let's go together, why father because you're an idiot? why if i love her, she loves me so it's all the same , if we love each other why can't we be together? you are my son. i forbid you to be together, but always then refuse me. but i won't leave her, please get in the car. i hate you. i hate you for making things difficult. i hate both of us for the fact that we met you're lying. these are not your words. get in the car and find out we are different. i'm not ready to risk my life for love. and you are stubborn. you do not hear me. i don't need you so vera i know you very well , you can't think that way, i ask you to take the car. your lies are killing me, everything you say now is a lie. let's go idiot. do you even

know who this girl is? you know why you ca n't be with her, she twisted my husband and take me away from him. yes , i am guilty before you, but there are things that even you do not dare to talk about. creature, dirty, bitch, i took my husband back a little, we have to go. what a shame not to hold me, father. let go, this is the end. i can do it

leave it like this. she can now do whatever she wants with herself. i fear for her life. yes, you know, she needs me. i have to be near vera, please. come to your senses, because i'm crazy about her, because i love her madly. let me go. please. let go let me go. let go of him. let go you still love her if you don't let go now vlad will never forgive you. son

even if you give me. he needs to be stopped.

faster, please, got it there. heart attack how to help? that no one has called an ambulance yet. ambulance will come now. thanks, i choose the world. i again choose the world to be silent, which means i fly like a candle flame. yes love, i chose, let everyone know it's true, get out. you see, there is a taxi at the traffic light, please. catch up with him, please, quickly, these are sweets. she left the veil that you are alone in the world? you

do not have to rule more than you. you ruined his life. i would like to go away to ragged days of crying so you can go faster. don't worry your love. in a vast world of blank slates where could there be a fresh start?

enough already, i'm sick of all this. you got me. so you say. you act like that, i understand everything, but you have no idea about my fucking past. but it was my life and my love that you can understand don't make me laugh your nobility disgusts me. how do you know how i feel? do not lie to yourself. i don't love you. i didn't believe you when i first

met you. i thought that there would be nothing wrong if we were together, but, apparently, it’s not fate that my past is tightly connected with yours. sister. she will always be between us. you know, i was crazy about you. even, probably, i thought that i could run away with you. i myself can not understand, i really love you, or just want to be loved. i accepted your love because i wanted to be loved, because i am a woman and that's it. if i truly loved you, i would have kept you nowhere. listen to me and remember, even if my love is stubbornness. i don't

care. i love you, period. i don't care if you love me or just wanted to love me. now i will do things your way. if you leave now , it's over between us. and now i know why alena committed suicide your obsessive, love killed her. if you let her go, she would still be alive. i don't want to end like her so? let me go, please. you are a terrible person. you want it to end like this. before my eyes.

so many things we know so many things for a while thousands of times. i checked again, she is our love, you hear, she will be with us forever, if she helps us. every day we experience a million emotions. we

we can rejoice, be angry, be surprised, be sad, sometimes our emotions. we are not subject to, and music expresses our emotions much more strongly. this emotional force literally takes back, and has already hit. in us. it becomes an integral part of life. the secret of music is that it finds an inexhaustible source of expression, where speech stops, music instead of a thousand words

i was born in the city of novopolotsk in 1973. i spent my childhood before school in the countryside. my grandparents

went to school here, my wife on a leash, and work here. this is where the theater was born. most of life passed here and passes mom and dad worked at the polymir plant in the housing and communal services department, mom was a passport officer, and dad was such an active trade union worker. but of course, there were also creative ones like that on their own, i remember, but there were competitions, they thought that either mom sewed it very well. we just have a grandfather on my mother's side. he probably gave us a lot of talent. and i have brothers, for example, pimple artists, they all do something with their hands. since grandpa

was a cabinetmaker, he made boat furniture, of course. like all boys war war and of course . but i also had such a story that when i was a child, and i sculpted a lot of plasticine for me, i took all the money . i was there with a knife, then i cleaned these carpets there , because all the same, somewhere there some circle fell, crushed all this here. well, and that’s where i spent a lot of time with these dioramas of my own such panoramas, there they were whole, there i had a lot of things molded and over there. well, there were some like that. uh, the actions were directed there, staging some kind of battle scenes, mostly. then somehow i began to sculpt household items more. there, probably,

this whole story is from there, again, that is, with your hands, this is it, that is, to do everything somehow , to tell me to study there, uh, art school, there is something else. that is, it is not. it's all that's all, how would i still play my own, in the theater there are some school productions later on, that is, we have already toured, even there on stage all the time. well, mom and dad, of course, gasped as well, here the artists are all there everywhere constantly there are some there, then he began to conduct some events, that is, this one. well, some concerts there, something else. well, of course they liked it. i would like to be a designer to design there with planes, there is something else. such is the construction that is connected here. yes, it worked out in the end. so yes, i do something, but i did many airplanes. yes

, then there was such a hobby, i also went as a child, in that pioneer radio circle. yes collected i remember some schemes there. even once, dad, i liked to sleep with the window open so that dad could come at night and close the window. well, i’m such kulibin here already on the radio circle i go, i made the simplest circuit two contacts on the window on the frame dad and connected it all to the amplifier. dad comes closes the window and then such a roar begins. here is my mother, then she laughed for a long time, she says, oh, you see, it was not in vain that the son went to the radio circle. still learned something. i'm already in the last grade already, so it led me to philology, belarusian literature designers have already gone somewhere to the side to pee. there are such

fairy tales. there it now i understand that, probably, it was necessary to leave. there, or into some kind of cultural path, because anyway, i then came to work in the department of culture. before seifara, i already work with the theater from the other side. that is, i love and do a lot as a craftsman. here's how i work with wood. that is, here, or it was necessary to go to some kind of art school there , crafts, that is, this is it. well, anyway, i don't i will say that my philological, and knowledge of something, on the contrary, contributes to me. that is, here in the theater, of course, that is, i write, if many people call me for advice, how to present here, for example , material, how to highlight something there. the main thing is that there are such things. i went then. we had

art workshops and so i went to one designer artist. uh, he had dolls for igor korzhalov in his workshop, they made them with their children, they put on carols a performance of a damn korotkevich. well, we were sitting there, i took this doll and well, i started drawing something. he says if you do n't keep it up. it will be a big loss in your life. we are now laughing that i say that igor is the godfather of my theater. well, and so, we, that is, i began to look for a piece there, i found some. uh, a small play hmm well, in the same way we made or puppets, so we staged our first performance. and, of course , it dragged out the second performance was already like that.

here. i recently found a video cassette from digitalizing it to me and i looked, i think about the ninety-seventh year such a statement is not directly ashamed. even now show gone. further more there then a battery once at an exhibition. it was probably some kind of, well, a personal exhibition and someone came, says, oh says, look, some kind of crazy, says the master finished the battery and says, completed the dolls, says, and that's it. it says shows and everything. this is how he likes it. i think, yes, such a whole period of life, like a puppet striped battery, he is already in the second shell now, that is, the first. ah. so active traveled. we were with him basically somewhere, it was such performances on the street at open air at some corporate parties, that is, this. well, if

all this constant transportation happened there, lie down, everything there was such a powerful structure, well, after 3 years it staggered and a second shell already appeared. right now, which is this kind of lux theater, it is the form itself, here is the name of the droplets, but this is how this example took place in 2010 and it turned out to be so mobile and for all ages. this is such a performance who wake you up at night and say that you urgently need to show, you are already opa oh good afternoon there and the most important thing is that in this performance you can have a very large space for improvisation, and you are here for any of its viewers, especially if you cling to it, and he starts to respond. here you are already in the process. here is this communication of dolls. uh,

with the viewer, even to insert exactly those moments that are here, well, either there about the fact that we gathered, or some kind of, uh, these there or the adults reacted to this moment. well, we we begin to develop this or some kind of emergency situation also beats it. well, this is the one. here is the most such a visiting card, and how would such a feature everyone already knows, droplets - this is exactly this one, this droplet. -ku well, and we invite you, dear friends, to a new clock as much as i wanted , in addition to making a battery. i also wanted to make such a room some kind of

entourage. here is some kind of small chamber, bunny, to stand there by the batley, everything is there it's here. well, but somehow it didn’t come to some point, that’s it, that is, if he was interested in collecting material, everything was there, here, something was even done, there were even some attempts to do it all, but then more more more more more more more and already, uh, yes, i wanted to, uh, make the battlelek itself there, the first battery, everything there, immediately some thought went to work. and here i also want just such a battery, but i already, as it were, there was such a forged one , there it is like this like this and in parallel. here it is thought about what to do here this here uh it was already such a theatrical botley class there, when i had already realized it, here. thought matveyechnaya class to do 13 years have passed, and itself, probably,

the first time, uh, so that i can remember when the battery appeared in understanding. what is a batleyka? well, i don't know, i can't remember, i probably remember all the time, that is, at christmas in a saucepan. eh, these figurines there , all these installations, they went through there , somehow, this all went through the holidays all the time. well, probably, so it was postponed , postponed, and then there was an understanding, as the theater of rozhdestvensky, the first performance was, er, ninety-six at a carol. it was such a performance. we approached this moment in such a naturalistic way, because we had such scenery. well, the screen was made. we made such glove, uh, dolls sewn, uh, they were sewn from foam rubber

there, here we have an abacus there for communication, somewhere there is a golun and so that it would already be natural for a frog. it was only a little in this king. he was like that now there is a stage here. here the prices here would not be two walls. well, well, all the same , we had the largest room in this hall and we brought real pines here. there was a smell of pine needles and such branches hung here, there were people sitting there like that what is it? here is such and such, that is, we are immediately the first performance and immediately globally. the battery is such a mr. real christmas theater, yes, before the word-thing, everyone imagines such a scarf, people open the doors. there is one tier the second

tier. that is, it is, as it were, a medieval model of the world, heaven is earth, they pass up there. uh, shall we say, the divine part. uh, mister uh, on the lower may earth, trauma reigns there. well, it's like a classic. here's a great show. well, then, as it were, already when this is played out, here is the christmas part, the battery has the second part of the folk scenes of the sideshow that are played can already be played. there, for example, there are nine batleys throughout the year. here are diverse, and she is furious two-tiered uh puppets and shady on battlefield uh, the performances here are mostly. uh, for the most part the mass goes. it's ethnographic

material. that is, as if interludes there are folk scenes. all the same. here in this in the same vein, but added themselves. hard is a buckle, which is arranged according to the principle of the theater of seats. why anger is anger rednecks feeder, feeder, where mary put this theater on the newborn itself, it is so, uh, unique, because it is a little bit. it looks like this. that's what we said, that a battery is such a shafa where the doors open, and there are spiny little fritters, there, it means, they walk along the slot. it's completely here slightly different story. it is built on the principle of shadow theater. warm candles are lit there, candles, lace begin to spin, and onto the screen, and the walls are made of transparent screens. and now the

silhouette of this one appears on the screens and that's it. this is accompanied by songs, christmas songs, psalms there, and here it is, it’s such a very magical theater, because mmm, when it’s complete darkness and then this festive atmosphere is like that. that's it. the spirit is still there. here is such a bright christmas holiday. here and then suddenly this darkness appears such a window, where it all starts to twist. the audience is beginning to be fascinated, because it will check it was tested at one festival there was such a story that when the glasses began to spin, songs sang. everything was so quiet in the hall, just like that, well, you could hear there, i don’t know, there, mosquito, i would have flown, but, and the next day one of the spectators approached me.

we went to the festival, he says. well, he tells us yesterday they staged a session with magic, he says, you can they sat talking like they were frozen, and uh , even according to the memoirs of contemporaries of those years, that this theater was actually there when they came. here is this group of battlers, someone accompanied them to sing, here they were. uh, it’s with this in this gray everyday life, when everything is suddenly nothing darkness and then suddenly these here come with a star, where the same principle is also, lights, it ’s spinning and suddenly this is it. such is such a magical such. here's the light, here's the picture moving and it's like this. here. and that's enough such, that is, it is such a unique theater, which is exactly the eighteenth nineteenth century. here. e, oryol, the distribution was in vitebsk in the vitebsk province from nevel to lepel. that is, there was no place where there would not be

such a theater, that is, at each church, at each there, i don’t know, there was a place somewhere, that’s all . there must have been such a christmas theater. here is this redneck adults. maybe they are that tired. maybe that's just the heaviness. this one here is just being there some kind of rush there movement of all this. that's when they come to the performances, or or somehow they pass by. and i'm showing it somewhere on the street and that's it. this. here. they are just like that, as it were, i won’t say that they are returning to childhood, but they immediately change and they have some kind of sad person walking, and he saw he smiled there he came with some problems there he looked and said his own. thank you , listen to such a pozitivchik so right like that, great, another moment when children come to some theater lessons, that is, they

interesting to them it is interesting to see there, for example, i tell them. here you are imagine this is a theater that is 500 years old and how it is, well, it is clear that children still cannot imagine what 500 years is and how far it was. i say, you can imagine what 500 years is like. they are so ah. i say, i can't they look like that. what are you asking, what? well, i say, you look , i say, it was so long ago that there was no television, no radio, no newspapers, nothing for him, the internet, there were no cartoons, there was nothing. somehow, so it's like it wasn't. i say suddenly comes. these are the puppeteers who show this is how the event is. so, when such a battle-dwellers came, such a little place was there and showed some kind of such. here's a performance, it's actually such a unique cultural phenomenon. and uh, of course,

there’s that moment that you’re looking at, that is, uh, an evil copy of the redneck was found by the romanov enthographer, described there in 1894, which means that it was transferred in vitebsk , uh, to the ancient church repository, this was in museum, then the soviet government. this went to the museum of history, and in the twenty-seventh year, the description was evil, it was already a gingerbread man, this goon was kept in the museum of local lore during the great patriotic war. everything burned down, everything burned down and there is no such theater, all that we had was some photographs taken in the twenty-seventh year when describing and describing all this, that is, well, as it were, you open an encyclopedia. yes, all the researchers wrote there is this type of battery. there is such a hack, according to the principle theater there, well, that's all. and maybe someone tried, uh, to restore such a uh show theater to do, but

how would such a, uh, i laugh that after 120 there 4 years we did restored and presented and when that is. eh, when are we actually showing now? here he is, that he is such that he has magical properties. and, probably, behind this magic there and, of course, this is it. here is mister real christmas sacred theatre. how are images born? that is, how is it with any artist? he has some something there represented. i used to buy a lot of

children's books and looked a-a more, that is, i didn't read fairy tales there. i looked at the picture and i, uh, somehow this kind of baggage has already developed. what are some characters? well, of course, that is, like, uh, there is some kind of idea. here are some types and someone out there from life. literally there you understand that this is the character, this is this person there, for example, many. uh, friends laugh and say, like this is it there or this one there or ready-made jar close? it's you, that is, it's poured out. that is. well, this is what i say, guys, everything turns out purely by chance. i don’t do anyone like that on purpose , i don’t like they don’t sew up earlier, when i started to do it. i wanted everyone, let's say, and the performance is new. this is some new system of puppets,

new ones there, some new ones there, some technical solutions like that, i wanted to try it. here this here this here this here this here. well, that is, all this has already matured, that is, on paper, there are some sketches already sketched. everything. well, work begins, for example, there, if there are knitted dolls, then it is clear that there, for example, some kind of blank is being prepared. she is there, uh, she dresses, there is foam rubber, then fabric, that is, the image is already glued there, if there are papier-mâché. glue here we make papier-mâché. and this workshop is exactly the kind where such magic of the embodiment of images takes place. here, well, literally there is. these are not my dolls, they were made by a person at my request. that is, this is already a performance that will be well, man, you can see that with artistic. taste, well, then of course

. that is, if this is what the image appeared, this character appeared like this. so you already understand, well, you don’t like that it’s clear that you will redo it there or you don’t like it. there is some kind of technical side, there is controllability , there is something else. well, then from here, and the doll will go to another workshop, and there it will already be dressed, there, maybe, we will check the knowledge of fashion style and everything else. the theater did not immediately become a hood. at first it was just without a name, then we worked as a likhtarik theater. ah, already in 2003 there was such a reorganization of our entire theater and in the light of some actions there in

terms of aquarius activities, this and this was already such a new format, and then such a hmm program monologue in andron was lying around science adventure . twin when zavodskaya based on the play by pyotr suvenichenko, and how would the question arise that this time it will already be such, probably, mobile in such a huge theater. so there were several names accumulated a neck and now somehow here. it seems that the multiatre is called differently somehow does not work at all. that is, already kapelyush, it has already become so negative, just like that. here, what a horror, what kind of lush has arrived? and where a drop is already capitolius, healthy, now he washed it, bought it wider to the right. so the meaning of all the work, of course, is not in diplomas and not in these awards. and that i am glad

that i do what i like and work in the field that i like. and exactly after how much through this communication, then there is, uh for the most part, when people come to my performance and leave, uh, happy and satisfied and say that they got some kind of positive. it's just that they say they fit, they say, thank you. it's just that it was somehow so fast, but learned. well, in this, probably, there are more more awards. and more confessions are clear, what is it in the plans in the plans it is clear, like a normal creative person or an abnormal creative person? yes, there, like this, like this, there would be enough strength of health and the possibility of all this realize what will turn out the batteries to live.

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heart will always be there and i love you very much, watch the project a look at belarus on our tv channel. the news is now on the air with you lyudmila kozak good day technologies that transform our agroindustry, its new look will be provided by a unique project of the belarusian national biotechnology corporation of production, which opens a new era in the development of the agro-industrial complex and science. in general, today in the pukhovichi district, our president officially launched bnbk to work. alexander lukashenko will call this day not just an important historical one, he continues the work of a good long-term tradition of

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