and culture is a terrific composer, i believe that one of our most powerful. this is the music you heard. she immediately grabs her heart, you remember it right away in belarusian music, there are not so many music that you remember right away and that already holds you. so this is the opera that goes on in the theater there, well, with some kind of breaks without breaks. she has been in it for 40 years. yes, you were present at that, that's how it was born or the un, of course, wrote it with us, but we lived it, he lived his creative life, where he did not let us in, well, die about it. that's where we did not let, he hmm wrote, then his most beautiful rotoria poet. here is the gray one. legend then many years later. i talked to him about how, as always, the legends were written in an amazing way, because he was always friends with shorter than a lot of years from his youth,

and he found this plot. he had all the books, there were short ones, he read everything, he didn’t start writing music before gorodkevich began to write, or it began to write poetry, that is, korotkevich already wrote these wonderful poems of his. just like that therefore, the libretto shows what a great poet gorodkevich is, and not only about the bunny, the complex texts are difficult to sing, because this is precisely high poetry. they are just undertones you understand in the case where the composer inspired. this is the case when yes and so, that is, it was born, not like this, but was born like this in a completely unusual, unusual way, this work is whole. that is, if we assume, mm, everyone is fine. you know the wild hunt, the sugar king. there are two completely different versions. can you can redraw something there, and so

on. although this is a magnificent work, of course, a work such as the gray legend, but it is powerful as a whole, so, as far as evgeny alexandrovich is concerned, evgeny alexandrovich yes, he was present in my childhood. i have seen enough of him, as she is to most, than from the fact that when i studied at a specialized secondary music school. ah, we had a choir there, we had a wonderful choir that performed a lot, which even traveled a lot. and in particular. e evgeny alexandrovich wrote especially for us. i think it's great stuff. he had a children's oratorio, which was called childhood in ukraine. pretty big symphonic marques. we sang it. that was very bright. it was very interesting. we like it very much. why didn't he take you? and when you came to him, they sang his oration, but he does

not take you to e. for me. this is for me. it's a riddle and we're not here for long. let's break, i remind you, we have a telegram channel. say, don't be silent, ask your questions. suggest guests we are in touch. for those who want to keep abreast of new developments. with the development of science. many problems are left behind, however, our researchers do not stop their work, but in the modern world. well, it’s like it’s already about 40 and you sometimes forget what happened yesterday, maybe this is the same thing and you need to see a doctor. i ask how specialists have lezginer's disease - this is always accompanied by dementia manifestations. yes, that is the same dementia to date microbiological preparations. this is very relevant. it's fashionable at all not environmentally friendly

low quality products. this is a guarantee of the health of our population, everyone is trying to paint for themselves this picture of such a positive old age. and when im asked a question. so what should be done here , everyone thought, watch the popular scientific project science mania on belarus 24 tv channel in times of rapid change. it is important for us to show you the main thing. the country has fixed a clear position that it adheres to. today we keep history, value the achievements of generations and honor traditions, global perspectives, high diplomacy and social research. however, the fact remains that dialogue platforms have started working. and this is a chance for everyone to be heard, we will draw detailed conclusions, see an exclusive interview and talk about the main events on the main air. watch on tv channel belarus 24.

on the air i say again, do not be silent and today our guest is composer, music critic and writer yulia andreeva yulia you in the eighties, you repeatedly visited the house of composers of the ussr and e. ivanovo and they lived there in the house that sergei prokofiev occupied, you remember with warmth those trips, of course, are remembered with great warmth. they took me to something completely different. let's say the understanding of music and itself. maybe it was good. maybe it was bad, because maybe i stopped. in a sense, to believe in myself to the extent that i

believed before, although according to the results of these trips. i received orders from the union of composers of the ussr, that is, the family bought several works. eh, which not everyone can boast of. explain to me. here you come to this house. it's already some quality mark. yes, you are a composer. you as an adult it was let's say a refresher course for the best young ones. e composers from different republics were sent there with hope. at least you submitted some. yes? of course yes, but i left this profession. maybe someday i will return to it, maybe i will not return due to various and all sorts of circumstances, one of the circumstances was that i was not accepted into the union of composers here seven times, despite the fact that i had a direction from marrying threads. this is me very much not something that knocked down. and i actually, uh, thought that if i'm not able to get through

this barrier, so how am i going to rise to the height that i need to be at in order to be really serious and a great author, one door closes. uh, another one young man opens stephanist's grandson. you suggested that i write for red treason. a large, in general, quite a review of the wild hunt of the king of fear, which was then staged, which was then nominated for a state award, and they were instructed by them there was no one to write this review of this license. i wrote to everyone very much. i myself really liked the work went as a music critic. you have been cooperating with the security council of belarus for a long time today and have written thousands of articles on cultural topics. this is we are telling the history of modern times. there is such a thing, but in the twentieth year, julia was spat upon by some. of all the creators, whom they themselves glorified on the pages of

the famous, it was e for you and these are the events that followed them in the twenties? well everything that is happening now in some kind of shaky reassessment has happened, the value of medical values ​​has certainly happened, because i realized that many people and the real values ​​​​behind them, let's say, turned out to be complex. i have strengthened and established myself in the direction of movement that i have chosen for myself, let's say since 2010, somewhere in the year of movement. towards the state is a movement towards very strong state support. eh, i understood whose truth i understood, uh, that is for me completely. it was the arrangement of all the dots over and because, well, you know what our intelligentsia are. she's so messed up. i will

say that the twentieth year turned me not only to the state, but also to communism. i believe that marx was right in his predictions. and that humanity hmm one way or another, uh, will move on to this for that very reason, it will come to a classless society in which there will really be abilities from each and each according to his needs. if, of course, humanity will develop intelligently, yes, further, then it seems to me that it is completely it will be necessary to completely rethink what is generally a predator. nikogo approach, and that which is practiced by the modern economy. i realized that only a rotten swamp. in which we all spent quite a long time and thought it was comfortable. it is a rotten swamp, and at what point? so you felt this island when at the

philharmonic, magnetic god began to sing, when the big theater began to sell and vacillate. that's what you want, honestly not in the twentieth in the tenth. although i didn’t understand then, hmm, that ours even the so-called intermediate democrats also refer to something like that. that is, even then it seemed to me that there was some kind of hmm dink's cd half, but when in the tenth year it happened there in such a way that just on election day there was already some kind of turnaround. eh, so to speak, strong. we then mm understood the essence of all these elections of all this voting. we are very good with my husband. all this was understood. here but nevertheless. we had absolutely no idea what would happen that evening after the elections. we left the theatre. and we we were at a concert in the musical theater and decided

that it would be very convenient for us to take the metro home to go to the square to the square on the fallow land. and we saw this horror. we got very scared. the only way out that we saw for ourselves was like, just the husband says, don't be afraid, everything will be fine, and we neatly neatly along the hotel, minsk moved towards kostrovichinskaya. a cold, very cold december day, december 19, there, yes, december 19, and there is a crowd coming towards us, and i saw who these are actually opponents of the state. i saw the nazis. they were in forged boots. they were all with crowbars of some kind. they were with

brutal muzzles. let's be direct. i saw these people. for me, everything became once and for all, it is clear. that is, if there were some hmm illusions , some nonsense in the head, then in general, after that, no illusions. there was no nonsense. i understood who they were and who they were in 1920. hmm understanding of this became even uh, stronger i must say that m-m even when the covid came. yet only me. uh, they began to spit until the ninth of august for a long time. i started having problems with many former friends. even from the very beginning of covid. i realized that this is the whole mess, and in itself it is anti-state, that it is not just that it is inspired and

warmed up by someone. i got a systematic understanding of what is happening you were put in wine, that you do not wear a mask on the street admiring the flowers, when the whole world is in danger, of ​​course, this amused me very much. but of course, in august it has already taken some monstrous. you can say the forms know that i remember that in the sixteenth year it seems that you still entered into a dialogue with them and with those opponents. who says that it is necessary to prohibit not slowly those and these or well, the abolition of culture. well, indeed, after all, echoes are only now in the twenty-second year in russia, yes, all the leaders are faced with the fact that we were already slowly living. i don't know either our compactness. the chief either our really wisdom somehow helped to get through it quickly, but now, watching what is happening now with russia and with their culture, what you are experiencing, i

look with sympathy on the one hand, because i feel sorry for the people who are confused, lost their way, who m-m bang their heads against the wall, understand absolutely nothing . that is, this is the cultural environment, it turned out to be absolutely unnecessary , helpless and absolutely not understanding life with an absolute misunderstanding of what is happening in the world in general. these are people, hmm, whom we once might have respected. is that why you left? now you are a journalist to the belarusian dumka from cultural themes we notice. what do you write, for example, even they are too ghetto yes publishing. do you have any essays to describe them, and i bathed the cubes. that's how when you left the

salons, so to speak, and i have long dreamed about it, because this musical theme has long become something for me, like the very guetta of the reservation. let's be honest, let's say that after the sixth evening, not a single great composer in the world has appeared. that's all. well, very finely sponsored. he thinks he's great thought he was no longer in the world, however. yes, but nonetheless. yes, he was the greatest composer of the era, but not the greatest genius of mankind. let's say this is honest, frankly julia , but if these thoughts, when they visit you, it prevents you from moving forward. no, that after da vinci you don’t need to draw after shostakovich , there will be movement to write music for children no, after shostakovich you need to write music, just as after da vinci

a lot of great artists appeared, whom i love the talent of my strength. eh, that wouldn't be enough for now. eh, there is a sober assessment of this. but you know what's curious is that there is composition and i won't. they call the names that they told me, what a fine fellow you are that you left this. how did you do it right and so on and so forth. well, i would never risk it, because i am already sitting all in this for the anniversary of our classics. i already mentioned. you traveled to the places of kupala and kolos for publication in the belarusian dumka, a little riddle. julia look at the screen and try to guess. whose is it there is no oak, but it is kupala or kolos oak. this is kupalovsky oak. this is an absolutely wonderful place. to whom it is not far from the commune to us and to whom it is not far from the kirys of that very river rice e

where hmm kupala went, either in the thirty-second, or in the thirty-third year, that is, people are still arguing on this topic. and we also have konovsky, by the way, oak. well, uh, it just amused me. yes, this is your entry. you wrote kolosovsky oak. it's not that it's not the same as kupalovsky at first i was in the trenches this place which hmm was first rented, and then owned by kupala's mother, ben igma ivanovna . i was in june. there, the oaks were smaller than m. but this is the oak of the prick. this photo is amazing. it's just something like japanese haiku. you know, she has everything in this photo. i like her very much, but you as a music critic, as a composer and as members of the union of composers. i must

tell our viewers that you were nevertheless accepted into the union, now is our time already inspired by such trips around the country. i'm throughout for many years, while i was married because of the nature of my husband, then because of his illnesses for a very many years. do not go anywhere, and i always loved to travel around the country. i have 10 folklore expeditions behind me. we must not forget about it. my parents and i loved it very much. when i was a little girl, or as a teenager, i also traveled around the country, so i thought i knew the country, but it turned out that i didn’t know it, because it is so diverse. in general, for me now . hmm, happiness is these business trips. just happiness, i i breathe. i breathe. e air. i date everything with other people. there was a recent episode. when suddenly such a conversation sounded that we have such a

very thin and creamy layer. this is the intelligentsia, and so on and so forth. it's so subtle it's not true it's a huge mass of intelligent people deeply intelligent much more enthusiastic and breathing culture people who will never tell you that here i am working for a small salary. i have such a small salary. they have really low wages but they live so much in what they do. here in these little museums in libraries. uh, just people who are local historians there are some people who are no longer young pensioners. they breathe. they have burning eyes they are passionate, but returning to the musical salons. i wanted to remember one more page of your biography, let's watch the video. it’s still whitening in the fields, no, but the waters are gone with a new noise running

and there will be sleepy delirium running and shining and saying spring is coming spring is coming guests and your guests are glad to see you in your musical salon in this joyful for years. what cut, spring has come, and spring is not only a good build for us, spring, at least not in nature, spring is at least more viscous and let them believe it from risky and the neck says, especially the languor of the spirit that when we have a promise, how you worked along with eleanor, of course, where tell about it. we got to know each other in an amazing way, and in an amazing way she invited me to her projects. i wrote for one .