the ultra-high resolution feature is now at the stage, the design and development of target equipment, the result of successful cooperation between belarus and russia in medicine , was a unique operation to correct osteogenesis imperfecta in the republican research center for traumatology and orthopedics . metal structures were delivered to adolescents that help hold joints and make bones less vulnerable. operations were successful for a girl and the boy will walk. and for a child , this, of course, is such a straight shaft, because, well, he will be able to get up again and walk again, then yes, well, he will return to his full life, that is, his quality of life will significantly improve. the use of these metal structures of telescopic rods allows you to protect the child's bone. for a long time. here are deformations, and even if a fracture occurs, it will be a fracture without displacement. there should be no consequences from it. more than 150 children with crystal

man's disease live in belarus. of these, fifty need surgery using a telescopic rod. an act of vandalism near the building of the embassy of belarus in prague, the building of the diplomatic mission was sprayed with paint, the press service of our foreign ministry noted that the public does not learn about all such cases. the main thing for the department is how the host country behaves decently and fulfills its obligations under the vienna convention. in prague, law enforcement officers worked quickly as an attacker. detained motives for the crime were not disclosed . major events so far. see you at 19:00. minsk in the 1930s resembles a gigantic construction site, architects face an ambitious task to betray the city of stolichny losk

thanks to the architect joseph langbard, the authors of the projects, the architects of the warriors, the rocket, the vanford, the barrier, there will be strength to constrain this plan with the supply of an eminent master in the main city. the building of the government house of the main building of the academy of sciences of the red army will appear in the bssr . religious buildings. a few years later, they will become the hallmark of the megapolis, it is the longbard that will be entrusted with the construction. another legendary building of the bolshoi theater was his idea, yes, they were ahead of their time and in such dignity the pawnshop that he saw, as if for translation and all its buildings appeared, as if they were city-forming, they formed a new

scale of the city and they are today. eh, not morally obsolete, he was probably one of the five best theaters in the soviet union , a great title. e he received in the thirty- ninth year is. uh, in this regard, the orders of joseph stalin retained this name only in moscow, and the great cultural construction of the young soviet country is proceeding at an accelerated pace, and it is replacing the old bourgeois values. new genre socialist realism opera and ballet found themselves between a rock and a hard place before art is the question of whether to be forgotten forever or to rebuild in a new way, there were heated discussions, even on the pages of the

media. do we need ballet and is it really an art? or does it just mean a demonstration of naked female legs and so on, yes, but still, it means that common sense also won the ballet classics. she took her place of honor. i don't know where i'm going to work no pluralism i don't care i stop my activity as president of the ussr who almost ruined the construction site of the century was soup on former employees took place somewhere around 47 witnesses, the phantom of the opera, as a legendary theater actually survived the war and its peace lay in

this basement red terror, who until the last fought for the color of the cult buildings in the culture the gang hid were liquidated in general it was the theatrics with the belarusian summer i was invited upstairs and they said, that's why the play about god the devil and around which passions boil to this day were three we are a child. something's going on here. let me go through everything secrets of the largest theater in the country.

the history of the belarusian opera and ballet began long before the appearance of a cult building in the center of the capital, the foundation of a professional school was laid by fortress theaters. the belarusian gentry did not skimp on the spectacle. as mentors, the best conductors were discharged, they were masters and singers of the old world, their operas began. uh. this is already from the nesvizh opera productions, whether it was written in 1752 by urshulya radivil. well, naturally. eh, chambermaster of the court, he wrote music, this music has not survived to this day. it's a pity at the peak popularity, french and italian

operas, as well as musical works of his own composition, the turning point was, 18. the second year it was then that the creative tandem of the composer stanislav with the playwright vincent dunin martsinkevich gave birth to a production that is considered to be the starting point in the creation of a national opera, the famous idyll of the russian theater has well, a history of 100-150 years, uh, well, something more authentic, uh, but, nevertheless , uh, the theater in minsk, uh, from the moment of its creation, could be built into this system and become to very leading positions until the beginning of the 20th century. belarusian opera and ballet goes hand

in hand with the drama theatre . charista ballerinas and opera primas were forced to share the stage with dramatic actors. in 1924, he opened the doors of musical technology in minsk. a couple of years later, specialized ballet and opera classes were opened in it, it became evidently two great art forms. closely in one place and the city authorities. we decided not to trifle, but to build a separate theater for the opera and ballet, the project was not done in such a way that he gave you the task. yes, you will design by hand, pereboletova. there were also conditions for those times in the construction of these cultural buildings, as well, especially on theaters. well , everything so-called, developed over

decades and centuries in the construction of theaters, was rejected, everything bourgeois had already surfaced. the new world was put forward like this. the idea that it was throughout the soviet union not only in belarus to build such universal buildings of culture it was supposed that there would be a huge building in which they would be held. uh, some kind of events, such as festivals , demonstrations, sports events, there will be circus performances, and including the opera and ballet theater, the plans were grandiose at the mercy of the future theater. they singled out a hill in the center of the capital , a place that was clearly visible from the very ends of minsk, which was the best suited for the construction of a new temple of art. initially, the construction was entrusted to the architect georgy

lavrov. there used to be a trinity bonfire here. at the beginning of the 19th century, a very large fire broke out on trinity hill. in essence, everything burned out. from the point of view of the architect, the place was redecorated. it was a very advantageous place where we were not in the upper city. or even on the avenue, we see a theater ; there were. uh, the little houses are all unkempt, but this is an elevated place. here is another place better to find in the city of minsk , probably, it was impossible to take on the site of the trinity bazaar, the first stone was laid. here is the architect's design. lavrov georgy lavrov but lavrov's avant-garde ideas were sent on the table, and the project was entrusted to another eminent architect, joseph longbard. the author

enthusiastically set to work when the drawing was ready. discussed in the union of architects and gave the go-ahead professor lanberg completes the aquarium the council of ministers checks a vulgar detail vlad puzo look anew re-lining the opera and ballet theater with redundant tiers a lie, it remained to be approved in moscow in the first capital project, they also appreciated it, but then one of the high ranks reasonably remarked the opera and ballet building in minsk will be where more than the older brother of the moscow bolshoi theater, they simply could not give such a thing in the main capital as the project was developed. well, it was obvious that here the creative team came out with a noticeable cost and the author of the program had

to slightly adjust the hall was reduced by 1.500. actually close to what it is now and, uh, shortened and some. uh, elements of the cultural façade decoration from the pawnshop project were eliminated. well, quite a few. and endless edits began on the theatricality of the image, longbard, my heart creaks again and again reworked the project the number of seats. it was necessary to urgently reduce first from 3,000 to two, and then even to one and a half thousand, the shape of the building turned from an ellipse into a circle. it changed several times and the appearance of the buildings all this aroused the indignation of the author, and the temple of art could not do without other excesses and could only remain on the drawings of the allocated money

in a mysterious way. evaporated first project. it was made in red in color. it was done. it was something. it looks a bit like the colosseum because it made such demands. here, well, longband somehow. well, i didn’t consider it, it wasn’t my best project, of course, as always, as in many places here and without theft, there was a trial of former construction employees, and the opera and ballet theater, a certain head of a department, a certain cuffman, embezzled a lot of money. somewhere there is such a sum of one million eight hundred something. yes, and that means, uh, a trial took place and, uh, it took about 47 years, construction went on at an accelerated pace, the young soviet country, by all means, sought to prove its power

first of all, through pompous architecture, strict lines. outside the buildings inside, luxury, expensive, velvet gilded chandeliers, antique statues of soviet designs. i see i had to show everyone and everyone the inviolability and status of the new country. the fact is that he loved to be in the royal box, he felt like the emperor of all russia there, and therefore the opera becomes the main genre in the thirties, plus these parallels with ivan susanin, because russian music began with ivan susanin school. now we will put these ivana susanins in all republics, that is, the patriotic historical opera. as such, the state opera and ballet theater of the bssr appeared much earlier than the iconic

building itself . larisa aleksandrovskaya had a translator in the belarusian language such a musicologist, a belarusian railcar, quite well-known in its time. here the opera was prepared in the studio of this opera and carmen was opened on may 25th. uh, opera house and for two summers the bolshoi theater opened its doors to the first spectators only in 1938. fine art instantly wins the hearts of the townspeople. opera divas and ballerinas suddenly become almost celestials, the audience

is ready to wear artists in their arms. all the years, the opera theater in general in the soviet union it was very prestigious. it was a business card. eh, any republic. i mean, they were gods. these were the stars. they say that they had some kind of benefits, if they were people with titles with regalia, then they knew the people's artists, so they have some benefits there, they got something else. that is, they had. they aspired to stream, they had such a competitive struggle, very tough. with the advent of its own building, the bolshoi theater of belarus was actually challenged to catch up and overtake other eminent opera and ballet houses unions, the number one task is to create a national repertoire for

the moscow school, leningrad was famous for its male staff, petersburg has always been famous for women. well, somehow they managed to do it, but perhaps thanks to the teachers who were from moscow is st. petersburg to create a school of cats, which, in general, equal approximately equal but what is the share? skills are invested in both men and women in the thirties, initially moscow planned that the opera would be the most democratic art, even the requirements were for the opera. it should be an opera song in such a way that there are absolutely understandable numbers in couplet form. uh, the song dance march, and for the people to come out of the opera house and sing along the road. here are the song marches he just heard at the grand plans opera. at forty

the first year the war will destroy not to forget the wounded, minsk the bitter smoke of its ruins during the occupation minsk was under attack after countless bombardments, the city was completely in ruins the luxurious building of the large theater was a miracle, remained unworked and while the artists fought at the front the germans turned the temple of art into cattle the yard during the war was located in the left wing, and even here and the stables were german troops. uh, they stopped, so here they find some other sounds of war. there were grenades , shells, and so on, the place was not bombed, but into the hall, that's where the auditorium is. uh, a bomb hit, the hay remained intact, the germans set up a stable here, there were various workshops.

e. well, they say all the same, they are very relier to be photographed. another legend is connected with the turning point of the war in 1943 , when underground fighters and partisans killed gauleiter wilhelm of belarus, and the cold plinth of the theater was turned into a morgue. the body of hitler's viceroy in belarus lay here for several hours, the probationers told us that under the vestibule, during the war, you remember who the cubes killed, his corpse lay in this basement. well, apparently, the coldest place was, damn it, to save when minsk was liberated, the artists returned to the theater building for 44 years, they opened the season with the premiere of the opera by yevgeny chakotsky olesya, but

after the exhausting years of the war, the building was pretty shabby, it took 3 years to restore loss after reconstruction, to which joseph langbar himself had a hand. tiered balconies appeared in the theater, and a park was laid out around the building after the war due to the fact that the left wing was destroyed and the facades were actually restored. were anew finished with stucco and conducted. made aboard the forty-sixth forty-eighth it was preserved. now the post-war years have returned to this, the bolshoi theater has again become the center of life in the capital, the audience rushes to the temple of art to remember peacetime, and opera performances are broadcast on the radio with an enviable frequency while the public admires the productions. many artists are forced to barely make ends meet, the

post-war devastation. many simply have nowhere to live, even i remember that in some, uh, make-up rooms, artists lived who had no place to live. to live, some buildings were broken even after the war, and far from quickly and not all at once. it has been refurbished. the atmosphere was. as far as i understand, now such a friendly warm forties are quite enough, and they could only have their own square meters in the capital. even opera and ballet primas stood in line for housing to read. well, i remember myself, i guess . from three i remember these long corridors , then they seemed very large to me, probably, you know that i was little, when the trees were big. here, ah, well, i i remember that in the corridors everything was fried and steamed. well, of course, i don’t know, there were culinary delights, well, fried potatoes, there was always

a real star of the post-war years, a ballerina. basya karpilova, shone on stage in the role of esmeralda, the famous prima lived in the theater with her family and the main partner on the stage , a live goat, lived for several years, of course, in small rooms. for example, i only remember a sofa like this black monster stood, and in obito's room with dermantin. here is the closet, in my opinion, left over from the germans. this closet was so deaf deaf, but he had like strainers, desperately such holes. here and uh, this closet and sofa. i remember for the rest of my life there was such a charlene market in minsk. she bought this goat and, uh, she settled in a little room nearby. and her mother taught her, she played the tambourine, with which she went on stage in esmeralda. she put some kind of feed there and the goat

got used to it and on the stage one could be calm for her, but after a while the bureaucrat i don’t know who wrote that the goat playing the role of a goat hurts to hurt esmeralda to take off allowance to vacate the room in the sixties were marked by a new status, the bolshoi theater was given the title of academic, but a recognized temple of art. needed. in the urgent repair of the sixty-seventh building , the reconstruction was again updated. later they recognize the rights of the flat roof, they replaced it with a hipped roof because of this, the opera and ballet theater became. commemorate the circus chapiteau so it was necessary to make a roof that would not flow, therefore, we decided to make it such a dome. yes it is e. well, if you've seen the photos, then this is, of course, uh, ruined the look of the theater so much, it's kind of like a circus. they even called it chapiteau, that

we had a theater in tibet for years, two huge halls. uh, a little more than we go, but there were always stains on the ceiling, because the water ran right through the row. he had to repair performances were going on, and here she was on duty. uh, fire department. since all this ischatra structure is above the roof. it was made of wooden structures, not impregnated with fire protection in places. could catch fire at any time in the sixties in a big job, a real galaxy of talented musicians and performers. a special pride of theatrical teenagers. the first female conductor in the soviet union, tatyana kolomentseva, told about her harsh burrow. legends. that's my raise, hot girl, that's probably what it is. my facial features are very unfavorable, unpleasant, because all people think that i am like that, well, to my

colleagues, she was remembered for her diet. coffee ice cream with a cigarette and endless dedication to work, she was near the circus, and she had a big and big dog ice cream scary. uh, he loved this dog too, and she, naturally, approached this kiosk. well, they knew each other. naturally with this saleswoman, because every day tatyana mikhailovna bought. she has quite a lot of ice cream for her ice cream dog, she says, oh, tatyana mikhailovna, you see there is no one, and i urgently need to call. well, wait a minute. well, yes, please, go call, and then a whole group comes up. it means you sold it. uh, a certain amount of these

same ice creams, a woman in a tailcoat at the sky control panel, already slew everyone and everyone on the spot, but that evening the astonished tourists were shocked at how the lady from the ice cream parlor perfectly wielded the conductor's baton on loingrin's evening. uh, tatyana mikhailovna goes to the console, of course, the light turns on. applause as she turns into the hall is scheduled to raise the orchestra to the front row. uh, the very germans who bought ice cream from her in the morning are sitting, what did they think at that moment, namely, tatyana kolomiytseva, for the first time in the soviet union, staged an opera performance of an arrest, an antique plot in the processing of sergei taniyev. not only remembered by belarusian

to the audience, but was also highly marked by the most strict. soviet critics published the opera on vinyl, a mythological plot. e, it would seem, it would seem something completely far from soviet reality. yes, there would be a lot of banknotes. but it really was the development of a new territory of the opera territory, and mm recognition. uh, this uh, the opera found e in the fact that it was recorded on a melody company record, and it was the only recording in the entire soviet union , the next appeal was only in the 21st century , you know, yes, that is, all of a sudden, opera the theater of belarus becomes the center of the entire universe of the life of the culture of the ussr, even eminent artists at that time cannot travel abroad, and gastronomes are outside the iron

curtain. one can only dream. the only opportunity to refresh the staff and bring in a new stream is to invite the best performers from all over the soviet union to the belarusian capital to talk about the unified professional school , because they came from moscow and leningrad, uh, artists soloists from other cities of the soviet union, uh, the team was rather prefabricated and none of the soviet people could go anywhere to work, and only within the soviet union, the most talented artists, so to speak. of course they stayed. well, at home and here there was a very strong pipe. well, some conductors, and i will name this absolutely legendary personality of yaroslav

antonovich, or suppose, uh, kolomiytsev. hmm, or there the moshensky seventies became a real golden age in the history of the bolshoi theater of belarus, crazy full houses, kilometer-long queues at the box office, tickets only by pull. the principals were together in the folk theater artist of the republic valentin elizaev it was just a hype, it was impossible to buy tickets and sold them at the box office. uh, only with the condition that you buy at the same time a few more ballet flats for the opera for the least popular . you can thread there, but the main thing is that you bought the tickets. glory to the beaver, the belarusian ballet thunders throughout the vast country in the epicenter of the cultural life of minsk, the young were together mr. valentin elizariev, 73 years old. i just finished.

leningrad conservatory ballet ministerial department and me from the third year conservatory tracked down, our former minister of culture and yuri mikhailovich a wonderful person, in his third year, he received an award at an all-union competition. and here, probably they were looking for a person who was the head of the pipe, therefore, it so happened that i was assigned to the republic of belarus on the tenth of october. see you all for the third year. i began my activity the era and lizarev began when he came to our theater. he was as young as we are. those were his. well, you can say the first steps in a big art. his first performance was carmen seita with us. and he still lives this

performance and i pass it on to the fourth generation, unshakable and endlessly devoted to the cause, it seemed to the ambitious choreographer. managed the unthinkable reach out to the audience in a moment art is not for everyone goes to the masses at his production, people will storm the box office very much appreciate the performers who are completely different in the same part with the advent. even valentin nikolaevich elizarov of course, that's what concerns ballet. he has grown in many ways. and we were very interesting to work, because it was such a fresh stream. it was so interesting to work, you know, if these performances in his production, someone even now go through such a number and they are not outdated, critics agree on one thing, valentin elizabeth raised the bar high. and he created something

fundamentally new for the entire soviet ballet. yu. since that girl is like some kind of tool. embrace her like a woman, the cult production of the seventy-sixth year, the creation of the world will become a real hymn to man for everything times of life, conquering death. good conquering evil only refers to this plot, and through the story of adam and eve, he suddenly builds a parable about the apocalypse about what is relevant at that time and today , yes, how we protect the world. then it was the threat of nuclear war. yes, today, probably, these are some kind of environmental disasters and so on. yes, but this is suddenly the fragility of the world comes to the fore, and the need

to protect it and some kind of anthem to the woman at the end, because it is the woman who revives what can perish and perish forever, and while some admire the philosophy embedded in the choreography, others see the performances of fashionable anti-church propaganda one way or another , soviet citizens treated the sensational production as well as any other shortage to get, at any cost i was invited upstairs and they said, that's why - then you do a play about god the devil hells. and maybe it wasn't really necessary to run the car. uh, everyone already had their suits sewn on already. the hysterical rehearsals were simply not late with the invitation. that's after it was, well, a stunning success with the performance. eh, it's just that the question itself disappeared. you have no one asked, for

what god for what the devil. adam ate. i often demand the impossible from actors. and on the verge of the impossible, a new one is born at that time, uh, it hurts the creation of the world, it is in the first place. uh was perceived as such a sexy bumba , because, firstly, the artists were on stage in tights of three colors of human skin. and wow, they are naked and everyone went to this ballet. here , here, and see this sexy revolution though really. of course it 's wider. gradually painful and operatic art becomes the hallmark of the ussr opera and

ballet prima audience literally idolized kupala in the rays of glory, but legends were made about their cool disposition, this is the status, it really existed and quite tough and cruel. all this was when they were accept when they are there, baby, something is going on here. yes, and give way to me to go there. i go, then a lot of attention was on sheev to the uh opera house, he was very fond of. uh, myself the theater loved the singers very much knew everyone by name, there and so on. that is, and this, probably, also influenced the fact that if he goes to the theater behind him, the whole office follows him, but even recognition and all-union glory sometimes did not mean anything, the stars of those years often lived like ordinary soviet citizens . they ate in queues of shops huddled in

tiny apartments, and they could only dream of traveling abroad. he you have changed this heaven and earth, because they are teplants i still have at home somewhere we had to and pour varnish with glue, dry, rub a carrot sock with a grater, sheathe it, so that the e-pointe shoes could withstand one performance, or even two pairs, tamara nikolaevna nishchenkova had to do. the people's artist of the soviet union then realized the soviet union she sang today to razin and tomorrow she sang e. you understand the fox in the tower, and it didn’t count . uh, below her dignity, so the soloists. uh, such leading opera stars, they also sang the second parts of the second position, so they were so interchangeable, despite the high

status, many eminent opera singers, even after countless full houses, recall their first appearance on the big stage, as a lucky ticket to life, for example, the part of lyubasha in the royal bride. i just graduated from the conservatory, and in september the season opened and the performer of the main part fell ill. well, i understand, if i now come out of mine successfully, then i will sing this part in the future. but there's another side, who am i replacing? i'm changing years svetlana video for danilyuk for which the audience took tickets. it's like me must sing so that they are not disappointed, and the next time they come to the theater for the first time on this stage. i was once entrusted, so to speak, at the carmen opera there is such a character, when i started singing, it turns out that i was already

lagging behind. the conductor was already ahead of me. a flurry of criticism addressed to me. to put it mildly, but it was years baptism in the eighties, the bolshoi theater's corpses are again in search of an acute question of expanding the national repertoire of the eighty-fourth passes away, recognized as a classic of literature. vladimir korotkevich by that time in the repertoire of the theater there is already an opera based on the story of the gray-haired legend, but in a big one they decide to perpetuate another work of the writer, the wild hunt of king stakh, opera singer viktor skorobogatov and to this day remembers in awe how the work on the legendary masterpiece went to the crossroads, which means the union of

composers is smoking near window. you never thought anything about the wild hunt, king astakh. well, why didn't you think? well, as they thought, i think, but he already wrote something. yes, there are already a couple of fragments. well , show the edges come up. hello, i played these a couple of snippets. it's a waltz. hmm, param-pam-pam. well, actually. ah, hunting. yes, pam-pam-pam-pam, the work was in full swing day and night, and the rich literary heritage only increased the degree of responsibility for the

work. the recognized masters of the composer, vladimir solton and conductor yaroslav vashchak, in close conjunction with them, the leading opera performers of the theater will show the audience a wild hunt 85 year. but the triumph was overshadowed by a sad event before the premiere yaroslav vashchek did not live. this is one of the bright real professional powerful opera belarusian and, of course, this aroused tremendous interest later, and the relay antosha worked a lot on this procedure, unfortunately, he then fell seriously ill and already followed suit. uh, the mississims themselves were at the controls. i performed beloretsky. i could not get used, well, about 10 performances, although i knew all the music from and to by heart. eh, but

here's a feeling that's it could not imagine. stop. it was so, well, really scary. well, from this music here in these scenery. uh thriller, real crowded halls and standing ovations from grateful viewers of criticism. they will immediately name the wild hunt of the king, stakh, the main belarusian romantic and national opera. the production will stay on stage for a record number of seasons. the king's wild pouring. astakhov also did not leave the side for 21 years, the scenery and costumes were already worn out. it's already been changed. well, the costumes always change according to the artists, that's it,

21 years old. she found. well, these are the legends of our theaters, these are the costumes from the legendary performance. such a hunt of the king of fear, who is now to date, he is not in repertoire goes on, but he was a huge success. and now, at some concerts , sometime they are also involved in balls. the nineties have become a real test for the theater, but despite the difficult time for the whole country. the bolshoi theater lives a busy life in minsk hosts an enviable number of international festivals, and belarusian artists are frequent guests in the best opera and ballet houses of the old world, some first opera tours. they began only in the nineties, when sergey kottez became the director. it seemed

terrible years. uh, for the first time we have a mandalena. which is the first opera by prokofiev, which has not been staged anywhere before. yes, some other interesting works are staged that attract moscow st. petersburg criticism to the life of the bolshoi theater and those who serve in it, this is far from only applause and applause from the public, injuries or loss of voice are a nightmare of most artists, recovery often takes months. and during this time, even a recognized performer can find a replacement to return to the stage. how to rise from the ashes? every time you go out you don’t know, what if this is the last time the voice does not forgive violence against yourself. here you put a lot of pressure on your hand. you will have a bruise. she ligaments push. and what

are four acts of a performance, and you can’t sing all the performances alone, you sing there for a month and then you will be for a year. to start the opera parts are written in such a way that it is hard labor at the limit of human capabilities, it is associated with successes and failures and it is very important to gather your will into a fist not to be afraid, psychologically the life of ballerinas, without pointe shoes and ballet tutu and does become an occasion for scrupulous analysis. the tabloids are full of the standard set of questions do they eat fast food and is it true that for every kilogram they gain they have to pay for months of training and in order to look good i always had to follow me. and i can snack on some very, very small portions, because it ’s also dangerous to go on stage, very, very hungry, because there may not be enough strength. but there must be

absolutely ease. these are the different stages we lose weight when it gets fat. well, when you plow for 3 hours, in principle, you can afford something extra. the life of an artist of the bolshoi theater is not complete without curiosities. after all, even hundreds of times rehearsed parts and performances are not immune from force majeure, iron. will from steel nerves. more than once , the performers of this opera rescued me. i had a khur artist, one cannon fires, and suddenly she does not know. how does the floor not collapse. that's right in the east, in short, she falls to the chest, but she continues sing these guns fired thought, maybe she was killed by this gun. for example, in a play. hmm magic flute, what happened, for example, with me there i sang the part of a lady from the stage, which is lit by spotlights and sinks into complete darkness, and you fall and break your legs, but

the performance is on, no one will replace me now, so you run away, sickly juiced leg, bleeding. everything you run and run out onto the stage, stepping. in the new millennium temples of art. again, the grandiose architectural monument needed to be repaired, it did not accommodate numerous artists, and the technical the equipment did not correspond to the time in 2006 , the largest reconstruction in the history of the bolshoi theater began; the hall was flat. and we , in view of the fact that the round edition, it was more logical to have a radial construction of the stalls. it answered and o i will outline both the building and the hall for the work involved the best specialists in decor and mosaics according to the sketches of joseph langbardin himself marble and granite on the

floor, restored facades and unique interiors. restorers. they worked tirelessly for 3 years for the state reconstruction of the bolshoi the theater has become a real cultural mission. and now, as it were, the state has released quite significant funds for the reconstruction of the restoration of the theater, almost the entire decor of the theater, in particular, the portal has been preserved there . eh, there were some chips somewhere. there are cracks. this had to be repaired when we used all the historical documents. we saw how it actually looked originally at the pawnshop and restored this whole decorative element on the balconies. we have completely recreated the special pride of the reconstruction - the ultra-modern stage, which is clearly visible from any point in the

auditorium, has increased and the area of ​​​​the theater stage has no dead zone. a small but important trick is the stage is at an angle. it is one of the best in europe in terms of its equipment. the slope of the stage is also made here, but as expected, there is 6 °. eh, on what? well, at one time he insisted, uh, the director of the theater at that time, valentina nikolayevich, all decent theaters have, uh, very accurate you probably flat prices in order to publicize this performance. here it turned out like this yes, so that everything can be seen at a glance. at first for me it would seem to be some sort of catastrophe. because the hardest thing turned out to be not even dancing the hardest thing. it turned out to be on her. even just standing the building expanded inside, but this did not affect the external appearance of the temple of art.

additional rehearsal and technical rooms appeared in it, the acoustics of the building were improved, the stage was equipped with modern noiseless mechanisms. national treasure bolshoi theatre. belarus played with new colors. we are near the control panel for lifting the fire curtain, designed to separate the stage from the auditorium. now i turn it on. there is testing now i can raise. not only the theater was transformed, but also the famous square around it, the fountain. in front of the main passage, it became a favorite resting place for the garage, which complemented the ensemble with a full-fledged sculptural park

before. it was a transit square. that is, everything to shorten the path, uh, was built on this one was passed by him. our task was the designers, so that the sclera would acquire. uh, some kind of theatrical sound was made such a proposal, where in the center there was a fountain , what we see now was a monument. if you remember, bogdanovich moved it further to create two diagonal alleys, one alley is the opera and the second. uh, ballet alley today, like dozens of years ago, the bolshoi theater of belarus remains the cultural mecca of the capital, the repertoire of more than 80 ballet and opera productions from world classics to art house performances, the world does not stand still and already the aesthetics of classical dance, yes, and ideas about ballet and ballerinas, but did not

rush forward. and of course, this has already been a fusion of gymnastics and tricks and classical ballet. yes, but there are things that have been tested for centuries among today's. ah, performances. i would very much single out, of course , god is not just interestingly set for him. it is also connected with the golden age of belarus, the beginning of the twentieth century, with the vitebsk avant-garde school with a demonstration of some kind of , e, projections on malevich and, of course, solomeya is the peak that not everyone given because it is the most complex work. hmm why do we stage it in the form of opera and ballet, like numerous generations of predecessors, modern artists with trepidation and pride enter the legendary stage, so that in the next. and

waving goodbye is never a guarantee. how will the viewer end up shouting bravo bis or clapping three , but when the lights go out and the curtain falls, the opera singers take off their makeup, and the ballerinas pointe shoes to unravel the mystery of art, the viewer is left alone for one word all are equal and art. there are people who have been touched by god who are just high professionals.

we used to love running barefoot here. here we received the very first knowledge and skills. it's the grandmother. she taught me diligence about kingship and dobrynya people. i love woodworking. this is my kind of hobby, it’s practically here, when i have free time, i immediately have this marvelous land

polissya villages or in the city there is a place that people are proud of, which i want to talk about. look, the draft policy on the tv channel belarus 204 in this show, participants and viewers are waiting for tricky questions fermented milk drink from mare's milk, what is it called? and why are you whispering, you are hiding something from me about your answer. nobody watched the simpsons, very cool. then. think of a city and call it intuition. the main thing is erudition. it will definitely come in handy here. so this is the abduction of europe. this is how it looks to you. well, in some pictures, of

course, it looks better, but what we have is amazing. this is the correct answer. at case of an incorrect answer. we'll have to go to the setting. think well before you say it, and one more element. this is a tower at 99.9, as a dna test will not work, watch the intellectual entertainment project tower on belarus 24 tv channel.