tv [untitled] BELARUSTV October 27, 2022 11:00am-12:01pm MSK
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we follow the sports life of our country during a difficult period for the entire belarusian football , it is important, without arranging something to lament, to undertake the construction of such stadiums. this is an amazing phenomenon and the quality of football transmission will increase, please let us know more precisely how new heights are reached. possessing the physical abilities of islam and helping to keep fit, but
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zhigimonta, who everyone is talking about this week, because svetlana opened a personal exhibition the human factor opinion was divided, they became polar, but this is the third personal exhibition in the city of svetlana in minsk and every time this path to her exhibition is not heard by roses, but to start. i suggest that we all watch a short report by our colleague or these zablotska since the opening of sasha, mom of three children at the easel has been drawing and she expressed on social networks even before it became mainstream and against the spring nationalism of the ethno-cultural ghetto and the separation from russian civilization, the events in the donbass touched her nerves without drafts splashed out on the canvas, which became resonant, but the word repeats the situation, svetlana when you did in the nineteenth year the art historians also distanced themselves from the exhibition this time too. i know that at the opening, the chairman of the union of artists said that i was not very familiar with your
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work. although i don't think that's a reason for pride. especially for the chairman of the union of artists, there were still a number of nuances, about which you may tell the audience in more detail, in fact. it's not all that scary. ugh chairman. union of artists said that he had known me since the nineteenth year. and in fact, it’s as if he doesn’t have to be familiar with me, because he has his own wards, as if brothers for him. he must watch and be familiar with them. here he is, well, a man, uh, calm, kind, and yes, yes, i was embarrassed. this is with art critics. mm. well, this time out somehow. yes, very sad. i myself did not want to take on an art critic, who rode in the twentieth year very, let's say, actively, that is. well, why would i carry a man on the other side? ah, those who can be much more calm, yes, who do not want
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there, uh, by all means, a changeable regime and wonderful gay democracy there in our country. uh, here, uh, they, well, they probably just don't dare to work with me. uh, this year they decided in other years then i had art critics, and everything was fine did not decide. well, they are probably afraid that their colleagues will simply peck them. that's all, and that's exactly how it would have been, so i understand them, and well, understand forgive a from our party. you didn't want to take an art critic out of our set. not cheers, but just patriotic or we don’t have such seen such hmm, that is, this one, and the world, you can say so, yes, it is all permeated through and through with this yes, yes, and
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those who are not permeated, they subjugate, that is, hmm, this is aggressive like a company. yes, she very strongly suppressed and subjugated the rest people to themselves, that is, perhaps this can be called a continuation of the protest that took place in the twentieth year, and which continues such a protracted process. the cultural environment, of course, is the place to be. yes, and here it is necessary to pyro-fuck it. so, you need to sort things out somehow. well, you have to, anyway, nevertheless svetlana is on social networks. we see a lot of rave reviews regarding your exhibition. well, victoria and i haven't been there yet . uh, we will try to fill this gap, in particular our political scientist alexander shpakovsky our guest has repeatedly visited our studio. he said that your work is approved of them from the eternal confrontation. you
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will agree with this statement. i agree political scientists are generally actively commenting on your exhibition. here is what andrei krivosheev said, such naturalistic somewhere even harsh realism is useful for the well-being of the health of society, then andrei, who else had it, probably says, i literally disrupt the court, which the heroes of these portraits have just said. it's strong it's really good it's art. well, let's discuss svetlana who were the guests at your exhibition? it's basically. these are the bosses of political journalism, they left reviews, respectively, your exhibition is a political performance. there are also different jobs. there after all not only political work. there are uh, portraits, there and so on. well, the exhibition itself is arranged in such a way as to tell about a person. well
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, lately man and politics really, directly intertwined not to break exhibit. in general, they took, as if on banners, as a sample. here is such a political statement. yes, painting is a political statement. this means that we can no longer talk about the neutral status of art in these circumstances. well, as it is customary for us to say that sports and the culture of sports are arts outside of politics, but here, well, the opposite is true. at least, because everyone gathered at your exhibition. well, let's face it. yes, the political mammoth , the political gender of belarus . firstly, sports and culture would simply smash two different sides, because this is, well, completely e area. different that is, yes, sports indeed. it can be and should be outside of politics, culture is completely different, another plane, human
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activity. that is why culture cannot and should not be obliged to anyone to be outside of politics, that is, politics is a person's life. that is, whatever one may say. uh, especially in acute periods, in some critical periods, politics comes to the fore and even people. uh, like, who loved to live without it, yes, they still plunge and still have to take some point of view some side, there and so on. here in acute periods. we are currently living in this critical period. therefore, yes, there are some genres in culture. which may be out of politics, for example, there are love lyrics in poetry. come on, what kind of politics is there no
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politics. she is a life landscape. yes, in painting they are out of politics, and when it comes to painting, uh, that one is there, well, the very place, as it were, for the artist’s statement about what he thinks, yes, and, as it were, social problems. that's how the wanderers would be, yes, how many they are they spoke there with their works, and some moods there, social problems, and so on. well, how about throwing them out? that is, i agree with you. well, when i read, uh, you know such reviews, uh, your exhibitions are veiled under neutral ones that you still want art to be outside of politics. it seems to me that this is the cunning of those who write, because well, today yes, and in general from time immemorial. yes , it has always been a mosque. it can't mean that, well, just naive or cunning for something
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, yes, take such a point of view, and in our last meeting. you said that your patron is your husband, a businessman. it's a pity that he refused to be with us in the studio today, so we're going to cut it. all by listening to how he spoke about your work directly at the opening day, in a certain way. this chronicle of our history is a tool for war - this is her brain, in fact . here, and these are all those chills, and those adaptations, uh, that make her life and easier. svetlana, i correctly heard that crutches and adaptations are what it says in your pictures. well, in principle, it is clear that well, what do we it is important to understand from this that he is ready for you, in general, into the fire, right? in general, this is a person who, in any case, wants the best for you, and
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does a lot for this. yes, but the crutches are fitted. we forgive him. okay, yes, indeed, in the past, our meeting, when we were recording svetlana, she said that i was accused of becoming a trough and she then told the whole country that my husband was my patron of the arts. and you still remain. eh, in the same position. yes at husband. yes, unselfish unselfishly is good. well , maybe something like a little there will give you a sip, i will not refuse, because well, fir-trees-sticks. and why? actually, as it were, uh, there are people who are trying, on the contrary, uh, to destroy and destroy yes, the state, they can have there, let's say a hall. yes, that's once a year, yeah there or for the anniversary, right? or something else
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for free. and i can't, i mean, why such a cry from the heart, it was we you couldn't get back for free, and they tried. so far i have gone the other way, but i say that if to some extent what will change? well, i think it's because it's real, right? well, let's consider, please, your say. e work, which produced the effect of exploding bombs at the exhibition. we are now talking about a triptych, and a fairy tale obel about belarus, here we have a bright color. this is alexander grigorievich on a light background and on the sides we have such dark sides. tell me, please, such a frontal attack on the fugitives is your conscious. reception. in general. yes, because the masks have been dropped and it’s quiet on these e side flaps depicted people, some of them a long time
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some there not long ago. well, nevertheless, they are all on the payroll. uh-huh are, yes, on the payroll of our enemies and are working to change a here. build yes change everything is here, well, roughly speaking, we understand what these changes are. that is, it's all through the blood, that is, to break. destroy reflash , well, as it were, therefore and how else can you, uh, speak out about them, you really, because you inscribed them with your brush in the history of modern belarus or modern politics. although in its history. they are not got in, they got in. well, someone got in trouble , well, somehow, for example, halizen shigelsky, they have been working for our collapse for a very long time. well, as if on our enemies yes
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, they feel great, that is, they didn’t get into anywhere. it's conscious. yes? well , well, i would say, so that this is an attack by svetlana, she reached the address. you are natural, because they live by our agenda. there they have nothing more to be interested in. tatyana martynova is a fugitive, who was included in thrips. she already thanks you for the new work equipment. she is agree. in general, everything that you gave her at this work, but uh, i would probably evgeny oleinik. i know the composer rolls out claims that, like, well, why should they show these nasty faces in museums at all. and i think that you and svetlana will be spoiled by divny. well, they made them much more beautiful than they are. really. in fact, the will of karachev can hardly be guessed. karach is more like an artist. it seems to me that you still feel sorry for them. well
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, what did pr do? here is a claim that you are not exposed to. uh, some of us including you accept or not? i am a chronicler. yes, to some extent. that's what my husband said correctly. that is, i am a witness that there is something that testifies. i agree on this one. here is now the acute phase. yes we are, and then 10 years later, and time is moving fast. we'll see, we'll experience completely different emotions, because even yura terekh recently wrote that he imagined that if in the twentieth year he would go. square and say hello i'm a man from the future you 'll be there you'll run away there, you're in the car you go in the trunk. people would not have believed him at that moment, and only 2 years have passed. yes, so it seems to me that from the point of view of the process. yes , svetlana, what you do is important. and you capture this moment. the most sensitive zamahars accuse you of dividing
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society with your creativity. accept this disclaimer. oh, the most sensual relatives. send forests. that's because it's their normal practice, as it were, when aggression fails to immediately turn into a victim and from the position of the victim try to cause a feeling of guilt there. everything, well no, yes, not seriously, what do you think, that's for 2 years. you have already learned. in general, do not pay attention to them for criticism of them, these writings, well, which they breed after each of yours. the skin has grown, of course, well, sometimes something stings there. well, well, without this it is impossible to predict that those who splash bile, of course, write in the old fashioned way that you caved in by painting a portrait of alexander grigoryevich. well, this assessment, as we understand it, is no longer bothering you. i don't even know how to comment on this i vote for
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alexander grigoryevich i respect this man. i am a painter. i wrote it, if there is one of the artists and says that it was somehow wrong there. well, please do it yourself, when you write works, we know that you close your workshops. you talk and don't let anyone in and all the comments are useless advice, especially, uh, how was it more difficult for you to work with the first one than with all the others. yes, it's scary. because i still wanted to achieve it. that's normal there . that's the facial expressions of landing there, the figure is scary, of course, that is, if you write, karach unsuccessfully, let's say yes, well, this is nonsense. here, if you are the president unsuccessfully, you will write. how long has it been. she has been writing for about 7 months, and everything is mixed up. yes? well
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, you're almost a daily labor. and who was the first to see this work after you? what was your husband's reaction? he says i was very worried. that is, he guessed what i would do, that is, he does not even know the context for sure. well , he guessed, that's what he was worried about. and when he came in he said glory. god did it, then they showed someone else, then someone else showed by reaction. uh, they showed me, uh, the girls who wrote me articles for the catalog veronika lukashonok, she is a poetess philologist, and she was invited to show her right in general, like a child back. well, yes, that's why we realized that well, most likely. normal, but for those who spit bile at svetlana that she
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caved in when she painted a portrait of alexander grigoryevich, i want to say that svetlana is not the first artist who, uh, painted portraits of the first in our studio. uh, russian artist nikas safronov and he has several works that he painted in different periods. in this, you understand, he also puts the blame that she became a safron nekos. here , too, i didn’t write this, and now and how do you compare svetlana, artists do not like it when they are, as it were, compared with other artists, that is, a certain safronov does not dry. and i am svetlana zheki that someone wrote the first person. well, as if it were always in history, you will see only portraits of the first persons there, and this should be and this is normal. actually. and what kind of jeans the cossacks dedicated to the non-ukaevs wrote right away
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the picture was given away, but they painted zelensky in an embrace with the statue of liberty in bed, by the way, before the double there was some kind of it even shown on television, that is, our zamahars won’t say that it’s bad. here they will never say this, because this is never different. mm. these are the ones you can write. yes, but lukashenka and putin cannot be described there. i notice a lot. good? on any occasion, when, for example, if you say something about lukashenka, it’s good. you are the corrective right away. well, how they sing the polish even the incas, like yes, that's an anecdote of their presidents, how dare they not, after all. we even remember the stories of protasevich's novel, as he said that it was impossible to criticize. if at first something else was possible there, then then a
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word about their icon could not be said at all, it was impossible to strictly censor telegram rope, of course, do not be silent. subscribe ask questions and suggest guests we are in touch. on the air say again, do not be silent, and we are visiting artist svetlana zhegemont svetlana poet and writer anatoly avrotin, so immediately he was your work that he dedicated a poem to you. let's read a few lines. a smear to the bridge inside woke up a genius drives, then fun is in melancholy, and the brush almost sings between two insights, judas or christ a smear of the brain. thank you, anatoli is very touched. it looks like your inner state when
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this triptyk was created, but it’s really not clear what will happen there. here it seems to me. do you have a fear of a white canvas, go there. yes and someone will step in there. it's unclear yes, in the beginning everyone works, of course, you always don't know whether it will take place or not. and there are some unfinished works that you can't m-m yet approach to complete, if i left something, i'll never take it. i'd rather write another one, because , well, it's like there is some kind for me. here is the barrier. well, inside here, if i told myself everything. uh, back there after a year or two, even after seeing some things there that you would do better right now. for some reason i won't do it anyway. this is better start a new one when just when you start, well, probably all artists know they work there at first. here you are on fire,
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everything is quickly easy for you, it goes beautifully, there is inspiration and it is very difficult to always finish any, in principle, work is very difficult. well, yes, finish here, so hmm if it didn't work at first. well no, it will be easy. well, wasted time for a while, i think i agree. as a creative person, i understand that it’s better to rewrite it anew to change something there and i ’ll ask my own traces such a question, but once i saw svetlana's peonies, which were directly struck in the very heart, i wrote to her, i want to buy it right there, as she put it up. she says, uh , that's it already, that is, i understand that you are actively selling your work. yes, svetlana, well, not so active somehow from time to time, but for sale. well, yes, and this, well, is not a source of income, given how much i have to
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spend on large canvases there, uh, and holding an exhibition, then, yes, this is not to be earned. and if one of the participants, trippy, turned to you and said i want to buy, you would consider opportunity to sell. it seems to me that such work should remain in belarus after all uh-huh well , this is ours about us. hmm, i like it, that is, well, if i were to sit here alone and say, yes, there is a tra-ta-ta. well, i see that hmm people like it interestingly, that is, e, it’s clear what e would not sell for any money, any money, no one ever offers an artist. calm down. well maybe there. well, that's not good for us. and if not a hero, three quietly, maybe there have already been some suggestions or questions about, uh, these
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the works that we looked at or that were other works exhibited at the exhibition had some suggestions. yes, one person wanted to buy. e work the ninth of august. uh-huh and you've refused. well, yes, at that moment it somehow slowed down. well, first of all, because i wanted to exhibit it. well, he is a very interesting person. he said that in this picture he is this frightened girl. when did you find out he worked at the headquarters? at clinging here, as if he also promoted. here is the topic of this, as if the revolution was trawled there, and then when everything collapsed, uh, already um, and there someone began to run somewhere. he did n't do anything particularly wrong. for some reason, he also ran.
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first he ran to kiev, in my opinion, then to lithuania, then he sat, thought, came to his senses and returned to belarus. that's how i think, she, of course, is a person with humor, because this girl has a drink from herself. she said it's about me, she says it's a girl. this how i spent you is not funny, svetlana a. why apostates appear in the church from time to time. but what do you think? this question inspired me is this your work? well, because in the church. not angels gather, ordinary living people with all their sins and shortcomings, so from time to time, as elsewhere, well, here in the word wealth is rich. what is the root? god well say god? yes, they say that it is god, because,
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and therefore, by the way, the orthodox always say, god must grow rich. look here, uh, the root of wealth is god and protestants say, look at the root. god means rich - this is the one whom god loves, that is, once and for all, there is a civilizational difference. that there is, that's how they sprout, yes two civilizations. that is, to get rich in god or vice versa? well, probably the triptych on this exhibition will be my favorite, because it was given to me the hardest of all. yes, yes , she will probably be loved for now, and svetlana there was a moment when, around the situation with the tattoo parlor, which your husband owns, you had to make excuses to the patriots for the fact that in this salon they fill, among other things, the base symbols with us until the twentieth year . uh,
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b&w symbolism was allowed all over the country and it was normal. and it was ok as well true, that's what i had to do, and what does a girl study sms? uh-huh, in the 21st year, when it was no longer the case, and well, when it was, of course, that is, she arranged such a dimash on and if it were forbidden to do this and there was an agreement with the salon workers there that no one gets into politics running job. everyone agreed with this, but uh, this girl , she quietly quietly decided to do such a mean thing, took it and sort of threw it on the page of the salon, uh, in a bag with tattoos. well, there is an ornament of some belarusian cornflowers
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she mixed something else in there a little bit, there ’s this crap and, as it were, and here we are, well, we didn’t control it, because we agreed, we thought everything was fine, but the guys noticed how they accused us of all serious things. well, it was. yes, that's all you did after that. well, it's probably made the conclusions regarding, because those employees. yes and these are the girls that i trust, but check, we already knew this, but still sometimes in life you relax. that's especially here, for example, as i am a gullible person. i occasionally step on these rake. i also concluded that all sinful people, and with how i was so offended that i was. well, how would they make such a roll, such a roll was very rough. that's really. i tell my husband, pasha well, well,
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he says his own, they are yours only on one point, what a wise pasha , after all, well, your idea, i think that civil society has changed after this situation. yes, my uh, there is one point, and in another way i'm an adult . i understand that everyone has some of their own weaknesses, some of their own. e. well, uh, that people can't get close. that's like a herd of sheep with absolutely the same views on everything there, and so on. yes, here. hey, 2 years later. i see that, well, in our civil and patriotic community there , to single out, as it were, two such lines here alone gravitate, merge into russia entirely and without
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a trace. yes, others and i, maybe even closer to them, while others, but claim that we are very self-sufficient, that is, yes, such an extreme is the second, yes, uh, which. well here goes a little, uh, skirmish. well, it's not a bloody skirmish. well, that is, these are my observations. uh-huh i think that and consensus can be found representing many people who don't know you svetlana them. imagine that you are just the same tough, uncompromising and so on. and since we are communicating with you not for the first time , we hear that you, well, are quite calm about everyone and on the shore. speak there, for example, we invite musicians. the same need to open the exhibition, guys, if you have something don't arrange. in painting, all the people who come, you immediately say about it. but
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really, after all, you can conduct a civilized dialogue. well, i have such views you have such. but it’s not uh, as if not even the fact that you try to meet them, and does not cancel the tricks, on their part, these musicians refused at the last moment, they refused, uh, horses, uh, after all, and well, on a petty , but to spoil each other, this is this, this is insulting and terrible , yes, it’s very somehow something that something that could be, someday, well, here you are this is that in painting you demonstrate such intolerance towards them, it will manifest itself in life. if you think not, let it out. but no, in general, shashlik yes, new cycles will work well. in the meantime, we will look at your other good strong work. do you think that such a situation is conceivable in belarus for dissidents? taped to a pole with tape.
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it seems to me that the belarusians, by their nature, need more time for such cattle than the ukrainians. here they are more hmm hot and more like they washed a long time ago they were reflashed. here on their own. they are more like it to say, temperamental and some kind of such nonsense. she yes manifested itself right away. that's kind of deep. yes, this is wildness. let's watch a short video and also have a question for you.
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well, this is a well-known topic, e activists do not even know what such and such an eco day is. uh, we decided that it was necessary to pour the soup over without fail. e painting by van gogh well, here's to protest. uh, firstly, your attitude to such manifestations of yourself made your heart hurt, and secondly, svetlana well, your paintings, hmm, can also provoke. it seems to me that people are aggressive. how do you protect them? do you think about it at all? not? i hope that god is cute. hmm, because looking at this is very unpleasant, the girls should not have been peeled off the wall. a day, at least ha ha, that's so cool. i agree. let's talk a little more about security here. you, we have already said, are a brave woman with an active
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civic position. tell me, do you feel safe in minsk in belarus or do you already feel safe, of course, in principle, after the exhibition after let's say some unflattering remarks addressed to him. you don't look around and you don't need security somehow didn't think about it hmm threats, of course, episodically from time to time. yes i get, but, but the threat is obtained by means of which social networking phones. come on, an insult, for example, we will stab you. or we’ll pour acid on the face of such a person saying goodbye somewhere to some law enforcement agencies. it's not always. you can, well, track it down, but there was one time when they tracked down a man and punished him.
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yes, it's there now, it's very good now. in general, what is your attitude to such performances, when well, nail yourself to the square for a causal place, pour soup over them. i am indifferent to such actions. and for you it is important in general to be inspired to study these trips to museums, in principle, or the artist is such a closed substance. well, what he does not let into his world tries not to let others in. no, i'm interested. mm for museums and exhibitions, if it's interesting there, uh-huh, that is. go to see others, and which of the colleagues could you recommend us? well, i like it. here are my relatives patterns, for example, they are all three of them all. hmm, four of them are different. even everyone is very different and that's it. very interesting to me, they are interesting. i really
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like it. our belarusian artist is rich and not so magnificent beautiful. that's who can be outside of politics with their liveliness, because it can give out such splendor that we just discussed this with you today, svetlana, and we talked about the fact that, after all, destructive, uh, forces continue to influence the minds of belarusians. and not only on the minds they continue to threaten both physically and with reprisals and insults. does that upset you? it upsets me, of course. i am especially worried about the youth. that's for mature people, i'm not worried, it's their choice. like, but the fucking youth. it hurts me all the time. but what to do then, that is, we have been fighting for 2 years and we can’t do it.
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i mean, they haven't moved. well no. well, we've moved on. here, look, russia has now begun to turn with its fifth column, yes, and saboteurs, and even as it is called saboteurs. yes, here and their situation is, if we compare it much more deplorably, the more steps yes, they did uh-huh them, the enemies of the fifth column, that is, it is today. so far, so brazen, that is. here you go. frightened e yes, the country of the fearless is coming. remember how ours went out, and the guys rebelled there. and they shouted that the people have the right. hmm, there he doesn’t do anything to us for this. well, as you look and think. well, well, well, where are they from? yes, that's why, and
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here, let's say, and throw mud at the authorities. uh, let's say in tut.byke the same yes, uh, and not just or there, for example, for the approaching victory day there, write four articles about how well they behaved, here the germans gave chocolate, and so on, not a single one to go to the parade. if covid yes, yes, yes, and this is impudence. that's so crazy. yes, remember, we already beat her a little. that is, some have already shot down, yes, this degree uh-huh well, that is, they began to think a little. they certainly howl, which is terrible. here everything was directly crushed by repressions, the thirty-seventh year. well, let him howl. here, but in russia still
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this is exactly how it actually happens. say what they notice according to russian. well, we are talking the same, i was looking for colleagues, even journalists there with artists, but there with artists. they are now experiencing about the same emotions that we first encountered in the twentieth. with this, here's a neighbor of aggression towards their own citizens to each other, and they well, i see that in the same way, and we already, probably, yes, do you agree with the hose or not? calmed down a bit. that is, we, firstly, and between people no longer became. here is this caution. remember we are you said that people underlined were polite careful to each other, and now this one. yes, that is, we relaxed and communicate again. since it was also not looking there, who now has which flag will fall out of his pocket in his bosom? no, i mean. yes , there is, well, we wish our friends. e from
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russia so that they pass this test, count as quickly as possible, yes, and i will add victoria, we had guests of the studio who said that yes, you went through all this, so we are learning from you spying. how to make everything faster is complete and lossless. let's take a break for a while, i remind you, we have a telegram channel. say don't be silent. there you can subscribe, leave us your comments and suggest guests. we're in touch. in our program, only the most relevant topics are lies, substitution of concepts, intimidation , appeal to emotions. for each person there is a hook that can be hooked and dragged along by the stars experts and psychotherapists share their thoughts. now such a world, in general, here is the planet earth. it is all
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disturbing. so i accepted the problem. i am she cried, she cried, she sobbed and went to solve this problem and teaches how to cope with any difficulties. the number one task is to regain a sense of self and not let negative emotions get encapsulated. the first thing you need to start with is to relax the lower jaw, a wonderful technique that i always recommend to clients is to keep a diary of feelings and emotions. watch the concept of harmlessness on belarus 24 tv channel. batshatakh their way was not easy. i broke this entire huge huge tower there overnight and in 2 days i made a complete copy of the portrait enlarged one fits, says. fu, well, okay, otherwise i was scared i thought that you were mediocrity hello skin heroes came off to finish off your mastership. and become the best of your correction. the beauty of epoxy resin
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lies in the fact that each product is unique. it cannot be repeated like a ring or an earring or a plate. i myself did not understand when i reached this level, where i am now today. here in them my goal of the task was embodied and almost. it seems to me that we have reached, look belarusian project on our tv channel. on the air, say, don't be silent, and the artist svetlana zhigimont is our guest. we have already begun to talk about the dam of the slavic christian world, that in general, it has already divided into two parts, or even more, of course, there, if history is studied a lot, then here is the answer of different lines. but do you think it will be possible for
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a demon to break through this dam of our slavic christendom? at some point , it will definitely succeed, that is, uh, the christian consciousness is pathological, that is, it understands and agrees with the fact that the end of the world will be. yes and it will not be our victory. well, at that moment, yes, well, then, when christ comes, then, behold, then let there be a new earth and sky. but at some point, yes, the dam will break, and we will die, but we, as it were, th- uh, we can delay because the first christians thought so too, that it’s probably the last time. yes, now, yes, and many times in history it has been thought so. and so it was thought at the time. many christians were there in the seventeenth year, when there were terrible
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persecutions, when the orthodox empire fell, that is, but over time it turns out that well, no here's why you have to resist. we can pull it, how to pull how to resist. well how to resist to keep your identity your civilization and with you the potential to be christians. so, well, that is, the switch is sold to defend to defend and resist creativity. i would say so, but if the war begins, then there is a weapon in the hands. uh-huh well, we 'll talk about this more about soviet life - this is also a kind. resistance you have a new telegram channel, where you communicate with like-minded people, and we have such a question as your secular life is combined with the religious i saw people who froze. here at this picture maybe they
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considered the muzzles of seals. or maybe they thought about eternity. well, here, of course, it catches the eye. this is the contrast yes secular religious life, so i chose illustrations for questions. you. maybe, as an artist, they put a completely different meaning into the picture, but nevertheless svetlana is on the social network. this form of resistance is some kind of necessity, probably vital. yes, the form of life in the modern world is also for many. but you like it visibly. what do you, well, do, this is a professional audience that listens to you. uh, i mean that there is, well, really, those who agree with you with your views, they say, i won’t say. better than said the same repair all to her page. well, that is, it is curious that this part of your life took place. yes, but how? and how can you explain, well, how does it all
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fit together, how does it fit? well, it's probably the facets of personality. the first time it was like an accident, even to some extent, when here i i came to facebook, then i began to master it, and i liked this idea. yes , sometimes i have something to say, you hear, you didn’t finish smm in the course. no, well, but you know how to say why, because it ’s somehow structured here, for example, you even announced the exhibition, you curiously opened it, and three fragments in czech and intriguing the audience. that is, you understand, you have some tasks. yes, that the correct smm-shchik, at least. and you can tell me that i wrote an essay well as a child. ugh maybe . well there's some might be an inclination some, which yes, in general, yes, they are afraid that this is it. life in social networks, it will drag you out. i'm not afraid of painting
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more addictive. i still pay much more attention to her forces. moreover, maybe if i only ran a social network, i don’t have 1,000 there, i would have friends in telegram there. well, at least 10 of some i would have to work it since i'm mostly in the workshop, basically, this is my main time, the main my strength is 5 days a week hmm at least. if something needs to be strained, then six, that's why i don't i'm not afraid hmm there to drown dissolve, and the meaning of life is to prepare for death and move on to eternal life. is it so much time, as an artist should spend in the studio. tell us, please, what are you working on now, is there any desire to get away from the citizen? paphos in still lifes in peonies again
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at the moment there is an exhibition, so i'm not in the workshop, of course, i will not go to any cia morta and to any peonies, when it burns around the perimeter, when well, we are at the epicenter of all sorts of events , when the heart breaks. i think that it’s hardly not with my character, as a person who feels subtly and foresaw you predicted, let me remind you back in 2017 that the situation in ukraine will not end with peace. and what do you think about the russian special operation in ukraine , of course, i didn’t guess for a long time, understood? anka smart people say that, well, yes, seriously, the war is for a long time. well, probably not less than a year. i guess so, but i'm
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certainly not even my forecast, as it were, but my compilation of other people's forecasts. that is, i'm not here. forecaster, not an expert, but incomprehensible svetlana for the ukrainians. actually, for the current ones, who are dying there, the soul hurts in everything , just as for the russians or other feelings, i feel sorry for the peaceful ukrainians who, hmm, are dying, of course. eh, that's terrible. i feel sorry even for these uh mobilized spoiler simple men who are captured there , etc. war is all this is reality, that is. there is no getting away from her. and if the war is going on, then you will be on the side. well, if everything is in order with your head and your conscience you will be on the side of your country of your people.
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well, in this case for me it is russia belarus because i do not think that russia attacked ukraine, that is, russia did not attack ukraine, it just preventively started what ukraine was preparing to start and, actually, little by little. threshed for 8 years. yes, this one here. naturally yes, that's why i'm on the side, of course, absolutely. here i say it clearly, without fear, without wagging my ass there. so holy believe in our victory pretends to be the next question. i remember our last meeting if to this picture to this work, which we looked at and after it passed. your exhibition, someone posted these works on their facebook and there were people who said what a horror, what a horror and i remember the words of svetlana when she flew in, when she
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wrote this picture. children? what did svetlana say then, that is, you can’t draw to kill? uh-huh yes , double standards, but did the current resonance of the exhibition please you, then whom we today discussed the human factor, or you are a secular round. there you prefer fireplaces slippers. no, it was that they gave you flowers good words, but they all said there at the same time that different people jumped out to you, who poured a bucket on themselves, in my opinion, right away. and that's all, so you won't go to the party once again to drink champagne. no, i don't really hang out at all. although there people who have known you for a long time say that svetlana has long made a name for herself, she was a party girl and so on. is it all in the past or
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this people you are never a party girl. let them not be deceived. i was. maybe there until 25, when i loved to dance at night in the club. that's when it was cool, then to me as straight as passed off since then. well, i don’t hang out much at all, then, dancing in the club, the memory, probably, that you are still considered the queen of receptions, in nightclubs, svetlana we are very glad that we pulled you out of your cozy studio studio at home, where you have such reliable rears, we wish that next time. our exhibition was less traumatic for you and more joyful for the audience that is waiting. i 'm sure that your new works are already being looked into the slot. and you will open it as you go. ready for your new work. good luck to you. thanks for the
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art. and we are svetlana smolonskaya. victoria popova especially today we say goodbye. goodbye. goodbye. the final word, as always in our program, is up to the guest. so now svetlana zhemont is speaking. i want to thank those viewers who have already visited my exhibition and warmly. they are were called and to invite new viewers. e on kozlova 3 to the palace of soskustv until the sixth of november. is
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