vaccination started or those who need a booster vaccination could also do it on the same day as the flu vaccination, well, how is the covid vaccination campaign going on in belarus, 19, at present, we have, uh, the covid vaccination has already been completed , uh, almost 70% of the population already and booster vaccination is already about 50%, there are literally 2/10 left. uh, the percentages to get to 50% are those who got the first booster, but there are already people who get the second booster. vaccination. that is, those who previously began to be vaccinated in the twentieth year. they've already come to the second fast. we know that not only adults can be vaccinated, but also children in our country from the age of 5. that's how justified. yes, such early enough, let's say. yes, you know, we are also guided by the experience of other

countries, which, in the first waves of vaccination, began to vaccinate children and began to vaccinate , too. first, from the age of 12. uh, then quickly expanded to many countries already from three years. some countries start and, uh, already practically there from two or from infancy to vaccinate codes and this shows that children tolerate vaccination quite easily and hmm the problems that arise after vaccination. no, how important is that very booster vaccination in it today and how often it needs to be done, with regard to vaccination against blood, yes hmm uh, a booster dose is given every six months, depending on whether the main course of vaccination is carried out after the first and second dose or after another booster. that is, the present time remains like this. uh, such a vaccination scheme, when we will vaccinate with a booster, and every gender. regardless of what vaccine? whether it will be a satellite

of the first component, or it will be a satellite of the second component, or another lapshina that may appear on our market, well, today there is a russian and chinese vaccine on our market. i'm talking about comedy now. is there any plan to expand this list? but at the expense of some others, maybe in the next few days, we expect that it will enter the market. uh, the cuban vaccine was collecting plus and how times it will also be possible to use it for carrying out a crap vaccine.

mikhail savitsky, the largest artist of the 20th century, the tragic events of belarus, the great patriotic war and the chernobyl disaster, are inextricably linked with his name; his work marked an entire era in the national contemporary art. mikhail savitsky forever went down in the history of belarus as the greatest master of pictorial art, a wonderful teacher and public figure. he was the first to be awarded

the order of francis skaryna, and later he became unique in art. who was awarded the title of hero of belarus, the time spent in captivity left its mark on the future artist, and the main theme of the master's works was with fate itself, already in the sixties, mikhail savitsky became famous thanks to his paintings on partisan themes, and his painting partisan madonna presented in 1967 year, she was so impressed with her impression that she was acquired by the tretyakov gallery, he is one of the few bridges in the world, the ocean showed a wonderful mode. uh, he rode into this fascist occupation on a golden horse. with the lush fragrant hay of our belarus, he endlessly, well, as if filming us, what is called shavings. he lived a great life.

it is his right to write this kind of picture that becomes with this kind of impetus for the creation of this series, in the first place the idea he nurtured throughout. 30 years you have to stand in front of this canvas. why do they stand in the field in the rye creation of a personal gallery - it was a cherished dream. mikhail andreevich savitsky, it must be said that his work remains relevant. e, even in something prophetic, many many complex pictures are written. there subtexts exist a lot of controversy in his paintings. our story is the life and work of a great artist. what his paintings are silent about, see right now.

the life and work of mikhail savitsky one of the most characteristic phenomena in the art and history of our time, in order to correctly understand the meaning of the painting of a folk artist, it is necessary to understand that the sequence of events in his life in his paintings is our story, because each new canvas personal path. in art. mikhail andrey sovetsky absorbed himself. the most important historical event of the twentieth year, 25 vladimir prokoptsov general director of the national art museum of the republic of belarus honored art worker of the republic of belarus candidate of art history artist and this is a witch.

i prominently showed my immeasurable cottage cheese on the right along the bridge, and today they have become classics of our bridge, and it went through a difficult life for them, especially youth, yes, during the great patriotic war, victor alshevsky deserved artist of the republic of belarus artist student of mikhail savitsky in fact, it was such a very part of the harsh life. and, of course , she left a very hard imprint on his work. it is impossible to consider creativity separately from his biography yulia kovaleva, head of the department of exposition and exhibition work and the museum of the history of the city of minsk, his work is very autobiographical. his works reflect, but the main milestones of the events of his life, his feelings of his experiences. but if we talk in general, then in general

here is the work dedicated to belarus to the belarusian people in the context of world events in world history on february 18, 1922, a simple belarusian village boy kirill melnik was born, assistant professor of the belarusian state university, candidate of art criticism. the artist boy faced a difficult fate, the historical fate of mikhail andreevich was born in a village ringing in the vitebsk region of the tolochin district. in family. the peasants are his father. andrei petrovich worked on the railroad, and his mother anna konstantinovna worked on the collective farm. the family had five for the kids. there were also three older brothers. they all died at the front and the younger sister. and as mikhail andreevich said in many of his interviews , his childhood was cloudless and so joyful,

and he has been since childhood. in general, i learned all the basic agricultural work. well, like any village child of that time, he also learned carpentry, since his father was a master of this business. well, since childhood, he has shown a talent for drawing and let's say. so dreamed of becoming an artist in many ways, of course this contributed to his friendship with his cousin valentin savitsky, who was the eldest mikhail andreevich and even before the war managed to graduate from the vitebsk art school. and now mikhail andreevich would you like to follow in his footsteps, but mikhail savitsky had to postpone his dream of becoming a great artist for some time. after graduating from high school in 1940, he was drafted into the army, and a year later, his service to the front began in novorossiysk

in an anti-aircraft artillery colonel, then served in grozny, and in 1941 the great the patriotic war, and he met her in sevastopol and now he was one of those thousands of soldiers who participated in the defense of sevastopol for 250 days, uh, since october. e, the forty- first year to june forty-second the defense of sevastopol is a very dramatic and heroic event of the great patriotic war, the defense of the city lasted 250 days and became a symbol of the mass courage and heroism of soviet soldiers. about 200,000 soviet soldiers died here, and many were captured. there, it turns out, and mikhail savitskaya. from this event, it happened on july 4, forty-second , this begins. well, and probably the most

terrible period in the life of mikhail savitsky, when here he is, and from his own experience he learned what death camps are. he went through a huge number of galleries - these are prisoner of war camps rimmarum, a leading employee of the department of clothing sources of the fund at the belarusian state museum of the history of the great patriotic war, starting from nikolaev and from there, the city of nikolaev is on the territory of ukraine and from there they were driven to germany and there was dusseldor labor camp, then dusseldor prison, and participated in the underground resistance movement, which also existed in these camps or repeated attempts. uh, run, escape, but uh, unsuccessful mikhail savitsky is taught welding. and they put them to work as an electric welder at a carriage factory, along with other prisoners under the leadership of georgy

kornilov, they organize a sabotage group, but they cooked the cars, they were engaged in welding the cars, uh, but they made them fragile, but in the future they made an escape, that is, they introduced themselves, uh, they forged documents under the family of blacksmiths kornilov was the father. e kuznetsov mikhail savitsky his son and mother was a woman by birth. she was from ryazan or a chair. i do not remember exactly. here she was a mother, and the three of them made the escape, but in the near future they hid for a long time. e under this fictitious surname kuznetsov, but then, unfortunately, they were caught, and again they ended up in a concentration camp. mikhail savitsky is sentenced to death, but later changed. solution and sends it to the buchenwal concentration camp, then he was exiled to the quarries of the

mittel-baudora concentration camp, and after them closer to the end of the war. he is placed in the dauchau camp near munich, and the liberation by the allied forces will take place on april 29 , 1945. the prisoner will be found unconscious in physical concentration camps spent uh 2 years 9 months. and about. he still miraculously survived, of course. he was a young man, the body coped, he recovered from all these stresses, yes, that he had to endure. yet he even continued, then serving in the army. in germany it was forty-six in the autumn there was one mobilization. he returned to his homeland. he arrived in minsk well, as he was already a free man, the war ended, he began his education to realize his dream. become

an artist soviet returns to his homeland already an adult with a deeply wounded fate after demobilization. there is no doubt that the artist's talent must be developed. mikhail savitsky enters the minsk art college. the current art college named after glebov and after after all, moscow did not yet have its own higher art school in the capital of the bssr. entered the moscow art institute named after surikov and studied there mochalsky famous such an artist, who showed him the influence on the formation of a creative style here, and he studied well. he graduated from the institute with a diploma with honors in 1957. the diploma for his song work was dedicated to belarus, as he himself also recalled. e. well, it can also be said, such a work is a childhood memory

, probably, and the years of his childhood from the village are ringing, where the song always rang, as he said, that even the very name of this village is so musical ; the artist, honored worker of arts of the republic of belarus heard noisy , noisy conversations. such as ah, yavich korzhenevskoy, kukharev keeps screaming noisily. about something about something about something this is the fifty-seventh year. they came from minsk from our republican art church and saw what they saw not remember, but all the noise. noise, as they say, the noise of the times and the fuss around one single surname of the soli soviet soviet say, who is this, where did it

come from? how did this picture come about? what picture? listen to sushi, speak and what figures, and what horses, and what is the truth, and what is the truth in the life of the village, the picture gave rise to all the artistic forces of the republic of belarus at all levels with any education, but, especially in this cultural center of vitebsk, the prescribed chagall and malevich and suddenly such an explosion. he drove into golden horse. with the lush fragrant hay of our belarus, having received a red diploma and qualification, the artist, painter mikhail andreevich, at the end of november 1957, his wife returned to minsk. uh, margarita she studied at the theatrical art, and the institute, and uh, begins

to work actively. e, joined the belarusian union of artists. well, you can also notice that here he graduated from the institute and he was already 35 years old, and he is, uh, therefore, as well as in his interviews. i just remembered saying that he had a lot tasks. well, so to speak, he spent most of his life in the studio and spent the main theme of the works of mikhail savitsky was chosen by fate itself. most of his artistic heritage is a work on military subjects with his brush. he reflected on the canvases. the terrible truth about the cruelty of war, the pain and suffering of people is not religiosity. this is not a mystical art, this is not uh, isolation or art is a humanistic art, where in the center is the man himself, deep in the center of art is the man himself michael savitsky became famous for his works on military

subjects in the field of easel and monumental painting for the artist is typical. journalistic emotionally expressive disclosure of historical and contemporary topics. although the artistic style of his work was not immediately accepted and there were cases when his paintings were removed from the exhibition. mostakom easel genre of easel painting, uh, the plot-thematic picture of the alley was an outstanding remnant of the yaki made a way of divorced decorative and applied instantaneous remains. anyway, these are the tapestries of the ussr stages, the great way at leninism. this is a mboden painting of the museum of the great quiet war fame comes to mikhail savitsky in the 1960s during khrushchev's drank, the artist starts working on a theme extremely close to the people of belarus in the theme

of partisan struggle thanks to the painting created in 1963. the partisan artist immediately declares himself as one of the greatest masters of the severe style and as a philosopher artist. in the heroic departure , the meaning of the picture is expressed both by the plasticity and the rhythm of movement and the characteristic silhouette of each character. only one of them momentarily stops the general movement of the departing, saying goodbye to the woman on the face of an elderly partisan. the only visible viewer and in him the infinite warmth of love and the pain of separation and the desire to encourage and unshakable determination dictated for a long time everything that can be said, and thousands of farewells to mothers, brides and wives, the drama

of life itself, cleared of everyday random moments , appeared in the picture as the spiritual essence of my picture, and partisans. they didn't come about by accident, of course. i myself was not a partisan, however, see wrote. he wrote many works. the fact is that when i returned to belarus, i still lived with these memories. memories heavy and some bright, that is, those events that we just experienced. why was it necessary to write these works. i already said that it was time. a very massive manifestation of patriotism in general of the people's movement, the people lived by this. of course , it was impossible not to write about it.

the most relevant topics and questions how long does love actually live and why did scientists single it out only 3 years, what interests people today and what they want to bring up for discussion, psychologists came to the conclusion that they should fight with anger? you don’t need to say hello to her, you need to feel any emotion inside yourself, any emotion lasts well, if you believe the following 11 seconds such a feeling as

love no, it is rather a complex of many feelings, there is gratitude for the attachment of appearance. look in the program of the concept of harmlessness on the tv channel belarus 24 valeria understands horses. what does eugene think? yes, but actually case no. you wanted to deceive us elena as you answered the question, but i already doubt it. it is right to doubt. it is useful for a person with critical thinking. it in this case it on what influences? well, i probably found it. for something else , i don’t remember. i was sick, or something, then the questions for the student the answer, which even adults will hardly give. oh, it’s not evening, it’s not evening. oh wow this is a no never heard of her and intellectually

entertaining show. i know look on our tv channel. that's probably your wife, not at all afraid to walk around the city at night, sleeps at night, straight surge protector surge protector, how i love my program, there is always something new . here we show you can, which is a little nerves in the morning. oh, we must go to the forest, we must go in the woods. give them work. we must go to the forest. and i can shove, and then i won’t get it. i won't paste. no, i can't risk it. i'm the head of the work, see a good knapsack with svetlana borovskaya in new time on our tv channel.

sixty-seventh year wrote, probably, the most her famous work, the partisan madonna, which she calls the visiting card of the artist, was bought by the tretyakov gallery. and, of course, it made him very famous. well, then we'll tell you. so quickly won such public recognition reproductions with the partisan madonna are printed in thousands of copies in encyclopedias, textbooks, magazines and albums, the picture becomes a true national treasure and makes an incredible impression on the audience, the partisan madonna is even awarded the silver medal of the ussr academy of arts here guerrilla madonna one of his interesting works of outstanding i will say, because she we always

talk about the fact that she could be, somewhere, it does not look like one or the other there. thematically defined, well, as it were, direction, but it had its own expressive and composition of color plastic. yes, that is, he created just such a work, which well took its rightful place. ah, in the history of the greats. what is called a talented artist after 11 years in 1978, his own madonna appears at the state art museum of the bssr whose director is elena aladova. he orders savitsky a copy of the painting, the artist did not make copies and refuses, but writes a completely new version in the painting the partisan madonna of minsky mikhail

savitsky refers to the eternal symbol of life, motherhood, at the heart of the composition of the famous renaissance painting by raphael c, the indian madonna, but instead of biblical characters, the artists depict ordinary people, who witnessed the horrors of fascism. in the seventies, he creates the heaviest powerful series in his work, figures on heart, uh, which is dedicated just the same m-m to his experience in the fascist death camps. and why are we not talking about the fact that his biography and work are inextricably linked with a series of paintings figures at the heart of a phenomenon that has no analogues in art in terms of the complexity and scale of solving artistic problems, while the author is distinguished by his technique , manner and vision of topics about those canons that were

adopted in the belarusian artistic environment. pearl is creativity. well, these are, of course, the numbers of the great patriotic war. say well for me as a specialist. i have already looked at them. i saw it. it's hard to see me there with the school for the first time. so to speak, another school person who will come and see. this is the first time. they usually absolutely are. this is already saying something during the seventies, that is, until 70. eight years. he created 13 works or canvases. ah , the last three of these survived freedom and mourning. this is a later work of the eighty-seventh year. he completed them, which was the impetus for the creation of this series, firstly , he nurtured the idea for 30 years, that is a long period of time, but he needed to think everything

over to come and choose something. eh, the artistic language with which he will express this basic such a difficult idea and it all started with the fact that in the seventy-fourth year the union of artists, uh, received a letter addressed to mikhail andreevich savitsky. eh, the letter was written by him. let's just say a friend with whom he went through all the torments of this fascist hell, with whom he was at the end of the camps, in germany and made escapes. it was georgiy ivanovich kornilov, hmmm. actually speaking, he invited him to his place in tuapse. mikhail andreevich savitsky came to visit him. and he asked him if he had written anything about it, about what they had to go through. well, as a matter of fact, here is someone's push, which served as the beginning of this series is typical and too frankly too cruel. and well, even

pathologically. well, as it were, it caused some kind of, well , misunderstanding, because. yes , this really exists. e cruel. uh, fascism, a cruel feature of this war. actually saying, constantly passing happening. on the ground on the neck and this is, well, a big tragedy. right now, how we perceive everything is blurry, that is, no, the boundaries of good and evil are all blurry. and he is specific. here is good, here is evil. here it looks like this. and here it looks like evil, and good looks like this, and uh, that's it, it's being built. well, in these works, it is precisely on this that the fame of mikhail savitsky is growing rapidly , or reproductions of a series of paintings, figures on the heart diverge in different parts of the entire soviet union. the soviet one itself was not accompanied by its own exhibitions abroad. yes, and after surikovka, he did not leave his native, minsk, her 11 many mastokov world. i

showed you the joy mode. uh, this fascist occupation, not only on the territory of belarus , this is a zhahe concentration camp, but simply the nazis not only mirrored themselves, but they simply burned them in these e. people are crazy about this cycle today, it's me, hiding such a side of the blog. the history of the numbers on the heart and all the military cycles, they literally repeat and repeat that my human life is yours, it is the same for everyone. the price of each a small child or an elderly person , the inadmissibility of bloodshed, the inadmissibility of violence, this is the leitmotif. eh, soviet creativity, and it remains relevant, that is, the cycle consists of sixteen paintings, the painting prisoner 32-815. many consider mikhail savitsky to be a self-portrait,

is it his auto parquet? well, we got used to it at most mikhail savitsky he never called this work a self-portrait. he portrayed himself young in those conditions, but this is a collective image. that is, uh, in this image of a prisoner, he showed those who survived from those who died in front of us a young man is exhausted, extremely exhausted, but at the same time we see that he, uh, well, we feel his some kind of spiritual strength, that is, that he did not lose heart, that he uh, that's the life he had left. the prisoner is presented in a camp uniform. on it are printed, two letters to l. concentration camp, a small red triangle with the letter r denotes the russian political one below it, as well as on the badge hanging novice number, under which

prisoner 32.815 was listed. this is not a number, not a camp the number of mikhail andreevich himself advice. he had another. although many of you know when you read, they all mean exactly that this is his number, but no. it is now one digit 1975, a picture of a summer theater, as the ss jargon called pits for burning corpses, raked there with bulldozers. and so, in fact, the artist depicted this bulldozer, and it symbolizes this hellish machine that the nazis created in 1977 . beautiful healthy strong young girls they

shine like gold bars. the nazis selected these girls for the experiment, and on the ground lie the corpses of women, mothers with children and pregnant women, the nazis immediately destroyed them, he went through a long life. it is his right to paint this kind, the picture is, with what kind of aesthetics, after all, now the concept, what is aesthetically beautiful there is not aesthetically beautiful. he is very different. yes. uh, as the israeli historian said, uh, yuval harari, beauty is in the eyes looking into in the eightieth year, on his initiative , creative academic workshops of the academy of arts were opened in minsk, and he was their leader, and then they began to be called the creative academic workshops of painting, drawing and culture of the ministry of culture. it's been since the nineties. it turns out that he led or

30 years? i've been a creative workshop of the academy of arts for a year now. the most capable graduates of an art institute enter this creative workshop. the fact is that within the walls of the university, although they receive a diploma, they are still far from in order to become an artist. we first met him, then when well, as before, i knew met. well, when the question arose directly and there was a search on his part, since five people was the first set of his creative workshop and, of course. everyone wanted this period. yes, i was just finishing the academy of the monumental department. well, of course, my candidacy was also

proposed by the composition of the creative workshops of mikhail andreevich sovetsky was not only me, who faithfully served alain as a master, what scale and what prosecuted hopeless maisterne, and he would have demanded his educator, which means that he also founded himself about his installations. it's not like it was from the ussr bridge academy on the street. nekrasova was right. installations where the masters, after graduating from the highest theatrical remnant of the institute, simply under the kirovist and andreevich's hall what is called honed my heart, and it was i who mastered his school today, just like that. i think the authors are not only in belarus, but a lion far away for the blackberry, to tame them to the idea that the artist must

life strives to become an artist, it is endless, well, as it were, he took off from us, what is called shavings? yes , maybe they rewrote several times before, as they say, obscurations. yes, and before that the canvas became somewhere in the finger of the paint was already thick . yes, when we were reworking the spontaneous, it was important for me that labor became a necessity for them. everyday need second, that they be artists of principle. convinced, he is very picky and then fair. despite the authorities, this is the character of the two soviets in front of him such a value. he says what he thinks, but rightly there is no drawing, no color composition

solved, the idea is not solved plastically, because you ruined it with your character. listen, the artists do not understand his terminology, because he could only express the idea in newform. if the form prevents me from expressing the idea, it means that the form is bad. filterov votkin, that's how the idea struck, and the soviet one is completely aware of how he has thousands of characters, thousands of characters, thousands of paintings, that is, the figures of the soviet entered art with his understanding the role of the artist and creativity in society from his personal position with a new look at the military theme, in contrast to the artists of the forties -fifties of the xx century, who sought to

create a heroic chronicle of the war years, mikhail sovietsky talks about tragic phenomena, and not human trials that fell on proportion of people during the war years. his art arouses genuine interest in society and often disputes and polemics of the soviet as an artist of his style were sometimes perceived with hostility simply as no, he does not it turns out this kind of picture, uh, his still life. well, they are a 2-3 checkpoint there, probably you are even a checkpoint too - he focused his thinking precisely on the fact that the picture says something, even the film was made, they said, that is, the viewer comes to these halls for some there is verbal contact from a silent canvas with applied paints. that is, in any case. this is some kind of conversation between this artist and the viewer. what kind of conversation does everyone have? probably he is an individual this conversation in

1972 mikhail savitsky assigns an honorary the title of people's artist of the belarusian ussr and after 6 years he is people's artist of the ussr in the early eighties, the international political situation becomes tense quite recently , the vietnam war ended, the soviet-afghan conflict began, iran, the iraqi war, israeli troops invaded. the territory of lebanon in 1984, the artist writes his triptych of aggression. there he spoke, in general, with hidden meanings, about three, in general, hotbeds of conflicts of our time - this is a brown plague, the middle east region and the region of far asia, after all points they remain painful. now sovietsky was always surprised by the depth of the subject. his work has a bright contrast. although the artists

use dark colors in them, one of the most outstanding works of the artist in the field, which he writes after the war in 1973, but it touches on the main theme of the work of the master war. if to speak, here in the field. listen, i believed and believe that it is if we were open and treated with love. it is a masterpiece. mikhail andreevich savitsky is a masterpiece about the period of the great patriotic war, which the boot walked on the belarusian land and our guys met him in the jean's golden field, a battle ensued. i count the picases with my gelnik, mikhail andreevich, with this canvas of the defense of sevastopol , or there, in a layer, the fascist flew in. this is on a par with the picture of the epic field, and according to the

artist, the sacred struggle is a work, for him the most expensive group of our fighters, having entered into hand-to-hand combat , holds the advance of the nazis, a huge spiked field here, as the personification of the earth. and the homeland of the field. we ask. listen show any. i wear here. there will be a solution completely solution the field is a completely simple composition, and it is really just one strip of the horizon from there, cockroaches, black beetles, creeping here, and then our lead began to fight. what could be simpler in terms of composition, but what expressiveness in

everyday life mikhail andreevich was very different, he is sometimes remembered as a cruel person, but fair, silent and sociable, always necessarily always in a creative form and modest, which is typical for an artist of a severe style, he devoted to his work and to evaluate everyone from an artistic point of view. the main thing is that in his small workshop they should be hung with canvases from ceiling to floor. paints and brushes and autumn should always have fresh apples. we had some kind of kind human, as it were, form of communication, since he was truly a sincere person , an open person. uh, an agreement, he comes to consider people without a word, and he has become adults with a line of all young masters and with masters. and of course it had open doors

for all. i think they will stubble me so they themselves one person was given to visit him in my side of my stubble on nekrasov street and, of course, this was a unique person. cross over. he was confidently illuminated at most. shmat believed it was an outstanding library. i gave her an injection of hot. he had the most walking renditions. he also has a brilliant library. here is another student in moscow. he did not go to bars to dance, because he was the same age as salakhov smolinykh. these guys are adults, who went through the war and adult pigs are older in age thirty, so he bought bought a library of one slave. he said, i'm at home. bought there was not expensive, if today such a library,

this miracle is unique, he re-read philosophical philosophical aesthetic treatises. that is, it was very interesting to him, and therefore this is art. it, of course, became so deep philosophical mikhail savitsky and is known as an outstanding portrait painter among his portrait works janka kupala pushkin and goncharov dostoevsky tolstoy mickiewicz heartfelt from a large love. the artist paints portraits of people close to him, father, mother, wife rita and son andrei in 1999. sovetsky begins work on a series of ten portraits of the presidents of the national academy of sciences of belarus mikhail andreevich will be chao academician not only fulfills the order, but studies these people. no, the artist continues to work with portraits until 2009 , and he does not work from nature, but only from

photographs, but there is an exception for the portrait of a people's artist. ulyanova e. well, it is known that e began to write from nature, which is rare for a soviet to the workshop is a separate shade of soviet hmm from the moment already, so to speak, when he went to the orbit of his fame. he literally attracted people in a wide variety of professions. uh, this is a very long list with its complex nature, it still attracted many paintings of these people the people's artist devotes to the theme of the history of the formation of the belarusian national culture the theme of peasant labor is also present in the master's work these canvases are made with expressive light colors and filled with some special sincere nobility picture in the field was written in 1971, and people who care about the future harvest should stand in front of this

canvas. why are they standing in the field in rye? this is the post-war period. who plows the whole earth? these are women who have almost no husband and no groom. now, if the tragedy is polezine. he gave the viewer the opportunity to think to stand and remember the story. what happened yesterday, where does this bread grow from? why is the theme of war in his work? - this is life and bread - this is also life in the nineties already . he creates. well even though it started work on this series is still the end of the eighties. this is a series of works dedicated to the largest man-made disaster in the history of mankind - the accident at the

chernobyl nuclear power plant, he was the pioneer. here in the development of this theme in painting, it is in belarusian art in the paintings of the evacuation that the sighted, the cross of hope, the abandoned share of mikhail savitsky reflects the events of the post-chernobyl life of people, the difficult path of overcoming the catastrophe is captured in the works of requisition. chernobyl madonna allegory chernobyl his series of paintings, black dust meets golden medal of the academy of arts for a long time, the artist keeps these canvases in the workshop in the last years of his life. he will give them to his native city. and then , basically, these are works on a biblical story and such christian themes. this is also the end of the nineties and the beginning of the 2000s after the collapse of the soviet union in the nineties. through dozens of canvases, the master openly declares his

christian worldview through his canvases. he is still looking for answers to eternal questions about good and evil, truth and truth in man and the gods, he writes on the plots of the new and old testament, a series of beatitudes. a new facet of the artist's creativity is evidence of his ability to think in images of a broad philosophical universal nature. mikhail savitsky in 1998 paints a picture on a biblical theme and there is a version that in the picture in the image of the modern and both. self-portrait mikhail

savitsky deservedly entered the history of belarus as the greatest master of contemporary art. the uniqueness of his skill lies in the fact that throughout the entire period of creativity his works have not lost their relevance and significance, the creation of a personal gallery. it was the cherished dream of mikhail andreevich savitsky galina ladisova. the director of the museum of the history of the city of minsk , an art critic, began to carry it out with the decision to award him the title of hero of belarus at the end of 2007, an order of the head of state was adopted. he is the creation of this personal gallery. and of course, this process was very difficult. that's because

for the gallery it was necessary to choose a building and this the building, of course, had to match, but this, uh, a unique artist, but i must say that there are not so many in our country. here are the personal galleries. ah, individual artists. um, well, mikhail savitsky really deserves it and the gallery is such a place. the main place of his memory. and here is creativity, that is, there are permanent exhibitions and visitors can come and see at any time. e of his works, the decision to create a gallery is made during the life of the artist , it is mikhail andreevich who chooses this building, as the location of the gallery, with his consent, the building is reconstructed and completed as a museum object of dual purpose. combining actually. an art gallery and an exposition related to the

history of this building were offered in several rooms in several buildings and along zabitska street. that's according to cyril and methodius that's but uh, like a real artist? he saw exactly in this one in this old mansion he saw. here, probably, i saw my gallery and my works, because really this enfilade is such a construction halls hmm classical architecture. it naturally contributed to this image, but the gallery is located in a building on the territory of the upper city at 15 svobody square, a former urban estate of the 18th century with an extension at different times of the owner. the estates became famous for weddings in the middle of the 19th century, the house

was acquired by the mayor leopold del paza, then the building was transferred to the men's religious school after the war and until 2004. here is the recruiting office of the minsk regional military commissariat gallery, because, uh, it has a permanent exposition, that is, which is presented by the creative alla andreevich a. that is, this is the beginning of his work. this is his personal, and objects, and this and here is a fragment of the hmm workshop. and so let's say transported here from nekrasov street here well, it's wonderful that the gallery has an exhibition hall. ah, the exhibition hall in which we have the opportunity to present it

to represent artists of all kinds. e level e not only works of belarusian artists, but also many foreign e, projects. ah. and it's a cloak. and this is what, in general, mikhail andreevich dreamed about in the last years of his life, the soviet one is seriously ill, he suffers a stroke, but until the last day he works in his workshop with his signature sweater under the throat and felt boots, as the consequences of being in concentration camps, but at the same time, sovietsky walks a lot in the studio, he is energetic and always with a brush in his hands in our commission. though he asked me to come with a canvas, or you like me, come with a canvas. well, how can i write? i'm

a little artist, so to speak. and i can write the great one i worship and adore, but suddenly i write, bad, it's best to write it. it could be abstract, then he would not find fault with anyone artist. he is very picky and then fair. i wrote it. e. well, he says, he finally took the canvas and came to me, but listen. if the husband only allows not good. if possible, let him let me, that is, i need to write two more holmes two and then i can leave. i

didn't ask, i was embarrassed and still embarrassed. it's good that you didn't ask. well, you know what a thought mikhail savitsky died november 8, 2010 buried at the eastern cemetery in minsk well, the memory of him, of course , continues to live today. the national art gallery in sofia, as well as in many of their other colleagues, sovietsky himself had a principled position regarding his works.