hello, on the air, the program say, do not be silent in the studio of victoria popova and svetlana smolonskaya. and today our guest is actress director and producer natalya bondarchuk good afternoon. good afternoon dear very beautiful ladies. natalya sergeevna we return all the compliments to you, and we remind our viewers that natalya sergeevna is the performer of the main roles in the cult pictures of solaris, andrei tarkovsky, the star of applied happiness. e vladimir motyl is the daughter of two people's artists of the ussr sergei bondarchuk and inna makarova and we are very happy to see you in our studio, let's talk about the anniversary of the cult film solaris by andrey tarkovsky this year it turned 50 years old and by the anniversary, as we know, it will be digitized. here's how you feel about the first question , i'm fine with such transformations of legendary films, and i'm very grateful. uh, karen shakhnazarov, our

director of the film concert at mosfilm, who personally takes part. here are the numbers of these masterpieces and in general, if you come to visit me at mosfilm with pleasure. well you will see very interesting. well, firstly, there is bondarchuk square . yes, there is tarkovsky street, and quite recently, my friend e, not for safronov, made a huge beautiful portrait of tarkovsky right here on the facade of the building , you understand, that is, he is sitting. uh, shukshin under the red viburnum, that is, these corners, which, uh, you understand that you have come to visit. to the artist. not only just at the movie end. so the fiftieth anniversary was extremely important for me, because i will see the picture again. i understood that i would see an updated picture and in the hall it was e in the house

there was a full hall of integrators. i saw the picture as if it was made yesterday, but there's nothing new from you prices. no, i mean no, it's like new. no, the thing is, the last time i saw in london, uh, that means the picture it was a small one, uh, completely a festival of tarkovsky all the films, and i represented solaris and there were such thoroughnesses, but i also spoke with yankovsky at that time he was still living, i oleg said e, he says, how was the premiere. the premiere went brilliantly full of halls. but as a movie, it didn't suffer. i am i say, you understand, these are the stripes appeared chatinki such everything. i say, well it's like good wine. yeah, you know, which lies for a long time, and then like this after the taste, but if vadim ivanovichusov. would see this movie new you mean from here.

uh-huh where everything is observed the light he say goodbye. he would be happy, he would be happy. let's see, uh, and remind our viewers of a small episode of the film and continue our conversation. it doesn't matter why a person loves it in everyone differently. it's not chris, he has nothing to do with it. and you? i hate all of you. i am i would ask you to ask you and interrupt me all the same woman. yes, you are not a woman and not a man. understand, you finally, if you can understand anything at all. hari no, she died. and you you only its repetition mechanical repetition a copy of the matrix can

be i become a man. and i feel no less than you. believe me according to your recollections, during the filming of yalta films, tarkovsky joked a lot, was cheerful, sociable and even sang, and this does not fit in with the generally accepted opinion that he was gloomy closed no, he was not gloomy, but now this episode did not remind me of our most beloved scenery, which was lined up. you know, that's everything to a millimeter,

that's everything in this amazingly perfect library. this is a collection of the best that was in humanity. it's, uh, a death mask. pushkin this chinese dragons and so on. that is, earthlings decided to take spirituality with them when the american film was. they couldn't take anything. they have a history they have such an ancient culture no at all, therefore, is he tarkovsky what is he, right? and suddenly began to read such verses and you passed through the crayons with a beggar 's foot, a fluttering alder forest into the ginger-red cemetery forest, burning like a printed gingerbread, and i say so naively, these are your poems. he says, fool, if i wrote such such poems, i would

not be engaged in such stupidity as cinema. that's how he treated the poetry of the silver age, something on the side. here and uh, the poetry of his father, what he compared. yes, cinema is like art with poetry. he's an order of magnitude higher. and he could also speak music, and on the field to me such and such an aria, uh, i say that what, well, i say, but you can not be surprised. well, yes, but you did. you had a piano and could. yes, but this torment was for me. and here is my son. and he became a composer ivan burlyaev. yes, we will definitely talk, let's get back to us, when the picture solaris was awarded, the prize was a special prize, the jury, bright, flash, they also read your book. is it like you? run with tarkovsky by the hand into the hall and were almost late for the show, saved, the princess of monaco seems, yes,

the princess of monaco is here. well, one more thing saved me. i was in a dress from hares, here it is and i'm running. i am i say, andrei silevich. we'll be late 100% rip my dress will be like this i say, along the seam. here break it so broke, and we had time in a feminine way. i understand you very much, because as a chinese woman, you know, this film, in my opinion, became the highest grossing yes in the history of filmography. you know, we discussed this with the son of donatz banionis at the beginning. well , it was the kind of movie that was watched by a, well, a limited number of people, and then, in addition to grams and de jure, we received a protestant catholic church award. and these countries we were obliged to buy a picture and only i

offended with donatas 50 countries sometimes released tarkovsky, that is, and he received a total of a huge number of viewers. we can’t read a giant now, it’s impossible. and then the movie hit the screens again. and not only was there a premiere at the cinema house and the ministry of culture counted out, it went great at the box office. you see, that is, there are such eternal themes to which the soul of tarkovsky has always responded. do you have a favorite movie of his? you know, i have all my favorite films, but especially sacrifices. why did i watch it with dad andrei, he was sitting here arseniy there, but there was no longer a merchant. and now i remember the last footage of the boy who did not speak, he spoke at the end and said at the beginning there was a word. and why is dad

and my son andrey dedicated to andrey no. here is his dad sitting, you know how it was. incredible and of course, for me, uh, well, of course, solaris solaris he is. i probably watched the most. here on earth on planet earth i watched this film. and now i will never forget in some country sit a couple of japanese. i speak english and suddenly they stop me and say. thank you divine picture listen where japan uh huh where god is common on for ottoman japanese u and where uh. our picture. it somehow really penetrates into the most hidden corners, and after all, andrei predicted in this picture. you can only love

what you can lose. the house is the motherland of a woman, well, what prophetic words for him the author of a literary source, by the way, was against stanislav dalam, you know, he was not against it. i just really love. lema actually. i have loved fantasy since childhood. and by the way, just like a book, i'm andrey senchuvich. passed from hand to hand at the age of 13. i already read it, but he didn't. he was a student. e v gecko. so i met him at the dacha, see you cigarette lighter. and so i want to say that stanislavl he wrote science fiction after all, he is closer to space. he is interested in him, this is tarkovsky, interestingly, the conscience of a person is the soul of a person, and therefore. it's not about space. and who are we where from why and what

sins remain forever? can you say that is the movie better than the book for me? yes, he is wiser, because this solaris is the guests that appear on that planet. it's possible, what we'll have to go through after going there, it could be our own sins. this is how they materialize and say, and i'm with you, it looks like it looks like yes it looks like a word about film adaptations. your father. i can't call him anything other than the great mighty sergei bondarchuk received the academy award for war and peace today, in your opinion. which of the russian directors in general is capable of pulling such a large-scale a picture of nobody and i want to say, i asked the bloodworm when he was making the film, uh, the star of applied happiness and told me what he experienced in senate square when he tried

the rebellion de i'm talking about weakly war. yes, not for what, that you don’t at all, because, well , imagine, uh, dad, here he is standing in the role of pierre yes pierre and behind him 20,000 people 20,000. how is it filmed? well, he had an e departure from life. he also had a cardiac arrest in this picture. then, maybe they were in a hurry. uh, furtseva demanded means ending and so on. everything was limited and then our cinema was not sharpened for such large-scale films. and everything was created in the process of alabin's cavalry regiment there and so on and so forth. that's what's left with him. in general, there are not so many people, and then

yusov came to the aid of the red bells, and er, it means that they fought for the motherland, he received such a powerful ally in the form. uh, vadim yusov is my favorite operator. and now i'm shooting with a student of vadim yusov. my uh, nightingales. you see i am generally very pleased with it. this is the continuity that exists in our cinema. well, this year, nevertheless, nikita mikhalkov said that russia would not nominate his film for the oscar, uh, nikita sergeevich is the chairman of the oscar committee and uh, some filmmakers disagreed with him, in particular pavel chukhra. and alekseevich is a teacher. they left the committee. you have already said that, in principle, you do not see such a film and such a figure that could represent russia at the oscars, maybe we would something and presented only chances. you understand, until now, how hollywood cinema has

disappeared from us, yes, but a hole has formed. i want to say many cinemas are now closed due to the fact that there is no content, i just spoke with ours, and representatives of karl i am alexey but our films went, but our posters hang not in the dressing room or near the toilet, that we, you, i will never i’ll forget, i came to uh, the metro movie is a good movie, everything and only american posters with some scary monsters and somewhere by the toilet, which means like this, the subway is coming. i think it is. what kind of humiliation in our cinemas do you understand in ours? i came to barnaul kalina red festival like this, but it’s at the very beginning now they have already got rid of it and at the transformers cinema and then here’s such kalina red

stockings-sticks, where is the transformer, where the knee is red, and i call the boy in chelyabinsk a child, i say which one your favorite russian, film actor 14 years old, schwarzenegger's guys all laugh, but he doesn't, because in russian cinemas we only have american actors were represented now it is not. this is a chance. it's a chance, of course, it's a huge chance. and now those films have been released that have not been seen during this time somewhere in the backyards somewhere out there somewhere now they need to be shown, it’s a shame that you haven’t seen them, because in the fourteenth year you were still called a documentary film, personally i am concerned about the ukrainian events. your father sergey bondarchuk will remind our viewers of the ukrainians, he was born in the village of belozyorka, kherson region, and today's events, like respond to you. and if the idea is to make a

documentary, you know it will all be later, but i'm sure that somehow it will affect my work. i cannot be outside of these events. well, firstly, i managed to shoot the film gogol , the closest to my homeland. yes, uh, gogol, but already with dad. and he has such a film, and centuries has released uh, planet bondarchuk sergey is a philosopher of the century, and there he says they have already begun to divide gogol, so ask if you participate in the debate? well, of course, i participate, who do you consider the russian gogol or ukrainian writer of the world? world writer understand? i love this actor yevgeny radko very much. this is my masha, my daughter. she is with me at the festival now. i want to say that wonderful ukrainian artists filmed. and when

i was making a film about my dad, bogdan stupka gave such an amazing interview, i love him very much, but these same artists are all on the other side now. i understand them, therefore, my heart is torn in half from exactly, and i remember voloshin's poems about the civil war, and i alone stand between them and with all my might, my satyah and for others, because this is violent when people in ukraine are forced to go into the ato by force and we understand this when we hear it. yes, when they get to us, if they get arrested, then you understand that this is a war, not not ukraine and russia, these are really political games

, games in which our countries are so involved. well, like, well, you say that interrupts the message. that's what you understand offensively with people with whom you know, everything will come, everything will return. but when this is a different question and here culture must play a unifying role in no way separating, we must remember who stupka is, we must remember who davzhenko is, i would like to recall your meetings with er, the artist and thinker roerichs. and when you asked him all these questions. and what will happen to russia, he told you that everything will come down, not everything will pass, it will come down. and more precisely, i said, this is, uh, amazing. i have three meetings in the ninety-second year from the ninety-third beginning, he passed away. you understand how important it was and india thanked me for taking his pictures and

making vot netrona, because here devika joyce is at the beginning. here she is turned away the secretary. behaved very so to put it mildly, not exactly. but he said to svyatoslav nikolaevich, don't worry. russia itself occupies such a geographical position. she will keep all her energies. so he said the energy in life is to meet your elder, but he reassured you. yes, somehow this internal does not need to be said that he reassured. he is more, so to speak, a wise man. he knew, uh, but he always said, let's strive for the beautiful, and in the word beautiful. it's not beautiful. this is wonderful. this is a higher level of consciousness of beauty, when dostoevsky said that there beauty will save the world, but in order to save the world, this beauty must be distinguished. it needs to be let into the heart, it needs to be formed.

you see, tarkovsky could sing any army, he drew superbly uh, there, uh, he developed himself sergey petrovich bondarchuk uh, before making a fat one, he read all 90 volumes, you understand tolstoy, that is, self-education is the main business of the artist. if you want to stay, right here on the level they go down, because you don't need it now. yourself is required so. and the requirements of our time let's talk after a short pause, i remind you, we have a telegram channel. say don't be silent. subscribe ask questions and suggest guests. we are in touch and our guest is the honored artist of the russian federation natalya bondarchuk natalya

sergeevna your childhood was spent at the famous writer's dacha in peredelkino and your neighbors were boris parsnips and korney chukovsky can you say today that you were with the author of e book from two to five korney ivanovich my favorite author from two to five? uh, this book is great. i remember i had 4 years. i got bumps. i have an apron like this. i got bumps. this is how korney ivanovich chukovsky was carrying cones to the fire, i was four years old. here she dumped into the fire and loved him very much, and i already remembered all these tales by heart. my grandmother read her good childhood memory, but i was outraged that children read not his works. and some of his own there mishka fell on some kind of. i think how they can read terrible poems to such a person,

it turns out at this time. he created this book and who is the wife of the goose, who is the caterpillar, and when i had a child of four years old, and i say, well , this is a squirrel, you see that her nose. what are those ears? and from behind you see how fluffy it is clearly, you understand more, right? that is, here are the words of education anew in a child's language. it's a hairdryer. and the ingenious chukovsky is in his book about two to five. one day i am walking with my grandmother. and she says, see, there's another writer there. here he is, how cleverly, uh, an apple tree, so they whiten it like that, you know, this one, uh, this column, i'm talking about a children's writer. he

says not quite boris pasternak yes, and you certainly could not know how he was persecuted at that time. yes, but mother mother, then she did not remember being at this meeting. when it was necessary to raise a hand so that he was expelled from the union and she did not raise, and at this time the television was right on her close-ups. i don't know what it cost her but there is always keep quiet. keep quiet, you will fall into the executioner in this phrase today you often remember alexander galich and i generally loved galich very much. he loved me, and he directly specially dedicated some songs. ah, my favorite songs. here come the soldiers. yes, over the bridge. well, uh, there are oscillatory movements on the bridge. the law of physics nineteenth century companies of soldiers kupala

failed together, well, the king threw off his mouth, again walking again in step again over the bridge. well, the king was thrown off. and the law of physics. i got up and the conclusion is not to keep pace, go each in your own way. yes, i was close to in general to dissidents. well, how can they not be called such dissidents, but people who understood, and who had to encrypt a lot, like larisa hiss. in liberation, what is this is not a film only about the war. this is a film about christ about july, and in each film something was forbidden on top of what we saw and many understood this, and to some extent even better films. uh, religion was replaced at that time. people understood that this

is the divine solaris and that divine ruble - this is divine. well, of course, it was not forgiven, and dad was also not forgiven, and he, too, is like him, for example, and since he is sergey, he was born on sergius day, and he comes to the set. we will shoot a good church. just fix it up. well, for the need for later, he says well led, well, ontation, the church is even better. let's get it in order. and like up to seven temples. it was all remembered. the day when he was kept, how he saved the temple, you did not know about it. no, i knew something, but in such a volume i don’t know, and he took this amazing shot. when kutuzov

prayer does not go to the icon, and my mother has the main icons now, she is my relic, this is the vladimir mother of god, which soloukhin was donated back in soviet times. he is an icon collector. there was, of course, he got annoyed for this, so this is the atavism that we went through. and now, you know , in our country, and in belarus, i was in the ark, this is a unique place. this place of power will be and i definitely want to return there and mother. they told me all this, and batiushka told me how they started with five rubles and made these frames and made all this beauty, this extraordinary asceticism. there is a word feat, by the way, in english the word feat is not. no, not at all. there are crap. yes, i remember yes, a hero, but a feat no,

this is a purely russian concept of russian. here and here is this asceticism. i see how it is gaining strength, and in other catholic countries, on the contrary. eh, going down. there are some warehouses. well, in general, they disappear, as such cult places go, you know, it seems to me that our time lacks one such common world word mercy. show mercy? everyone can show mercy, it's very important. it doesn't matter in war. you are behind enemy lines, somewhere the child is left alone mercy and then we will win this battle with

sorry with the dark forces that are always on the planet, not always there, but now, according to your feelings, the alignment of forces, what, that is, close. we are already in order to show mercy to each other. no, not yet, until this is this , then m is an aggressive start. uh, i would say, the global aggressive start. well, just, uh, studies were different. here are the forces of good, yes, if a person of light wears light comes from him, then he is able to overcome something? what? one it's not equivalent there. that's so much darkness. so much light with one beam can defeat the plague, as we asked svyatoslav nikolaevich where to start? is he talking today? do your job a little better than

yesterday. tomorrow is a little bit better than today and there will be cosmic progress. but it's difficult, because you will be shot down, you will be told. yes , this will not work. yes, where are you going? why are you making a film about others about children with special needs. where do you get money from, who will give it to you? i have 5 rubles. dali, everything else is the most minsk premiere of your film, others, took place this week. uh, why are you interested in this topic to tell, and the fate of people with silver palsy, and in general, uh, about children with special needs. i encountered the first 20 years ago. there was such a school in the baltic states. firefly, i saw a child who looked at the wall and did not react to anything. i say it 's autism. and then i started to wonder this problem and it turned out that e children with this

syndrome becomes 15% more every year. and how why, you are in deep nobody knows the answer is not the origin of the disease and that's it. i don't think it's a disease. and you know what it is, that it is an attempt of evolution to change a person. change they are different they are different. they see the world differently. they don't lie. never directly always. they say they are very talented, there are savants who are brilliant, but in one thing, for example, painting is amazing, i had a girl who took participation in the play, she played amazingly on the piano tchaikovsky bach and so on, and tie her shoelaces. she couldn't do that. here, look, if an attempt at evolution, they are asocial, that is, they

do not need, i need society like i need. yes, and it is necessary to have time to understand them. that is, to meet them halfway and they understand us. otherwise it will be division, it will be fraught. like any division, any division at all . this is bad. this is bad, and any attempt to unite. e. understand each other to hear each other, so my next film. and i really dream that it was a series, i will even talk to your television, so that yes , with boris korchevnikov. i already talked about the series. as for children with special needs and i hope that we will gradually the next film will be called a different dialogue. let's continue with the children's theme. you, uh, said that roerich taught you to do your job. well, and you persist in doing it and taking it off.

continue to shoot children's films and in minsk you presented your new work on marshak. gori burn. it's clear. and we know another such example. this is alexander adabashyan in his twentieth year. he released a film about lyolya and minka based on zoshchenko's children's stories please tell me children's content. does the audience find its audience? this is what i find why because i also have my own theatre, because i'm 35 years old. in general, here are the kids that you see here, the costumes are all this. uh, my theater is a girl who starred with me. yes, she lost early, my mother, my student 40. e. with something summer, she left both life and here is the child. e, stayed with us, and i take part in making her a personality, it doesn't matter, an actress, a director. it doesn't matter to me personality, and we traveled half the world with uh, the theater. and we

were quite recently in kazan, we were received. e, kazan, e, better, e, the palace. e opera and ballet with one of the highest prices in general e russia and we are a full house. we played performances twice in a row for 12 months. it was such a charge. well, the movies are in the cinema. here in these now you understand what's the matter. we worked so hard we destroyed all the children's theaters when but not with you i want to say that when make a film pushkin's last duel. i was surprised to see that there were queues, that you , uh, have state cinemas. and we didn't have them. we are all commerce commerce and the latest children's cinema. there sparkle pioneer

they disappeared even the name disappeared. and where to show them, and now and now everything is being built anew, pushkin's maps and so on and so forth, but now everything is being replaced by the internet, now this is also a problem, you understand? we are leaving youtube these people. i mean, the content is russian and it is also still very difficult to get used to it, and to find there, for example, even some of your films. well, you know, uh. everything has its time. we are so mobile. i remember when pushkin last duel. we took our son here. uh, i remember, and i haven’t been to minsk for a long time, so we are bringing these reels , more reels there with film at all. well, as itinerants, it means, for example, we had so on the russian one, and suddenly we crossed the border calmly, completely moved, i think why purely oh what green fields? oh, pieces of paper, no

parking, all removed. that's how you have hey and tops in e in theaters and the fact that you show your films that your studios release on the first screen, and then you take care of the rest. thank god this is a huge advantage. i am proud that i have an award e from your president. a very beautiful name. now it will take a little less. and i have such a crystal here is such a crystal some kind of castle. it's all inside, it's very beautiful , he's my main one. my such exhibition uh surface is worth it. here i love him. here, apparently, they still made sure that it was not in vain that the oligarchy did not pass and private cinemas were not formed, but the

system of film and video distribution was preserved. e, i still wanted to have time to ask you such a question of your mother. the brilliant actress and makarov left quite recently in the twentieth and twentieth year and in the program on ntv e you showed the audience your mother’s apartment, you know by now natalya sergeevna well, why did you overcome journalists here with these questions , in general, this is an act to keep my mother’s apartment in the center of moscow and think about how to make a museum there not to sell it not to lose it it’s not difficult to go there, because sometimes when i come back from somewhere in the center and arrive. past my mother's house, i think we should go here to our mother and still until now, of course, mother. and my grandmother, anna ivana german, is a siberian writer who raised me, since my mother, the actress , often traveled, it was very difficult for her mother

. e husband of the director, like some of them yes, but she had a director's daughter. i filmed my mother until the last, you know, uh, after all, she left, she is 93 years old and until the very last moment. she recited the poems of elizabeth stewart high rain and so on. she was an actress. she is an actress. she is in childhood, when an asterisk fell. she guessed. i want to be an artist during the war too. she went to alma-ata, she and luchko entered there, and ended up with sergei fucking gerasimov, our teacher. so you remembered the star of accepted happiness, solaris but i took pictures of my teacher from the picture. it was great happiness, red and black and youth of peter at the beginning of glorious deeds. and these roles with eremenko and

a balakhvostik. we started when we were well , something i was 18 years old in the second year in the giko already rehearsed. who knew that it would be a diploma, and then such a luxurious film this is happiness. and gerasimov of course, hmm absolutely. here his name bears in huck now and i understand that what he did for our cinema brought up. you understand a whole galaxy from sergey gerasimov is a handsome man who, uh, watched over our growth. to me i like that he recommended you, how thoughts to action go. your husband nikolai bulaev, ex-husband, told us about this program. today he wanted to and he was told that shoot an action movie. yes, yes, i mean, there is nothing left in our time. i am

very sorry that kolya in general he has an iconic face. you know how larisa shipitko spoke about him and his angel really kissed him as a child. so he has something. here he is, if you give him e, then the image of pushkin, he looks like pushkin, like lermontov he played yarmatov. e in hmm in sergeran. yes, there are amazing samples, that is, how much money do you need? so i save time all the time, god, how i save, but thank god to me and the children help him and the theater and, in general, close people are somehow not angry that yes, okay, but we won’t buy it, we won’t buy it, but i have seven grandchildren, and we will talk about close people in the next part of our program. while we take a short break, i remind you that we have a telegram channel. say don't be silent. there you can

suggest guests to us or leave your comments. we are in touch. and the countries are widely divided by them, people with a woman from all over the avakolis are dung up in round dances, they are urging the old man to go on a gas siege, from i go through the terrod. yes, lyaglyadov. when you come here on the shore, you sit and look at the water, you calm down. you shoot yourself, well, negative emotions and send them off. i am from the edge of love to my darling. this is my homeland for most of my years. i already live here, i was born. there are already children and grandchildren here, of course. this is my glorious homeland, which is so

rich, belarus is one piece of it in the world. i am for him i’m praying for you, look at the poleshuki project on our tv channel. a belarusian scientist who was able to subdue the elements, some newspapermen call me almost an electric monster. you are not afraid of the consequences. as far as i understand, in your experiments connected with high power energy, the results of his labors were admired and at the same time feared by their local performance. he possessed some kind of supernatural power and was directly connected with perun, you know what the neighboring landowners said. narkevich threat game from their sites yakub narkevich yotka, the lightning tamer or the electric man distills all the processes in nature in

man, they are connected with electricity to control people at a distance, on our documentary. i don’t think that this is possible, at least today you can watch on saturday on belarus 24 tv channel. ether 24/7 is a project in which within 20 minutes you will learn more about the key events of the past week that received the most of your likes from our in social networks. take an exciting online journey through the most picturesque corners of belarus and make your own rating of the tv project in documentaries and series that you should watch. watch us every friday night. everything should

be perfect, because the department should be headed by me, and for this it is necessary that they choose exactly my project, a party is waiting for us. well, yes, you need to decide who to call. i don't have such problems. i did n’t plan anything at all and i don’t intend to. i got hurt because of you because you didn't listen to me lena i'm very sorry that you got hurt and i would like to apologize to you. i wanted to ask you to be my fiancé. nick, i still refuse, before it's too late, i'm wondering if i snore. here is the questionnaire. for a car, you need to know about me and the courtship plan. and secondly, it's not a woman. this is a collection of boring rules and patterns. walking

diary hardcover, watch the series high relationships this weekend on tv channel belarus 24 on the air, say, don't be silent, and our guest is actress director producer natalia bondarchuk, we'll talk. about the family, your father sergei bondarchuk said that he did not i saw how his children grew up, because he spent his whole life on the illusion of cinema. we are your subscribers with svetlana very luda your facebook and probably understand that you managed to avoid the trap of this illusion. you are always with your family. yes, i am always with my family and when i needed my son was 4 years old and choose a topic. i am a movie. i realized

that we have already watched 100 times. uh, all children's films also had a problem. by the way, soviet times also had a problem with children's cinema. cinderella looked. it's a live rainbow, my first a film for children who filmed ate in the branch in which our stephanie was filmed they played a groan so amazingly and played my mother nikolai burlyaev, little vanyushka and even then the theme was bambi's childhood because i read a book. and this team remained mine for a long time and sasha filatov and that's it. by the way, this is the first film where my sister alena bondarchuk was filmed, with whom you are like two peas in a pod. yes, she's just a little taller than me. but it looks like we are on the screen. we have a photo. samples of yours yes photo kalash even

my own mother and makarov said that they would have turned out well. that's where alena bondarchuk and where yes natalya yes, but it was very difficult for alyonochka to overcome not only her father's fame and only her mother's irina komsomolskaya, but also mine. i was already known as harry in solaris and so on. he, but i really like her film, uh, amber wings, where they starred together with irina konstantin, and then my permanent cameraman was the operator. masha solovyova natalya sergeevna now we will show another photo with fyodor bondarchuk. and i have a question for you was born that after all the bondarchuk breed, it is very strong. you have different mothers, but you can still see that you are from the same root. and your children. here you see them. here is the bondarchuk line, or is it already the burlyaev line, and you know both this and that uh-

huh both this and that, but when just recently ivan was born to fyodor from paulina, yes, uh, we had an addition polina was born to us, well one person. this is a rare case, probably, when all of you, yes, you have seven grandchildren now now they are not all of them here polina is not here and not here, verochka are your elder grandchildren. yes, these are the elders, yes, these are vanilla, my mother didn’t really like acting at that age. he says something is wrong here. well, let's reshoot me somehow. yes, the actress, you know, she wants to look. here, and for me, uh, these are photographs. well, yes, of course, this is my mother, yes, and she is even on the phone to me as she reads the latest poems, but i don’t post them. this is for me. mum. this mother is somewhere there and she is for us. i

feel like this all the time. what will she help here? here, she will help. help here, guardian angels. that's our ones you think, now it helps. i think both grandmother and mother are necessary, and in 1982 my grandmother passed away, and i had a very happy year. so i started shooting, just a live rainbow, then bam's childhood and then he was from bambi, it was absolutely wonderful. eh not that. i generally love children's cinematographers. i realized that you then entered this children's theme on bamba. and yes , it's impossible to get out. well, i know, i don't want to waste my time on something like that. you know like a butterfly left, and everything was forgotten there was no dream to make biopics about our great people. and pushkin and gogol are allermonts. well, if lermontov

did this, nikolai petrovich burgaleev, and i should have had another lermontov. this skirmish began and in the pushkin film the last duel. he appeared there very worthily in the role of lermont, but they let me down with me, signed a dishonest contract and began to collect money besides me. i realized that these are swindlers, but it’s too late and it doesn’t exist, but it’s my duty to talk about the main thing for me myself. i never worked for some uncle, whatever his name, yes, yes, i want to make a film about pushkin and i shot eight episodes one love of my soul. and pushkin 's last duel with bezrukov is already a very difficult film, but for me it is very important, here are all those

actors who watched, here the picture convinced me that it was necessary, because there was no biography. pushkin of the seventeenth year. we have to tell our viewers. they will be interested like this, and with whom she has been living for 30 years, do you live with an actor and whose cream was mentioned and actor director i have such a friend in life, he does everything when necessary in india there in the himalayas somewhere he shoots like a cameraman. by the way, i also learned how to shoot, and he plays brilliantly. here are other films, he plays. eh, adult autistic so. that people came up to me, they say how he plays and he became a friend of my family completely, that is, the children consider him grandfather igor yes, on a par with the

collie grandfather in your daughter, he considers it to be a daughter, a daughter, a daughter, although, uh, she is incredibly attached to her father absolutely and kolya burlyaeva pays such attention children and grandchildren and most importantly, materiality helps and helps financially until now, because masha is difficult with three children right, but it surprises me. how can you bear such organics in them, amazing in these children. the three of them get together, the noise is such gamma inactive hyperactive you can tell if their families are sorted out. and you know how some beauty is, but they rarely gather. so the coronavirus brought everyone together and i had the world football champion transferred to my site. the left winger was one and a half years old, and he scored it, this means that i was happy that the children were not in such a closed territory. and you mom

received this for an hour in 1956, and he saves us all there, part of it is given to vanya's family with four children. i have an amazing daughter-in-law, an opera singer. when i hear opera voices with masha here at the opening of the festival, i think that mine is no worse than ours. you know, what praises are yours, the husband of the second bureev sang ivan to his son, tears roll down his cheeks when he is on him, and his talent, peasants and composer, says e, unfortunately, we have to finish our broadcasts. we know that you are friendly and not only you, and somehow related to the belarusian union. yes photos. yes, yes, leader vasilyev generally paid such attention to me now and we are health, including he starred in the films of my cousin andrei malyukov. i think victor is doing a great job. he brought us together

with filmmakers, there was gushchina and natasha in orel, all of us and in your filmmakers. and it's like one family. we are well, what is cinema cinematographer, this is, in general, gypsies. we are all the time on the road all the time on the roads and so on filming. uh, then on the sites here, then there, i so want with your artists with our artists. to shoot something now worthy of the love of the audience, so that they cry from scurrying, so that they become a little easier, wherever they are, because now is the time when every person who understands what kind of time is needed. unification is what we were talking about, but sorting it out is bad. yes thank you. thank you very much for this conversation. we we hope natalya sergeevna that this occasion will come very soon, we will discuss the premiere that

you will make a joint russian belarusian sword. yes about it. and what do you wish? well, i don't know any, in my opinion. you are such a bright person that you have everything, in my opinion, you took place in general in everyone. what do you think you dream about? there is more, of course. ah, a dream come true. there is her death at the same time, so you need to dream. further, i dream here. bring your theatre. and we are svetlana smolonskaya. victoria popova is with you today goodbye, goodbye. goodbye. and now natalya bondarchuk is speaking, my dear viewers. people who live in such a beautiful country of pure radiant belarus are my beloved. let's meet on creative platforms. let's watch wonderful films and performances. and i hope that i will come

here again very soon. every day we experience a million emotions. we can be happy, angry, surprised, sad, sometimes our emotions are beyond our control.