and this will not be a mistake in the post-soviet space. there are four surnames that are relevant today . this is grigorovich, this is vinogradov, this is an elfman, of course, this is valentina nikolaevich ryazan of course, each of them received a large amount of advance payment, but he also fights with a hidden visor. here is something infantry's house. we would never have simply, why am i addicted, there is my father. e was an officer in the baku military district. he was a participant in the war. he was a gun commander and on the ninth day of the war in their the guns were hit by a shell and practically all were killed. his father was also two live bait. and this was in western ukraine, and by the last hospital train they managed to take him deep into russia, and in this

way he was captured by me and had the opportunity to increase. uh, to the hospital. my mother's story is also very amazing. she was a refugee from ukraine and when his sister died of starvation. mother father two remaining brothers. she was picked up. well , where to go? well, where to the krasnodar territory in sochi , that's when i learned in the ninth grade and all a class of girls was drafted into the army, there was already a division there. edelweiss there caps, greatcoats further english boots that scoffed. here is the port. further, the weapons for the girls are still the royal three- line fun, it is 16 kg, you represent marriage.

peace to those who enter your city. architecture is the same as part of ballet. this is frozen music. rather , it is 1001 nights, azerbaijan has a lot of wisdom of oriental people. i would very much like to show such a miracle, this is the president of the academy of sciences of azerbaijan.

he did not work on a soundbar, and therefore he had frequent business trips outside the city, so more often upset with my mother in the family were three older sisters. she died as a baby. then i went to the younger sister. she lives, in principle, here he has a wonderful family of a monarchist. we are at the war memorial cemetery.

it's a pity that it is very rare to come here. this is where you need to stop. yes, this is the house. this is a very nice yard. there were a lot of games here, there were sports grounds, and they were

very well organized at that time, i had a restless nature. yes, she came out. she to me called roller here, too, other sites have changed. miracles again, in my opinion, it was somewhere in the ninety-third ninety-four years. i then worked in turkey. so i conducted a lot of orchestras there and they asked me to invite them. one of the best ballet companies. that's when i met. with valentin nikolaevich. or the sarin of temperament - this is the blood that flows in your veins ; of the east, he knows perfectly well the restraint of the north.

his greatness here is to combine it. this is great skill. this is the door, but here is self-construction. here it was a two-story house in the second apartment, which means that you go to the entrance like this and immediately the apartment yes well, he was losing weight twice. well lorda have a salad? the bride lives. there are two rooms , here is a large room, and the bedroom goes there. yes, this huge apartment has become from a two-room three- room. yes thank you thank you very much told about that when he was uh a student, uh

school of cariography. i have repeatedly invited him to the azerbaijani internet theater. uh, when honored masade uh, the artistic director gets sick of the corpses. she invited their most capable talented young ballet dancers there to some certain mass performances of some kind. marketing there. this is like a visiting card for our theater. all the time i wanted to learn from good teachers, and the moscow leningrad school was very famous in those days. and i consulted with my parents, they supported me and i went to leningrad indeed, very dear and close,

but a lot of good impressions are connected with it and not very good and evil good bad and so on, but i love this city. this is a very beautiful street and the conservatory is located on theater square opposite the mariinsky theatre. so my hometown .

see what the imperial dance school used to be called. this is my teacher. gennady herring, i found out that it was not even signed, but the roots of valentin nikolaevich they are here they are here in leningrad in st. petersburg and what is remarkable it was the first the graduation of the then still completely young selyodsky, who made his first graduation, and the boys in this graduation class were valentin nikolayevich elizariev and rejep abdyev, that is, such and subsequently developed from creative personalities. that is hello now oh thank you very much uh-huh, belarusian pike. i remember giving you this book. the director's office here used to be the

director's office, only the entrance was on the other side. yes , they say, i don’t remember that, i was met in leningrad, settled in a boarding school, fed at the expense states. they put on a hat, a coat, shoes, a school uniform, moreover, they drove saturdays and sundays to the theater in general better than you there in leningrad at that time, they didn’t give us any seats to sit. we are on the i on the tiers on the steps here, well, we considered it a great happiness for ourselves that we had the opportunity. we are at the mariinsky theatre, i have been here hundreds of times as a little boy , now i am pleased. see you soon.

in general, i am talking about those people who really did something worthwhile in the soviet union at that time. i am i simply have tremendous respect, because , firstly, no one in the soviet union was allowed to, let’s say, not a leading position, but a position that would influence the formation of a generation, they all command very great respect from me, because they went through a giant selection in their senior year, he had a hand injury. there is such an object of dual range, and on which you need, uh, to take your partner up and put him on your shoulder, right?

let go there she again and again take the plant on the other shoulder, but i came across such a large girl on her right shoulder and planted her. lowered to the left planted, and she began to throw herself and fall. and my hand got under her back and she. they managed to catch her from behind, she didn’t break, but i twisted and torn the whole bag, shoulder ligaments. a very serious injury. i remember that they immediately took me to the military medical academy. i got to a very good doctor in the military format. he was korean. as you can see, i own both the left and right , he gave me back the life of this hand, decided not to lose time to go somewhere further to study, because i won’t be able to dance even with such a hand with such

an injury. burdocks live the present and we looked, as it were, through him into the future, because he was an innovator. this is the mariinsky theatre. here, and on the contrary, this is the conservatory, which i graduated from, however, now it is all in the forests, as you can see, restoration is underway, but

here i spent 5 years at the faculty of music directors, department of choreographer. so this is my home. we met at a wedding, bolgar married a russian. i dont like, when the music is loud, but at the wedding they love it. i say make it quieter there they did it quieter, then someone did it again, louder. and once nikolayevich invited me a second time. and here i really liked it. uh, how he dances when the music is loud again or what kind of idiot cars are the music so loud all the time.

he was blue-eyed, blond curly. here but and then gradually e he became interested. and practically he fell in love with himself, he has these, but with the ability, but to infect people with himself when i i meet valentin nikolaevich today i somehow endure that i lived with him for a while, uh, at one time in a hostel on zenitchikov in leningrad, and then i kind of, well, how to say, was a witness to his nascent love and his, so to speak, marriage is everything was in front of my eyes. he showed me or not, and besides the fact that he was a great guide to laziness in the city. he read bulgarian symbolist poetry very well and at the end of the first year of my stay. i got married, not

only the union of a man and a woman, yes, but also very uh, a strong creative union uh, because uh they always u discussed all their projects together. e planned. and here it seems to me, the opinion of each other. uh, the most important thing for them is the two conservatories. she graduated from her physical and leningrad one. you can always consult with her. and i really trust her taste. well, well, i gave birth to beautiful children. how can you not love someone for that? so i initially understood that i needed to go by the wayside, then if i was in bulgaria with six opera houses, i would put on a performance 2-3 a year, and then

i would have realized myself as a specialist much more, and therefore for valentin it is the best for him to make a career in the soviet union because they love ballets more and it really happened, that is, fate decreed in its own way. 26 years to get such a bolshoi theater in terms of structure

, even financing, after all, we must not forget that minsk is one of such important a-a centers, this is not my big language. this is a big risk, the minister of culture, who for some reason believed me very much. after st. petersburg to the city like this on me, well, not made a big impression. uh, but son of an impression, especially in the nude. i used this many times in my performances. then he has such a magnetism in this scene, this is a very beautiful swordmaster of the same age as us we have gathered. he told us about his first

performance about his some. dream, it was his first big work in our theater, he told and showed very beautifully. kiss kiss can be close-up? this is the most important thing in life. sometimes i just would have come to this performance differently and staged a performance about a woman on her three flights towards life, flight to meet love and flight to meet death. this material was suggested to me by this playwright. it's not me, i'm completely different in life

, this is a language that is incomprehensible at first, this is a language in which it seems, well, after all, kicking legs started with this, there and so on, and it came to this amazing me to an amazing emotional perception. as music, suppose it is unique and perfect in the sense that it bypasses the stage of awareness of the listener, it immediately affects the emotional the sphere and we perceive it with sobs there or vice versa with reverence. he does not even fully understand why these feelings arise in us more and more. one that no one has and nowhere even no one has come close to this, not in any of the performers. pocket. you see, there is no such thing that carmen especially killed, it was suffocating in his arms, they killed with a knife. to somehow talk about the

performance that you are composing, but it’s funny, because it’s so personal. i felt it, in general i really like the performance, in which the center is a woman because she is a woman. this is the beginning of all the beginning, he can, like a man, show the feminine essence. that's literally half a look. it is definitely for intellectuals. very lyrically passionate. well , marina, i know that she was a ballerina, she was beautiful in appearance and her soul was beautiful, and in fact it’s all very visible on stage, artists are born, thanks to the capabilities of choreographers,

thanks to their eyes, thanks to psychologism, because everyone chooses a person in their work who perform certain tasks on that he was able to appear in this theater were young people, a very talented group, on which i relied on sound art and i am very grateful to them for this, several generations have passed since then. they were the first performers of many of my performances. it’s normal to do it normally on yura’s knees, i don’t even imagine how a performance can be born without co-creation. we are not a sport where you need to perform a certain movement for such and such a number of points and so on. we have a

content country. we have emotions often in this synthesis art develops deep thoughts. he came one day to the rehearsal. said it would be the birth of eve to do. and literally every finger had such movements, no. we needed to stroke the grass and push it apart and see who exists in this grass, and i had to. to review a lot of uh works on painting, he draws. he, uh, lives in the rhythms

of music, he perfectly understands the plasticity of the body, its patterns, its beauty and uh, on the other hand, it is very seriously and deeply connected with imagery, that is, it penetrates there to such an extent that, in general, it sharpens all the details that can only be done with the help of plastic art. i still listen to this music while dancing. and when i come as a spectator. and when i sit in rehearsal. i'm getting it somewhere far, far away. this is a biblical legend. so real even today

. and it seems to me that if this performance were carried everywhere, around the world, people would become better people. a grain of sand, but very important in this world and the future depends on it and earth and sky and all natural elements. on the one hand, he is very. small and vulnerable here, but on the other hand he is very strong we must. when at the creation of the world here near the theater there were such crowds that were regulated by the mounted mounted police, that is, you understand what an event it was at that time, he was a revolutionary, because he staged ballets, in general, many in a completely different way than they went in the soviet union did not existed did not

exist before the arrival of valentin nikolayevich he created this ballet alone in leningrad and moscow school of classical ballet, and he created an audience. the public in belarus, which is well aware of being ill, this public is able to appreciate the first, let's say, correspondence acquaintance. it happened to him, as it happened to the choreographer. here, in the kirov theater then it was, if i'm not mistaken, 1977, i was still quite young, but a student. uh, choreographic school to me vaganova i am passing , uh, past the poster that was on the facade of the kirov mariinsky theater. saw a huge such a poster made written choreography valentine stop animated by a headache in my country, belarusian cameramen valentin today was a big victory,

the director of vlezaev, the performance showed itself perfectly. i didn't know that music could be like that. uh, i didn't know you could think of me that way. uh, the artistic body is a kind of clay. nikolaevich who worked with the music of the 20th century, and with its such outstanding ones. amen in their faces everything from the starovinsky sergey sergeevich prokofiev of the belarusian composers, who were on the wave, so to speak, so to speak very serious is the development of music for ballet. and it seems to me that he felt it without mistake. his thinking is symphonic. it is very nice when the choreographer thinks more broadly and how he knows the composer in parts across, he knows his past and his other works. he doesn't know his style. he knows the character, he knows his traditions of music. it seems to me that there is a duty officer if

he is going to work on his topic, nikolaevich. he must be well prepared, indeed, real good music connects us with god here i am convinced. s, uh, well, the theater should have another plot. i don't like puzzles on stage, they annoy me. maybe someone understands whether this is a tribute to fashion or a tribute is simply not modern, like that no one knows that spartak is always completely luxurious khachaturian's symphonic music, it required an adequately very strong choreographic series of strong. i mean, you understand, because

we cannot fully understand the times. of course, they are here, and artistic ones are interpreted, but from what there is an emotional wave from the stage. you understand that choreography has its own artistic text. i have not been so worried for a long time and i really look forward to seeing how there were so many flowers on the stage in moscow. and now i remember this applause. elizabeth was so happy and there huge bouquets brought growth from one rose fell to the floor. he quickly picked her up and dressed her in pizza. and he was so happy that he

had such a great success of these tours then , in the eighties, he had just entered the ballet. spartacus many specifically went to the second act of the orgy of decoration. of course, i would not say that he made a sexual revolution in the soviet union because he made a sexual revolution in the belarusian ballet in soviet politics. it's true. he talked about the fantasy film, in which plesetskaya was filmed, and the composer rodion shchedrin called who was making a special suite from tchaikovsky's work. here he responded. of course i was very interested. here it was not. how many then 20-8 years were filmed on central television. here such a studio there was huge, like this auditorium. the best author was invited. well , it is clear that yevgeny tchaikovsky was a priori,

ahead of everyone, well, shchedrin himself studied music. eh, i was doing anatolia as a director, frost was doing choreography, and cardens was also involved, who made all the costumes for this film and donated it. that's it, my personal charm is a huge number of letters from indignant soviet viewers and the policewoman loved to quote these letters and said that people wrote that they were screens. i remember this premiere, i remember this excitement, because

that after all, such a topic in the soviet union was not very good, then you can, uh, it’s surprising that in the belarusian ussr this was suddenly allowed. then then it raised a question. how could this have been missed? for a harlot , she is so captivating, but in no way in no way is she vulgar. eh, and here it is. i really have the best at least at the moment when i was dancing, i was terribly complex, and it seemed to me that i had something wrong there, this, not that, in principle, erotic art. yes just a valentin nikolaevich managed to do it, he could not cross the line. yes, there is. that's because, uh, he has ballets in them with a mouth, it's true, but

she's very beautiful and elegant. there is a very beautiful body, she never crosses the line. there is nowhere not only nastya, i have an old dream. in order for the belarusians to be the best, the union did not believe for a long time that the soviet union might collapse, that this really happened, because suddenly all these 14 republics. they were beyond some line uh beyond the line. yes, i did not just say that we did not notice. i did not notice anything at the bolshoi theater at all. well, you know the big theatre, it lives above that cherry on the cake, which looks at everything from above, something is happening somewhere, where it all broke up the soviet union and a new government came. e democratization, bulgaria experienced, then

they were completely impoverished and, of course. uh, here, uh, he supports my parents in many ways, if it depends on him to help someone. he never refused, and he helped a lot of people, especially his ballet students, who were finishing their ballet a life. here they tried to arrange it somewhere so that they would not remain only for e, here are pensions in the nineties. i watched the premiere of e, rodned passion, e, which was created together with e, on the russian composer andrei divan and valentin nikolayevich. i have already seen more often, because i was there at the conservatory. andrei yurievich taught, then he would have offered her a fry to work. of course, i didn’t know how to do it, i did n’t know what i could do. here, well, the very idea,

is it so, has passed the intelligence that the performance, that it is a slag, you understand, this is for the composer. above honor it can not be. for the first time on the theatrical stage, we will pull out the baptism of orthodoxy. it's very significant no one did. such a costume of rogneda elizave came up with a dance so very weighted, when she, as if on the door of gami under her costume, we made with a huge number of different details of some kind of beads, burdening with a huge crown the performance that received the pencil case. yes, this

award is like an oscar in a movie. and that's why the performance of valentin nikolayevich lives so long, because they are structurally very accurately built and it is deposited in the subconscious. but the performers, especially those who worked with them. for a long time they are very good, and they learned ah. here is his way of working. i can't say that he is harsh, he is attentive. he looks and reads the artist for the future, when i just came to college, choreographic and first year of study and came to take the girls to the performance of passion paragge,

because the girl always danced because of the glorious for me it was a shock, of course, when i saw some the keys don't work because it was standing many. here we are four girls stood and took out talking. well, who knows the order, and i said i well, get up, one of the moments, uh, politics in the theater e, it goes on and from childhood at the machine it’s like at a factory, order is order. everyone chooses his own form of dictatorship. all artists. hey, who was dancing? more than this, not nikolaevich and under his leadership. eh, everyone knows perfectly well how, uh, he is firstly present at everyone and everyone knows where he sits and in what position he sits and in what way he looks, and uh, always in his eyes on him. regulations on the chair can you understand? e, respect goes well or not very well, he has survived very much today. an important rule happens in all their performances. and

this is important, it is useful for those who are on stage, and this, of course, is important for the artist, that is, for himself. e, who creates this here, this is the whole phenomenon of valentin ilizarev. he is not only talented, but an outstanding choreographer. he is also a very talented organizer. this is not given to everyone, in general, to a creative person, but it is given to him. i feel good, kind attitude. i feel it, and we have it mutually. i want to know how to implement. uh, valentin nikolaevich’s ideas don’t want his performances, m-m thanks to my performance, but developed they flourished so that they would live and i think that when he sees this, he also has gratitude to the

artist who gives his life his creativity in order for his creation to live. it 's like his children, we rehearsed, in my opinion, romeo and juliet or swan lake, and he said, i bow to you, you are so fragile, such work you have a hard one. you're standing on those flanks, what's going on with your fingers? and so i was so surprised that valentina nikolaevich still had the image of such an uh, rather tough person. and so, when he said this phrase, i understand that this person has everything and what they say about him, that he is severe. and probably, there is some truth in this, he is a strict dad. yes, but you know in many respects a fair theater, as in any creative team, there is a lot of intrigue, a lot of envy, a lot of meanness, and the ability to find the most important and

prioritize and be fair. and this is very important. here he is a very reliable person. and he has a very strong human moral a-a core. yes, he has one very bad trait that he explodes, he can offend a person with his scorpions. here he is, maybe sting. that's anyone and many do not forgive him. i will tell you one secret. only a very close circle knows this, but we keep saying that it's all about the hat. i came to the bolshoi theater to order a hat. and leaving, i asked the man i say, where is valentine nikolayevich and i was told that he had not been in the theater for a long time, he did not work. some was not very, a

pleasant story, and he is at home valentin nikolaevich experienced a terrible dear. so he could n't understand how it could be? after 30 years of working for the belarusian ballet on belarusian art, he was thrown out without hesitation. decided well. leave, there is no empty space. he doesn't like betrayal, and he doesn't like people who can betray for money for position. he immediately breaks ties for him, these people stop exist. unfortunately, when i worked in the theater already in anti-creep, i was resting, let's say, at that

time and there was no live contact, when there were live people together and his performances were going on, of course, only he can convey to the artist what he conceived it was valentina nikolaevich that organized conservatory higher ballet education. and here is the chair from the karelians their cadres of necessity. for many years i watched valentin nikolayevich already in the classrooms, as a professor who, on the one hand, took his place in the chair, and on the other sides. of course, he showed worked with students for 9 years, went missing a lot of hmm performances, which were not born such beats, aha heart. but he managed, however, you know, he lost his health. i went out to the theater, found his phone and called him.

she said that valentina nikolaevich i think that just a lot of people are very busy now and probably do not understand what happened or simply do not know that you are not working. and what, i am doing everything possible to ensure that your seventieth anniversary is celebrated in the theater, yuri helped a lot grigorovich, he wrote a letter to the head of state, he drew attention. on this. naturally, there was an anniversary, then there was an offer to return to the theater. and i left on my own. i don't blame anyone. i forgive everyone everything. i like autumn. well, such yellow leaves are golden. yes , we live in seasonal non-reptiles. here it is in september. there until july in the season. this is how we live, and everyone lives guessing, there from january 1, the subsequent first january of next year is a funny

life. and when do i get ready for rehearsals? of course i'm getting ready. alone i compose different parts for many people in the mirror everything. this is a person who is here in the theater from morning until late in the evening and even on weekends he comes, because the theater is not only his home. but that's what holds. i love the feel of the natural environment. probably i was very lucky in my life that i have been doing what i love since childhood

and i probably need a profession for people. this is where a miracle happens. a miracle gives birth to ordinary people, such as, for example, i consider myself, here, in this miracle, a huge team is involved, a very modest person, very demanding insanely professional and knows how to be so thoughtful and understandable to be silent. what do you know, it seems to me that sometimes it is this state that he conveys to those around him in the state. here i have to be tactful, and at the same time insanely talented, of course, it makes us better and higher and you understand what is today for the country. it's very important man. i have an inner feeling that i am young. but when i look at myself in the mirror, it’s clear that youth has long passed, probably something childish

splashes in me, but somehow in the environment i feel theatrical, somehow older, probably due to some kind of life and creativity. such an extra look at everything. creativity, opera and ballet and all other forms that arise here, because there is a symphony orchestra, there is also a choir. here, all kinds of ether, other forms of performance, including even exhibitions, uh, which need to be artistically evaluated and be responsible for it. and believe me, not everyone is given this, but not only their own. come on and let's give a highly professional assessment, because going on, so that's about this artistic whole. valentina nikolaevich may have the right to judge when he restores his ballets, and i asked him what this

means for him. he says just in some ballets. he feels that the vocabulary needs to be changed. that is, the pattern of the dance itself needs to be changed. he says that my characters in these performances are reinforced concrete. it's just now a little changed time is a painful process, whoever influences it all understands and knows and sympathizes. on the other hand, we cannot live without it. this our debt, but this is our happiness, because without it, there would probably be, probably, uh, well, there would be a different life, and it would be much poorer, and it would not be our life. he is a person who does not like to show his inner feelings yes, but this does not mean that he does not feel or does not experience. i just think, uh, you have to look at the actions. so, in some difficult

or force majeure situations, he does what he should do in my understanding. this is very masculine behavior. little talk, lots of action. here i am not considered. e that his love for the theater his love for the profession. this is some disrespect for me. these are completely different forms of life, when i bet he took on some economic obligations on himself, when he bet, i tried. here to create all the conditions for him due to the fact that, in general, the parents were very busy. uh, and uh, not much time. we spent together then every minute. uh, when they were around, it was happiness. i really remember how we went skiing gorky to ride together. with dad i felt this the absence of love is absolute and he always made me

feel that i am the most important thing for him, most importantly, the accumulated experience can be transferred and i have a huge accumulated experience and creative life and my wife, but they chose an independent profession. here they are linguists daughter. by the way, she works at the beginning of the international department in our theater, and her son, uh, is in charge of the camera at sofia university, he speaks fourteen languages , such an incredible person and i was lucky with the children. i'm just happy. i am very glad that i was born into such a family. it is very interesting. he loves family. he feels best at home. he loves children very much. he loves grandchildren, that

grandchildren are even sweeter than children appeared, you feel that he has a very rich inner life. this is completely understandable. he has his own creativity with his performance so beautiful, which have been living for more than a decade, a lot of performances come and go. but his performances remain. i'm sure they will live on. a very long time is still a very important moment that in every theater. yes there is such

to believe that there is a ghost, it is this ghost that he chooses the artist anyway, he chooses the leader. he is anyway. eh, he can endure for a long time and still destroy this person who he does not like and in this situation you see, and the genius of the place chose or yes there is only he lives for years. in general, be very bold in this movement. well, all the same, so that art is born, and not just another one, of which there are a lot in life. it is necessary, uh, to create a performance that would live the same life as a person. this is where some sort of a turn takes place, searches are all born in the final analysis here.

unique ecography and an unusual architectural solution formula of our dome, it is very unique it is made of two domes in the form of a knight 's helmet, interesting facts from art experts and similar iconography depicts the blessed virgin mary, who gently presses her mother by the neck and, of course, , here in this touching tenderness, there are also tragic notes of the help of god's word, the healing power of prayer, the visible holy image of bodily eyes. we ascend to the heavenly world with spiritual eyes, often through holy icons, god gives people his help, routes through prayerful and holy

places in belarus and novogrudok and regions. and all this gives us the opportunity to turn again to our history. in principle, we cannot now, as a people, so it’s great that we are returning to the origins of our our nation, watch spiritual educational projects on belarus 24 tv channel. the most pressing topics and questions how long does love really live and why do scientists they gave her only 3 years, what interests people today and what they want to bring up for discussion , psychologists came to the conclusion that they should fight with anger? no need to say hello to her inside yourself feel any emotion any emotion it lasts well, according to research 11 seconds there

is no such feeling as love. it is rather complex. it consists of many feelings, there is gratitude for the attachment of appearance, see in the program the concept of neutralize on belarus 24 tv channel.

hello and that's what i'll tell you about later.