58,000 schoolchildren rested in summer camps during the holidays, work will continue and in the off-season at least three camps from the capital's enterprises will receive schoolchildren in the fall and winter , and the preparation of infrastructure for the new health season is already beginning to prepare the camp and begins as soon as it ends. uh, wellness season, because it's and, uh, some design work - it's, uh, examination. uh, the state of communications, with regard to 2022 recovery, we note a fairly significant uh, increase funds precisely by enterprises , organizations, which, on the basis of which e, there is an e camp. and if last year it was about 4.5 million this year. we have allocated more than 6.5 million e., the funds of belarusian rubles were directed specifically to maintaining the order of repair work, and so on , more than 700 camps, including departmental ones, take minsk schoolchildren for rehabilitation. required specialized camps

and shifts, for example, with a sports bias , field linguistic and military-patriotic more than 1,300 people who want from almost 90 countries, including 10 belarusian works, the international film festival leaf fall has closed the acceptance of applications for this year at the moment, due to the revealed works, a program is being formed in which films will be selected within certain quotas, the film will show a program of feature or feature animated films, and also out of the competitive section at the festival for children and youth audience listopadik. the most pleasant thing here is that there are interests in our country for our festival , i can say that they sent their proposals and actors from germany and to come and participate in the competition program and switzerland france america we have tried to ensure that all the films that take part already in the festival are not only fashionable there, but they will be quite very successful. films to the hearts to the souls of people. we are dedicated to the

true values ​​​​of love in the family, goodness to the world e, a film that is aimed at uniting people to preserve this world and history, the twenty-eighth minsk international film festival will be held from the fourth on november 11, the best works will be awarded prizes and diplomas, the laureates will show the tapes and on large screens in the regions of belarus in shemetovo ushastokovichi in belarus a festival dedicated to the great composer of the 20th century was held. dmitri shostakovich for the sixth time the forum brought together fans of classical music, from all over the country the legendary composer our countryman , his ancestors were closely connected with a place in the sheymit myadel district this year. we are very pleased that e festivals have their geography run. we generally hope that the festival will become more and so large-scale that it will acquire international status, because the name of the great shostakovich belongs to the whole world, so we hope that we

will have the opportunity to see the most famous performers from all over the world on the music venues of the festival. this year, the main stage of the festival was the stage of the music college in molodechno performed by the musical chapel, the sonorus sounded world masterpieces, including the most popular works by dmitry shostakovich how to find humility and avoid sins all these, but the answers are the result of a person’s prayer, what do we know about the ancient and unique shrines of belarus nadya, the icon of the mother of god brought this small specimen here and already alexander solton, and realizing this great gift of god, seeing this icon, decided to build a temple, where it is now located in the holy dormition joy

monastery, what is the power of the cross of the lord and the skin sign, who treats himself as a christian with surnames given the right to lead the life-giving power of the roof, what is the media image of the priest? now more and more and more priests enter the format of the media space with different content on different topics, and even in our theological academy. uh, there were projects that were so successful at some points for different target audiences , we will tell and show them in spiritual and educational projects on belarus 24 tv channel. each of them has its own story of acquaintance with belarus. i am a railway station and i hear that after 30 minutes the train krasnodar minsk warsaw immediately remembered my uncle in minsk and i didn’t know anything

i think, i immediately order a ticket and get to the republic of belarus, it is here that they revealed their potential after moving, when they started working, and decided to stay, they got ready, because they gave me a lot of opportunities, and a lot of dancing and there was no opportunity to gain experience and grow here. as artists, they were once foreigners, but now belarus is the second homeland of belarus for them to become a successful business. successful business first - this is the most important thing, it is to have the desire when you feel dancing on such scenes. and what is it a big hit? watch the project look at belarus on our tv channel. the culinary traditions of belarusians are the simplicity of folk

recipes and unusual cooking methods, and my mother was cool to remember that i went to her walls with my mother, and she always asked her mother for trying with her aunt. i grease them, but i, as she is ready, will share recipes that are passed down from generation to generation sofya mikhailovna skating rink. we will rejoice that we will cook the meat magic prunes, which i so diligently, of course you can sprinkle. tell me how to cook quickly and very tasty. and here is the case where cinnamon really is. mm, very, very decorated damn, watch the culinary historical show belarusian cuisine on belarus 24 tv channel. every day we experience millions of emotions. we can be

happy, angry, surprised, sad, sometimes our emotions. we are not subject to, and music expresses our emotions much more strongly. this emotional force literally takes back, and has already hit. in us. it becomes an integral part of life. view the secret of music is that it finds an inexhaustible source of expression, where speech is silenced by music instead of a thousand words

musician people's artist of belarus maestro a man of the era great conductor and mentor mikhail yakovlevich finger. he started out as a musician and having tried several instruments. he stopped on the tram, a round honors student who graduated from the conservatory as an external student, wanted to be closer to the stage and was drawn to the conductor's business. how did the creative path of the man of the orchestra begin? this orchestra pulled, on

performances on itself, a blanket more than some concert numbers. circus. nikolaevich was, uh, a man who knew in general how to arrange the work of an orchestra in such a way that it worked like clockwork. in 1987, mikhail yakovlevich was appointed artistic director and chief conductor of the state orchestra of symphonic and pop music, which was the first in belarus to receive the title of a well-deserved ensemble. and later high statuses, academic and national extremely. the popularity of the orchestra gained thanks to the festivals slavyansky bazaar to the national festival belarusian song of poetry in molodechno to the international jazz music festival, minsk jazz and many other projects, as well as from abroad, for example, a performance

on italian television. she was called on saturday in the circus dog ilchikov. here, well, italy is a famous circus country, the homeland, the circus was such a popular television show. guess the melody who's game. these releases were accompanied by the findberg orchestra. mikhail finnberg, in fact was the first eurovision participant from belarus in 1995, a sign of recognition the great contribution of mikhail finnberg to strengthening the creative ties between the masters of arts of russia and belarus in moscow , the star of mikhail firmberg was laid, and in 2016 , the opening ceremony of the star of mikhail finnberg and the honored team of the national academic concert orchestra of belarus took place on the square of stars of vitebsk what he

was this great maestro decided very difficult person for pakistani musicians. here is his team in rehearsal. he was the strictest and he always said nothing personal like that. we have always helped everyone in any matter. he was here is a jew by nationality. he was more belarusian than many belarusians. you see, he really had a peculiar sense of humor, especially when he could call at 7:00 in the morning, uh say good morning. the master will be mikhas finger. and we had a tradition, so to speak, that for all holidays. i always called him on new year's eve and talked all the time. the main thing is that you should be what kind of relationship he had with his family, i say, if you want, maybe somehow make connections, i will help, and he told me , no, you know, you never need a personal

life never. no. he spoke my personal life to the orchestra, he had no other life than the orchestra, and this was his happiness, and this was his drama. the life story of mikhail fingerberg. watch right now. in 1922, the seventeen-year-old white married 23-year-old yankel fignberg and the family of the future master was formed, yankel, portnoy and a staunch communist. adela was a laundress

, they lived in a wooden house in the village of meleshkovichi, and by 1947 they transported him to mozyr and zanovo, there they gathered in the family there were five children, of whom four appeared on light even before the war, a zina girl. unfortunately, she died of starvation on the train, on the way to the evacuation. mikhail fingerberg, was born on february 21, 1947, little misha grew up in an absolutely non-musical family in one of the rooms of his house. the family gave the boy to the musician under his influence and decided to link his biography. with music, mikhail finga's mother supported him in his quest to become a musician from his meager earnings. she paid 65 rubles. a month for a teacher to have her son study music for his studies. he continued at the house of pioneers in the ensemble in

school of music. he tried to do at least five times, but each attempt ended in failure. perhaps this was due to the fact that misha liked to play by ear. not wanting to master the notes, probably when entering a music school. some basic knowledge was required olga keychain music and music critic. maybe he didn't have any. he lived in the provinces. we then lived. this, i think, many people know, how would behind the iron anew vladimir tkachenko soviet and belarusian musician, arranger honored artist of the republic belarus was scolded for jazz, that rock musicians , this is also a rock word rog, was associated with something other than a musical term , some kind of evil rock. this means that it is impossible to transport records or notes across the border.

uh, on the radio everything was muffled. that's where you'll hear something edge fly and where to get new ideas new melodies jazz player. here are the beatles melodies, it turned out that only by listening and playing by ear. so because of this, it was simply forbidden, it was the only loophole for the music to somehow penetrate to us to listen and play. and because of this, they were punished very severely punished yankel dreamed that his son would become a photographer, but with a firm and resolute character, like his father, misha made the choice to go through life without parental blessing. whose teenager he ran away at the first opportunity to become a pupil of a military orchestra in kursk and became a tromba player 2 years later, from kursk, the finger transferred to the orchestra, the headquarters of the belarusian military district graduated from the minsk

music school in the trombone class, and then entered the belarusian state conservatory and graduate school , where specialized as a conductor always for him. here is a diploma of higher education in music. it was his buzzard. he would always do this in all interviews, always all artists with higher education, by the way, the name finberg already sounded in minsk when mikhail unsuccessfully tried to enter a music school. big brother burukh, fingerberg. he became one of the first civil lawyers. in minsk, he became famous for his participation in courts, where he provided public support. the protection of those arrested and convicted after the war through the efforts of the borukh and his wife dina is already completely not young parents from mozyr moved to minsk, which subsequently allowed mikhail to enter the conservatory in minsk ; they settled in a rather large cooperative apartment

on tsnyanskaya opposite the back side of the komarovsky market. in 1967. while still a student. michael finmerk. he began work in the orchestra of the state committee of the council of ministers of the bssr for radio broadcasting and television under the direction of boris and politovich raisky raisky was. uh, a man who, uh, whose hardening was, uh, still, maybe before the military i knew he was very, as it were, strict. eh, i was brought up, maybe in some chinese music trade unions, which are more than once. yes, there does not play somewhere on the side. that's all you work in this orchestra. you have to serve this orchestra. you were the conductor of the concern, the concert orchestra of the circus lyudmila colonelova music editor, journalist, nowhere else. and so, when they

treated the radio, organized orchestras, variety symphony orchestras and offered the conductors of raisky borisach there, then mikhail yakovlevich was offered to lead the orchestra circus, paradise for a long time led both teams, but then he had to choose after his departure from the orchestra. the circus musicians stayed in it for the finnberg. the stellar moment came, which he managed to take advantage of, but for this he had to pass the approval in the moscow circus - this fun was always said by mikhail yakovlevich about this work of his. he spoke with pride and joy about his own. with yuri nikulin and how he traveled half the world with oleg popov, how he was friends with igor kio and many other artists, people went to the circus on a finberg. and if the theater began with a hanger, that circus begins with music. she meets and

escorts her viewer. i must tell you that this orchestra, at performances, pulled a blanket more than some concert numbers of the circus, because it played so that people from all over the republic gathered to listen to the circus. they came to hear the orchestra. we didn’t file the island for the circus with a brush to laugh at, and ion didn’t raise the gears and couldn’t dance to himself, and he just loved music at his place, and didn’t knock down the remnants, that’s the trunk of the team, and here i had to take a walk. thus began his path to the creation of a national concert orchestra of the republic of belarus, it was formed by order of the ministry of culture of the bssr on february 17, 1987, and mikhail yakovlevich celebrated his

fortieth birthday on february 21. that is, i’m wondering if they gave themselves such a present for their birthday. mikhailovich was, uh, a person who knew in general how to arrange the work of an orchestra in such a way that it worked like clockwork. eh, what musicians to choose? what workers? that's when we say that from mikhail yakovlevich created such an orchestra. of course, we cannot tell me two about two magnificent people , musicians, composers, uh, who literally stood side by side and supported me, and i think that without their support it was so ideological, one might say, there was no such musicianship. this orchestra is, of course, the people's artist of the soviet union igor mikhailovich luchinok and evgeny alexandrovich glebov composers, who also made a huge contribution to the belarusian stage. and in general, they supported this idea of ​​mikhail yakovlevich at all levels. it's the end of the eighties

when perestroika had already begun, the economy was already collapsing, communications were collapsing. as they say now, logistics is such a fashionable word, so then it all started and many teams, for economic reasons , curtailed their work. uh, they stopped their activities, and then a new orchestra is being created. do you have any idea how to put together a staff? check out vacancies. it's not one, not two, not three people. that's a few dozen. there, probably, under 70 people were in the orchestra. it was andrei hitlers. it was anatoly, gelievich. it was valery shiritsa , an extraordinary trumpeter, for example. well, now alive. here is vladimir tkachenko it was sergey antishin, that is, the musicians were of the highest level in 89, the orchestra under the direction of finger was invited to take part in the filming of an italian entertainment

television program, which was then held in milan, it was called on saturday in the circus the dog of the elchik. here, well, such italy is a famous circus party, the birthplace of the circus. artists from all over the world came here during the week. and so it was necessary e on sunday was day off, and on monday tuesday on wednesday it was necessary to write on thursday from rehearsing and on friday to play and saturday was on the air. so , for 5 years, well, not in a row, but two or three months a year. we wrote these programs for the whole year. and of course, now, then i can already say that mikhail femberg became a real arranger, in fact he was the first eurovision participant from belarus in 1995 in dublin when philip kirkorov represented russia at the competition with a

lullaby song for a volcano orchestra conducted by a dozing fingerberg. from the war of the world secrets of silence then you can recall that the nineties are already gone. the union has already gained independence , each in its own area, has developed and suddenly collectivberg. eh, that's how it shoots like this was in the most popular television show. guess the melody, who played accompanied these e, releases of these programs , the fignberg orchestra, i work for guess the melody , it was very similar to working in italy, that is, e, it was not a live broadcast. these were the programs that were being recorded. here we are

, about four a day, sometimes five programs. could write we start today with you. here is the concert of the republic. according to the direction of mikhail binberg, according to the requirements of the authors of this program. guess the melody, the artist shouldn't have played such a screensaver, so that it wasn't jazzy. were there an orchestra in moscow then? well, mostly jazz, well, they announced a competition for orchestras. even at first it was a ranking contest. here, too , worried when it was not clear. what is needed? well, i wrote several arrangements, and in principle, the very first one passed, then vlad listyev was in charge there, he said, that 's it, let's take this orchestra. this orchestra meets the requirements that these russian channels put forward then. it was also a very bright

page in the work of the orchestra led by fiberg, the orchestra prepared and performed hundreds of concert programs in the genres of pop jazz and academic music from the work of belarusian soviet and foreign composers; its activities were aimed at strengthening and developing the national belarusian culture. the artists were created author's concerts on the verses of belarusian poets adam mickevich yanka kupala and cup boxer maxim bogdanovich vladimir korotkevich and many others were at the helm. this means practically more than 60 belarusian composers to raise the strata. here, make author's evenings. you can imagine such a lump of a poet in belarusian, that is , everything that concerned the history of belarus, the culture of belarus, i mean musical political. that's all included

in the prism of the orchestra's activities. on the basis of the same collective there was such a symphonic an orchestra that played specially written programs, learned by the old belarusian composers of the classics, this is bogatyrev and hmm tekutsky and oladov and a lot of composers with these programs, the works of these composers, he traveled all over belarus , some folk songs were always performed and , uh, he always did the author's concerts of belarusian composers e. well, that's what only the molodechno festival is worth. for the first time the festival of the belarusian song of poetry was held in molodechno in 1993. the year of birth of this festival has forever remained in its then the winner of the competition for young performers was elena saulinaity for the

victory, she received a car vaz-2109 since then this festival has become a brand of the city, molodechno you know, i then remember the first self-festival, my god. it was such a rush. he allocated big money there, the city executive committees, minsk uh. well, that was great. so, these are the carnations that rained down on the stadiums from a helicopter. uh, for example, there are these grand prix, seeing the car, you understand? that's all he did too . it is clear that he was helped by the city allocated funds. but here he still decided it, he still does it in such a way as to make the festival of the national song prestigious, so that they would say that this is the belarusian city of san remo. yes, they say it jokingly , because how many simply magnificent songs in the nineties appeared thanks to this festival at the first headlights of the creative activity of the orchestra, played

a big role and provided great assistance to mikhail yakovlevich finnberg, an outstanding belarusian composer, musician, pianist and arranger igor field breeder. he also came from the songwriters to a young orchestra and in the early years helped him find his face. the festival was held every year. and these were the programs of igor field farmers. the first one is absolutely brilliant. it was on the ass. ra-maxim for the centenary. that's when maxim bogdanovich it was the ninety-first year, my god, what a wonderful it was, well, i can say a musical performance, because there were elements of theatricality. uh, the next year, igor field farmers and the orchestra under the direction of mikhail yakovlevich finberg performed another new the premiere of the belarusian program on the spontaneous, kupala, a year later, kuleshov martinspel and the last time. it was igor who no longer lived. he created another program, mikhail mikhail yakovlevich

, did not have time to implement it, because igor died. it was a program in belarusian. uh, belarusian folk texts are also molodechno tatyana glazunova soloist of the honored team of the national academic concert orchestra of belarus we have almost all composers and therefore made uh, author's concerts hmm uh, and vocal instrumental chamber. in our program, only the most relevant topics are lies, substitution of concepts, intimidation , appeal to emotions. for each person there is a hook that can be hooked and dragged along by the stars, experts and

psychotherapists share their thoughts. you understand now such a world in general, here is the planet earth. it is all disturbing. so i accepted the problem. i cried, screamed, sobbed and went to solve this problem and teaches me to cope with any difficulties. the number one task is to return the feeling of yourself not to give negative emotions for being encapsulated and the first. what you need to start with is to relax, the lower jaw, a wonderful technique that i always recommend to clients. it is to keep a diary of feelings and emotions. watch the program of the concept of harmlessness on belarus 24 tv channel. if you take care of your dacha now, then in the future it will surely thank every summer resident with a chic flowering - this is a kind of artist. he constantly draws something in his mind. in the garden in your garden. you probably create a rocket in the area more difficult than a

ball or a square, it was immediately very scary to master all the tricks of garden gardening science will help in the program, cottage. we use it for bones. we plant it in the ground. we gather alone into the ground, and from it grows into a warrior, who then we plant a culture, or a plum, or a peach, or an apricot, even if you have healthy raspberries, you still do prevention. she will have immunity and always make sure that the earth is wet. get comfortable, turn up the volume so you don't miss any of our tips. watch on tv channel belarus 24. with your future wife alla hoffman mikhail finmer met in the summer of 1970. arriving to visit a

bobruisk friend a couple of weeks after the first meeting, the lovers filed an application with the registry office, the wedding took place in november of the same year at a camp site near bobruisk for a wedding, the mother-in-law gave her son-in-law a brand-name trombone and a zaporozhets car, and almost 10 years later mikhail yakovlevich was on tour . in yugoslavia, he bought a chocolate-colored volga, which quickly became the envy of many neighbors. he very famously drove a car and loved speed, but after an accident in 1983. he sold the car, he loved always walking to work pyotr elfimov, singer, musician , ex-soloist. the combined team of the national academic concert orchestra of belarus always walked on foot 1973,

mikhail and alla had a son, alexander, the family lived in a two-room apartment on umanskaya street where the finger family often held parties, large companies gathered and among the guests there were many doctors who were friends with finnberg since those times when he, being a student at the conservatory, led in minsk medical school with a jazz orchestra, 2, + 2, which he was invited to in 1969. then he still did not know how to play jazz, he loved military marching music and said that from childhood he saw himself as a military conductor, like boris pinchuk, who shone in a white tunic at minsk parades. i have always been very friendly with doctors. if something happened to health. he always helped, in fact, he is a very gentle kind person, theo is a singer ex-soloist of the honored team of the national

academic concert orchestra of belarus and i know firsthand exactly from my own experience that, and for their e orchestra members for their e, members of the team. he was ready, er, a lot, to help. so, as soon as the speech touched on, there is something of the health of some moments here, but it is always like that happened. so now we will decide we need to help the doctors. that is, he lived with the orchestra, the marriage of mikhail and alla was not successful, the conductor himself called him a mistake, and after the departure of his ex-wife and son to canada, he stopped communicating with them and did not forgive. i had them with him about this conversation. i had a conversation with him. about that his son and his two granddaughters are abroad. i was just at the time of communication,

when we still communicated very closely with him. eh, it's time to divorce him. and the fact that the family was leaving, just i knew it, and he, in my opinion, was very calm about this. at least his soul, probably, was worried, but he had then it was the most colorful of the orchestra. he was so busy with the orchestra that here you can say that i would say that this divorce is probably painless. even somehow passed, and then it may be, i didn’t think that everything would break to the end and i know what he was going through. i asked mikhail yakovlevich, but maybe, i have friends, where your son is, there, maybe, i know that i have been there, even in israel, and then there i met relatives who approached me. here 's a cousin, for example, came up and

said hello to him. so i say, if you want, maybe somehow make connections, i'll help, and he told me, no, you know, you don't need to. i say, well, why is it such a pain in general, and he is so human, he just once told me. you know me so easier. here is literally such intonation. probably it was he who did not want to pull this, but of course, he undoubtedly worried. well, as far as i know, they are already then at the end of his life, not even at the end long before he passed away . still, it seems to me that at least he established relations with his son, never a personal life. never. no. he spoke my personal life. these are my wife, children, grandchildren, uh, that's all. the rest you are my children. he loved the whole orchestra natalya tomila soloist of the honored team of the national academic concert orchestra. borussia, honored artist of the republic of belarus, the orchestra is

a family for him, he is very kind to musicians, because to raise a good musician. it is very expensive and almost impossible to find, but he found them all the best for him all the best did a lot to ensure that it was his soloists who participated in the competition of the slavic bazaar and would definitely receive there, uh, some kind of laureate titles, because, of course, he rehearsed a lot, he directed a lot, and the composition of the vocalists that he worked for him, firstly, let's start with the main thing, once there was such a wonderful competition, mischievous, a relative, which ah, i'm doing tatyana kosmacheva. this is oleg eliseenkov and, in fact, all the best vocalists from this competition. this is before all the factories of stars now existing. ah, they got into the orchestra. that's

right after this contest. that is, he is always behind this situation. look who won. he himself was a member of the jury, and he immediately saw in a person. eh, if the vocalist revealed himself talentedly, then he understood that for the orchestra. it will be user running fiber. he gained popularity in the republic and abroad thanks to the slavic bazaar in vitebsk, in which mikhail yakovlevich took a direct part as an artistic and musical director from the first days of its creation. although the vitebsk start took place back in the eighty-eighth year. 4 years before the first grand opening, when was the polish song festival the predecessor of the slavonic bazaar? i was just starting then, but my main work began precisely from the slavic bazaar, but

for musicians. the most important event at the festival is the competition of young performers, that is, for the sake of which everything else is, as it were, for the audience there for entertainment for a good time. and here is the goal itself and the education of young uh search. eh, such young talents is the most. the main thing that the festival gives is that my first meeting took place, in my opinion, in the year. ninety-seventh or ninety-eighth dmitry kocherovsky soloist of the honored team of the national academic concert orchestra of belarus honored artist of the republic of belarus this there was a festival. growth zone no, then the plot to the contestant festival, in which i became a laureate, performed one of my songs, uh, with an orchestra. and after this festival already, as i remember already, our relations hmm began

to continue with the orchestras. i was invited to work. after the festival, i am a mischievous relative of work in this wonderful team, he built up, he found us. this applies to both musicians and vocalists. that is, this is such a person who all his years, when creativity, he introduced people. here aha a trumpeter studies there, and he has a wonderful sound, he leads him to the conservatory, then he takes him with an orchestra or, on the contrary, he is looking for or calista heard or that is, he was always looking for talented gifted people. not a single significant event in the musical life of not only belarus but also russia is necessary without the illustrious team headed by the belarusian maestro fenberg. he was always in a creative search and active work on decorating young pop song performers discipline and compulsory higher education basic requirements chief conductor and artistic

director of the orchestra. and it bore fruit. for high performing skills, a great contribution to the development of the belarusian musical art, the orchestra was the first in the country in 1998 to be awarded the honored collective of the republic of belarus. and later, high statuses, academic and national, of course. know what was the maestro and naturally he was uh, very demanding. naturally he was prophets were never late. we learned all the songs for work, all the songs were performed at the very first rehearsal without hints, as they say, without a piece of paper, all the requirements that may be slightly went too far on his part, but they were always fulfilled and, in fact, from this quality was felt

, the quality that he, thanks to his this one, can be such a scrupulousness, so he is boring and requirements. e sought from and from the musicians and this number for the musicians of the musicians of the soloists, here is his team in rehearsal. he was the strictest. and he was very demanding and demanding, rightfully in his hands was the whole orchestra, and he always fought for the result, and he always said so nothing in person. here's the job and what i can yell at me, don't be offended. it's nothing personal. that is, yes, he is a dynamic person, he could. there was something going on, but then he said, nothing personal. that is, i love you all, and that's it, that is, in life these are completely different relationships, and work is work. it 's okay. maestro is strict outside of work, how he

communicated with musicians and vocalists and what values ​​​​he had in the first place, so to say there was also a tradition that for all holidays. i always call him on new year's eve and talk all the time. the main thing is that you are. here he stops. i say, well, health mikhailovich health and come on, what are you, you congratulate me on this new year everything, you just say, here is the program, we have everything ready. you watched about the concert. this is how i looked. all in all, congratulations ended. a lot of people talk about this . mask. this is his image like this, and as a strict conductor, many people turned to him with

different requests with different problems in this regard. he was very responsive. and you can say he was a friend to everyone, because no one helped like that, and with the musician and artist of our orchestra, how is it. we er, knowing a lot called on the same mel. regarding the same repertoire, which song from the artists? uh give in the repertoire? ah, what programs to watch? what to emphasize? that is, he was in touch with him all the time. on weekends, it was every day he called me and started. well, what's new about the rest of nikolaevna, everything is the same as before, yes? well, okay, so listen, you said as a soloist that everyone knows us leaving, as far as you know the program and says everything. yes, she told everyone when he was in the mood. he always joked a lot. he knew many jokes. always joked a lot. and, well, naturally, the circle of mm people was going to. well, that's an interesting story. well, he

had a sense of humor, he really had a peculiarity, especially when he could call at 7:00 in the morning. e say good morning, you trumpet and mihasingah. will sing. petya, do i need this, or do i need this. and , of course, he had jokes. it was very difficult to convey some moments at rehearsals, when it was absolutely clear that now mikhailovich was in a cool cheerful mood, when he gave the orchestra three tents, as soon as he said three tents, which means, uh, everything, ok, the soloist can exhale, uh, hmm, no uh, there will be no hard and loud promises, and therefore everyone relaxed a little. eh, he spoke. well, how am i said? i say, i won't say that. as you

say, i won't say so. well, he liked this one to impress, and we played along with him. well, this is all such a joke, so to speak, home acquaintances of nice people quickly always paid special attention to the appearance of the artists of their team. his main rule is that the artist should always be neat, and mikhail yakovlevich himself was always irresistible. the combination of his suits with various bow ties or ties aroused the admiration of the dude with the dudes, in short, he was like a calf. the most that neither is, but he always had, expensive shoes. and he always had cool suits. and i remember how he even made a remark about me about mine. eh, a handkerchief in a suit, he said, but whoever folds a plateau like that, learn. he shook it so dashingly. famously turned it, and into my pocket. now you can

go on stage. he was always very careful, and for the appearance, and not only of the soloists, but also of the musicians. he always said, so you are not tonsured, you have something there, the butterfly is not like that. well, for example, one of the soloists there, then there, he loved it himself, his father was very beautiful, his glasses were a woman, she had a few butterflies. e, shoes were very fond of good perfume there, for example, everything is there e he is a very strong person, and conducting another concert tam said that the entertainer should be very competent, therefore, for all of ours, for example, some exemplary concerts that were we had a philharmonic. it's not just that when he led i wanted to listen and listen. a man knows a lot, this is an entertainer. this is smart enough. which of the belarusian musical figures did this much like a finger for the flourishing of songwriting systematically, holding author's

concerts and evenings of national composers, his name is also associated with the birth of the first chamber music festivals. outside the world of novogrudok turov, thanks to him , large-scale musical and educational events are held in small historical and cultural centers of belarus in almost every district city. he traveled with his orchestra. not only did he give such a pop concert a jazz concert. he also traveled specifically to this team symphony and gave such concerts. e hmm music of belarusian composers of the older generation. this is, of course, a very simple tremendous job. if you don’t love it, it’s impossible to do it, it’s done only with love in mikhalych a’s office in the office on victory square a, he always had a

calendar hanging, which was attached almost to the ceiling. here and so down and there it was painted the whole year. what dates, what city? what program will be next year, the most important thing was in his activities, in his essence, in his nature, he was statesman. he was very worried about his belarusian culture, for our homeland, for belarus, he was a patriot, just a patriot of the patriots, he always emphasized this. well, you can understand, it was a little deliberate. here is how he spoke in belarusian. yes, it was funny to me, such a pronunciation was not belarusian. she often gave me interviews in belarusian. i remember him being very surprised by the word smell. when i said, here in belarusian three moves ago. and i say three gdz west what kind of smell do you have? i am like this sent. i studied. i remembered. i studied in moser at the belarusian smart school, but i did not know such a word for several years. then i remembered it for the steam room, i remembered that he is

belarus, that he is belarus, this is his land, and he loves belarus, this was evident in his actions. he was a jew by nationality, he was more belarusian than many belarusians, you know, who do not like their language, their culture and do not know and do not want to know, but he devoted his whole life to elevating this culture, to raise it, to give people something what our compatriots in different genres. composers poets mikhail yakovlevich what was his indisputable merit, that he knew how to do it , by the way, you see, here is a strategist. well , it was important to arrange the pieces on the chessboard , that is, in itself it is a unique unique orchestra. igor melnik is the conductor of the honored team of the national academic concert orchestra of belarus because brilliant musicians are gathered here. this is how mikhail yakovlevich very often performs at

concerts. mm. this is what he always said. what here the best musicians of the country are this it really is true, he clearly and accurately he always knew whom to choose, understand with whom to go with whom to build this creative life together along one road to go. guys, whose erudition would be the envy of any adult, we read in the textbook that the greeks called barbarians those who spoke a different language or surprised she is very well-read on prefers reading, physical education, lermontov said that he scored a charge. i

thought hard into the cannon, also a friend. it seems to be so. well, i thought so, i'll treat you. i am such a perky friend, uncle was, apparently. and they are not afraid of not knowing something. after all, it's not embarrassing at all. i believe that it was told to us about it, and also excluded. eh, tighter. what is it like? i don't remember who it is either. in principle, one can rule out who this intellectually entertaining show is. i know, but i kind of remember that when i read, i go to uh mountains. everything is fine with the teeth. she who is a tutor teacher? thank you, watch on belarus 24 tv channel. what you can do while

traveling, see a landmark and feel the spirit of the history of the 19 the most famous building in the city worked here as a barbershop, across the wall from it was the sausage shop and next to it was the local doctor. he led the reception of patients to test their strength in pottery. he says that the clay is very useful for the hands, there will be no wrinkles, that is, the face. and, of course, delicious food. beautiful girl that's it, masha, let's go tasting, my favorite pastimes, what you and i. well done dmitry, we caught it ourselves, cooked it ourselves, and we'll

eat it ourselves, to catch all this and even more, see the program the route is built on our tv channel. the finnberg orchestra is a phrase that in the early eighties became a household name, it was called so among the people people went to the finnberg. he worked only live, and this was his credo in general, we have belarus. it seems to me that there were three orchestras in total , which were called by the name of the leader, the orchestra de rosner was the official name of the orchestra. feeder is, of course, a human

orchestra. that was the name of mikhail finnberg. for the fact that he was a professional with a capital letter and lived by love for music, the creative work of mikhail finnberg has been noted by many. in 2016 , the national academic concert orchestra of belarus and its leader received an award through art to peace and mutual understanding. their star was lit at the slavic bazaar. he was happy, and he said, it's not for me, it's for the orchestra. and he says to me, nothing is needed, but he could be called a man-orchestra precisely because he knew everything that was needed in order to each instrument played by mikhail yakovlevich is very complex.