very and when on all together mood we dance there and see that our friends and uh, everyone look at us and well it's a very good place you know, so i really like it. i really enjoy working with the guys. they came with such well- mannered, disciplined and diligent , very, very friendly, if someone feels bad, they will always come to the rescue. this is important from other countries guys. they are also so friendly and that's when they get together here, and we invite belarusian students too, so that, firstly, they improve the russian language, they are interested in something about culture and life in belarus, they can also learn from the guys, that's probably all that they will learn. here they are, which is very important to take away. it was with them that our students recently took part in the opening of the festival, grodno youth capital. there were so many nationalities. the students

who moved to grodno hmm for the opening of this festival were probably 150 of them, if not more than ours, there were about 70 of our students from them. it was a big big dance. we will cook and it's called i do it to us we need turkish onions, we have chili and we need this pasta from the

course, and am milk from coconut. first we need to cut an onion. please help, and i'll cut the tuna. we will cut everything hot, mix the onions, when they do not give juice, mix the measles over the face, and a-and two liters of dry pepper and tuna, because it is very light all the ingredients will be. this dish is because it is difficult here. ah.

it is known to buy such ingredients. for example, i have never seen or eaten borscht and and for me it was the first time and i. well, i need to get used to pro well, to this one, so i do many times, but i start to eat and on time it was very tasty and now every day. i want to eat cuisine. i really like potatoes. we often cook french fries tempt people, but also each other all weeks, we don't see, ah and ah,

we just want to get together and chat with each other. and so it was difficult to tell you it and the news, because they did not know the language, but now it's better, because we can talk. uh, i think the belarusians are very kind and they help us when we need this country, ah, taught me a lot about life. and when i came here, uh, i didn't did. mom and dad do everything for us, therefore, i will remember all the lessons in life that i studied here, for example, as he says, uh, responsible and kind and uh. yes, i will remember,

uh. like a good person. therefore, because i studied it.

you know how for the first time i saw, heard , felt and you understand that without it you can no longer live a kind of vocal, it's a drug. it really is a drug. if she was now offered a large amount of money and said, here we give you so much you will never sing. no it is not interesting. usually

, up to the first centimeters of the stage, you experience the greatest excitement. then when you already go on stage, there is no need to worry anymore. everything is needed there. as they say, surrender completely to the viewer, surrender completely to the roles to seek contact. here zhorom to listen to colleagues to interact the support of the audience - this is the most pleasant thing is very important it is very important when, uh, especially you play some kind of comedy performance of the comedy genre. uh, something wedding fig or mom, and if you feel that there is no reaction from the audience, then, well, somehow you start asking

questions. what's wrong? hi let's do it here, but oh, listen, i didn't expect it. she even like this is how we live, uh, our dressing room is one of the most beloved 243 numbers. and how do you all sing together here , do you interfere with each other for nothing when you are in a good mood? well, why not, right? uh, as a rule, opera art is a collective genre like that.

i studied the chant of his banal, joyote was lucky for me in italy, the famous italian bass, he had a hint between russian-speaking students. and such a nickname horse head he had a huge head . and so he opened his mouth wide. this is an amazing bass of the highest level, the highest he sang from the turn and soon zamingo he had two huge books like this, the municipality of italy, uh, specifically, milan presented him with operas, where he participated in two huge books like that, showed me uh, amazing teacher. and here is one of his verses. e, he loved all the time so on bye-bye-bye, this here bye-bye-bye-bye bye, and who came

to the competitions, who and especially the koreans, if someone sang all aha already studied her otsi. conductor ivan vladislavovich kostyakhin, wonderful accompanist terekhova larisa ivanovna, now we will remember the performance has not been running, probably for half a year for sure. oh, let's remember now.

keep in mind you live in ancient rome, modern manners do not work here in any way. we repeat once again right out of the rehearsals. to me there is no difference between the rehearsal process and the performance. this is the same responsibility of the conductor. always requires full commitment. and so you need to lay out on full, because then a miracle will not happen on stage, if you did not give your all at the rehearsal, you did not go through this process. the inner one did not give up. without

an image background, the so-called this is nothing is just an uninteresting non-intellectual sound, any phrase, musical with text, implies, first of all, the meaning of the text of conveying the text to the viewer of emotions, which was laid down by the author and composer. why is it so noisy in the hall? stop talking. if without this, then, well, it’s nothing, it’s just going to be music that will make you bored in 5-7 minutes, it will immediately become boring, interesting you will watch. yes, beautiful voice. yes, he can be a handsome person. uh, maybe a beautiful person has a beautiful voice. well, not interested.

to interest this, uh, you know, here, as they say, about some kind of special one, it happens that some kind of small stature and a voice will come out. it seems to be nothing so special, but you can’t tear your eyes off, you can’t tear them off all the time you look at him. that's what it is. e so -called artistic intelligence is better, as they say each vocalists - it's a good dream of silence and a good meal. good mood good mood. one of the most important conditions for good sound. the nervous system should be rested. this is the most important, by the way, it is very difficult to fall asleep. after the performance, you come home on emotions adrenaline e, it is very difficult to fall asleep, usually you fall asleep. i mean, you come home, somewhere around 10:00, there is 11:30 after the performance. well, at best , by one half past two you fall asleep and

ana so both good and bad emotions are gone, because well, as a rule, everything and i am no exception, all singers, as a rule, are very critical of themselves. that's it self-criticism. it is very useful through all the suffering , growth occurs, both personal and creative. yes, and in any sport i was involved in at one time and boxing, table tennis enough. well, i can’t say that i was right on a professional level, but i competed. eh, i know that only through suffering under the pain of disappointment does growth come from the fact that nothing will work out well for you. everything is only through a heavy painstaking corrosive critical. work here then it gives satisfaction and of course, if the process is not

brings pleasure too bad hmm and in the process there should also be pleasure. any self-respecting artist, an aspiring singer who is already a little bit in the profession, or who has already taken place, should be a fan of his work without fanaticism here, well, nothing will work. in times of rapid change, it is important for us to show you. the main thing is that the country has fixed a clear position that it adheres to. today we keep history, value the achievements of generations and honor the traditions of global perspectives, high diplomacy and social research. however, the fact remains in fact, dialogue platforms have been launched. and this is a chance

for everyone to be heard, we will draw detailed conclusions, see exclusive interviews and talk about the main events on the main air. watch on belarus 24 tv channel. the unique iconography and unusual architectural solution of the shape of our dome is very unique. it is made of two domes in the form of a knight's helmet, interesting facts from art experts and on icons similar iconography is depicted as the mother of god who gently presses her mother by the neck. and, of course, here of this touching tenderness, there are also tragic notes of the help of god's word, the healing power of prayer, visible by the holy images with bodily eyes, we ascend to the heavenly world, about which the

spiritual often through holy icons god gives people his help routes through the prayed and holy places of belarus and novogrudok and areas. and all this gives us the opportunity to turn again to our history. in principle, we cannot count as a people, so it's great that we return to the origins of our our nation, look spiritually educational projects on belarus 24 tv channel. father

is a musician and grandfather. i have a musician on my father's side, a self-taught violinist, he was a wonderful listener. i think it's from there a little bit everything was transferred, mom, although not a musician, but also she 's all right with her hearing. he sings wonderfully and loves music. this is my biggest critic. by the way, mom, if his father sometimes keeps some critical words like that, then mom says all the time, here's a note somehow sounded. that's not quite, says you and better. and here he is hunched over. here, that is, she understands everything and appreciates it. e, although he often tells me. well, i don't know how to put it into words. well, here it is somehow. well, you can better my parents. they really

play a lot in my life. it's the most important. they raised me, my father instilled a love for music, a love for animals. they raised me in the best traditions of this. uh, how to say, farm intelligent family, because my parents each have two higher educations. although they themselves come from the village. we always kept the exodus at home chickens wild boars ducks turkeys i took care of all this we have a large garden, many apples and pears. i got used to working with the earth from childhood. i received a wonderful

school of life at the same time, my father always took me to all the companies with his adults and never limited me to not with such communication, that is, wonderful. i am brought up and grateful to my family, because by and large they made me what i am at the moment. the profession, in fact, involves learning all my creative life, when i sang as a child he loved to sing songs. my father tried to teach me to play the button accordion. it started to work out for me, of course, they decided to give me a music school in the boyana class, but in the fourth year, a music school. i took an elective in vocals. it was an

interesting story. i was fond of table tennis. i played with one guy, he played table tennis well all the time. taught me to play. pasha nikonenko, as i remember now, is a wonderful baritone himself. so he suggested to me, he says, we have the opportunity to sing in the choir, the soloist is coming. uh, ours, the bolshoi theater came, molodechno sang some work with a choir. i say this is my voice. no, he says, and here no one says that you have a voice. just need a male hmm mass of votes. you are just a male mass in the choir. and this phrase hurt me, as i don’t have a voice , something here is somehow changing, really. here, inside something there, i'll go and audition. i went and auditioned and the vocal teacher pyotr petrovich damaged him in the kingdom of heaven. dairy taught, uh, wonderful man,

a wonderful teacher told me this phrase. denis if something suddenly does not work out for you with a boyan. you are no problem. you can enter the vocal you will be taken. as it is, i didn’t study, i didn’t study. are you okay. the voice is the growth is. well, you know, you will enter the preparatory department. i am by nature a lyrical breton. uh, lyrical - this does not mean that he is somehow spineless there. let's just say the parties, so young heroes, the lyrics are heroic repertoire, uh, which is for example eugene

oneginshchikov's onegin. uh, robert is in ireland too tchaikovsky marseille u bohemia shonard. he is in bohemia to the heap. right now, here it will be. here is the staging of the king's hunt. stakha beloretsky is also a lyrical baritone, although the party is quite dramatic in content, but the voice. e such as to say breton e is not of a dramatic nature, not for dramatic parties. at the moment there will be a lesson on the wild watering of king stakh , i will say, really. this opera needs preparation. and it will probably be possible to fall in love with her e not the first time, but music for the prepared listener, rather exciting moment, because the

party is a big main party. this is my first production in this theater in the belarusian language, the national opera of the belarusian composer can not, uh, be taken simply in fragments. here you need, as our wonderful loaf said. vladimir gennadievich petrov needs to be read, the more. you will know about the epoch, about the composer and about the gorodkeviches themselves. and here's the creativity, the better you get it. i have to know what i'm talking about in her specific uh, understand each uh hmm everyone how it tastes consonant, as i say, if you sing in a language, uh, german or italian, she sympathizes with the taste of the language in the first place, they sing some kind of rubbish in a foreign language. this is the first turn. eh, first of all. you gotta

do something when you take a new batch on me lucky. i studied, uh, abroad, and i know three languages, i was lucky in this regard ; they know french well. so, when i was preparing valentine , thank god, there are friends who speak french well and i will definitely be with them met invited to visit cooked. i bought wine, we sat down to have dinner and not a person, recited how to pronounce correctly, how is the word hmm pronounced? why is it pronounced, because hmm is not just a translation to learn words, but sometimes each word in french can be tasted by the texts. language is very important. this is the most important. and it is from these parts that the image is formed.

we continue to discover new cities and neighborhoods from this hill. orsha begins its account of its almost thousand-year history, breathtaking view and amazing energy, we show the author's routes and the most mysterious places, the flow of pilgrims is inexhaustible and miracles really happen numerous facts of healing the afflicted directly, confirmation of the main attractions and unique architectural monuments in the city there are several at least four there is even such a mystery what do you think, where is it warmer in polotsk in the city center or at the station, see the program of the city of belarus on our tv channel. the most

relevant topics and questions how much is it really love lives and why did scientists give it only 3 years, what interests people today and what do you want to bring up for discussion, psychologists came to the conclusion that we should fight with anger? no need to say hello to her inside yourself feel any emotion any emotion it lasts well, according to research 11 seconds there is no such feeling as love. it stands out from many feelings, there is gratitude for the affection of tenderness, see in the program the concept of neutralize on belarus 24 tv channel.

nikolai nikolayevich alekseev conservatory i graduated from the conservatory, i worked quite well for a year in the theater at the conservatory, i went there for an internship in switzerland, i entered the competition and studied there with a wonderful teacher. hans peter blochwitz. he is such a mozartian singer -trainer, he put a lot into my head about the style of music. especially about mozart but this is such a constant process, that is, you need to improve.

you accept something, reject something, then return to it again. i mean the knowledge and teachers that you get. they sometimes get before what you can understand and realize. but then, on this stage in the work , you really begin to understand what they meant, it's like a real training ground. that is, at first some kind of training explains something to you and you understand something that you don’t understand, and then the stage puts everything in its place, and then only when you sing, sometimes a performance several times. you understand that this or that teacher really had in mind. after switzerland, i entered the arnold montevani academy in milan studied there for 2 years.