the year is the most important event. yes, not only in the xx century in general in the history of mankind. yes, for a very interesting conversation. and i hope that no matter how they argued, historians did not evaluate the revolution, and belarus can preserve better and more confidently forward. thank you. thank you.

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, on the air, the program say, do not be silent in the studio of victoria popova and svetlana smolonskaya. and today our guest is actress director and producer natalya bondarchuk good afternoon. good afternoon dear very beautiful ladies. natalya sergeevna we return all the compliments to you, and we remind our viewers that natalya sergeevna is the performer of the main kings in the cult pictures of solaris andrei tarkovsky star of applied happiness. e vladimir motyl is the daughter of two people's artists of the ussr sergei bondarchuk and inna makarova and we are very happy to see you in our studio, let's talk about the anniversary of the cult film solaris by andrei tarkovsky this year he turned 50 and on the anniversary, as we know him. here's how you feel about the first question , i have a wonderful attitude to such transformations of legendary films, and i am very grateful to e karen shakhnazarov, our director of the mosfilm concert cinema, who personally takes part. here

digitalization of these masterpieces. and in general, if you come to visit me at mosfilm with pleasure, you will see very interesting new ones. well, firstly, there is bondarchuk square. yes, there is tarkovsky street, and quite recently, my friend, and not safronov, made a huge beautiful portrait of tarkovsky right here on the facade of the building, you understand, that is, he is sitting. uh, shukshin under the red viburnum, that is, these corners, which, uh, you understand that you have come to visit. to the artist. not only just at the movie end here. and the fiftieth anniversary was extremely important for me, because i would see the picture again, i understood that i would see the picture renewed. i am the force in the hall. it was e in the house of enthographers the hall was full. i saw

the picture as if it was made yesterday, but there is nothing new from myself. no, i mean no, it's like new. no, the thing is, the last time i saw it was in london, er, that means the picture it was a small one, but the whole festival of tarkovsky all the films and i represented solaris and there were such finesses, but i also spoke with yankovsky at that time he was still living, i oleg said e, he says how passed the premiere. the premiere went brilliantly to a full house. but as a movie, it didn't suffer. i say, you know, here are the stripes appeared chatinki such everything. i say, well it's like good wine. yeah , you know, which lies for a long time, and then like this after the taste, but if vadim ivan-hours. would see this movie new you mean, uh-huh where everything is respected. here is the light, he would be happy, he would be

happy. let's take a look and remind our viewers of a small episode of the film and continue our conversation. it doesn't matter why a man love it at all differently. it's not chris, he has nothing to do with it. and you? i hate all of you. i would ask you, i beg you, do not interrupt me after all woman. yes, you are not a woman and not a man. understand, you finally, if you can understand anything at all. and you are only its repetition mechanical repetition copy of the matrix

, believe me according to your recollections, during the filming of yalta films, tarkovsky joked a lot, was cheerful, sociable and even sang, and this does not fit in with the generally accepted opinion that he was gloomy closed no, he was not gloomy, but now this episode is not reminded me of our most beloved scenery, which you know, that's everything to a millimeter, that's everything in this amazingly perfect library.

this is a collection of the best that was in humanity. it's, uh, a death mask. pushkin this chinese dragons and so on. that is, the earthlings decided to take spirituality with them when the american films were. they couldn't take anything. they do n’t have such an ancient culture in their history at all, therefore, he’s tarkovsky, he’s yalta to me and suddenly began to read such poems and you went through the crayons beggarly foot, trembling alder in the ginger-red cemetery forest, burning like a printed gingerbread and i say so naive, these are your poems. he says, fool, if i wrote such such poems, i would be so bad as the cinema did not do. that's how he treated the

poetry of the silver age, something on the side. here and uh, the poetry of his father, what he compared. yes, cinema is like art with poetry. he's an order of magnitude higher. and he could also speak music, but there is no aria on the field, i say, what is it, well, i say, and you you can't be surprised, well, yes, well, you did. you had a piano and could. yes, but this torment was for me. and here is my son. and he became a composer ivan burlyaev. yes, we will definitely talk, let's get back to us, when the picture solaris was awarded, the prize was a special prize, the jury, bright, flash, they also read your book. is it like you? run with tarkovsky by the hand into the hall and were almost late for the show, saved, the princess of monaco seems, yes, the princess of monaco is here. well, one more thing

saved me. i was in a dress from hares, here it is and i'm running. i say andrey sergeevich we will be late 100% rip my dress. i'm talking seam. here , here, ruin it so tore, and we had time for women. i understand you very well, because i'm like a chinese woman, it's just that this film, in my opinion, became the highest grossing yes in the history of filmography. do you know, we discussed this with the son of donatz banionis at the beginning? well, it was the kind of movie that was watched by a, well, a limited number of people, and then, in addition to grams and de jure, we received a protestant catholic church award. and these countries were obliged to buy a painting and only me with donatas offended 50 countries sometimes released tarkovsky, that

is, and he received a total of a huge number of viewers, we can’t read giant now, it’s impossible. and then the movie hit the screen again. and not only was there a premiere at the cinema house, and the countdown from the ministry of culture went well at the box office. you see, that is, there are hmm such eternal themes that the soul of tarkovsky always responded to, and you have his favorite film. you know, i have all my favorite films, but especially sacrifices. why did i watch it with andrey's dad he was sitting here arseniy, so to speak, but there were no more merchants. and now i remember the last footage of the boy who did not speak, he spoke at the end and said at the beginning there was a word. and why is dad and my son andrey dedicated to andrey

no. here is his dad sitting, you know how it was. incredible and of course, for me, uh, well, of course, solaris solaris he is. i probably watched this movie most of all , here on earth on planet earth i watched this film. and now i will never forget a couple of japanese sitting in some country. i speak english and suddenly they stop me and say. thank you divine picture listen where is japan our picture. it somehow really penetrates into the most hidden corners, and after all, andrei predicted in this picture. you can only love what you can lose. the house is the motherland of a woman, well, what

prophetic words for him the author of a literary source, by the way, was against stanislav dalam, you know, he was not against it. i just really love. lema actually. i have loved fantasy since childhood. and by the way, like a book, i andrey senchuk passed it from hand to hand when i was 13 years old. i already read it, but he did n’t, he was a student, uh, a geek, and i met him at the dacha, see you cigarette lighter. and now i want to say that stanislavl he wrote science fiction, after all, he is closer to space. he is interested in him. it is from tarkovsky that the conscience of a person is interesting, the soul of a person, and therefore. no, we're talking about space. and who are we where from why and what sins remain forever, can you say that the

film is better than the book for me? yes, he is wiser because this solaris is these guests that arise on that planet. it's possible, what we'll have to go through after going there, it could be our own sins. this is how they materialize and say, and i'm with you, it looks like it looks like yes it looks like a word about film adaptations. your father. i can't call him anything other than the great and mighty sergei bondarchuk received the academy award for war and peace today, in your opinion. which of the russian directors in general is capable of pulling such a large-scale picture, no one, and i want to say, i asked the motel when he was making the film, uh, the star of applying happiness and recounted what he experienced in senate square when he tried yes rebellion de i'm talking about weakly war. yes, not for

what, that you don’t at all, because, well , imagine, uh, dad, here he is standing in the role of pierre yes pierre and behind him 20,000 people 20,000. how is it filmed? well, he had an e departure from life. he also had a cardiac arrest in this picture. then, maybe they were in a hurry. uh, furtseva demanded an ending, and so on. everything was limited and then our cinema was not sharpened for such large-scale films. and everything was created in the process of alabin's cavalry regiment there and so on and so forth. that's what's left with him. in general, there are not so many people, and then yusuf came to the aid of the red bells, and, er

, they fought for the motherland, he received such a powerful ally in the form. uh, vadim yusov is my favorite operator. and now i'm shooting with a student of vadim yusov. maria, uh, the solovyovs. you know, i'm generally very pleased. this continuity that exists in our cinema. well, this year, nevertheless, nikita mikhalkov said that russia would not nominate his film for the oscar, uh, nikita sergeevich is the chairman of the oscar committee and uh, some filmmakers disagreed with him, in particular pavel chukhra. and alekseevich is a teacher. they left the committee. you have already said that, in principle, you do not see such a film and such a figure that could represent russia at the oscars, maybe we would have presented something and only chances are not enough you know, he says since the hollywood movie disappeared from us yes, but a hole has formed. i

want to say a lot of cinema. now closed due to the fact that there is no content, i just spoke with ours, but with representatives. i'm aleksey, but our films went on, but not in the dressing room and not near the toilet hang our posters that we are here, i will never forget this came. she is. uh, a metro movie, a good movie, everything and only american posters with some kind of scary monsters and somewhere near the toilet, which means that this is the kind that the metro is going on. i am think it is. what kind of humiliation in our cinemas do you understand in ours? i came to barnaul kalina red festival such over at the very beginning now they have already got rid of it and at the transformers cinema and then here is such kalina red stockings-sticks, where is the transformer, where the knee

is red, and i call the boy in chelyabinsk child, i say what is your favorite russian film actor 14 years old, everyone laughs at schwarzenegger's boyfriend, but he doesn't, because in russian cinemas. we only have american actors represented now this no. chance. it's a chance, of course, it's a huge chance. and now those films have been released that have not been seen during this time somewhere in the backyards somewhere out there somewhere now they need to be shown, it’s a shame that you haven’t seen them, because in the fourteenth year you were still called a documentary film, personally i am concerned about ukrainian events, and your sergey bondarchuk will remind our viewers of the ukrainians, he was born in the village of belozyorka, kherson region, and today's events, as they resonate in you. and if the idea is to make a documentary. you know this will all be later, but i'm sure that somehow it

will affect my work. i cannot be outside of these events. well, firstly, i managed to shoot the film gogol, the closest to my homeland. yes, uh, gogol, but already with dad. and he has such a film, and centuries released e, planet bondarchuk sergey fedorovich and there he says they have already begun to divide gogol, so if you ask, participate in the debate. well, of course, i'm participating, who do you consider russian gogol or ukrainian, what kind of world writer? world writer understand? i really love this actor eugene rarely. this is my masha, my daughter. she is with me at the festival now. i want to say that wonderful ukrainian artists filmed. and when i was making a film about my dad, bogdan stupka gave such

an interview amazingly. i love him very much, but these same artists. everything is on the other side now. i understand them, therefore, my heart is torn in half from exactly, and i remember the voloshin elements, and the civil war, and i alone stand between them and pray with all my strength for both, because this one is violent when people e in ukraine is forced to go to the ato by force and we understand this when we hear it. yes, when they get to us, if they get arrested, then you understand that this is a war. not only ukraine and russia, these are really political games , games in which our countries are so involved.

well, like, well, you say that communication is interrupted. that's what you understand offensively with people from whom you know that everything will come, everything will return. but when this is a different issue, and culture has to play here, the unifying role should by no means dividing we must remember who is stupka we must remember who is davzhenko, i would like to remember your meetings with the artist and thinker roerich. and when you asked him all these questions. and what will happen to russia, he told you that everything will come down, not everything will pass, it will come down . i have three meetings in the ninety-second year from the ninety-third beginning, he passed away. you understand how important it was and india thanked me for taking his pictures and taking pictures here netron, because here devika joyce is at the beginning. here she is turned away the secretary. behaved very so

to put it mildly, not exactly. but he said to svyatoslav nikolaevich, don't worry. russia itself occupies such a geographical position. she will keep all her energies. here, he says the energy in life is to meet your elder, but he calmed you somehow, you don’t have to say that he calmed you down. he is more, so to speak, a wiser man. he knew, uh, but he always said, let's strive for the beautiful, and the word is beautiful. this ugly. it's fine. this is a higher level of consciousness of beauty, when dostoevsky said that there beauty will save the world, but in order to save the world, this beauty must be distinguished. it must be lowered into the heart, it must be formed. you see, tarkovsky could sing any aria, he

drew superbly, uh, there, uh, he developed himself by sergei bondarchuk uh, before making a fat man, he read all 90 volumes, tolstoy, you understand, that is, self-education is the artist's main business. if you want to stay, here they are at the level go down, because yourself now it is not required. yourself is required so. and the requirements of our time let's talk after a short pause , i remind you, we have a telegram channel. say don't be silent. subscribe to ask questions. offer guests we are in touch, and

for this you need to choose exactly my project. i'm tired of living by your schedule. i didn’t plan anything at all and i don’t intend to. i got hurt because of you. you got hurt because you didn't listen to me. lena, i'm very sorry that you got hurt, and i would like to apologize to you. i don't need your apologies. i wanted to ask you to be my fiancé. i will refuse, before it's too late i do n't want to know if i snore. here is a questionnaire for you, everything you need to know about me and a courtship plan. and secondly, it's not a woman. this is a collection of boring rules and templates. watch the series high relationships this weekend on belarus 24/7 tv channel - this is a

project in which within 20 minutes you will learn more about the key events of the past week that have gained the most of your likes on our social networks. make exciting online travel through the most picturesque corners of belarus and make your own rating of documentaries and series that you should watch. watch us every friday night. on the air say again, don't be silent, and we have the honored artist of the russian federation natalya

bondarchuk natalya sergeevna as our guest. e books from two to five roots ivanovich is my favorite author from 2 to 5 e, this book is great. i remember that i had 4 years. i got bumps. i have an apron like this. i got bumps. this is how korney ivanovich chukovsky was carrying cones to the fire, i was four years old. she threw it into the fire and loved it very much. and i already remembered all these tales by heart. my grandmother used to read and has a good childhood memory. i was indignant that the children read not his works, but what kind. there the bear fell on some kind. i think how they can read to such a person terrible poems, it turns out at this time. he created this book and who is the wife of the goose, who is the

caterpillar, and when was my child of four years old born? i say, well, this is a squirrel, you see that her nose. what are those ears? and from behind you see how fluffy it is clearly, you understand? i clearly, yes, that is, uh, words of education anew in a language child. this is a phenomenal thing and the brilliant chukovsky is in his book from two to five. one day i'm walking with my grandmother and she says, you see, there's another writer. here he is, how clever uh, apple tree, so they whiten it like that, you know this one, uh, this column, i'm talking about a children's writer. he says, not quite boris pasternak. yes, and you certainly could not know how he was persecuted at that time.

yes, but mom mom, then i remembered she was at this meeting, when it was necessary to raise a hand so that he was kicked out of the union and she did not raise it, and at that time the television was right on her close-ups of them. i do not know what it cost her, but there is always keep silent. shut up. you will get, in general, today you often remember alexander galich in this phrase. i am galich in general, he loved me very much. and he specifically dedicated some songs. ah, my favorite song. here come the soldiers. yes, along the bridge, well, to the east, oscillatory movements the law of physics of the 19th century, the clan and the soldier kupala, together the bridge failed, goes, well, the tsar was thrown off the companies, again he is walking again in step

again on the bridge, but the tsar was thrown off, but the law of physics remained and the conclusion don't walk in step, walk each in your own way. yes, i was close. in general, where they sit there. well, how can they not be called such residents here, but people who understood and who had to encrypt a lot, like larisa hissing the release that this is really a film only about the war. this is a movie. i would be people, and in every film there was something hidden on top of what we saw and many understood this, and to some extent even the best films. uh, religion was replaced at that time. people understood that this is divine, solaris is divine rubles. it

's divine. well, of course, they didn’t forgive it, and they didn’t forgive dad either, and he, too, is like him, for example, and since he is sergei, he was born on sergius day, and comes to the set. we will shoot a good church. just fix it up. well , for the need for then to speak well, they brought the guy. well, ontation, the church is even better. let's go through the order and how up to the seven temples yes, they remembered everything. e the day when he was buried, how he saved the temple, and you did not know about it. no, i knew something, but i didn’t know in such a volume, and he took this amazing shot when kutuzov e prayer is not going oh, icons, and my mother has the main

icons. uh, now she is my relic, this is vladimirskaya the mother of god who was donated by soloukhin back in soviet times, he is a collector. and he was, of course, he got it for this, so this is the atavism that we went through. and now you know it in our country, and belarus was in the ark, this is a unique place. this place of power will be and i definitely want to return there and mother. they told me all this, and batiushka told me how they started to make these frames with five rubles and made this beauty all this extraordinary asceticism, by the way, in english word feat no. no, not at all. there are heroes hero yes, i remember yes, a hero, but a feat no, this is a purely russian concept.

here and here is this asceticism. i see how it is gaining strength, and in other catholic countries, on the contrary. eh, going down. there are some warehouses . well, in general, they disappear, as such places of worship and goes, you know, it seems to me that our time lacks one such common world word of mercy. honey, show your anger? everyone can show mercy this is very important it doesn't matter in the war. you are behind enemy lines, somewhere the child is left alone mercy and then we will win this battle with sorry with the dark forces that are always on the planet, not always there, but now, according to

your feelings, the alignment of the snare, what well, that is, we are already close to to show no mercy to each other. no, not yet, while this is this, then this is an aggressive start. uh, i would say, a worldwide aggressive start. well, just uh, uh, there were different studies. here is the power of good. yes, if a person of light wears light from him goes, then he is capable of what to overcome? what? one it's not equivalent there. that's so much darkness. so much light can be defeated by one ray of darkness, as we asked svyatoslav nikolaevich where to start, he says today? do your job a little better than yesterday. tomorrow is a little bit better than today and there will be cosmic progress. but it's

difficult, because you will be shot down, you will be told. yes, this will not work. yes, where are you going? why are you making a film, exchange about children with special needs. where do you get money from, who do you give? i have 5 rubles. dali, everything else is the most minsk premiere of your film, others, took place this week. uh, why are you interested in this topic to tell, and the fate of people in the community, not only the community, but also with cerebral palsy. and in general, uh, dress them with developmental disabilities. i encountered my first autistic 20 years ago. there was such a school in the baltic states. firefly, i saw a child who looked at the wall and did not react to anything. i say it's autism. and then i became interested in this problem and it turned out that e there are 15% more children with this syndrome every year. and how why, you are in deep nobody

knows the answer is not the origin of the disease and that's it. i don't think it's a disease. and you know what it is, that it is an attempt of evolution to change a person. change they are different they are different. they see the world differently. they don't lie. never directly always. they say they are very talented sometimes savants who are brilliant, but in one thing, for example, painting is amazing, i had a girl who took part in the play, she played amazingly on the piano tchaikovsky bach and so on, and tie her shoelaces. she couldn't do that. here, look, if an attempt at evolution, they are asocial, that is, they do not need, i need society like i need. yes, and it is necessary to have time to understand them. that is,

to meet them halfway and they understand us. otherwise it will be division, it will be fraught. like any division, any division at all. this is bad. this is bad, and any attempt to unite. e. understand each other to hear each other, so my next film. and i very much i dream that it is there was a series, i will even talk to your television, so that yes, with boris korchevnik. i already talked about the series. uh about children with special needs and i hope that uh we will gradually the next film will be called a different dialogue. let's continue with the children's theme. you, uh, said that roerich taught you to do your job. okay, and you keep doing it. and you shoot. continue to shoot children's films and in minsk you presented your new work on marshak. burn burn. it's clear. and we know another

example. this is alexander adabashyan in his twentieth year. he released a film about lyolya and minka based on zoshchenko's children's stories please tell me children's content. whether it finds its viewer comes to viewers. this is what i find why because i also have my own theatre, because i'm 35 years old. i'm all the kids you see here, the costumes are all, this is my theater. here is the girl who starred with me. yes, she lost my student's mother 40 e. with something summer she left and life and now the child. uh, stayed with us and i take part in it doesn't matter if she becomes a personality, an actress, a director. it doesn’t matter to me personality, and we traveled half the world with uh, the theater. and we were quite recently in kazan, we were received. e, kazan, e, better, e, the palace.

uh, uh opera and ballet with one of the biggest stages in russia in general and we are a full house. we played performances twice in a row for 12 months. it was such a charge. well, the movies are in the cinema. here in these now you understand what's the matter. we worked so hard that we destroyed all the children's cinemas, but not at your place, i mean, when made the film pushkin the last duel. i was surprised to see that there were queues, that you , uh, have state cinemas. and we didn't have them. we are all commerce commerce and the latest children's cinema. there sparkle pioneer they disappeared even the name disappeared. and where to show them, and now and now everything is

being built anew, pushkin's maps and so on and so on, but now everything is being replaced by the internet, this is also a problem now. you see, we are leaving youtube e to rut-yu. i mean, the content is russian and it is also still very difficult to get used to it, to find there, for example, even some of your films. well, you know, uh. everything has its time, we have such an ascetic. i remember when pushkin's last share. we took our son here. uh, i remember, and i haven’t been to minsk for a long time, so we are bringing these reels , more reels there with film at all. well, as wanderers, it means, for example, we had means on the russian one and suddenly we crossed the border calmly, completely moved, i think why it’s so clean oh, what green fields? oh, paperwork, no parking lots have been removed. that's how you have hey and

tops in e in theaters and the fact that you show your films that your studios release on the first screen, and then you take care of the rest. thank god this is a huge advantage. i am proud that i have an award e from your president. a very beautiful name. now it will take a little less. and i have such a crystal here is such a crystal some kind of castle. it's all inside, it's very beautiful , he's my main one. my such exhibition uh surface is worth it. here i love him. here, apparently after all, they made sure that it is not in vain that it is difficult to make a film; the oligarchy did not go through with us and private cinemas did not form, but the system of film and video distribution was preserved. hey, i just wanted to ask you this question. your mother is a brilliant actress. makarova left quite

recently in 2020, and in a program on ntv e you showed the audience your mother’s apartment. you know, natalya sergeevna in modern times. well , why did you add journalists here with these questions, in general, this is an act to keep in the center moscow apartment of my mother and thought about how to make a museum there, not to sell it, not to lose it. it's hard for me to go there, because sometimes when i come back from somewhere in the center and we come past my mother's house. i think we should go to my mother and still and of course, mother. and my grandmother, anna ivana german, is a siberian writer who raised me, since my mother, the actress, often traveled, it was very difficult for her mother. e husband of the director, like some of them yes, but she

had a daughter, the director, and i filmed my mother before you know the last one, uh, after all, she left for 93 years and until the very last moment. she recited the poems of elizabeth stewart high rain and so on. she was an actress. she is an actress. she is in childhood, when an asterisk fell. she guessed. i want to be an artist during the war too. she went to alma-ata, she and luchko entered there and ended up. sergeevna che gerasimov of our teacher. so you remembered the star of accepted happiness, solaris. but i starred in the picture of my teacher. it was a great happiness, red black and youth of peter in the beginning of glorious deeds. and these roles with eremenko and a balakhvostik. we started when we were well , something i was 18 years old in the second year in the

giko already rehearsed. who knew that it would be a diploma, and then such a luxurious film this is happiness. and gerasimov of course, hmm absolutely. here is his name in huck now and i understand that what he has done for our cinema has brought up. kiss, cry. you understand sergey, gerasim is a handsome man who, uh, watched over our growth. i like what he recommended to you, as thoughts to action to go about it, your husband nikolai bulaev, ex-husband, told us about this program . yes, yes, i mean, there is nothing left in our time. i am very sorry that kolya in general he has an iconic face. you know how larisa shipitko spoke about him and his angel

really kissed him as a child. so he has something. here he is, if you give him e, then the image of pushkin, he looks like pushkin, like lermontov he played yamatov. e in hmm in sergeran. yes, there are samples terrific says, how much funds do you need? so i save time all the time god, how i save her, but thank god to me and the children help him the theater, and in general, close people are somehow not angry that yes, okay, but we won’t buy it, we won’t buy it, but i have seven grandchildren, and we will talk about close people in the next part of our program. while we take a short break, i remind you that we have a telegram channel. say don't be silent. there you can suggest guests to us or leave your comments. we are in touch. on the air, say, do not be silent, and we are visiting

actress director producer, natalia bondarchuk let 's talk. about the family, your father sergei bondarchuk said that he did not see how his children grew up, because he spent his whole life on the illusion of cinema. we are your subscribers with svetlana very luda your facebook and probably understand that you managed to avoid the trap of this illusion. you are always with your family. yes, i am always with my family and when i needed my son was 4 years old and choose a topic. i am a movie. i realized that we have already watched 100 times. uh, all children's films also had a problem. by the way, soviet times also had a problem with children's cinema. cinderella looked. this is a living rainbow. my first. and the children who were filmed at the yalta branch, in which our

stefania was filmed with anyuta, the brilliant stefaniya stanyuta played so amazingly and, uh, played my mother nikolai burlyaev, little vanyushka, and even then the theme was bambi's childhood because i read a book. and this team remained mine for a long time and sasha filatov and that's it. by the way, this is the first film where my sister alena bondarchuk was filmed, which you look like two drops of water. yes, she's just a little taller. me tall. but it looks like we are on the screen. we have a sample photo of you. yes, the photo of kalash is even dear, my mother said to makarov that it would have turned out well . that's where alyona bondarchuk and where yes natalya yes but alenochka, it was very difficult to overcome not only dad's fame. not only my mother's irina konsaerskogo, but also mine. i

was already known as solaris and so on. he, but i really like her film, uh, amber wings, where they starred together with irina konstantin, and the cameraman was my then our permanent cameraman solovieva natalya sergeevna now we will show another photo with fyodor bondarchuk. and i have such a question. i asked you that after all, the bondarchuk breed, it is very strong. you have different mothers, but it is still clear that you yes, this one is from the same root, and your children. here you see them . here is the pondarchuk line, or is it already the burlyaev line, and you know both this and that uh-huh both this and that, but when here quite recently ivan was born to fyodor from paulina, yes, ah, uh, there was an addition. polina was born with us, well, one face this is a rare case, probably, when all of you,

but you have seven? well, as of now, not all of them are here, polina is not here, and vera is not here, older grandchildren, yes, this is the eldest, yes, these are vanilla, my mother didn’t really like acting at that age. he says you're here so it didn't work out. well, let me reshoot it somehow. yes, the actress, you know, she wants to look good. and for me, uh, these are photographs. well, yes, of course, this is my mother, yes, and she and i owe the phone, as she reads the latest poems, but i don’t spread it. this for me. mum. this is my mother, she is somewhere there and she is us, i always feel such an eye. that here she will help here, she will help. help here, guardian angels. that's our ones you think, now it helps. i think both grandmother and mother are necessary, and in 1982 my

grandmother passed away, and i had a very happy year. so i started filming, just a live rainbow, then bamby's childhood, then he was from bambi, it was absolutely wonderful. eh not that. i generally love children's cinematography. i realized that you then bembe generally entered this children's theme. yes , and fairy tales are already impossible to come out of fairy tales, but i know i don’t want to waste my time on something like that. you know, how the butterfly left, and everything was forgotten. there was no dream to make biopics about our great people. and pushkin and gogol are allermonts. well, if lermontov did this, nikolai petrovich burleev, and i should have had another lermontov . this skirmish began and in the pushkin film the last duel. he appeared there very worthily in the role of lermontov, but they let me down with me, they signed a dishonest contract and

began to collect, besides me, money. i realized that these are swindlers, but it’s too late and it doesn’t exist, but it’s my duty to talk about the main thing for me myself. i never worked for some uncle and whatever his name is, yes, yes, i want to make a film about pushkin i shot eight episodes one love of my soul. and pushkin's last duel with bezrukov is already a very difficult film, but for me it is very important, here are all those actors who watched, here the picture convinced me that it was necessary, because there was no biography. pushkin seventeenth of the year. we have to tell our viewers. they will be

interested in this way, and with whom she has been living for 30 years, you live with an actor and whose cream was mentioned and the actor director i have such a friend in life, he does everything when necessary in india there in the himalayas somewhere he shoots like a cameraman . by the way, i also learned how to shoot, and he plays brilliantly. here are other films, he plays. eh, adult autistic so. that people came up to me saying how he plays and he became a friend of my family completely, that is, the children consider him grandfather igor yes, on a par with grandfather collie maria in your daughter, he considers it to be a daughter, a daughter, a daughter, although, uh, she is incredibly attached to her father and kolya burly pays

such attention to his children and grandchildren three children dress directly, and surprises me. how can you bear such organics in them, amazing in these children. the three of them gather, the noise is such a gamma inactive hyperactive one can say for you if they gather seven times. do you know how some beauty, but they are rarely collected. it was in the coronavirus that i gathered everyone and i had the world football champion transferred to my site. the left striker was a year and a half old, and he scored it, which means that this one i was happy that the children did not have such a closed territory, and my mother received this site back in the fifty-sixth year, and he saves us all there part is given to vanya's family with four children. i have an amazing daughter-in-law, an opera singer. when i hear opera voices with masha here at the opening of the festival, i think oh mine is no worse than ours. you know what

praises yours, husband, the second burlyaev sang ivan to his son, tears roll down his cheeks when he is on him, and his talent as a peasant and composer, he says, unfortunately, we have to finish our broadcasts. we know that you should and not only you, and somehow related to the belarusian union of photography. yes, yes, vasilyev generally paid such attention to me now and we are health, including he starred in the films of my cousin andrei malyukov. i think victor does big deal big deal. he brought us together with filmmakers, there was gushchina and natasha in orley, all of us and your filmmakers. and it's like one family. we are well, what is a cinematographer, this is, in general, gypsies. we are all the time on the road all the time on the roads and so on

filming. uh, then on the sites here, then there, i so want, uh with your artists with our artists. to shoot something now worthy of the love of the audience, so that they cry from scurrying, so that they become a little easier, wherever they are, because now is the time when every person who understands what kind of time is needed. pizza on the union that's what we were talking about, and sort it out . it's bad. yes thank you. thank you very much for this conversation. we hope natalya sergeevna that this occasion will come very soon, we will discuss the premiere that you will make a joint russian in belarus about this. and what do you wish? well, i don't know any, in my opinion. you are such a bright person that you have everything , in my opinion, you took place at all, what do you think, what do you dream about? what else, of course have. ah, a dream come true. there is her

death at the same time, so you need to dream. further, i dream here. bring your theatre. and we svetlana smolenskaya victoria popova say goodbye to you today , goodbye. goodbye. and now natalya bondarchuk is speaking, my dear viewers. the people who live in such a beautiful country of pure radiant belarus are my favorites. let's meet on creative platforms. let's watch wonderful films and performances. and i hope that i will come very soon here again.

the old folk wisdom in our program would have sounded seven times, answer one build this is our formula for success two teams and several stages of blitz questions from the host. in which country does easter island belong? funny they are sharp they get like this you know the answer is nothing, who will win this intellectual struggle, who created the theory of relativity? albert hey, this is the correct answer, you all think that this is how the girls hold on to you, we thought it over unanimously. we thought and daria decided to look at

tower project on our tv channel.

the release of land is an important strategic task today they say the president of vitebsk region of belarus with the work.