our whole life consists of moments. moments are different, some of them are bright, barely perceptible, there are tragic and romantic, but each of them has its own charm. there is a

meaning, we people rarely began to pay attention to the neck from the foliage under our feet, the blue sky and such a warm autumn sun with age. we pay less and less attention to the little things. but it is from them that our life consists of a season of moments. under this motto, the thirty-first theatrical season started at the republican theater of belarusian drama, than in the new season there will be surprise the audience, we will find out very soon with you. alina is not a war and this fashion is for culture. a new theatrical season has started in all theaters of our country, and in the republican theater of belarusian drama it is already the 31st theatrical season, which will be held under the motto season of moments. the republican theater of belarusian drama was established in 1990 as a laboratory theater to support and develop belarusian drama. here you can see performances on the island of social topics.

find answers to eternal questions and simply to spend time mentally the theater team is in constant search for new forms of genres and meanings and is not afraid to experiment. the basis of the repertoire is plays. both modern belarusian authors and classics of world literature, a new season. new production svetlana naumenko, director of the republican theater belarusian drama, offers you a performance of tests for adults based on the play. well known. around the world of the croatian playwright mira gabran is an ironic and open conversation on the classical topic about those same eternal values ​​svetlana good afternoon. hello tests for adults. tell us why you chose this title for your production. uh, this play was written by the famous croatian playwright miro, gavron, he is very popular both in europe and

in latin america in canada, that is, this uh playwright is staged everywhere, you know, and it was interesting for me to figure it out. and why what is it in this dramaturgy that allows everyone to understand the relationship between a man and a woman, and fidelity to a family is treason. why happens, and how to react to this and the paradox of this, and the author is that he gives such a key such an answer, how is it rea? which, of course, the audience must watch the performance to answer with us, but it's paradoxical this time, and then uh, one of the main uh, characters is a psychologist. nina plays it. natalia kholodovich. she is a professional family psychologist, and in order to hmm deliver a pleasant evening to our viewers, we deliberately introduced psychological tests into our performance. they are very

popular. they are on the internet. it’s just that not every person is ready to pass them or even understands that he needs it, and as a result of these tests, the viewer answers questions about himself, he does. there are such answers that, as if for himself, he draws some new conclusions about himself or affirms himself in some way. we want the person who came to this performance. eh, he left a little changed, so that he would still have problems. it's a comedy. he was able to look a little from the outside only when we are able to have strength. laugh at your problem, we're able to get rid of it, which is why this author. and so, uh, the play forbidden laughter. there is laughter there. so let's say from croatian we called tests for adults, because we pass tests for adults every day. why did you choose this particular play? or maybe you selected her specifically for the actors in this performance are busy, well, very experienced actors. this is the leading

stage master andrew volunteer. and anna nisenko, natalya kholodovich. each of them will have their own anniversary in some time and this the play was brought by andrei dobrovolsky, he says, that’s just such a sweetie they are plays and this comedy brought by rubbish by volunteers, studied by us. suddenly we realized that this is what we need now. and this, perhaps, is the tone that we wanted to talk to our audience today, the one who came to our theater or is coming. we really needed this. burpal so you know, it was a selective path. tell me if the plot of the original work is completely different from what the audience will see on stage. let's go along canvas of gavron's world, absolutely storylines, scene after scene, he is a very uh, experienced playwright. there, you know, as they say in the theatrical environment, there is nowhere to put your finger, so rigidly written in the plot begins with the brightest event of the brightest conflict, which then spreads

to the entire press for the entire performance. the only thing that we added tests. we added choreography, you know, sometimes a person, for example, when he is pissed in a rage or he does not know how to respond to an unpleasant person, or rather express him. m-m emotion his message choreography, therefore, this is the theater here , everything is absolutely good, and i, in principle, am for synthetic theater, that is, the use of all the expressive means of the performance, so we still have choreography in the world. there are only two types of spectators, men and women. and if they are 16 years old, they can come to this performance, because both young people and young couples and mature couples. well, they will see that the spectrum of problems that we solve very cheerfully, but the problem does not become less significant from this svetlana a. do you remember your the first production you directed.

yes, that was in 2000. i made small performances on my own at the theater for young spectators. it was a fairy tale heart of gold. this is just a play for parents to watch with their children. the configuration of parents and children in the theater was very important, but for the family, but for the fact that the child should educate his parents. we immediately firmly posed the problem that the child should educate his parents, if they cannot understand their relationships, then, probably, the child, it may be that configuration of that personality that experience that he makes of this problem, which can resolve the situation. this was my first performance. i am very grateful to the theater of young spectators for this, because, in principle, my directing began from there , we have many performances on our account. you can highlight some of your favorite most iconic ones for you. definitely, i am still in

that phase of creativity, when each of my performances. this is a very beloved child, a suffering child, but there were some significant performances when i came to the theater republican theater of belarusian drama, i made this unusual. even for myself, the course is an unusual performance. adam is exhausted. it was staged 270 times in 2010. we played this show. this is an unusual shape. i am grateful to the corpse of this theater to the same corpse that was 12 years ago, which took all my plastic measures, hold's tricks, took it and digested it and works for itself and works. although this performance has been replaced by several generations. it is very important for me to stage a performance for that anniversary. the great patriotic war in the bryansk youth theater it was and the dawns here are quiet, in my opinion. here, i even i remember a little. yes, it was some kind of incredible success, for example,

because when the performance ended in the bryansk youth theatre, and the dawns here are quiet, there was some kind of ringing silence. that's just eighty, the instruments could hear silence for a second, two three. i couldn't understand what was happening. i thought it was a failure, and then i began to descend from the second floor to go on stage, and suddenly there was such a standing ovation, it seemed to me that this building would collapse. we continue discover new cities and neighborhoods from this hill. orsha begins its report on its almost thousand-year history, breathtaking views and amazing energy, we show the author's routes and the most mysterious places, there really are numerous facts

of healing those who suffer directly, confirmation of the main attractions and unique monuments, the architecture of lenin monuments in the city is somewhat at least four there are even such a riddle what do you think, where is it warmer in polotsk in the city center or at the station look in the program of the city of belarus on our tv channel. a whole dynasty began with the author of the immortal uncle styopa and three national anthems, the ambitious and creative mikhalkov father took care of us exactly when it was necessary, but for all his alienation and severity, he is incredible.