during the day hours on thursday, november 10 and on the night of november 11 , with the shift of the atmospheric front of western europe, short-term rains will pass in many parts of the country, the unstable nature of the weather will continue, and at the weekend it will be warm in places, short-term rains from next week in the forecast night frosts. these are the main events so far, see you at 19:00. mikhail savitskoy, the largest artist of the 20th century, the tragic events of

belarus, the great patriotic war and the chernobyl disaster , are inextricably linked with his name. marked an entire era in the national contemporary art. mikhail savitsky forever went down in the history of belarus as the greatest master of pictorial art, a wonderful teacher and public figure. he was the first who was awarded the order of francis skaryna, and later he became the only one in art. who was awarded the title of hero of belarus, the time spent in captivity left its mark on the future artist, the main theme of the master's works was she, with fate itself, already in the sixties, mikhail savitsky became famous thanks to his paintings on partisan themes, and his painting the partisan madonna presented in 1967. i was so impressed with my impression that it was

acquired by the tretyakov gallery in the same light as many mastokovs, the ocean showed a judicious regime, uh, he entered this fascist occupation on a golden horse. with the lush fragrant hay of our belarus, it is endless, well, as if it was filming us, what is called shavings. he lived a great life. it is his right to write this kind of picture becomes with this kind of aesthetics, which has served the impetus for the creation of this series, first of all, he nurtured the idea for 30 years, one must stand in front of this canvas. why do they stand in the field in the rye creation of a personal gallery. it was the cherished dream of mikhail andreevich savitsky, it must be said that his work remains relevant. e, even in something prophetic, many many complex pictures are written. there subtexts exist a lot of controversy in

his paintings. our story is the life and work of a great artist. what his paintings are silent about, see right now. the life and work of mikhail savitsky one of the most characteristic phenomena in the art and history of our time, in order to correctly understand the meaning of the painting of a folk artist, it is necessary to understand the sequence of events in his life in his paintings is our story, because each new canvas is a

personal path of suffering. in art. mikhail andreevich sovetsky absorbed the most important historical exchange. 25 year 20 vladimir prokoptsov general director of the national art museum of the republic of belarus honored art worker of the republic of belarus ph.d. artist. and this velma is issued. on the right, along the bridge, i showed cottage cheese in my immoral ones. and those trunks have become classics of our bridge today. it went pretty hard. life, especially youth, yes, during the great patriotic war, viktor alshevsky, honored art worker of the republic of belarus, artist , student of mikhail savitsky, in fact, it was such a very part of the harsh life. and, of course

, she left a very hard imprint on his work. here creativity is impossible considered separately from his biography yulia kovaleva, head of the department of exposition and exhibition work and the museum of the history of the city of minsk, his work is very autobiographical and his works are reflected, but the main milestones of the events of his life are his feelings of his experience. but speaking in general, then in general, creativity is dedicated to belarus to the belarusian people in the context of world events in world history on february 18, 1922, a simple belarusian village boy was born. melnik associate professor of belarusian state university candidate art criticism artist the boy faced a difficult fate historical fate mikhail andreevich was born in the village of zvenyachiy, vitebsk region, tolochin district, in a family of peasants, his

father. andrei petrovich worked on the railroad, and his mother anna konstantinovna was on the collective farm in the family for five years for the sake of the children. there were also three older brothers. they all died at the front and at the younger sister. and as mikhail andreevich said in many of his interviews , his childhood was cloudless so joyful, and he has been since childhood. in general, i learned all the basic agricultural work. well, like any village child of that time, and also he, uh, learned carpentry, since his father was a master of this. well, since childhood, he showed a talent for drawing and let's say. so he dreamed of becoming an artist in many ways, of course, this was facilitated by his friendship with his cousin valentin savitsky, who was the eldest mikhail andreevich and even before the war managed to graduate from the vitebsk art school. and now

mikhail andreevich would you like to follow in his footsteps, but mikhail savitsky had to put off the dream of becoming a great artist. after graduating from high school in 1940, he was drafted into the army. and a year later, this service to the front of his e, began in novorossiysk anti-aircraft artillery, the colonel then served, uh, in grozny, and in 1941 the great patriotic war began, and he met her in sevastopol and now he was one of all the thousands of soldiers. participated in the defense of sevastopol for 250 days from october, 41 to june 42 the defense of sevastopol is very dramatic and heroic event of the great patriotic war, the defense of the city lasted 250 days from the head as a symbol of mass

courage and heroism of soviet soldiers. about 200,000 soviet soldiers died here, and many were captured. there, it turns out, and mikhail savitsky from this event. this happened on july 4, forty- second, begins at such an e. well, and probably the most terrible period in the life of mikhail savitsky , when here he was, and learned from his own experience what death camps are. he went through a huge amount of slag - these are rimmarum prisoner of war camps, leading employee. the body of clothing sources of the funds of the belarusian state museum of the history of the great patriotic war, starting from nikolaev and from there, the city of nikolaev on the territory of ukraine and from there they were driven to germany and there was a dusseldorf work camp, then in a dusseldor prison, and participated in the underground

resistance movement, which also existed there have been repeated attempts in these camps. escape run, but the unsuccessful mikhail savitsky is taught welding and put to work as an electric welder at a wagon factory, along with other prisoners under supervision. georgy kornilov, they organize a sabotage group, but they cooked cars and were engaged in welding cars. eh, well, they were not made durable. well, in the future they made an escape, that is. they introduced themselves, uh, forged documents under the family of blacksmiths kornilov was the father. e kuznetsov mikhail savitsky his son and mother was a woman by birth. she was from ryazan or a chair. i do not remember exactly. here she was a mother, and the three of them made the escape, but in the near future they

hid for a long time. eh, under these here this one fictitious surname kuznetsov, but then, unfortunately, they were caught. eh, and again they ended up in a concentration camp. mikhail savitsky is sentenced to death, but later they change his mind and send him to the buchenval concentration camp, then he is exiled to the quarries of the concentration camp, mitel, baldora, and after them closer to the end of the war. they put him in a camp. da hao near munich will be liberated by the allied forces. april 29 , 1945 prisoner found unconscious in concentration camps spent uh 2 years and 9 months. well, he still was. well, miraculously survived, of course, but as a young man, the body coped with all these stresses, yes, which

i had to endure, went on the mend. he even continued, then serving in the army in germany until the forty-sixth year in the fall was one mobilization. he returned to his homeland. arrived in minsk well, as there was already a free man, the war ended , well, he began his education to realize his dream. become an artist soviet returns to his homeland already an adult with a deeply wounded fate after demobilization no doubt talent. an artist needs to be developed mikhail savitsky enters the minsk art college. the current art college named after glebov and after moscow, after all, the capital of the bssr did not yet have its own higher art school. he entered the surikov moscow art institute and studied

there with a well-known artist from mochal, who influenced him in the formation of his creative style, and he graduated well from his studies. uh, the institute graduated with honors in 1957, his graduation work, the song was dedicated to belarus, as he himself also recalled. e. well, it’s also possible to say such a work is a childhood memory, probably, and the years of his childhood from the village ring, what the song always rang for you, as he said, that even the name of this village is so musical it is the center of cultural life of pre-revolutionary after the revolutionary period is the coolest center nikolay apiok, artist, honored worker of arts of the republic of belarus noisy shouting conversations such as yavich korzhenevskoy,

kukharev keeps shouting noisily. about something about something about in some way this is the fifty-seventh year, they came from minsk from our republican art church and saw, what they saw they do not remember, but the whole noise noise as they say, the noise is a thief and around one surname soviet soviet they say, who is how did this picture appear? what picture? listen? yes listen, he says, and what figures, and what horses, and what is the correction, huh? what is the truth in the life of the village of the village, the picture gave rise to all the artistic forces of the republic of belarus at all levels with any education in the cultural center weight, prescribed by chagall, and malevich, and suddenly such an explosion he drove in. with the lush fragrant hay

of our belarus, having received a red diploma and qualification, the artist painter mikhail andreevich returned to minsk at the end of november 1957. his wife margarita she studied at the theater arts, and the institute began to work actively. uh, the russian union of artists has entered. well, it should also be noted that he graduated from the institute and he was already 35 years old, and he, uh, that’s why she also recalled in her interviews that he had a lot of tasks, and he so to speak, most of his life in the workshop and spent the main theme of the work of mikhail savitsky was chosen by fate itself. most of his artistic heritage is a work on military subjects with his brush. he

reflected on the swamps. the terrible truth about the cruelty of war, the pain and suffering of people is not religiosity. this is not mystical art, this is not uh, isolation or art for art's sake - this is humanistic art, where in the center is the person himself, deep in the center of art, sancho mikhail savitsky became famous for his works on military subjects in the field of easel and monumental painting for the artist is typical. journalistic emotionally expressive disclosure of historical and contemporary topics. although the artistic style of his work was not immediately accepted and there were cases when his paintings were removed from the exhibition. he was not only the mostakom of the easel genre of the easel painting, uh, the plot-thematic picture of the alley was an extruded remnant of the mes way of divorced

decorative and applied instantaneous remnants. anyway, these are the tapestries of the ussr. the stages are great. way at leninism. this mboden painting of the museum of the great quiet war became famous for mikhail savitsky in the 1960s. during the khrushchev era, the artist began to work on a theme extremely close to the people of belarus in the theme of partisan struggle thanks to the painting created in 1963. the partisan artist immediately declares himself as one of the greatest masters of the severe style and as a philosopher artist. in the heroic departure , the meaning of the picture is expressed both by the plasticity and the rhythm of movement and the characteristic silhouette of each character. only one of them momentarily stops the

general movement of the departing, saying goodbye to the woman on the face of an elderly partisan. the only visible viewer and in him the infinite warmth of love and the pain of separation and the desire to encourage and unshakable determination dictated for a long time everything that can be said, and thousands of farewells to mothers, brides and wives, the drama of life itself, cleared of everyday random moments , appeared in the picture of the spiritual essence of my painting, and . partisans, they arose, of course, not by chance. i myself was not a partisan. the thing is, when i returned to belarus with heavy memories and

some bright ones, that is, those events that we had just experienced. why was it necessary to write these works. i'm already saying that these it was time. a very massive manifestation of patriotism in general of the people's movement, the people lived by this. and, of course, it was impossible not to write about it. our ancestors' products are real male craft potato pancakes, it's not for nothing that we are called bulbash. myths and legends are close to popular culture in all

its glory, see every week the fashion project on culture on tv channel belarus 24. we continue to discover new cities and neighborhoods from this hill. orsha begins its report on its almost thousand-year history, breathtaking views and amazing energy, showing the author's routes and the most mysterious places, the flow of pilgrims is inexhaustible and miracles really happen, numerous facts of healing the afflicted, direct confirmation of the main attractions and unique monuments, the architecture of lenin monuments in the city is somewhat there are less than four even such a mystery what do you think, where is it

warmer in polotsk in the city center or at the station, see the program of the city of belarus on our tv channel. in the sixty-seventh year, he painted, probably his most famous work, the partisan madonna, which is called the artist’s calling card, it was bought by the tretyakov gallery. and, of course, it made him very famous. and well, and then e, he will already say. so quickly won such public recognition reproductions with the partisan madonna are printed in thousands of copies in encyclopedias of textbooks in magazines and albums, the picture becomes a genuine national treasure and makes an incredible impression on the audience of the partisan madonna, they even celebrate the silver medal of the academy of arts of the ussr. here is the partisan madonna one of such

interesting works of his. outstanding i'll say, because it's we always talk about what it can be, somewhere, it looks like there is not like one or the other, that is, systematically defined. well, as it were, the direction, but he had his own e expressive. well, composition and holy plastic. yes, that is, he created just such a work, which, well, took its rightful place in the history of the great. what is called a talented artist after 11 years in 1978, his own madonna appears and at the state art museum of the bssr , the director of which elena aladova ordered a copy of the painting to the soviet, the artist did not make copies and refuses, but a completely new version is being written

in the painting the partisan madonna of minsk mikhail savitsky refers to the eternal the symbol of life to motherhood at the heart of the composition by a famous painting renaissance raphael's sistine madonna, but instead of biblical characters, the artists depict ordinary people who witnessed the horrors of fascism. and in the seventies, he creates the heaviest powerful series in his work, figures on the heart, uh, which is dedicated to just the same m-th of him. er, well, the experience in the nazi death camps. and why are we talking about the fact that his biography and work are inextricably linked with a series of paintings of figures at the heart of a phenomenon that has no analogues in art in terms of complexity and

the scale of solving artistic problems, while the author differs in technique, manner and vision of topics from those canons that were accepted in the belarusian artistic environment. pearl is creativity. well , this, of course, is the church of the great patriotic war. let's say well for me as a specialist. i have already looked at them. i saw them there with school. it's hard for me to see the first time. so to speak, another school man will have to see. this is the first time. they are usually. there is. this is already about something during the seventies, that is, until 70. eight years. he created 13 works or canvases. ah, the last three of these survived freedom and mourning. this is a later work of the eighty-seventh year. he completed them, which was the impetus for the creation of this series, firstly, he had the idea

for 30 years, that is, a long period of time, but he had to think about everything to come up with something and choose. uh, the artistic language with which he will express this basic such a difficult idea, and it all started with the fact that in the seventy-fourth year the union of artists, uh, received a letter addressed to mikhail andreevich savitsky. and ismail is his. let 's just say a friend with whom he went through all the torments of this fascist hell, with whom he was in a concentration camp in germany and made escapes. it was georgy ivanovich kornilov, and in fact, he invited him to his place in tuapse. mikhail andreevich savitsky came to visit him. and he asked him if he had written anything about it, about what they had to go through. well, as a matter of fact, this is the impetus that

served as the beginning of this series, it was not typical too frankly too cruel. and well, even pathological, as it were, caused some kind of, well , misunderstanding, because. yes indeed there is, here e in origins. uh, fascism, a cruel feature of this war, which, in fact, is constantly taking place on the ground on the neck and this, well, a big tragedy, everything is blurred, that is, there is no border between good, and everything is blurry. and he is specific. here is good, here is evil. here it looks like this. and here it is, uh, evil looks like this, and good looks like this, and uh, that's it, it's being built. here, in these works are exactly what mikhail savitsky's fame is based on. reproductions of a series of paintings are rapidly growing . figures at heart diverge in different parts of the entire soviet union. the soviet himself did not

accompany his exhibitions abroad. yes, and after surikovka, she did not leave her native world at 11 in many mostakov's world, where he showed the regime was going to give, uh, the fascist occupation of this alley not only on the territory of belarus, and this is a concentration camp. uh, it's just that the nazis not only mirrored themselves, but they simply burned these e. people without immune this cycle. today it is such a sparkling side of the blog. the history of numbers on the heart and all military cycles, they literally repeat and repeat that my human life is the same for everyone, the price of every small child or elderly person is the inadmissibility of bloodshed, the inadmissibility of violence. after all, this is the motif of e, soviet creativity, and it remains relevant. the cycle consists of sixteen paintings

, the painting prisoner 32-815. many consider mikhail savitsky to be a self-portrait, is it his auto parquet? well we're used to it really mikhail savitsky he never called this work a self-portrait. he portrayed himself as young in those conditions, but this is a collective image. that is, uh, in this image of a prisoner, he showed those who survived from those who died in front of us, a young man is exhausted, extremely emaciated, but at the same time we see that he, uh, well, we feel his some kind of spiritual strength, that is, that he did not lose heart, that he, er, this life remained in him. the prisoner is represented in the camp, it is printed on it, two letters to l. concentration camp, little red

the triangle with the letter p denotes the russian political under it, as well as the number on the token suspended by the newcomer, under which the prisoner 32.815 was listed. this is not a number, not the camp number of the soviet mikhail andreevich himself. he had another. although many of you know when you read, they all mean exactly that this is his number no. and it was distinguished by one number. 1975, the picture is a summer theater, as the ss slang called pits for burning pipes. they dug it in with bulldozers. and so, in fact, the artist he depicted this a bulldozer, and it symbolizes this infernal machine that the nazis created in 1977. the picture selection on the canvas the figures of girls are like gold, the ingots in the center of the canvas are a group of young girls

of beautiful healthy strong they shine, like ingots of gold these girls were selected by the nazis for the experiment, and on the ground are the corpses of women, mothers with children and pregnant women, their nazis. destroyed immediately into a great life. it is his right to paint this kind of picture aesthetic beautiful you are not aesthetically beautiful there, it is very blurry, as israeli stories said, beauty in the eyes of the one looking in the eighties, on his initiative , creative academic workshops of the academy of arts were opened in minsk, and he was their leader, and then they began to be called creative

academic workshops painting, graphics and culture ministry of culture. it's been since the nineties. it turns out that he led it for 30 years. for a year now i have been leading a creative workshop at the academy of arts. this is creative skill. enters the most capable graduate of the art institute. the fact is that within the walls of the university, even though they receive a diploma, they are still far from becoming an artist. we met him for the first time, when well, as before, i knew we met, but when the question arose directly and there was a search on his part, since five people were recruited to his creative workshop and, of course. everyone wanted this period. yes, i was

just finishing the academy of the monumental department. well, of course, my candidacy was also proposed in composition of creative workshops mikhail andreevich sovetsky was not only a true master, serving as an alenche bridge. i gave you hopeless masters, and he was his teacher, he would add, and he founded himself about his a-a installations. it wasn't on it. a-a from the ussr bridge academy on the street. nekrasova was in the film. why is there such a setting where, after graduating from the highest theatrical remnants of the institute, just under the kirovist islam andreevich what is called honing their skills? and it was me who yakila his school

today is the same. i think the authors are not only in belarus and the lion is far from the idea that an artist should strive all his life to become an artist, he endlessly, well, as it were, he took off us, what is called shavings? yes, maybe they rewrote several times before, as they say, obscurations. yes, and before that the canvas became somewhere in the finger of the paint was already thick. yes, when literature was reworked with a palette knife, it was important for me that work became a necessity for them. everyday needs second, that they be artists. convinced he very picky and then fair. regardless of the authorities, this is the character of the two soviet before him such a value or a central committee value. he says

what he thinks, but rightly there is no drawing, no color composition. they solved the idea not plastically solved, because you ruined it with your character. listen, the artists don't understand his terminology, because he could express the idea. only it is impossible not to form, if the form prevents me from expressing the idea, then the form is bad. soviet completely, you know how he has thousands of faces thousands of characters of thousands of paintings, that is, figures soviet entered art with his understanding of the role of the artist and creativity in society from his personal position with a new look at the military theme, in

contrast to the artists of the forties of the fifties of the xx century, who sought to create a heroic chronicle of the war years mikhail soviet talks about tragic events, not human trials that befell people during the war years. his art causes genuine interest in society and often disputes and polemics. the soviet, as an artist of his style, was sometimes perceived with hostility by meow paintings . he focused his thinking precisely on the fact that the picture said something , even if the film was made, they said for free, that is, the viewer comes to these halls already some kind of walk. uh, verbal contact from a silent canvas with applied paints. that is, in any case.

this is some kind of conversation between this artist and spectator some conversation. everyone has it. probably he individually this conversation in 1972, mikhail savitsky assigns the honorary title of people's artist of the belarusian ussr and six years later he is people's artist of the ussr in the early eighties , the international political situation becomes tense quite recently , the vietnam war ended, the soviet-afghan conflict began, iran, the iraqi war, israeli troops. invaded the territory of lebanon in 1984, the artist writes his triptych of aggression. there he is spoke, in general, with hidden meanings, about three, in general, hotbeds of conflicts of our time - this is a brown plague, the middle east region and the dania region of asia, these points they remain painful chains. sovietsky was always surprised by the depth of

the subject. his works have a bright contrast. although the artist uses dark colors in them, one of the most outstanding works of the artist in the field, which he writes in the post-war period in 1973, but it touches on the main theme of the work of the master war. if you speak under the field, listen i counted and believe it if we were open and treated with love. savitsky is a masterpiece about the period of the great patriotic war, which the boot walked on the belarusian land and our guys met him with a golden rye field, a battle ensued. i consider picasses with my gelnik mikhail andreevich with this canvas for some defense of sevastopol or there, with a

layer, the fascist flew on an equal footing with the picture of the epic field, and the sacred struggle, according to the artist, is a work, for him the most expensive group of our fighters, having entered into hand-to-hand combat, holds the offensive of the nazis is a huge spiked field. here, as the personification of the earth. and the homeland of the field. we ask. listen. show me some physics you want. i found here. campaign, there will not be a solution completely the solution of the field is a completely simple composition, and it’s really just one strip of the horizon from there cockroaches black creeping beetles here, and here we took ours from it, which may be

simpler in composition, but what expressiveness in everyday life mikhail andreevich was remembers him very differently sometimes as a cruel person, but fair, silent and sociable, always necessarily always in a creative form and modest, which is typical for an artist of the severe style, he is dedicated to his work and evaluates everyone from an artistic point of view. the main thing is that in his small workshop hung with canvases from ceiling to floor. paints and brushes and in autumn there should always be fresh apples, we had some kind of kind human, as it were, form of communication, because he was a truly sincere person. open. yeah here comes your mate people

and relentlessly, and he tormented himself and young masters and with bridges became adults. and, of course, he had open doors for everything. think stern. i don't like it myself one person on nekrasov street and, of course, it was a unique person. cross over. he was confident dosvetschennye mentality. shmat read it was an outstanding library. i’m hot to her, you were the most walking data in libraries in every possible way, he had the most ingenious bible near students in moscow, he didn’t want to, because he was a swedish salakhova smolinakh. these guys are adults the past war and adults are older in age . now he bought bought a library of one slave. bought there inexpensively, if

today such a library, this miracle is unique, that he screams in philosophical philosophical aesthetic treatises. that is, it was very interesting to him, and therefore this is art, but of course it became such a deep philosophical one. mikhail savitsky is known as an outstanding portrait painter among his portrait works, janka kupala pushkin and goncharov dostoevsky tolstoy mickiewicz heartfelt from great love. the artist has been painting portraits of people close to him, the father, mother, wife rita and son andrei since 1999. the soviets begin work on a series of ten portraits of the presidents of the national academy of sciences of belarus, mikhail andreevich, being an academician , not only fulfills an order, but studies these people.

no, the artist continues to work with portraits until 2009, and he does not work from life, but only from photographs, but there is an exception for the portrait of a people's artist. ulyanova well, it is known that he began to write from nature, which is rare for soviet he is pressed into the workshop is a separate issue, soviet hmm from the moment already, so to speak, when he went to the orbit of his fame. he literally attracted people in a wide variety of professions. this is a very long list, despite its complex nature, many paintings were still attracted to these people, the folk artist devotes to the theme of the history of the formation of the belarusian national culture, the theme of peasant labor is also present in the master’s work, these canvases are made with expressive light colors and filled with some special sincere nobility painting in the field was written in 1971,

and people who care about the future should stop in front of this canvas. why are they standing in the field in rye? it's all military period, who mistakenly land? this is a woman who has almost no husband. here's a tragedy that's been mined. he gave the viewer the opportunity to think to stand and remember the story. what happened yesterday, where does this bread grow from? why is the theme of war in his work? - this is life and bread - this is also life in the nineties already. he creates. well though it started work on this series

back in the late eighties. this is a series of works dedicated to the largest man-made disaster in the history of mankind, the accident at the chernobyl nuclear power plant , he was a pioneer. here, in the development of this topic in painting, it is in belarusian art in the paintings of the sighted evacuation, the cross of hope, the abandoned share of mikhail savitsky reflects the events of the post- chernobyl life of people, the hard way to overcome the catastrophe is captured in the works of requisition. chernobyl madonna allegory chernobyl his series of paintings, black dust answers with a gold medal academy of arts for a long time, the artist keeps these canvases in the workshop in the last years of his life. he will give them to his native city. and then , basically, these are works on a biblical story and such christian themes. this is also the end of the nineties and the beginning of the 2000s after

the collapse of the soviet union in the nineties. through dozens of canvases, the master openly declares his christian worldview through his canvases. he is still looking for answers to eternal questions about good and evil, truth and truth in man and the gods, he writes on the plots of the new and old testament, a series of beatitudes. a new facet of the artist's creativity is evidence of his ability to think in images of a broad philosophical universal nature. mikhail savitsky in 1998 paints a picture on a biblical theme and off, there is a version that in the picture in the image of a modern and both. soviet portrayed himself. mikhail

savitsky deservedly entered the history of belarus as the greatest master of contemporary art. the uniqueness of his skill lies in the fact that throughout the entire period of creativity his works have not lost their relevance and significance, the creation of a personal gallery - it was the cherished dream of mikhail andreevich savitsky galina ladisova. the director of the museum of the history of the city of minsk, an art critic, began to implement it with the decision to award him the title of hero of belarus and at the end of 2007, and the order of the head of state was adopted. he is the creation

of this personal gallery. and of course, this process was very difficult. that's because for the gallery it was necessary to choose a building and this the building, of course, had to match, but to this, uh, unique artist, we need to say that there are not so many in our country. here is a personal gallery of individual artists. well, mikhail savitsky really deserves it, and the gallery is such a place. the main place of his memory. and here is creativity, that is, there are permanent exhibitions and visitors can come and see at any time. e of his works, the decision to create a gallery is made during the life of the artist, it is mikhail andreevich who chooses this building as a place placement of the gallery, with his consent, the building is reconstructed and completed as a museum object

of dual purpose. combining actually. an art gallery and an exposition related to the history of this building were offered in several rooms in several buildings and along zabitska street. that's according to cyril and methodius that's but uh, like a real artist? he saw exactly in this one in this old mansion he saw. here, probably, i saw my gallery and my works, because really this enfilade is such a construction halls hmm classical architecture. it naturally contributed to this image, but the gallery is located in a building on the territory of the upper city at 15 svobody square, a former city estate of the 18th century with an extension

at different times of the owner. the estates became known to minsk residents in the middle of the 19th century, the house was acquired by the mayor leopold del patsa, then the building was transferred to the male religious school in the post-war period and until 2004. here is the recruiting office of the minsk regional military commissariat lithium gallery has a permanent exposition, that is, which is presented by the creative alla andreevich a. that is, this is the beginning of his work. this is his personal, and objects, and this and here is a fragment of the hmm workshop. and let's say transported here from nekrasov street here well, it's wonderful that the gallery has an exhibition hall. ah, the exhibition hall in

which we have the opportunity to present it to represent artists of all kinds. e level is not only the work of belarusian artists, but also many foreign e projects and this is what in general, mikhail andreevich dreamed in the last years of his life, the soviet one is seriously ill, he suffers a stroke, but until the last every day he works in his workshop with his signature sweater under the throat and felt boots, as the consequences of being in concentration camps, but at the same time, sovietsky goes to he is energetic in his workshop and always with a brush in his hands, when i painted a portrait of him in our

medical commission, even though he asked me to be president with a canvas. i like you, the charm of a single. well , how can i write? i say small artist. and i can write the great one whom i worship and adore, but suddenly i write, badly, it's best to write it. it could be abstract, then he would not find fault with any artist. and so he is very picky and then fair. i wrote it. e. well, he says, he finally took the canvas and came to me, but listen. if the husband only allows not good. if you can, let me, i need to write two more.

and then i can leave, i didn't ask. i was embarrassed and still embarrassed. it's good that you didn't ask. well, you know what thought michael died savitsky was buried on november 8, 2010 at the eastern cemetery in minsk well, the memory of him, of course , continues to live today. gallery in sofia and also in many of their other collections, sovietsky himself

had a principled position regarding his works. he not sold to the side by a private collector, not one of his paintings, of course, the villa is important for everyone. creativity from a patchina and he glorified belarus and, of course, he had a great way of life , young people, today the graduates of the bridge academy have become our niches of cultural installations, they took the butt of faithful service to their radium, and here mikhail andreevich is in my opinion. that told me, he's a butt man. i gave you all my dance, my own tyoma, for this bridge and idleness, i became famous for the people's fatherland his native vitebsk region, where he was born and his native belarus, the work of the soviet large -scale diverse, he was

treated differently differently, but the fact remains that this is the largest artist of the republic of belarus we follow the sports life of our country

during a difficult period for all belarusian football, it is important not to arrange groaning something to undertake the construction of such stadiums. this is an amazing phenomenon and the quality of football will increase transmission, please let us know how new heights are reached by exceptional physical abilities and self-possession and help keep yourself in shape. but after all, moderate physical activity helps to cope with many problems. a million sports tips check each one and use it better do not miss all the most relevant sports projects on our tv channel.

good evening, briefly, spitting out a rational cross for the judgment of the energy supply, more and more districts of the minsk region near the zhilevo communal gifts system are going to fight.