright page in the work of the orchestra led by fiberg, the orchestra

hundreds of concert programs in the genres of pop jazz and academic music were prepared and performed from the work of belarusian soviet and foreign composers; its activities were aimed at strengthening and developing the national belarusian culture. the artists created original concerts based on poems by belarusian poets adam mickevich yanka kupala and kub kolos maxim bogdanovich vladimir korotkevich and many others were at the helm. this means practically more than 60 belarusian composers to raise the strata. here make author's evenings. you can imagine such a lump of a poet in belarusian, that is, that's all that concerned the history of belarus, here's the culture of belarus, i mean musical political. that 's all included in the prism of the

orchestra's activities. on the basis of the same collective there was such a symphony orchestra that played specially written programs learned by the old belarusian classical composers, these are bogatyrev and hmm tekutsky and oladov and a lot of composers with these programs he traveled the works of these composers all over belarus, some folk songs were always performed and, uh, he always made author's concerts of belarusian composers uh. well, here, somehow, what only the molodechno-festival costs from. for the first time the festival of the belarusian song of poetry was held in molodechno in 1993, the year of birth of this festival forever remained in its name then the winner of the competition for young performers was elena saulinaity for the victory, she received a vaz-2109 car since then this

festival has become a brand of the city, molodechno you know i then remember the first self-festival, my god. it was such a rush. there, the city allocated a lot of money to the executive committees, minsk uh. well, that was great. so, these are the carnations that were showered on stadiums from a helicopter. uh, for example, there are these grand prix, seeing the car, you understand? that's all he did too . it is clear that he was helped by the city that allocated funds. well, he still decided it, he still does it in such a way as to make the festival of the national song prestigious, so that the meat is milky said that this is the belarusian city of san remo yes, as a joke there they say, but this, indeed, is his merit, because how many simply magnificent songs in the nineties appeared thanks to this festival at the beginning of the creative activity of the orchestra, played a big role and rendered great help to mikhail

yakovlevich finng, an outstanding belarusian composer, musician, pianist and arranger igor polevoda. he came from a young orchestra from the songwriters and in the early years helped him find his face. the festival was held every year. and these were the programs of igor field farmers. the first one is absolutely brilliant. it was on the ass. ra-maxim for the centenary. that's when maxim bogdanovich it was the ninety- first year, my god, what a wonderful it was, well, i can say a musical performance, because there were elements of theatricality. uh, the next year, igor field breeders and the orchestra under the direction of mikhail yakovlevich finberg performed another new premiere of the belarusian program on the elemental, kupala a year later kuleshov martinspel and the last time i say this i didn’t live he lived another program created by mikhail mikhail yakovlevich did not have time to implement it, because igor

died. it was a program on belarusian belarusian folk texts, too molodechno tatyana glazunova, soloist of the honored team of the national academic concert orchestra of belarus, in my opinion, we made almost all composers and poets. uh, author's concerts hmm uh, and vocal instrumental chamber ones. we follow the sports life of our country, the star team dream team 7.0 has begun preparations for the minsk half marathon 2022, which will be held on september 11, we will find out how new heights are reached, belarus by origin. pavel karnaukhov won the

gagarin cup brought him home to minsk a good athlete differs from the average athlete, that he must always develop, always learn and move forward, but in any profession. if you don't work hard at it, you'll never achieve anything. and how do you want to enrich someone. if you can’t run, jump, overtake your opponent and help keep yourself in shape, training is aimed at we work on it, refine it and improve the technique of this movement. we just need a coordination ladder and 10 minutes of free time. do not miss all the most relevant sports projects on our tv channel. their very first composition did not go unnoticed when i composed it so it was maybe 14 years old. probably he heard him playing the piano and he was silent. i turned around, he was crying and said, daughter, when you are my composer and my

heart skipped a beat, you know, i am so this touched. i believed it, they dared to brightly reveal their musical potential. it was such a time, but the most important thing, what i dedicated, so to speak, to what i responded to is still music in music. i expressed what i thought, the composer is an artist who perceives reality with his own eyes and captures its sound. i did n't know yesterday. i didn't know what it was yesterday. oh, it’s better to play the game, but to make mistakes than not to do anything, watch the belarusian composers’ project on our tv channel. with

his future wife alla hoffman mikhail finmer met in the summer of 1970. arriving to visit a bobruisk friend a couple of weeks after the first meeting, the lovers filed an application with the registry office, the wedding took place in november of the same year at a camp site near bobruisk for a wedding, the mother-in-law gave her son-in-law a brand-name trombone and a zaporozhets car, and almost 10 years later mikhail yakovlevich was on tour . in yugoslavia, he bought a chocolate-colored volga, which quickly became the envy of many neighbors. he was a very dashing car driver and loved speed, but after an accident in 1983. he sold the car always liked to walk to work from work pyotr elfimov, singer, musician, ex-soloist.

the honored team of the national academic concert orchestra of belarus always walked in 1973, mikhail and alla had a son, alexander, the family lived in a two-room apartment on umanskaya street where the finger family often held parties , large companies gathered and among the guests there were many doctors who were friends with finnberg since those times when he, being a student at the conservatory, led a jazz orchestra at the minsk medical institute, 2, + 2, which he was invited in 1969. then he still did not know how to play, jazz, he loved military marching music and said that since childhood he saw himself as a military conductor, like boris pinchuk, who shone in a white tunic at the minsk parades, nikolai klyuch, he was always very friendly with doctors. if something

happened to health. he always helped, in fact, he is a very gentle and kind person, you are his singer, ex-soloist of the honored team of the national academic concert orchestra of belarus, and i know firsthand exactly from his own experience, that, and for his orchestra members for his e members of the team, but he was ready. e a lot and help. so, as soon as the speech touched on, there is something of the health of some moments here, but it is always like that happened. so now we will decide we need to help the doctors. that is, he lived with the orchestra, the marriage of mikhail and alla was not successful , the conductor himself called it a mistake, and after the departure of his ex-wife and son to canada, he stopped communicating with them and did not forgive them. i had a conversation with him about this. i had

a conversation with him. about being abroad are his son and his two granddaughters. i was just at the time of communication, when we still communicated very closely with him. eh, it's time to divorce him. and the fact that the family was leaving, just i knew it, and he, in my opinion, was very calm about this. at least his soul, probably, was worried, but he had then it was the heyday of the orchestra. he was so busy with the orchestra that here you can say that i would say that this divorce is probably painless. even somehow passed and then it may be, i didn’t think that everything would break up like this the end and i know what he was going through. i asked mikhail yakovlevich, but maybe, i have friends, where your son is, there, maybe, i know that i have been there,

even in israel, and then there i met relatives who approached me. here 's a cousin, for example, came up and said hello to him. so i say, if you want, maybe somehow make connections, i'll help, and he told me, no, you know, you don't need to. i say, well, why is it such a pain in general, and he is so human, he just once told me. you know me so easier. here is literally such intonation. probably it was he who did not want to pull it, but of course, he undoubtedly worried. well, as far as i know, they are already then at the end of his life, not even at the end long before he passed away . still, it seems to me that at least he established relations with his son, never his personal life, never on no, he said my personal life was an orchestra. these are my wife, children, grandchildren, uh, that's all. the rest you are my children. he loved the whole orchestra natalya tomila soloist of the honored

team of the national academic concert orchestra. borussia, honored artist of the republic of belarus, the orchestra is a family for him, he is very kind to musicians, because to raise a good musician. it is very expensive and almost impossible to find, but he found them all the best for him all the best did a lot to ensure that it was his soloists who participated in the competition of the slavic bazaar and would definitely receive there, uh, some kind of laureate titles, because, of course, he rehearsed a lot, he directed a lot, and the vocalists that he worked for him, firstly, let's start with the main thing, once there was such a wonderful competition for mischievous growths, which i do tatyana kosmacheva, this is mila goldyreva oleg eliseenkov and in fact all

the best vocalists from this competition. this is before all the factories of stars that currently exist got into the orchestra. that's right after this competition. that is, he is always behind this situation. look who won. he himself was a member of the jury, and he immediately saw in a person. eh, if the vocalist revealed himself talentedly, then he understood that for the orchestra. it will be good under fiber control. he gained popularity in the republic and abroad thanks to the slavic bazaar in vitebsk, in which mikhail yakovlevich took a direct part as an artistic and musical director from the first days of its creation. although the vitebsk start took place back in the eighty-eighth year, 4 years before the first grand opening, when the predecessor of the slavic

bazaar was the polish song festival? i was just starting then, but my main work began precisely from the slavic bazaar, but for musicians. the most important event at the festival is the competition of young performers, that is, for the sake of which everything else is, as it were, for the audience there for entertainment for a good time. but the goal in itself is the upbringing of the young, uh, the search for some kind of young talent is the most. the main thing that the festival gives is that my first meeting took place, in my opinion, in the year. ninety-seventh or ninety-eighth dmitry kocherovsky soloist of the honored team of the national academic concert orchestra of belarus honored artist of the republic of belarus it was a festival growth zone. i then plotted for a contestant festival in which i became a laureate and performed one of my songs, uh, with an

orchestra. and now, after this festival, as i remember already, our relationship. mm began to continue with orchestras. i was invited to work. already after the festival, a mischievous relative has been working in this wonderful team for so many years, he built up, he found us. this applies to both musicians and vocalists. that is, this is such a person who all his years, when creativity, he introduced people. here aha a trumpeter is studying there, and he he has a wonderful sound, he leads him to the conservatory, then takes him or, on the contrary, looks for him, either calista heard or that is, he was always looking for talented gifted people. not a single significant event in the musical life of not only belarus but also russia, without the illustrious team headed by the belarusian maestromberg, has always been in creative search and active work to

befit young pop song performers discipline and compulsory higher education basic requirements of the chief conductor and artistic director orchestra. and it bore fruit. for high performing skills, a great contribution to the development of the belarusian musical art, the orchestra was the first in the country in 1998 to be awarded the honored collective of the republic of belarus. and later, high statuses, academic and national, of course. they know what the maestro was like and naturally he was, but very demanding. naturally he was never late. we learned all the songs for work, all the songs were performed at the very first rehearsal without prompting, as they say, without papers, all the requirements that may be slightly went too far on his part, but they were

always fulfilled and , in fact, the quality was felt from this, the quality that he, thanks to his this one, can be such a scrupulousness, so he is tedious and demanding. e sought from and from the musicians and this number for the musicians of the musicians of the soloists, here is his team in rehearsal. he was the strictest, he was very demanding and exacting, rightfully in his hands was the whole orchestra, and he always fought for result, and he always said so nothing in person. here's the job and what i can yell at me, don't be offended. it's nothing personal. that is, yes, he is a dynamic person, he could. there was something going on, but then he said, nothing personal. that is, i

love you all, and that's it, that is, in life these are completely different relationships, and work is work. this is normal outside of work, how he communicated with musicians and vocalists and what values ​​​​he had in the first place and there was a tradition that for all holidays. i will definitely call him on new year's eve and talked all the time. the main thing is that you are. here he stops. i say, well, health mikhailovich health and come on, what are you, you congratulate me on this new year everything, you just say, here is the program, we have everything ready you watched about such a concert . all in all, congratulations ended. many people say this. and they said that finnberg is a very strict very difficult person for, uh, communication of communication, it's not true. he is his

mask. this is his image like this, and a strict conductor, many people addressed him with different requests with different problems in this regard. he was very responsive. and you can say he was a friend to everyone, because no one helped like that, and with the musician and artist of our orchestra, how are we, knowing a lot, natasha e called about the same repertoire, which song from the artists? uh, give it to the repertoire, and what programs to watch? what to emphasize? that is, he was in touch with him all the time. on weekends, it was every day, he called me and started. well, what's new? i say, well, as everything is in the old way. he says yes well, so listen, you're the soloist said that we all know the exit. at what time the program everyone knows and says. yes , she told everyone when he was in the mood. he always joked a lot. he knew many jokes.

always joked a lot, and, well, naturally the circle of people was going to. well, that's an interesting story. well, he had a sense of humor, he really had a peculiarity, especially when he could call at 7:00 in the morning. uh say good morning. the pipe master and mikhail here is petya petya here i need this or here it is necessary and he had jokes, of course. it was very difficult to convey some moments at the rehearsals, when, ah, it was absolutely clear that now mikhailovich was in a cool cheerful mood, when he gave the orchestra three tents, as soon as he said three tents, which means that everything is in order the soloist can exhale eh, hmm no eh, there

will be no firm and loud promises, and therefore everyone relaxes a little and says, well, as i said, i say, i wo n’t say that. as you say, i won't say so. and well, i liked this one to impress, and we played along with him. well, it's all such a joke, so to speak, at home to familiar people. quick always paid special attention. on the appearance of the artists of his team, his main rule is that the artist should always be neat and mikhail yakovlevich himself was always irresistible. the combination of his suits with various bow ties or ties was admired by the craving for dudes, in short, the ruler is the most that neither is, but he always had, dear shoes. and he always had great suits. and i remember how he once made a

remark to me about my handkerchief in a suit. he said, but who adds up the fee like that, learn. he so daringly shook it off. likho turned and into my pocket gap. now you can go on stage. he was always very attentive to the appearance of e, not only soloists, but also musicians. he always said, so you are not tonsured, you have something there, the butterfly is not like that. well, for example, he says to someone the soloists there, that is, he himself loved very much, he hopes beautiful glasses of a woman, she had a lot of butterflies. ah, i love the shoes. a good perfume there, for example, everything is there. he is a very stylish person, and conducting another concert tam said that the entertainer should be very competent, therefore, for all of ours, for example, some exemplary concerts that were philharmonic. we were leading for this for a reason, when he led i wanted to listen and listen. well. a man knows a lot, this is an entertainer. this is smart enough. which of the

belarusian musical figures has done as much as a finger for the flourishing of songwriting systematically, conducting the author's concerts and evenings of national composers, his name is also associated with the birth of the first chamber music festivals in nesvizh , the world of mstislavl novogrudok turov, thanks to him , large-scale musical educational events are held in small historical and cultural centers of belarus in almost every regional city. he traveled with his orchestra. not only did he give such a pop concert a jazz concert. he is still the only special symphony group here and gave such concerts. music of belarusian composers of the older generation this is of course a very simple tremendous job. if it's not to love. it's impossible to do it, it's only done with love in

mikhailovich a's office in the office on victory square a, he always had a calendar hanging, which was attached to almost the ceiling. so down here and there the whole year was painted. what dates, what city? what program will be next year? here in his activity in essence in his nature, he was a statesman. he was very worried about his belarusian culture, for our homeland, for belarus, he was simply a patriot patriot of the patriots, he always emphasizes this. well, you can understand, it was a little deliberate. here is how he spoke in belarusian. yes, it was funny with him. this pronunciation was not belarusian very often gave interviews to me in belarusian. i remember him being very surprised by the word smell. when he said, here in belarusian, three moves ago. and i say, three years, west what kind of smell do you have? i'm such a word, i studied. i remembered. i

studied in mozyr at the belarusian smart school, but i did not know such a word, and for several years he i remembered it was locked, but i remembered that he was belarus. that he was belarus. this is his land, and he loves belarus. this was evident in his actions. he was a jew by nationality. there are more belarusians than, you know, who do not like their language, their culture and do not know and do not want to know, but he devoted his whole life to elevating this culture in order to give people what our compatriots did in different genres. composers poets mikhail yakovlevich what was his indisputable merit, that he knew how to here's how to emulate. by the way, you see, here's a strategist. it was important for him to arrange the pieces on the chessboard, that is, in themselves these are unique unique orchestras. igor melnik is the conductor of the honored team of the national academic concert orchestra of

belarus because brilliant musicians are gathered here. it's like mikhail yakovlevich very often at concerts. mm. this self has always said that here are the best musicians of the country. it is indeed. true, he clearly and precisely knew always whom to choose, do you understand with whom to go with whom? build this creative life together on one road to go. finnberg's orchestra is a phrase that in the early eighties became a household name, it was called so among the people people went to the finberg. he worked only live, and this was his credo in general in belarus . it seems to me that there were three orchestras in total, which was called and was associated with the name of the leader. that's

how the deronara orchestra was orchestral. but it may not be the audience. so well, musicians give it and moreover. well, it's not official, maybe the name of the orchestra. feder - it goes without saying. the man orchestra was called mikhail fing because he was a professional with a capital letter and lived in love for music. the creative work of mikhail finnberg was marked by many awards, prizes and thanks . in 2016, the national academic concert orchestra of belarus and its leader received an award through art to peace and mutual understanding. their star was lit at the slavianski bazaar. he was happy. uh, and said, it's not for me, it's for the orchestra. and i - says - do not need anything,

but he could be called a man-orchestra , precisely because he knew everything that was needed in order for each instrument to play well. mikhail yakovlevich is a very complex person. and of course, i think that everyone who knows him, who communicated with him more than once remembered the conflicts that i want to say, that i also had many conflicts with him, but you know, i always persuaded myself . yes , how to get out of this conflict, so that i was the initiator of the first after all, how to reconcile and forgive, because i still understood that this is a unique personality, a unique musician. unique most importantly, the organizer could be criticized. e for some moments well, you know, this is a living organism orchestra. it's the same as anything that's more successful. something less fortunate is every departure of every musician of this kind. here

is the magnificent and the instrumentalists. the vocalist is a blow to e, to his personal pride, by the way, and not only to e, so to speak, to the level of the artistic orchestra as a whole. uh, myths believed that if he had in the orchestra soloists are vocalists, then they should not be popularized on television, because otherwise he comes somewhere. here in the region and people should go and be new for them. oh , someone supposedly sings with him. yes, here's someone to her who sings at finnberg. this is how he thought that this is how the viewer would supposedly be interested. and i kept proving that there is no mikhail yakovlevich if we don’t popularize them, propagandize them, as we said on television, their viewer will not know, then he will not aspire to these artists, but he stood on his point vision, he had no other life than the orchestra, and this was his happiness, and

this was his and the drama, you know, he lived by this, and he was nothing else in his life. and it so happened that he can even say the successor of the heir. so he left me, because he did not see anyone but himself. he's so much that's what he got out, he drank, he brought up, he nurtured, he gave birth, he let him into life , he let the light out, that's it. well, who was so worried about everyone, he was ready to go into battle for everyone, as if there was something for his own child to achieve or defend something. mikhail finberg was amazingly hardworking, he never rested on the achieved results, he always sought to discover and outline new ways and forms in musical creativity. he was the first to arrive and the last to leave, he lived and breathed the orchestra. it was his family, and his loneliness. he even liked

that it allowed him to give himself completely to his work. more like morning. i thought he was replaying the coming day in his head. he lived the music and he lived the orchestra. and this is big, very big. a friendly family, which has always been on his side, which has always supported him and, as a matter of fact, he, in return, gave this support to all brands of countries. there was a favorite phrase , who am i, i am nobody without my orcs orchestra , that says it all. thank you maestro for making it so . thank you for taking me, of course, to this team and that i am still working. in this wonderful team, the orchestra is still this. practice is this, you need to be able to sing with it. you need to keep a balance already to hear, then to say, and that's it. and so this the school is a very big school. i wish everyone that's who, that is, we are lucky enough to work here. to be very, very appropriate for

this orchestra. he knows that they are good , you know, they demanded from the best, so that they would be even better, they demand a lot and therefore, of course, they could grumble and be offended at him, but he knew his business very much, therefore, i only have such a relationship with him, like a big big professional, obsessed with his brainchild. i am 100 times. uh, i'm talking about fate. thanks for being there once introduced us to mikhail fiderm, and i only have good memories of this man people festivals rehearsals, office papers, calls. meeting concerts work, he is always collected and full of michael finger. yes, he continued to work. hiding his indisposition, he conducted, sitting, not thinking about

his health. he only wanted to work and create lately. hmm well , we talked more closely with him, but no one could predict. he never let me ask how he felt, he would stop and did not ask about it. let's talk about work. here never we have always been healthy for the last couple of years. he was often sick and sometimes ended up in a hospital bed, but he did not disrupt a single concert, despite feeling unwell. he was full of plans, but on december 11, 2021, he passed away . heart. the great maestro has stopped his last refuge. mikhail yakovlevich found on the central alley of the eastern cemetery. it is a pity that every

year people of such a magnitude of such magnitude leave . and i would very much like to be among our generation. well, at least some percentage found people who will be the same also love to invest in belarusian culture and also try to be at the height of the professional olympus in 2022, the first festivals were held without the participation of the non-replaceable head of the chief conductor maestro mikhail fing, his era has passed, but the memory of this great man, and his works, projects , merits, and his love to the motherland and to the national belarusian culture will live in the hearts of his admirers. we were preparing, uh,

dedication to michael twist. it was on molodechno pepper slavic azam, it was a terrific number, in my opinion. it you understand, why i started with this, because it was such a joint very difficult for us all, in fact, morally difficult. ah, orphaned, let's say so, so this number was very touching for us hmm touching at the slavic bazaar. maestro's song from which we so smashed into pieces and sang. ah. yes, it was also addressed by mikhail without any announcements about him, unfortunately. people got up. became the president and it was evident from his face. what is he experiencing too?

and the same one.

the time of bright and unforgettable emotions parts of the human body is sitting, living at someone else's expense, of course, our players have different views on life we will remember this for the rest of our

lives. we believe there are different options . watch the tower intellectual entertainment project on our tv channel.

pc projects of the minsk region at the start we will tell you about the operas of new creative turkey meat kopyl district young specialists of the minsk regional hospital visited the profession of a russian specialist.