you can see how it looked in old pictures in history books, yes, in the miraculously preserved photographs, exactly the same building, by the way, is depicted on the screen saver for the film on the seven winds. look at it they say under the castle there was an underground passage that went into the dnieper during the siege, with its help you could go down to the river and draw water 10 years ago. the move has collapsed, so now we can only guess about its existence. today , only a plate with an engraving on a commemorative sign reminds that the place is a historical value. although the castle is here for a long time and no, to this day, the excursion is titillating. on the very spot where the castle once stood. these two acacias grew up, the locals are sure that these are the images of sigismund the first and his wife of the bonesphorus, the trees are a

few boulders, there is no architectural structure, but this compensates for the incredible beauty of the view from the hill. the entire rogachev and the river are clearly visible. the dnieper is in the distance, i notice a small piece of land covered with yellow foliage, historians explain. this is the island of love , according to legend, it was manually poured by a gardener before madness, falling in love with the queen's daughter. bona is another good reason to visit this city. today, you can only get to the island of love in a dress, unfortunately, our film crew did not have such an opportunity, but we already fell in love with this city. come, you and discover yours, rogachev

he was placed at rashi's. this is clearly from the threshold of the heart. did you forget that you didn’t live a pulse for 20 years, but yun lived to 80 of that, a composer of colorless absolutely damatological flair,

that is, he built his compositions with such loyka is so convincing. dmitri shostakovich, by the philosophical power of music and the poignancy of the symphony, each of his symphonies can be verbalized and deciphered in this bomb. so he was, of course, a psychologist. anatoly bogatyrov, and the borscht itself crawled into the lake and laid it out at the belarusian conservatory. he was so. that's smart. he understood literature. sometimes a coincidence this time live could tell you about three generations of composer schools. korea music forced to work again and again and again and had to get up sweaty clothes and the piano. jesom beat chess, tattooed crossmasters, we played 1,000 games with

dmitry yunosovich in chess and decided that there were no complaints. it is right to write music of two things to drive a car and write a procedure, a solid belarusian composer, an eminent symphonist - people's artist of ukraine and professor of the belarusian state academy of music dmitry smolsk.

the pearl of the national opera sivay the legend at the base whether the shoulder strap is cool and the old woman's story of the belarusian classic vladimir korotkevich's music in the seventies was written by the people's artist ukraine and dmitry smolsk, this is a walking opera of beaten out composers, the stage premiere departed from minsk in 1978. tadysh of all the legend was shown to muscovites, and in 1980 and the performance was equipped in the name of belarus served at mogilev and yakub backstage on a tuck at the very

start kohane irreligion loyalty, izrada the worker of it and the pomst, raising tears to the character , joked a wide panorama to the hero of the plot . the music of dmitry smolsky was conveyed by the vocalists ; i think the maestro never missed his power ilendu. and for the whole took a place in the eighth radio at the mass scenes of the opera from the beginning, they especially fished a little more than 100, and she again changed the composition of the channel and stretched out to live on the stage of the great datra of opera and ballet. absolute traumatological flair, that is, he built his compositions with such logic , so convincingly, you can also determine from a few notes that it is smolsky, because his musical language was very on the one hand, so ascetic even, because he worked with

very subtle musical material. he told us often that music can not hide. she, as it were , shines through the author with an x-ray and is always visible in music, so to speak, the inner world of her man, who created the world in superfluous smolsky, plunged into early childhood. i'm with dad. i think the music knew a collection of words silvestrovitch. what until the nineties did not miss, not water premieres at the philharmonic, perseverance, discipline. bubregust was formed and honeyed to a dyakutshim way, the young composer at jusi to play the violin, and at twelve he loves his feast more, the anode publication was born on 25 alepen 1937. in minsk, the best of all was the moscow

central music school at the music school for ten years about the belarusian state conservatives, he took walking lessons from the legend of belarusian music, evgen tekotsky, and in 1960 graduated from the belarusian state conservatory in classical composition with professor anatoly bogatyrov. about seven years of graduate school at the pedagogical institute named after the agnese in moscow under the ceramics work of nikolai piko. his mother elena ivanovna told me that he was small, he is 3 years old and some kind of there was a neapolitan song and he picked it up, but he was small, therefore, in order to connect these sounds, he ran from one end of the piano to the other. that is, he was brilliantly gifted in music since childhood, this giftedness of his. he fully implemented. no one

could have appeared that smolsky would become a composer from the light. and you are the pain that if you live in such a spirit and saturated with remote 1940, he will be shamo, a child of war. rashi was given uncomfortable breathing. the heart disease was despondent, that left-wingers did not even have a milestone from there twenty more health to him, it was necessary not to be there in order to work and tell what i know about life about the world of the device. and so he taught us. the most important thing is that the composer is not a profession. it said that there is no such profession as a composer in the register of the profession, because it is a lifestyle, a way of thinking, this is a state. it's all constant, the presence of that motive that makes you work, because you do not want and cannot

do anything else but this. the composer had to dzhasnovo on nika, and leave the moscow conservatory alley unesmulsky did not shirk on the superac blew out midoku grew up seriously go in for sports music with boxing took fight motorsport lifted more than his weight. and all his life he was engaged in all kinds of sports, he adored, he simply adored athletics and this is the result. and belarusian economical music , and it stretches out to improve the ugly circles of the planet from the usa of the complementary crust music is equal to you yourself dmitry shestakovich in philosophical strength, cottage cheese and how much symphony ust-moscow their 15 enhanced decomposition about foundation of man. in society, each symphony is some kind of view - this is the construction of its own

world. they always cause a lot of discussion. yes, they still had to be deciphered to find. here is this idea, if it is found, yes. track how it was done professionally . if each of his symphonies were verbalized and deciphered, it would be a bomb. so he was, of course, a psychologist of his essay. they penetrate very deeply into the essence of the human personality - he was also a noble philosopher. he very accurately and subtly conveyed the poetic the idea of ​​living is not put life, guided by

biblical principles. this was vital. credo mityaya also sent, and it is no coincidence that his beautiful tenth symphony is called the 10 commandments. and the ninth and thirteenth symphonies were written for orchestra and electric guitar. no one has done anything like this in the world, where to the best best son of dmitry bronislavovich viktor smolsky, a symphony of people's artist of belarus zara play a hand.

olympia has released a cd with recordings of dmitry's symphony smolsky 1990 was recognized as left-handed by another at the us cd competition. we will spend one day with incredible people. i like to watch when the harvester goes into the field, threshing the bunker and then pouring it into the car, somewhere there you will see a squirrel somewhere it is

interesting through the transition. maybe a duck with ducklings comes to the city center and this is unexpected. let's get to know them with their hobbies and favorite work. we have no problem, let's say work around the clock, fell in love with him, he will love me. i take care of him every day in the booth, i rub my glass and monitor its technical condition and work. in order to grow this bread, see project one day on belarus 24 tv channel. what bothered the motzans with accepting the hand of refusal in front of our ducts, that we were leaving from generation to generation with a whole class of national culture . spilicia along the ridges of our crown with this was disbanded to fill it far, spitting from 331 km to the eighth for masses at the hair or chak of the chashirsky district until we follow. i

tell her the story of the name of the owl that pokes at the end of the vein, then give it, they left it for the usul on the beard the snake of the most left-handed kolosov for the case and tied the shavings, we will give the second tradition. everything is new. falsely believed. and yesterday i was a dancer at the vertures. look at the project on the minulla pirate on our tv channel. sons , the oldest dmitry, the musician, my best victor , the real horn of zorka paganini, the electric guitars , the composer, the guitarist of the legendary entry of a non- german speech, the sons for dimitri bronislavovich were also the closest

students, and the cavalier of urden, francis skaryna , for five ten years, i will give a retinue for three generations of music for more than 70 composers of the belarusian conservatory, subordinated from a simple kladzhik, ended his teaching career with the title of professor. wanted to learn to write, for the simple reason that he treated everyone, let's say so very well. you come to think, well, everything, worked created a good topic. he says, well, long. i say, well, for a long time, then try again. when he did not like the helpless, well, quite helplessly spoke. and why should a woman write orchestral music a woman should not do two things to drive a car and write procedures. this had to be refuted all the time.

he had a brilliant musical erudition , knowledge of a huge amount of music, he did not force us to write in any particular style. within the framework of precisely professionalism, we felt completely free philosopher and psychologist graduates of the composer's school from the moskva, will echo the ability to know and under their skin traps more in the 50s in the brothers of the conservatives, and he did not turn off either in one student. he was kind, but not reconcilable in those matters when it comes to profession. that is, he did not accept, if he saw that it was wrong, based on the rules of the profession, he forced me to work more and more i am looking for and i had to get up with sweaty

clothes at the piano. with this. we are a bunch. she worked in the main folklore of her direction. this is what he developed. he never gave his authority. i told. no, you have to write. that's not how it is. here you like it, please. i wrote somewhere in a completely different manner. uh, nikolai stoma studied a year older than me, let's say, so already in the third manner, then valery also studied later voronov and dmitry lybin. and we were all different , and to say that we all looked like dmitry slavievich was not to say that someone was his favorite. i don’t know what i saw, he treated everyone equally, in general, you could talk to him on the sociable topic. and he is such a philosopher, well, he always had his own opinion. this is a very important opinion about the music of colleagues in the philharmonic there, for example, well, that's fine. we always exchanged some impressions, and maybe

even quite tough, he did not tolerate graphomania and always gave an example works of igor fedorovich stravinsky. he didn't tell me closely, what kind of music it is, but it is admirable how it made him have such perfect hearing that he could write a large work without an instrument, not a soviet instrument. he then wrote the first piano concerto. he liked to leave somewhere to work in the houses of creativity. where you are completely and a recluse. where later, when we grew up, we also all began to travel, where you were given entirely at home. the rent is like that and you want to work at night, because there are no neighbors. if you want, i wait when you want, then send things to work, i even abused it very much. sometimes i went three times. yes, we hung out here without a teacher and there wasn’t, but there was

a ticket to the writers’ house, but there were no tools there. and now, only thanks to his inner such a perfect developed ear, he wrote a major work for the pianoforte. in the house of the professor, the music of beethoven and tchaikovsky was taught, and he loved shostakovich a. therefore, for the strength of the potash , they rejoiced, they took kim as a composer. he he recognized this kind of conflict, as in their works, when you graduate in all serious ways through tragedies through trials and breaking life, because here he is such a provocateur in general dmitry smolsky wrote, amal wow crazy, genres of academic music. this is culture, musical. after all , this is also he, we need to go to all the concerts, the opening of the season, the closing of the season - this is generally it's apt. it must be there, all

the premieres and rehearsals are also studying at rehearsals with the procedure to sit in every possible way encouraged and scolded if they missed concerts. operative palettes that have changed legend francis skora and apollo the legislator instrumental concertos for piano , violin, cello and cymbal chamber and vocal composition belarusian classic he wrote music for theatrical performances and a film , monumental orators, topping belarusian poets, the glorious yanka kupala, essential, original and bold in its own comfort. bub. rasklassika ayshenny literature. the smolk turned away psychologically, with a folded and sapper-winged accent on the arature on urban written folklore. fiery

wind waves must be there three soloists are one and the same person. just terrible living conditions, so to speak, well, the choir, people's hunting. as a pioneer and you chose us from the pretense of iterature i weigh the poet, no one wrote music, he always appreciated the workmanship of the work, the workmanship

of the form of texture from the accuracy of the musical presentation, the awareness of the use of certain expressive means. the composing technique dotecaphony you found by the austrian musician arnold schunberg at the underbelly of the 1920s for the head of the basis for composing sitist strings, and it was written by yan at that time kolya ukraine did not hover in the peasant of experimental technologies at a meeting of the union of composers , anatoly vasilyevich bogatyrev spoke and the thugs stigmatized him for the fact that he, so to speak, avant-garde compared him, with shnit k- denis imagine says, i was sitting in the hall and felt such a sense of pride for all the

epistles that anatoly vasilyevich is awarding me here. well, not out of malice, but simply out of pure spirituality. from practical. kill your hour i went on creatively in my mind and laid out in the ear during the day, and always wrote music in our kuna silence. that's how you felt your loneliness, although, in my opinion, everyone adored him, loved admired him, but he felt loneliness and that's it, and all his symphonies can sometimes be philosophized not between, that's nothing, but dmitry prislavievich. he was an intellectual in this regard, his whole life is concentrated. uh, in my work, as for, so to speak, some ideas of creation, these are different symbols, basically. by the way, it is even difficult. uh, explainable, so to speak, the desire to

express some of their feelings and ideas in music. he was so. that's smart. he understood. eh, in literature. he understood poetry. here he fought in painting in general. i could tell you about composer schools. he was very fond of playing chess. and they often walked you along the third floor, went to the gym to study, and he was near the gym and sat with the director of our future then, this is srashchupkin alexander fedorovich or the artistic director of the philharmonic yuri nikolaevich glyadyakov, they sat and played chess for hours. and not just moving figures there. we had our own chess club here, the philharmonic society often passed exams, passed more easily more agile so that there was still time to play a chess tournament, we played 1.000 games,

were the people's artist of the bssr and belarusian cross-masters, jazz, some of them were overwhelmed in mines. unfortunately, that's all gone chess. envy, now we can only follow some events in chess life, but thanks to dmitry alexandrovich, we gemini had a rest, we always chose sanatoriums or a rest home, where you could safely play, of course, wives sat on us very often, that we were sitting on a bench at that time, the belt would also play, but nonetheless. it was a great happiness. for his music, the composer dimitry smolsky from roma among the shmats of the ugly ugly people, the lenin komsomol prize of the belarusian ssr , the state prize of the belarusian ussr, the cup of honor

, the special prize of the president of the republic of belarus and the order of francis skaryna , he is an absolutely world-class composer, and it seems to me that he is still underestimated sent has always been an indisputable moral authority for communication with which one wanted to correspond. to be worthy of this fellowship was begun and laid down by dmitry bronislavovich, but it continues to develop and will live and he will live in our memory and not only in our memory, but also in the art and culture of our country. you will live, but on 29

virusnya 2017, and he did not live up to the end of the crust. you're not a thief's utopia here, nostalgia and it was scheduled for the campfire. zaros, orchestras, vykuvy already have cravings memory of the great musician people's artists of belarus symphonist with a monster.

dance is the pulse of the movement breath is the rhythm.