yes, and i took out the donbass and the children. i know what it is the fourteenth year, no one noticed, did not want to notice it, yes, which went to defend. here is our world yes, our freedom e. and many also do this for glory, because this is their conviction for the motherland for their family. here's to me now. this is a hero, but with all my deepest respect. uh, and i think that god bless god bless our president as well. this is not discussed. well , at least i am considered from independence from this government, because the election commission is included. she does not go to the executive or legislative branch. she has independence. well, uh, well, you understand, he knows i'm not a fan. here comes the compliment, he is in his place as president. god bless him and in my face

and in the face of the majority of the absolute majority of russians, he is strong, because they know what he is going for and we are together. but now it is very important to support our guys and for me. they are heroes here he is heroes right now. the one who went himself, the one who went and knows what you are for you know. i've recently helped to hold referendums. and here comes. we helped, eh, it’s very difficult and amazing woman from donbass here she says, well, it’s dangerous, as it is, that’s what, than usual, that i’ve already lost everything there and lost my son. and maybe i lost it, i will go to the end, and at one time, when i helped, liza would climb out somewhere and the kids . from there wounded here wounded children. there you have been since the fourteenth year, as if the world does not

need it, these are not people. they didn't see any of this. didn't see it. well don't care it was this this scary. lisa brought this. i helped drive. i know it, i have a completely different picture. i gave birth. where are you, where are you international human rights organizations? why don't you see it? now they have seen the light, and then, sorry, just like that. here she is sitting in front of me. a simple woman from the donbass, what is her there? yes i will i will be the tire commission lived there. for us it is important. my husband left you to defend you in the fourteenth year, my son left. and now it’s a grandson, what do i have to lose, they are for us, and i am for them. so for me these people are these people who survived you know such a tragedy, so, when i meet them, i myself want to pull myself up statues

better, we should pull up people who have survived terrible ones , and now they are a hero for me. thank you for this very frank conversation. what norms are in force today and for what period they are fixed today, the norm is valid, firstly, i want to make a reservation right away that we will be talking about goods for personal use, forwarded international mail in relation to them today, and there is a norm of 1,000 euros, with regard to self-supporting e-e norm and e, 31 kg, respectively, this norm was extended by the decisions of the eurasian commission, a, until the end of march 2023, and

if no changes are made. it will be changed to 200 euros and 31 kg, respectively, except for the cost of the norm and the weight norm of 31 kg. there are restrictions. e. i mean, certain prohibitions and restrictions on the transfer of certain categories of goods, and in particular. of course, the main ones are the ban on the transfer of weapons all its components of narcotic drugs - psychotropic substances, including, uh, including in medicines, as well as a ban on the shipment of alcoholic products, tobacco products, smoking mixtures, highly explosive e hmm explosives and a zone of destructive goods, uh, which are quickly damage, this is an incomplete list, and all information regarding prohibited and restricted goods is posted on the website of the state customs committee, as

well as on the website of the national operator chopped mail, because e is introduced, these prohibitions are not only possible in the legislation, but also in the legislation of the universal postal union. in addition , restrictions from other regulatory authorities may apply, for example, this is m-m seed products, which are very relevant for sending by our citizens in the spring period. also limited, but by certain regulations of phytosanitary veterinary control. in particular. e, the shipment of these seeds must be accompanied by a phytosanitary certificate. it was previously announced that the norms would be reduced from 1 october. why was a decision made to extend the validity of higher elements, and on september 23, the eurasian economic commission at its council adopted this decision; it was due only to support the population in the face of sanctions pressure and avoid a possible shortage of essential goods. but to which

countries belarusians, for example, most often send parcels and from which countries the shipment comes to us, but the priority direction, and when sending parcels, our citizens are united states of america canada and also the countries of the european union and according to the link that the citizens of the republic receive, belarus, they are mainly sent from the people's republic of china, this is, in principle, hmm, it is trade online trade orders from online stores, and private parcels are also received from countries the european union also israel and canada including yes, and if there are any restrictions on sending or receiving, here are the parcels from any countries. that's what concerns geography, and today, but customs legislation, as well as other e regulations , and does not provide for any restrictions for the shipment of goods relative to countries. i mean,

where do you want? yes, of course, please.

belarus is not obsessionnye forests. blockade rivers and lakes nekronotaya nature from what is not maxim

to tear from the neck and belarus is people. we open generations for you and at once change our views on sound. belarusians are so different belarus my name is yuliya andreyeva, i am a columnist for the magazine belorusskaya dumka, agency belta. in addition , i am a member of the belarusian union of composers.

i gave a lot of years and love to music, that's why i combine journalism and music , music and journalism, both of them are things of my heart, but now, probably, journalism is closer to me. hello , you are watching the program, say, do not be silent at the studio victoria popova and tatiana shcherbinakh. today we have a professional composer, music critic, writer, and journalist yulia andreeva good afternoon, yulia i don’t know if i set my priorities correctly, but in order about everything, let’s talk about what is more valuable to you for many years you didn’t love when you

called by name patronymic, and recently turned to their friends. in social networks. they said that yulia evseevna. call me and ask, whoever is comfortable with me, let him address me that way. what happened? what probably happened? i grew up probably all these years i was, maybe a little bit of a girl. although in part, i still remain her, but surprisingly it happened when i called a person whom i respect very deeply. e, nikolai leontievich. uh, our wonderful thinker, sociologist, director of the institute, sociology the academy of sciences was our guest. yes, he must have been with you. this is a wonderful person. and suddenly they were talking to him. i realized that it was embarrassing for me to be yulia, just yulia next to a person so worthy and respected. i realized that i can and can afford it and i

already feel like i can. to weld and be yulia evseevna, they are just yulia yulechka, a girl, yulyushka, as my grandparents called me at home, you are a well-known music critic in belarus and we think with amazement when we read your essays, what you have a rich life, especially when meeting the great ones. you agree that there were many meetings, there were many meetings, and meetings continue. i, uh, had the good fortune to communicate with various interesting people. eh, i had the good fortune to touch. e, even through some facts of his biography with people of legends, who may even be long gone from us. eh, actually i think now. although it may be at some point in life. it seemed to me that in life it became that it was not so meaningful. here is now when i look back. i think already

how much. rich and interesting, although hmm, maybe someone, uh, be surprised that this is what a person says, who, uh, practically left belarus very little well, in his youth there was more baltic there, after all, moscow there, st. there were some cities in tbilisi a couple of times, warsaw was just once. prague, that's all. that is, the whole life has passed. i was born in minsk all my life i spent on a small, in general, piece of the earth that calls itself belarus, and yet such a wealth of what you saw and experienced you, e, indigenous a minsker, born on independence avenue, you can say, right on the eternal flame, yes, and a lot of celebrities lived in this house. yes, this is the same house, and this is photographing, but for those viewers who are not in the capital, they can imagine approximately what you saw in

childhood, when you wanted to go there, that is, this house is far away. uh, i want to say that i even photographed this photo, by the way, for a very specific person who now lives in moscow, who is very famous in economic science, the daughter of our famous hmm economist nikolai ivanovich leads his daughter became an outstanding economist in russia and i sent her this photo. yes, they lived next to us. uh, they lived in the next entrance and his wife left lazarevna, when i got sick she always resorted to treating me. she was a close friend of my grandmother. my family hmm we have a very interesting family history. my grandmother from bobruisk, or rather, is angry. why did she live her childhood in bobruisk? early youth when she was 15 years old, she married my grandfather. yes, we are handsome, grandfather, who was yours. and this is grandmother rachel quite right.

my mother, lyudmila pavlovna, and leonid pavlovich, my uncle, and they, uh, were inseparable all their lives as grandparents, to the point that when grandfather's war began, that is, not what we mobilized, she was with him all the time, but he left family and went to the finnish front in sark, and actually stayed there, because he was a chemist. he graduated from st. petersburg university, then the academy, exactly as a chemist he was, chemical defense with chemical weapons. that is, he was one of those people who were pioneers in the soviet army who did this, and it was in kimi that there was the largest base that did this during the war, and so on and so forth. but then, when it became clear that there would be no chemical attacks, my grandfather was simply transferred from e to the

third ukrainian and he liberated hungary, romania, czechoslovakia, austria, mainly even before that, when he was in kemi, he managed. i don't know how to pick up my grandmother and family from bashkiria from evacuation, where they lived in poverty. they first lived in moscow for a month, then in kimi, where he put her and her son, who at that moment was 15 years old, to repair gas masks. mom, mine was very small. but when they crossed the border in forty-four, she was five years old, they threw her overcoats so that they would not notice, checking the border, and so they ended up in hungary then in austria hmm forty-six, they were also in austria there were very amusing moments when the grandmother and children were settled in the count's castle, the russians came, and

it means that the owners of the castle covered everything with cinches so that these dirty russians would not get dirty there. this was the attitude my grandmother came out and stood in the middle of the room and began to sing in the purest german. i'm a gypsy baron hmm and that's the result of what they said, i'm sorry, i'm sorry, the phrase. everything was cleaned up, of course, this is all for the grandfather. uh-huh and when grandfather was demobilized? maybe it happened because some minor health problems started, but maybe hmm the reason was because he was the right hand a man who in the late forties and early fifties was the blitz of the tongues of molotov malenkov and shipilov, who joined them. here is the same shipilov with his own hand. i even have at home, uh, hmm ordered my mother a piano, you can see a photo of your mother with you together. and for how many years

she taught at your mother's conservatory, mother taught. i think 603 years, and she died in 2000 the second and all sorts of things worked until the last minute. she, well, almost to the last, and then it turned out that my grandfather was transferred with my grandmother. uh, as a demobilized grandfather, he was sent by water. we uncle this place here. and then my mother, that is, she decided to return to the homeland of her ancestors, where her uncle, uncle lived. e-mamin was a trombonist at the bolshoi theatre. here lev davidovich was burning, who is our relative, our famous great violinist, and in general, my mother moved here, they followed her here , grandparents. well, you don’t call your mother the main person of your childhood, you call your grandmother. why because it was my grandmother who said that i was

raised by my grandfather, my mother was still quite young. mom did her chores with mom. we became close later to you a very close person to me. mom is a very dear person to me in life. but it was precisely in the early childhood years that my grandparents. my grandmother never worked. my grandfather has already retired. mm, his health was not very good, but, nevertheless, there was nothing for his beloved granddaughter. hmm, nothing was impossible. it's a pity, but i already remembered nikolai ivanovich being led. and e great i would say an economist who lived in our yard. well, apart from that, we have in the yard there lived a very interesting artist, uh, surname, whose name, unfortunately, i could not find out, maybe one of, uh, our viewers. eh, he will tell me, he was a very lumpy pen

to the representatives of the vitebsk school. and i even posed for one of his paintings when i was a child. why wasn’t it in minsk and it was svetlogorsk, kaliningrad region, there was a whole, uh, canvas on which the beach was depicted, and together with my childhood friend, as if we were considering, uh, 100 rubles. another banknote there it was all very interesting furnished by your father. we also have photos of all and all gregory to read, and he is thanks to him to his father. you said that you know a little about judaism, but you do not communicate with your father with your father. i don't talk now, but still. i have left. uh, a very deep gratitude to my father for teaching me to read at the age of 3 for always taking care of my intellectual, well, uhm, until a certain time, let's say . uh, took care of my intellectual

development about my reading. ah, taught me a little language instilled in me, uh, artistic taste literary taste taught me how to search for information. it was sometimes quite tough, when , let's say, i'm reading a book. so he finds a word and says, what is this? explain to me. what a word. what does she mean? well, here i open my mouth like a fish, as you read it, you meet an unfamiliar word and you don't look. the dictionary was a thick dictionary. here are the grandparents of his parents. we all had the same clothes , my father sent me exactly the same way. for each an unfamiliar word words, probably today that i can check information that i can extract information that i can search hmm and on the internet in the library and in the archive and anywhere and i love to do it. this is the legacy, of course, of those

children's lessons, but the fact that you entered the conservatory. uh, someone influenced your choice. it was all so difficult. i adored my mother. although, uh, in my early years, she was at a certain distance from me. she turned out to be extraordinarily beautiful and extraordinarily smart to me. i wanted to be like her in every way. i can’t say that i loved music very much as a child, but i wanted to be like her. my father did not agree with this, my grandparents did not influence it at all, and as a result i ended up in a secondary special music school at the conservatory, which is now called the republican musical gymnasium college, among your teachers. uh, they were in the composition department. well, right all the way. e narodnaya dmitry smolsky vladimir orlovnikov. igor luchinok. uh, what do you remember about communication with the great

you know that dmitry prislavievich is my teacher, so he is for me. well, here is the second father. maybe you can say exactly the same and vladimir vladimirovich , these were two different fathers. uh, dmitry brought smolsky was very kind to us. although i can tell that hmm his kindness had its shades too. that is, you will bring him a work that he does not like, which he sees that it is unpromising, and he says so. well, rewrite. we understood that it was put there somewhere. that's what concerns vladimir vladimirovich lovnikov. here it seems to you that the composer is a songwriter with such a person, dear, dear. this was an interesting person. by the way, he was a member of the

communist party of belarus, so he was an interesting person . although he continued to write a song for some time, and then to find out all the most interesting of his chamber things, which he never showed, which no one knew, this was already after his death. here he was an extremely powerful teacher of musical theoretical subject. let's listen to a fragment of dmitry's opera from the polish sedal of legends.

under what circumstances did you meet dmitry bronislavovich? i met when i entered the conservatory, i planned to study with glebov, but glebov did not want to take me. i turned out to be dmitry bronislavovich, from the youth. that's where we met, we met. at first we met during the exams, of course, because he was unloaded by the national commission. and then i got into his class. i was fascinated by him. this amazing person. this man is the highest intellect. an amazing

composer of the highest culture, i believe that one of our most powerful here, uh, you heard this music. she immediately grabs her heart, you remember it right away in belarusian music, there are not so many music that you remember right away and that already holds you. so this is the opera that goes on in the theater there, well, with some kind of breaks without breaks. she has been in it for 40 years. yes, it was you who were present at that, that's how she was born, or he, of course, with us her wrote, but we did it, he lived his creative life, where he did not let us die about it. that's where we did not let, he hmm wrote, then his most beautiful rotoria poet. here is the gray one. legend then many years later. i talked to him about how the legend was always written, written in an amazing way, because he was always friends with

short ones, than a lot of years from his youth, and he found this plot. he had all the books, there were short ones, he read everything, he didn’t write music before the short one began to write, or he began to write this poems, that is, korotkevich has already written these wonderful poems of his. that's just why the libretto shows what a great poet korotkevich is and not only about the bunny, the complex texts are difficult to drink away, because this is precisely high poetry. they are just subtexts you understand in the case where the composer inspired. this is the case when yes and so, that is, it was born, not like this, but was born like this in a completely unusual, unusual way, this work is whole. that is, if we assume, mm , everyone is fine. know the wild hunt, the king with sahara. there are two completely different versions. you can reshape, you can rearrange something there, and so on. although this is a magnificent

work, of course, the work is the same as always. a legend, but whole it is powerful, so, as for evgeny aleksandrovich, this is evgeny aleksandrovich yes, he was present in my childhood. i've seen enough of him, as she most will start with the fact that when i studied at a secondary special music school. ah, we had a choir there, we had a wonderful choir that performed a lot, who even traveled a lot. and in particular. e evgeny aleksandrovich wrote especially for us. i think it 's great stuff. he had a children's oratorio, which was called ukraine childhood, a fairly large symphony market. we sang it. that was very bright. it was very interesting. we like it very much. why didn't he take you? and when you came to him, they sang his oration, and, but he

does not take you to e. for me. this is for me. it 's a riddle and we're not here for long. let's break , i remind you, we have a telegram channel. say no shut up. all give us your questions. suggest guests we are in touch. on the air i say again, do not be silent. today our guest is composer, music critic and writer yuliya andreeva yuliya you in the eighties, you repeatedly visited the house of creativity of composers of the ussr and e. ivanovo and they lived there in the house that sergey prokofiev occupied, you remember those trips with warmth, of course, you remember with great warmth. they brought me to a completely different, let's say, understanding of both music and myself. maybe it was good. maybe maybe it was bad, because maybe i stopped. in a sense, to believe in myself to the

extent that i believed before, although according to the results of these trips. i received, uh, orders from the union of composers of the ussr that is, several works were bought from me. eh, which not everyone can boast of. explain to me, here you come. in this house - this is already some kind of quality mark. why are you a composer, you are like an adult , let's say refresher courses for the best young ones. e composers from different republics hopes were sent there. at least you submitted some. yes? of course yes, but i left this profession. maybe someday i will return to it, maybe i will not return due to various and all sorts of circumstances. one of the circumstances was that i was not accepted into the union of composers here seven times, despite the fact that i had a referral from a thread. it's not something that knocked me down very much. and i actually, uh, thought that if i am not able to pass through this barrier, so how

will i rise to the height at which i should to be really serious and a great writer one door closes. uh, another young man opens up, the grandson of stephanist and he suggested that i write for the red shift. a large, in general, quite a review on the wild hunt of king stakh , which was then staged, which was then nominated for a state award, they instructed them. there was no one to write this review of this license. i wrote to everyone very much. i myself really liked the case went to the music critic. you are a long time collaborated with the security council of belarus today and wrote thousands of articles on cultural topics. this is we are telling the history of modern times. there is such a thing, but in the twentieth year, julia was spat upon by some. of all the creators, whom they themselves glorified

on the pages of the well-known, and it was, and for you, these events, what followed them became the twentieth year. well, everything that is happening now with the paint, some kind of reassessment happened, the value before the assessment of the value, certainly happened, because i what many people and the real ones are for let's say the values ​​turned out to be false. i have strengthened and established myself in the direction of movement that i have chosen for myself, let's say since 2010, somewhere in the year of movement. towards the state is a movement towards very strong state support. eh, i understood whose truth i understood, uh, that is for me completely. it was the dotting of all the above and e, because, well, you know that our intelligentsia. she

's so messed up. i will say that the twentieth year turned me not only to the state, but also to communism. i believe that mark was right in his foresights. and that humanity hmm, one way or another, uh, will come to this for that very reason, will come to a free society in which there will really be working capacities from each to each according to his needs. if, of course, humanity will develop intelligently further, then it seems to me that it will be absolutely necessary to completely rethink what is, in general, a predator. the approach that is practiced in the modern economy. i realized that a rotten swamp. in which we have all been for quite a long time and thought that it was comfortable, it is rotten swamp. and at what point did you feel it acutely

, when at the philharmonic they could, god , they began to sing, when it began in the big theater, i will reveal the vacillation. that's what you want, honestly not in the twentieth in the tenth. although i didn’t understand then, uh, that even our so-called intermediate democrats also belong to something like that. that is, even then it seemed to me that there was some kind of hmm half of the prisoner, but when in the tenth year it happened there in such a way that just on election day there was already some kind of turn very. eh, so to speak, strong. we then hmm understood the essence of all these elections of all this voting. we are very good with my husband. all this was understood. here but nevertheless. we had absolutely no idea. what happens, uh, on the evening after the election? and we left the theatre. and we were at

a concert in the musical theater and decided that it would be very convenient for us to take the metro to get home and go to the square on the square to independence square and we saw this horror. we got very scared. the only way we saw for ourselves it's, like, just the husband says, don't be afraid, everything will be fine, and we neatly neatly along the hotel, minsk moved towards the saucepan. a very cold december day, december 19 , there, yes, december 19, and this crowd is coming towards us, and i saw it. who are the real opponents of the state? i saw fascists. they were in forged boots. they were all with crowbars

of some kind. they were snouts. let's be direct. i saw these people. for me, everything became once and for all, it is clear. that is, if there were any hmm illusions are some kind of nonsense in my head, then in general, after that, no illusions. there was no nonsense. i understood who they were and who they were in 1920 . hmm understanding of this became even uh, stronger it must be said that hmm even when covid came. just me. uh, they began to spit until the ninth of august for a long time. i started having problems with many former friends. it is even from the beginning of covey yes. i realized that this is all covid hysteria, it is anti-state, that it is not just that it is inspired by someone and

warmed up. i got a systematic understanding of what is happening you were put in wine, that you do not wear a mask on the street admiring the flowers, when the whole world is in danger, of ​​course, this amused me very much. but of course, in august it took some monstrous. you can say the forms you know, i remember that in the sixteenth year it seems you still entered into a dialogue with them with these opponents, those who say that it is necessary to immediately ban this and that, or well, the abolition of culture. here, indeed, echoes only now, in the twenty-second year in russia, yes, all the leaders are faced with the fact that we are already slowly living. i don't know if our compactness was russian. either our wisdom really somehow helped to get through it quickly, but now, watching what is happening now with russia and with their culture, what you are experiencing, i

look with sympathy on the one hand, because i feel sorry for the people who got confused, got lost, who m-m bang their heads against the wall, understand absolutely nothing. that is, this is the cultural environment, it turned out to be absolutely unnecessary , helpless and absolutely not understanding life with an absolute lack of understanding of what is happening in the world at all. these people hmm that we once might have respected. and that's why you have moved away now, your journalist to the belarusian thought, from cultural topics, we notice. what do you write, for example, even they are too ghetto yes publication. you have some essays on descriptors, and i have cubes, if the yankees bathed, that's how when you left the

salons, so to speak, and i dreamed about it for a long time, because here it's the musical theme has long become for me something like the very guetta of the reservation. let's be honest, let's say that after the sixth evening, not a single great composer in the world has appeared. that's all this, well, he considers himself a great man, he considers himself very small, he is no longer in the world, nevertheless. yes, but nonetheless. yes, he was the greatest composer of the era, but not the greatest genius of mankind. you know, let's say. this is honest, frankly julia, but if these thoughts, when they visit you, it interferes move forward. no, that after da vinci you don’t need to draw after shostakovich, those movements will be written. no, after shostakovich, you need to write music, just as after the dacha a lot of

great artists appeared, whom i love . eh, that wouldn't be enough for now. eh, there's a sober assessment of this. but you know what's curious is that there is a composer and i won't. to call the names that they told me, what a fine fellow you are that you left this. how did you do it right and so on and so forth and etc. well, i would never risk it, because i am already sitting all in this for the anniversary of our classics. i already mentioned. you traveled to the places of kupala and kolos for publication in the belarusian dumka, a little riddle. julia look at the screen and try to guess whose oak tree it is. no, well, this is kupala or kolosa oak, this is kupala oak. this is an absolutely wonderful place. to whom it is not far from the commune for us and to whom it is not far from

kira, that very river rice and e where hmm kupala went, either in the thirty-second, or in the thirty-third year, that is, people are still arguing on this topic arguing. and we also have konovsky, by the way, oak. well, uh, it just amused me. yes record, this is your fey. you wrote kolosovsky oak. this is not the same as kupavlovsky. at first i was in the trenches, this place, which, uh, was first rented, and then owned by kupala's mother, rotten ivanovna. i was in june. there would be smaller ones. uh-huh and here is the oak of the prick. this photo is amazing. it's just something like japanese haiku. you know, it has everything in this photos. i like her very much, but you as a music critic, as a composer and as members of the union of composers. i must tell our viewers

that you were nevertheless accepted into the union, now is our time already inspired by such trips around the country. for many years, while i was married, the strength of my husband's character, then, due to his illness, for many years. i didn’t go anywhere, but i always loved to travel around the country. i have 10 folklore expeditions behind me, just forget about it. my parents and i loved very much when i was a little girl, or there as a teenager, i also travel around the country, so i knew the country as i thought, but it turned out that i didn’t know it, because it is so diverse. in general, for me now. hmm, happiness is these business trips. just happiness, i breathe. i breathe. e air. i date everything with other people. there was an episode recently, when

such a conversation sounded among girlfriends that we have such a very thin and creamy layer. this is the intelligentsia, and so on and so forth. he's so thin it's not true huge masses of intelligent people deeply intelligent people are much more enthusiastic and breathing culture people who will never tell you that here i am working for a small salary. i have such a small salary. they have a really small salary, but they live so much in what they do. here in these little museums in libraries. uh, just people who are local historians, there are some people who are no longer young pensioners. they breathe. they have burning eyes they are passionate, but returning to the musical salons. wanted remember one more page of your biography let's watch the video. even in the fields it turns white, no, but the waters are

gone with a noise running and there will be sleepy delirium running and shining and they say spring is coming spring is coming guests and are glad that you were your musical in the salon in this joyful for years. what to cut spring has come? and i know, it's not only our good build, er, spring, at least it's not spring in nature. and let them say this risky life and the neck, the special languor of the spirit that dana is veiled. so they you worked together with eleanor, of course where tell about this salivary arcade. we got to know each other in an amazing way, and in an amazing way she invited me to her projects. i wrote for one such cultured,

somewhat humorous magazine. it was a long time ago. so i allowed myself a lot of fun. uh, maybe even too cheeky to refer to one of leonor's arcana designs and literally a few days after it went out of print. it was on paper. suddenly the philharmonic swoops down on me like a spanish ship big woman. you july andreeva we must to talk, she took me to ufa, she told me everything that she thinks about me. everyone around there, who were next to me, were all horrified, my mother was already there, that you were something like that, yes, everyone was horrified that she would tear me apart now. what was their surprise when we returned in an embrace. she said that she

loves me. i also told her that i adore her and so began our collaboration, which lasted for several years. uh, she sometimes invited me and uh, so to speak, to the stationary some programs where he told something, for example. oh, you never know, there were some other things, but most of the time it was just the two of us. e commented. that is, she asked me questions about commenting. i symphony philharmonic concerts. it was such a small circus. here, that's because everyone was shifted to the side of this highway. hmm, this big television camera. not even one of these black television wires, then everything was in the nineties, and we are next to her in the park. what are you commenting on parents? sheets ask you

questions remain until now, because i know that when yulia is in the hall, all the critics from all publications. even those who today are recognized as extremist fled to yulia andreeva and spoke. well, what happened there? explain and julia told them. just like the beautiful ones broadcast there, and then we read all this on the pages of various publications. so then we started this one. good night to use you as a competent music critic. now let's take a moment. let's break after a short pause and return to this studio, while subscribe to our telegram channel. say don't be silent. leave your comments. offer us guests, and look for all our releases on the youtube channel, belarus is one. oh, tell me on the air, don't be silent, and we have a music critic visiting us. julia andreeva uh, you are entering that wonderful time julia when those with whom you studied

were friends and communicated, they become meters right before your eyes turn into legends. yes, in particular, i mean maestro alexander anisimov . was it possible in him either valentin nikolaevich or a glow that also bronzed? eh, now in your lifetime, you can say and see future geniuses, in general it is correct to say these are people not of my generation. these are people of a significantly older generation, but you communicated, and i communicated with them, when i was a young girl. here, well, it’s not in any way, never, never were not my peers, of course, i remember they are a symbol when anisimov arrived in minsk, uh, well, i was 18 then, i can’t even talk about what i could with him, let's get to know each other. uh huh, here met. i'm with him in the ninety-first year, when the celestials were already then, for some reason i

thought that you somehow communicated closely. yes it is no way. this is a completely different generation and a different level with valentin nikolaevich. of course, i'm familiar with the eighties , but uh, sorry, i was a girl. and valentin nikolayevich was a titan. i looked at him like this. and from the belarusian composers whose works do you read? can you call it outstanding? well, dmitriy brought the opera to smolsky, of course, is an outstanding piece sounded beats my body responded. this is very cool, because that is, uh, everything, my being responded to my emotions. e, it worked for us for quite a long time, probably, it works now. and such a wonderful director, evgeny robertovich bushkov, he has a good phrase, the task of a musician is to evoke emotions that are not controlled by the mind.

here from this work comes a current of emotions uncontrollable by the mind. ok then. and kuznetsov uh kuznetsov is a very good composer. uh, he is a professional of a very high level, his music is really dance-like, like a ballet, yes, an amazing work. it's, uh, heinrichwagner forever alive, for example, we have hmm, a half-forgotten composer, whom i'm all the time, uh, trying to, uh, bring back the memory. yes, this is isaklun. uh-huh, because yes, we have, uh, a country where, uh, several great criminal melodists, luchinoglovoda, were born. it's all very bright melodic. yes, there are wonderful songs from him for bread and from

roshkevich. but what luban laid down and everything comes from him and this is not just a song this is a romance, in addition to being there, healthy, live richly. he has such a hit, but he has a lot of amazing lyrical music, and uh, really, taking by the heart, it turns out that for yulia, uh, the top is sho such an initial understanding. well, no, there are a lot of great composers. this is bach, this is beethoven , these are emotions. this is schubert, this is russia not well beaten, no, this is a great opera composer, check it out. hey showman. there are so many things i can name so many things. i don't know who i love more shostakovich or pro coffee shop let's talk in the format of a blitz for the finale, bolshoi theater or philharmonic, where it happens more

often now with the bolshoi theater why because it is possible that some such period of life has come when opera and ballet are closer to me than a symphony, although there was a completely different period, when i did not climb out of the philharmonic. so, as a teenager, maybe the very level of the theater has changed. or maybe something has changed in me, uh, we need to think about this, like the native minchenko, who daily walks with her dog george around the city for 15 km. name your favorite place in minsk now, at best, i will take a good walk with a dog once a weekend. uh, because i'm so busy with the magazine. what i already have of course, there is no time, but hmm, my favorite places in minsk i will name a lot of them, not the most popular, for example, oleg koshevoy street. oh yes. it's a nice, very

atmospheric area. very beautiful, atmospheric area. i really love, uh, the area where partizansky prospect intersects with our central street , this is the place that we pass constantly and i look at beautiful houses, in my opinion even the architect of sailboats or something like that. maybe i 'm wrong, but uh, they're a good architect, seriously, i really like to watch their husband, whose alexander you also mentioned left almost 2 years ago in january. yes, january 20 will be two years. quite right. you already said that you were close right now, well, there was such a connection. yes, so that you understand each other without e superfluous words and are always together. we often saw you together in the halls in theaters. this is how you heal the wound now and what helps julia stay in good shape? first of all work work work again work. of course, it also

helps, gymnastics, physical education. i loved physical education. although if i was thirteen, let’s say, they said this, i would be very surprised, because i was absolutely not an athletic child, it was absolutely impossible for me to run a hundred meters after a serious injury that happened to me in the fourteenth year, when i, with the help of physical education myself pulled herself out in the clinic. they said we don't have such recover. and i pulled it out of myself and no one sees what i have at all and does not know that i had an injury. you have to know yourself. that's how to pull out the hair from any one must know how to use this skill from somewhere. what has contributed to the fact that you are so self-rescuers to have. i believe that music lessons. eh, in general, for any person, a very good and useful thing, and precisely. those music lessons that are not for pleasure, but because

this is what the soviet school, the soviet music school, which has so many now they pour slops that it is cruel, that it is tough just like the soviet ballet school. this is child abuse. this is not possible, but in fact it is possible, because it gives, firstly, the meaning of childhood. and i wouldn't trade my childhood for anything. a happy childhood in a specialized secondary music school, which has become more of a home for me than my own home and, uh, self-management skills and this character you get everything. here in one package with high culture. and there is a chance that you still dare and write still keep in touch. or even go to the opera . and i don't know what will happen next. i mean , i'll leave it to myself, of course. some goals, but life, uh, is full of turns, life is full, uh, of some

new interesting ideas and it is possible that if i feel this energy in myself, now i have no desire, if desire wakes up, this desire is very another powerful thing. ah, that is willpower. yes, willpower, but i really would like to recover. it was the great power of desire that drove me. this is how a huge force of desire can appear session to write a novel or to appear a huge force of desire to sit down and compose a piece of music. i have never been a person who lives novels, or this work is now on the table is not for everyone. now. i have a period of my romance stormy romance journalism so be it. thank you

very much for this conversation. we have received enormous pleasure from communication with you. how often do friends write to you in the social networks of the minsk intelligentsia. it really exists and in your face it was also extremely nice to see you in our studio tatyana shcherbina victoria popova we say goodbye to you today. goodbye. goodbye. and now yulia andreeva says it’s not scary when you’re alone scared, when you’re zero, many people, not understanding this, try to find what they or whom they grab for, they suffer, they suffer. yes, it's hard enough. from zero to turn into one, i know it, i went through it. maybe i'm being hard on myself. maybe not planed, but becoming a personality is quite difficult,

but only this brings joy and satisfaction to our lives. i am sure that everyone who is now watching this show. sets big goals. this is great. i really wish everyone who is now looking to achieve what they dream of. and of course, read the belarusian dumka, we have a wonderful magazine. we really want. we really want a dialogue with you. this is the fullness of life that beats in us. so that it splashes out, so that it is transmitted, so that it communicates between us and our readers. we have wonderful readers, and we will always be glad to see you as subscribers, readers

of the library, just our friends. i am very happy and happy to have this opportunity to talk to you today. it is very important for me. for me, the dialogue of human souls is very important to the human eye. human hands are sometimes what holds us. but it is very important to always remember. it's scary to be. one is not afraid.

hello , briefly about the main cooperation based on friendship , mutual understanding and support for belarus cuba are discussing the potential for developing relations