tv [untitled] BELARUSTV November 24, 2022 11:00am-12:01pm MSK
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why the same events and circumstances are treated differently, who creates new ethics and new information trends, and who benefits from it, no matter how strange it may sound to someone, but there is documentary evidence of this, these plans for many years, were nurtured secretly and did not were voiced aloud. and these are proven facts. or is this another ksenia lebedeva will tell you in detail about the phenomenon of double
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surname is viktor igorevich vasiliev i work the belarusian state academy of arts also work for the youth theater and would like to talk about the life of cinema. i would like to talk about my life. i would just like to talk about you about my colleagues. hello , on the air, the program, say, do not be silent, studios victoria popova and tatyana shcherbina and the actor of the cinema theater viktor vasiliev is our guest today. good afternoon. hello viktor igorevich, you are from sverdlovsk. they graduated from the institute of theater and cinema and now sverdlovsk and yekaterinburg are an important city for the belarusian
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culture, because, besides you, he gave us vladimir mulyavina, natalya gaida and vladimir astyukhin. e. how are you? explain what exactly these celebrities realized in belarus well, most likely, it is love for this country love for women love for men love for everything that surrounds us because then it was the soviet union right we came to different yes, yes, but love in belarus everyone has it in their own way, but it really is, after all, it’s not just that both the costume and the guide and vladimir mulyavin and your obedient servant came here for a reason, because here it brings warmth, warm respect and the opportunity to work, because the soviet union is a huge country. and when i invite you to such a capital as minsk, you get great pleasure from the fact that you are thought about, and the second is that you can realize yourself. and the third is that you are loved and you love in your youth. you
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started from the sverdlovsk television studio as a cable operator, then as a lighting engineer in the studio, and then became an assistant director, and today 's television is you. eh, more happy or sad? well so to speak. i don't work in tv right now. i liked everything from the inside, because this work is very difficult and it is not visible from the outside. and inside it is a whole process. this is a whole team. the people who ensure that the viewers uh, have information about something enjoy entertainment get to think about something you know tv is a very complex agglomeration. and i believe that our television, especially belarusian television, is fulfilling its function. yes, there are some shortcomings. there are some how to say irritation, but these are trifles compared to what we see behind the scenes today. you told us a curious story that when you were just droppers on television, you already met nikulin then, and then he said he didn’t
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believe the journalists, because they would edit everything and fix everything and nothing would be left of him. and this story amused me with words, because there are a lot of them. now they say that modern television produces fakes and so on. but as we see from your experience. there have always been people who are not happy with how they are cut. and what are their words choose, and those who would be satisfied. well , is it much different? exemplary television from the one you did then you know is different. in fact, there were a lot of programs, there were a lot of programs, and on each program there was a special atmosphere, especially the atmosphere and you could switch the tv, but uh, there were few channels with us, but the programs were very saturated saturated it was not easy how to say well, not a good word. blah blah blah. yes, but there was a meeting with interesting people showing them work was shown. uh, what they breathe showed their
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inner life, and they shared it. maybe that's the transmission. what a rural hour, it seems, yes, such a boring thing no as a director as a screenwriter. uh, it means they will build this show, how the operator will come with them, how they prepare, how the director organizes everything, it depends on this, not just information to give the production. so-and-so, so-and-so, so-and-so, but what ignites inside, what attracts you then you watch this rural hour, and it seems to you that you and there is an agricultural worker. this is very interesting. yes, he's leaving. here is the directing. this is the school. yes, now they are somehow quickly cutting, but there is no conversation. here i am old archival, when i look, there is some kind of nostalgia and recordings of documentaries in the seventies even in the eighties. it's not enough that the leader is a person. the
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hero he makes the film is also something of himself. he tries to make about it. well, don't do it now. maybe it has to do with finances, maybe it has to do with time, maybe it has to do with the times we we live, everything flies rushing, but anyway, here is the belarusian state academy of arts, it produces very good directors on television. actually here is this faculty of arts screens. i would say that this is a small, but a forge of professionals. well, let's say, out of ten people, three for sure. professionals, the main thing is how to say them, save them, take them so that they do not disappear, so that they believe that they are interested in them. they just finished. well, go wherever you want, there is no our television should be interested in everyone pick up and say work you defend students. it tells me that it is not in vain that you have been heading such a seemingly ephemeral organization for 15 years as the union of cinematographers recently celebrated its sixtieth anniversary at the leaf fall film festival. many of your friends came to this organization,
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including the actress natalya bondarchuk and natalya varley , who noted everything in our studio with wonderful interviews. but the question we have is the following, they say a lot about what these organizations are today. well, in general, she was buried. and uh, you can do without them agree. this is mistake. actually. just imagine here are 500 people. every person has geometric friends. that's right relatives are friends. and these 500 people are a small foundation, a small column of the stability of power, if we remove all these columns , yes, the power will be shaken. but no, she will stand firmly on her feet, but she will stagger and people will doubt. but when you hold people and tell them and they believe in the state system in the head of the country in the head of the organization they believe this is very important namely the organization. in principle, it is not political, it is public. so what is a public organization? it means helping each
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other to explain, something research is political. you know really. yes, i have already raised this question more than once, and not only i and others, that such public organizations should be state public, the state should be obliged. to help finance such organizations, not only to give no salary, but at least some elementary things, because after all public organizations are a small column, the balance of something in the state, a curious thought for the first time i heard it, really. i know that you are 400 more than four people in your union, but you occupy a small room in belarusfilm at our film studio and pay rent, which once offended you, what you said. aren't we doing the same thing. why do we have to pay, you understand, in fact, you could find a
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variety of options, as vasily petrovich found here. yes cinema video rental, he found options to pay the minimum because this person understood what advice was for. why does cinema exist? who is supported by vyacheslav aleksandrovich nikiforov, is he correct? what he said and says that this film community is united by one goal, you understand, yes, when a person is united with a goal, he does not climb into what is not necessary into what he does not understand. and if we will be all the time, how to say, e press press press press press a person starts from his profession to think about something else, but not necessary. that is, it's all the same man because he is a sane person. he after all begins to think, and, and absolutely other things. why? for what? on
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what basis and sever thus? we separate ourselves. and yes, on the contrary, i also have an interesting interview. i watched the footage of life sergei was tortured by a boat, why allies are not photographers with a hill, he can go to any theater in moscow and in minsk there are no preferences uh the head of one of the e, as it were, divisions of the presidential administration and councils, they must make this decision. so that at least as the decision was made by the minister of culture at the last meeting about leaf fall, that the members of the union on certificates of veterans of the union have the right to come to watch films with this is correct. this is the right decision, but being a member of the union of
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cinematographers, you can’t come and, how to say, don’t get to some movie. it is not right. i understand that it will be said by anyone who has me now he looks and says, yes, that he is begging for money all the time. why should they give for free, they should be obliged, because this is the culture of the country and everything and various documents were sent, but you understand what business hmm the law is the law i always answer there is the law. please. live by the law. we will live well. let's wait until something changes. well, now there are some sponsors of his union of cinematographers, people who call uh, financial support, including, you know, financial support. no one turns out to be sponsors for some events or pay to help. hey, get some paper. there, it means to feed someone, and send them on a business trip to pay for the plane. there are such people. i am very grateful if they
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hear me, i bow low, and that's from the bottom of my heart, because in them, uh, it means that there is such love and respect for the culture of the country. yes, they cannot financially help to give money, but to provide something. uh, helping our members. union by some graphist, of course, may i owe. means tell them low bow to you. thank you very much, you admitted that you attend about five festivals a year. among them there is a cultural forum to our golden. vityaz is already such a promoted forums and familiar to a wide audience, but recently a russian foreign festival took place in moscow. tell us what topics were discussed there at this festival. what can you say about this forum? whether he will take root you know this forum. eh, it's been around for a long time. how long have i led the union of cinematographers 16 years 16 years sergey zaitsev wonderful film director screenwriter. uh, just an amazing person on
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the inside. here are the energies of goodness, love, respect for the profession of respect for people. i think that he has, uh, this festival has great prospects, because he is the most intelligent. i would say the most intelligent festival, so many smart talented actors and directors, and several at once. yes, there was a festival dedicated to the centenary of the end of the civil war and the centenary in russia and the centenary of the philosophical steamboat. how do you feel about those figures of culture, which is again like from 100 years back, so they boarded this philosophical steamer. we left russia, i want to tell you right away, my position, as it was, and remains motherland fatherland faith love if something is missing in a person he left. and if he left, this is his, as it were, choice, but the choice is wrong. in my opinion, it is wrong. not
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because i think so, but because in a difficult time you left your homeland with your family. after all, you can have your friends, if you disagree with something, can you fight the word? no, but to speak my mind, but i think so, although i have many times in moscow it was in russia that they went and said that it was impossible to go to belarus here. it's wonderfully weird, actually. you just how to say, belarusians, they don’t notice, or they’re just used to it, that she’s like that, well, that’s all, but she’s beautiful, in fact, you know, not on the streets. and in human souls, in a very peaceful , interesting and bright people, the russians add gunpowder to us, and in mind, an important part of your life is the theater after working at the ural drama theater, you ended up in the alternative theater of minsk, which again, our guest, uh, the current artistic director
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looks white from the circus, here we have this grigor, and you remember in your interviews this time as a time of unlimited creative freedom well then, there really was no money, but he and you met coffee also as an actor in alternative theater. k. for example. you said that you wanted to go backstage and throw with maktunovsky and yevgeny leonov, they wanted to congratulate these current luminaries with a good performance or in another way. you know, uh, to be honest, uh, with eugene we met pavlovich leonov when hmm i played the image of vladimir ilyich lenin passing by me, he looked like that, and he said to me, it would break to fall, and the actress said, why is he from the urals? yes, he speaks from the urals, i say, and sverdlovsk all the evening we remain talking with you, of course, he
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told me a lot, and roles, and performances about people, and in how to say, looking at me, he thinks from behind the scenes . well i mean, sitting in the hall. here with maktunovsky e, when they told me that with maktodonovsky in the hall, i did not believe at first. but you know, like actors, these jokers are like that. yes, even a tree yes, yes, well, you have to treat it with love, because, well, everyone wants to prove himself. if this is so in this, well, so be it, and so they told me, how to say, i didn’t pay attention to it. i then played three for the show opera and played a pichum and another role as a bandit. it was difficult for both, but somehow it happened at the end of the performance. suddenly a knock on the door. i think you usually know who is knocking on my door comes in out of habit. i say come in. what are you knocking on? innokenty smoktunovsky no no no, he came in like that and asked if
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you would let me talk to you? i was amazed, at first, i was confused, honestly, i would say i was confused. and when he says hmm let me sit down. i say, please, he sent, i watched you performance, surprisingly interesting. a lot of course, er stupidity and infidelity, but er nature saves you. well, somehow he tells it in such a way that i myself got excited as if before the word you know, i actually knew i sincerely tell you, after all, personalities are great personalities, it was very easy to talk with them later, because they switched to your language. they, as it were, did not speak high, which means they did not speak in a word, they spoke in a simple language, our actor 's simple language. today it seems that today's youth have no idols at all. and now this chain of succession, so to speak, is broken, yes, it is
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broken. and here, if now to someone from young. dressing room i went with moktunovsky, it is unlikely that they would probably have fallen into a stupor. i have already spoken about this is what we talked for a long time with and with the students. i say, take ranevskaya. yes, she is ranevskaya faina ranevskaya, if they were talking now, most likely, she would have passed so unnoticed. and you know why the saturation, again our trouble with our television, is that we saturate people with saturated information, and this and this and this and this and this should be too much. the secret when they show behind the scenes of poisons is always the enemy. this is my kitchen. this is my friends. this is my world. why should i show the hall they talked to me off stage, it's not because i'm like that, because the viewer needs it. i, like any person, leave for gas. and we will interrupt for a while , i remind you, we have a telegram channel. say don't be silent. subscribe to ask questions.
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suggest guests we are in touch. oh, on the air say it again, don't be silent. and today our guest is theater and film actor viktor vasiliev. let's see a small fragment from a three-penny opera, which, as i understand it, and watched with maktunovsky with your participation, and you know your singing actor fans once this moment and see that someone once exercised his right, alas, he is glad to exercise them, of course everyone, but circumstances, alas, no such took this video from the program. uh, just boats, and he took from the funds. i think it would not be superfluous for the company's radio squirrels to
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say once again that here, of course, countless treasures will be preserved nowhere else is this video, really for you. this is very pleasant, but youth is such a disadvantage that quickly disappears, you must admit that youth is leaving, but it remains that there remains the memory of knowledge, professionalism and respect for their partners. here, with whom i worked, martynenko's t-shirt anechka lechilova and others. well, great actors for a great actress are great partners. uh, there are performances that were interesting and we ourselves were so mobile hmm impudent uh, we were allowed a lot in the alternative theater, which was directed by vitas, he spoiled us, in fact, maybe it was not necessary, but he gave us the will of acting and this united us all. he
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speaks. well, please try. try. so try. so there was no such thing that e, a clue, so i want it so i will do everything. no, he is a very experienced very interesting director. and today you go on the stage of the youth theater and sing again, for example, in the performance of the concert, backstage for plowing. let's get a look. i didn’t call you either that i didn’t slope that their lives passed by their fate, their search and don’t envy.
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and again quite how is your fate in the youth theater find, uh, a common language with the chief director, when you admitted that the theater did not maybe only colleagues are friends, but in fact, there are only colleagues. uh, when someone says that i'm each other, what's the point? all of a sudden my videos no, a friend of your own friend of your role understand? how fate develops, there are different actors, different directors. and if there's a director, then you should kind of say, well, that's your profession. hmm , word to obey. i don't like being equal. well , i'm lucky. i work in a wonderful youth theater with interesting colleagues and interesting
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directors tatyana aksionkina. c hmm a wonderful director, uh, a guzey, our main director with a directorate with people who are behind the scenes with employees. i consider myself lucky because they are all friendly. this theater has not yet petrified. in this theatre, there is purity, sincerity, love for each other. hmm, but uh, all the same, uh. colleagues and all the same, colleagues, you have played 130 roles in films. approximately among them there are quite exotic characters. but mostly people in uniform. well, even yesterday i switched the channel and there they lifted the rumba bars. yes, service on the morflot you had the far east in your biography, apparently,
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directors read it on some intuitive level. and why do they let you play constantly on these people. i will answer you a little differently. and what is casting? i'll take you a little aside. the real word means try to like it, but casting is now more than time, they say casting, and earlier the casting took place, and you were dressed. you were made up, now you were given the task you were tried several times you were looked from different sides, what is sitting in you how much in you, the energies looked at all this , processed it all in such a way that the director understood that this actor would play. this is this actor who will play this a about military things, but now it's not there. now this is not. now this is a disaster. it’s me who’s fighting this, they tell me, we’re saving money. i say, what are you, i even know that the actors themselves now basharov told us
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a video of the test on the phone, sign up and send it, so we talked with him for a long time. he swears so much that i say. i say, i have to do this. i say, well, we got to this time. we must either accept it or leave. let's accept it and quietly, quietly, how to say, importunately implement, all the same. the red military uniform in itself makes a person very slim, makes him disciplined, something beautiful, because the military is a person who guards our peace, but they have less. eh, how to say expressive. so happy smile. it's like saying bright eyes deeds less. well, these are the same people, but their task is to protect and think. and when you wear this uniform. you become yourself. completely different. it’s completely different that you and
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your wife got up for a long time at 5:00 in the morning right in the military. why is this a habit? well , yes, this is my bead. for me, the word bead is something unusual, because it is a creation of nature for many years. in fact, my wife's name is zhanna stanislavovna, i really respect and love and appreciate and cherish. and i want everyone to have such a wife , i want my sun, again, the great patriotic, yes, in the museum of the great patriotic war war. yes, the work is very difficult, it’s always with people, and with people you yourself know, when you have a large team you need to be focused to understand who wants what, but uh, my wife always supported me, always get up, why do we have dogs in the first place yeah no, not because of this. second, everyone is a woman. i understand that you want to look great. no matter how old she is. she goes to
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work to please others and treat herself with respect. secondly, dogs, of course, we have two dogs, they need to be walked. this is a miracle dog in dogs animals have to learn. uh, some hmm demeanor, when you look at an animal, it makes you. how to remember a look. thought, after all, a lot depends on how you look at a person correctly? yes, if a person, uh, says to you, uh, not a very good thing. this is not required. you have to argue with him. you have to look and forgive him, and he will see in his eyes that it is useless to fight with you. so among your images. uh, there's the already legendary head of the investigation department. lieutenant colonel dubrovsky tv series the return of mukhtar and mukhtar new sled e, recently filmed for the thirteenth season of the series did not get tired. no, you know, we ended, uh, season 13 and
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didn't shoot anymore. for some reason, uh, the channel's producers decided to make another movie. but it was a very kind, very kind, good series for the middle generation, it will be for the older generation and for the children's generation, because in it people built human relationships in it, it was clear how well-chosen or professional you are. the assembly in you was their hardness and gentleness, and responsibility. and how to say your professionalism. here the text was there everything was this happy time was, i want to tell you. i am very grateful to heal 13 seasons in one series. i don't present. is it, well, like a routine or not? or is it a family, no, no. and you know, first of all, dogs change. yes, you are worried about the dogs that walk, which new ones appear and get used to them, the actors change , someone goes to another channel. someone refuses to act. beyond someone something
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arranges. this is such a life. it's understandable, how like a person who gets off at one stop, another at another stop. here is the 13th season. you understand that the film is something really, but kindness. now, if you carefully look at the series there, the second third, it says good all the time, but good must be done in a good way. he has an audience. this film has a very high, very high rating, as soon as the actors began to change. hmm, the rating began to fall, there was no need to change the actors. well, this is the problem of producers who think that they are always right. yes, they are right, because they have the right, but you have to think about the viewer. after all, we get used to imagine, yes, we get used to the person absolutely. i believe that serials are the same ritual, history and focus groups. not by chance invented in the west, every hero is not killed. if his high ratings don’t kill him,
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he goes on and on and on, but resurrects, on the contrary, you also worked as a second director on some projects of an unnamed height, for example, the last train major of the winds, which this one gave you directing experience, how did you feel on the director's set? well, firstly, i am very grateful to all the people who actually trusted me with this skill. because i showed myself more as an actor from the outside. you understand when you are an actor and you see that the other does not succeed. you can look at him from the outside and tell him, because it is very important to tell him what is beneficial to your colleague. not just a window. let him do it, and it's wrong. so it means, otherwise do not, because it depends your inner state. so, how much good and interesting profession did you contribute, how much energy did you put into it? that's so much, and how to say, she will come from the screen and in life she will come to you. so
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happy after all happens when you hmm helped someone on the street on a falling person. and then you 're good. yes, it’s not for nothing, no, it’s all laid down, especially in our avalanches today your dynasty is continued by my son igor he studied in avgika with vladimir khotinenko and at our academy of arts. let's see an excerpt from his term paper as director of the movie wow, you shot him with one shot. i don’t have an etiquette petrovich. we see that you played with your son in the
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term paper, you couldn’t resist in different ways, you can say here. you can say it helped. ca n't resist talking. actually. he chose me himself and asked him to talk with me for a long time, because i'm such an energetic person, let's say, then i'm so mobile, everything i want. wonder what to do? he talked with me for a long time, so my son explained to me the reason. i really enjoyed explaining the grain to me. here is the word grain is such a dangerous word. well, let's say the character of this person. the most important thing here is the character of this person, that at what point he becomes a person, where he begins to wake up in you. in the finale, he kills people there, which means everything else, it’s terrible, of course, a work from the point of view of history and literature, but but a
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human one breaks through it and, uh, i am very grateful to fate that i have such means a son who hmm feels in the actor the nature of life, the nature of respect in the nature of human qualities. actually the best human qualities, wherever we are, no matter how we show ourselves, uh, in bad circumstances, but still human qualities. they crawl out of us, because, as i said, we are slavs, slavs. well, he got interested. this is the topic most usually about their children talk a lot. uh, how to say a lot of good things, but i'm proud that he's serious. uh, a young man, a serious director and a serious screenwriter, uh, a serious professional person who takes any task that is entrusted to him very seriously talk about the fact that young people can do everything except the profession, and they talk about their son or about the same directors who study at the academy of arts,
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our you. say they are talented. do the guys know the profession or not? no, i didn’t say that they don’t seem to know the profession, young people know everything except professions, young people know everything except professions, which they will enter, it’s just an understatement. they will enter it. yes, of course, because it is a very complex process. why did i say students need tv should take directors because she's talented, when will you take them? yes, they are ready, but they need to be led through this corridor of knowledge . the corridor should be, i try to somehow supplement it in my lectures. uh, those on-set behaviors . that is, which should be included. how to communicate with the e, means group. which of them is who? what is he responsible for? this is very important, after all . he comes to work and starts to get to know everyone. and wasting time is just wasting time
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who is who, and my son struck me with another term paper. i looked when i was getting ready to meet you. there. hey, there's a snippet. he rescues a soldier from a pit, then it's to the americans. it turns out that he gives him a belarusian flag, takes it out and says, i introduce myself to them, belarusian and he says, i'm joe there , an american, that is, it amazes me that the child already has one. this patriotic duty was laid down from the very beginning. i just talked about it all the time in my family, i emphasized it all the time. what is homeland? what is family? what is a state is the head of state officials? why , then, it means that they act this way or otherwise, how we should act, how our position should be, this is not a one-day question. it's a matter of time, that is, initially. here he is lucky. in fact, that he was still a kid on set. the venues of big directors are very big directors like that. as we say with nikiforovich
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slavnych. he was sitting on his playground because it is to absorb. uh, this literacy. confidence of knowledge of the profession of knowledge of one's business. and now here he is is engaged, this work was ten years ago. now shoot something serious. well, now he has finished two films, he was hired as an assistant. eh, the director for the script was hired later. even the producer. i was surprised that they said, and the directors told the cameraman that, as he says, it will be so. if you stop shooting stop. if you reshoot, then reshoot. if you stop the camera , then stop. if the sound is rewritten, then it is rewritten, if the editing is redone, then it is redone, because how to say no, no, no, no, no, it's just you know what's the matter, it's not because he's such a lot of kids. yes , my best, but there are many children. and uh,
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because time dictates, it means its own conditions and not every uh director or cameraman can notice this or that mistake, and when a person looks from the side, uh, everything, the script monitors everything, let's say, yes, this is a very difficult profession . this must be remembered. who stood how, who spoke how, how did the light stand, how did the objects? it's very difficult in fact , and besides this, knowing the whole scenario will hold together - it's the same thing or you know, they're very close very close. i don't like these words at all. we always had an assistant director, they don't understand the sensor. and they don't need to understand, it's just the director. there is an assistant director. now he is an assistant director, however, he is finishing writing the script. moscow asked me to write a script. so, the only thing i can say is that this is a very bright and interesting work. e, intended for children here at last night, they were negotiating here in minsk, uh, they were sitting and reading for the last time.
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ah, the script. how will it turn out. if he shoots, please, he will shoot. if not, he still remains in the profession. this is his work. well, besides this, he has a lot of things, in fact, we have a lot of talented children, not only in my son, there are a lot of talented children both in the academy and among, how to say, those who are in schools. well, as you already mentioned? not always, they are given a move, it all depends not on the child, why am i grateful to my members that they dragged me everywhere? look look look look yes , the youth will help belarusian cinema to revive, if we entrust them with all the nonsense that we think about, and we will throw it away and let the youth make films, we will let them make films, then our cinema will be revived and revived. i assure you, but if we give, here are the vocals. i wanted to enter the conservatory. and it’s good that i didn’t do
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it on the one hand, because it would be very hard work to sing in the big theater now. and i am by nature more relaxed more discern. and this is work. uh, opera singers pop, singers back in sverdlovsk watched vladimir mulyavin rehearse it was something completely different what i see now, it was so much he laid out and laid out the story of the song from his colleagues that i had goosebumps. well, in principle, the distance was some 10 years, but still there were goosebumps, which means a rehearsal before the concert. we climbed quietly sat down in the hall quietly quietly. and looked at this miracle, in fact, it was a miracle this great man of all wonderful. ah, so colleagues. uh, singers are unique. this is the uniqueness of the belarusian, they must be protected, loved, respected. thank you very much, please. we won't be here for long now. after a short pause, we will return to this
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studio, while subscribe to our telegram channel. it's called say don't be silent, and look for all our releases on the youtube channel, belarus is one. we will show modern belarus from an unusual angle , we will discover the unique belarus and its culture, we will provide an opportunity to see and understand what is not visible through the eyes of local residents. and when here minsky came, there is silence calmness uh and the weather is good very foreigners about life in belarus friends. they are always there, and they helped me a lot and they are open-minded. i feel very comfortable, i think sometimes
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peoples take their own, as i'm already used to. eh, not customary at all. see in the program a look at belarus on belarus 24 tv channel. the most pressing topic and questions discussion to the conclusion that it is not necessary to fight with anger. you need to say hello to her inside yourself, feel any emotion, any emotion, it lasts well, according to research 11 seconds no, it is rather complex consists of many feelings, there is gratitude for the attachment of tenderness. look in the program for the concept of neutralize on belarus 24 tv channel. it was not easy. during the night i broke this
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entire huge huge tower there and in 2 days i made a complete copy of the portrait, enlarged one fits says. ugh, okay, then i was scared. i thought that you mediocrity was tearing yourself away from your mastership thoroughly . and to become the most correct one, another thing is that each product is unique. it cannot be repeated like a ring or an earring or a plate. i myself did not understand when i reached this level, where i am now today. here in them my goal of the task was embodied and almost. it seems to me that we have achieved.
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on the air say again, don't be silent, and we have guests, honored art worker of belarus viktor vasiliev, the theme of war for your family. special and she already briefly so touched her. you pay a lot of attention in your e-schedule to participation in some patriotic actions of patriotic events. for example, you congratulated belarusians on victory day, and at a rally in the agricultural town of semkovo, where the concentration camp was located, in which the nazis conducted medical experiments on belarusian children, they took blood from them for german soldiers. so you have a feeling that at such events at such events it is possible to restore the memory of the great victory. you know, you hurt a very serious topic, and since in my family personally in my family, u two grandfathers and both gave their lives for ours for all who remained from the living theme of the war.
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the topic of educating a generation is the topic of transferring knowledge and skills, it remains relevant today, you know, if you put it like that in simple words, so that people understand, we must not forget what happened on our land. e for various reasons. the first reason is the destruction of the people. this is the genocide of the people. this is , uh, disrespect for the government. these are the various moments that are associated with birth. child. after all, even a baby was killed. this is a very serious topic, the devotion of our soldier is a simple soldier. ah, for the lives of others. uh, the return of the cities. a. very difficult difficult historical topic and the more we talk
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, do not chat. how sometimes some can't stand, say calmly better less, but calmly. tell me how it was. and this it is stronger, it will hit blue, it will hit and remain in memory than uh, just read a lecture read about what when and where, so the question is, do schoolchildren hear you modern so we were in the museum of memory recently and the guide told us that she was pulled by her dress. children after a lecture about what they see here and asked, what is a prisoner? so they listened, and i think that our children are happy that they do not know. we knew this already at their age. yes, in school, prisoners came to us and spoke to you, and we knew, but they don’t know if it’s good, if it’s bad, and how to talk to them. today i will say this, everything comes with time, one understands immediately, the other through for a while, the third, thinking it over, comes to a
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conclusion even later. you see, i was recently in mogilev and the college of arts. amazing children , amazing, i talked with them for an hour and a half without stopping, they were interested in everything, they were interested in the great patriotic war soldiers. they were interested in human life. and these are all the moments that we are talking about. yes, they don't know. who is the prisoner they passed through themselves. like a book that is read slowly, not spanning, yes, from left to right down slowly, and i saw in their eyes that they have interest and they have , uh, heads. every person has a head. today i am studying. this is it today my brain can accept this and when they say that the children they did not
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perceive. it is not true. they have left. it's just that this file, as they say now, yes. this box of knowledge will open at some point. already archived. why do i say this, because in fact, i have experienced it myself. after all, all the knowledge that i have. i perceived them differently than others, this is hmm nature human significance of the event comes at a certain time. and we should not, how to say scold or discuss there, why i don’t know, they know, it’s just that the box has not yet been opened and we have to wait. it is necessary that she ripen this box, openly talk with them on these topics, which is also very necessary to always talk. i’m looking at you and i understand leonov, who saw you in makeup, lenin and said, he would break his mouth, because you remind me very much of mikhail sergeyevich gorbachev , you played this for muradov in the tv series chernobyl
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role. and i know that they have been preparing for it for a long time. yes, and it is difficult, but i would like to ask not about the role more, but about the attitude towards this historical character. i was lucky that i had documents related to the text in front of me. e mikhail sergeevich in these moments of his life. uh, every word was recorded. every breath, a pause. yes , what was happening now, i don’t know how to record before it was recorded. i read everything. this is a very complex character and at the same time, doubting all the time. he doubts all the time in the texts. or maybe so, or maybe not? hard talking about a person who is not difficult to talk about a statesman. if you are not next to him, it is difficult to say this about the situation, if you are not in it, i only look from the acting memory of the actor, it is clear how you look, well, as
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a citizen, that is, without harsh assessments? yes, that's how i sold the task that was assigned to me, do not evaluate this person, but transfer a certain hour of his life to the screen. but yes but yes, as a citizen. i, of course, with pain i remember these days with pain i remember these hours. i saw with pain. this action, which took place on the territory of the soviet union, cut into vineyards was banned a lot and it was said freedom freedom because it was invented. come up with an idea for yourself. freedom, we didn't make it. freedom is when i don't bother you, you don't bother me, and we do a common thing. and if we start to interfere, i want it this way, but you want it this way. freedom is rudeness. so in
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these years there was rudeness. we started eating each other. it is not right. and on the one hand, as they say, who would become something to me, no one was became nothing more than and who was with something he became with something even more this terrible time. in fact , these years of transition from mikhail sergeevich to yelts, from yeltsin to vladimir vladimirovich, are a terrible time. here vladimir vladimirovich has stability, but i remember yeltsin. i would like to say, e was with him all the time during the filming. it was a different person. in general, another person, what happened to him when he became the head of the state. it is generally incomprehensible he is sverdlovsk. he was the first party of sverdlovsk and because we worked on television. we traveled with him all the time. we saw how he feels about the forests that are burning. he was crying in the helicopter. i saw how he treats us all. friend something
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happened. i think it's not without intelligence agencies of foreign countries and say the phrase long live america e. well, it can't be like that. well, it's indecent. the head of state from brezhnev. you also met then by chance, this is actually such a bike. e hmm, i then served in the far east, we were selected to meet brezhnev to say few words. i remember the phrase to this day. i remember her. we match the beat of our hearts to lenin, and in life we go, and lenin is ahead of the party. today we assure you that there is no happier way for us for the warmth of heart care for the fact that we live so joyfully. thanks to the party from life and the people we swear. we will not let you down, but it so happened that before the exit, just before the exit of leonid ilyich, we were replaced. uh, certain security personnel. it was like saying safety. hmm, not only to the leader, but to everyone around.
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we were taken aside there was such a table standing on it there was champagne, sandwiches, some of us are standing from the cables peeping us no one is taking champagne anywhere to drink or drink. i don't remember who took the sandwich first. there were many. then someone second third. maybe i took the first one, then they drank champagne. and let's pour some more, but already adults. after all, we are in the army, we serve in the navy and we understood that what we are doing, well, some such impudence is such some such simple and we want to raise another glass to say something. suddenly, a report of the special services is running, they looked at us like that. we are holding, we can’t
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put it on already, because i’m already holding it and suddenly leonid ilyich comes along, he probably looked at us like that, but what’s in him? yes, we are for insurance with insurance? yes, of course, we were punished by the military unit, of course, of course, each of us. we were immediately punished, and some words told me so, but for some reason i was not ashamed. here at this moment. well. once set, so probably it’s all possible for naive sailors and sergeant. the most interesting thing is the stories. ah, our broadcast. unfortunately, it has come to an end. and we tatyana shcherbina victoria popova say goodbye to you today , goodbye. goodbye. and now viktor vasiliev is speaking. we mortals should not discuss this, do not believe it. discuss. live
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today it is not known who will discuss what we do not discuss with love to you viktor vasiliev unique canography and unusual architectural design the shape of our dome is very unique. it is made of two domes in the shape of a knight's helmet, interesting facts, experts. art critics. similar iconography depicts the most holy theotokos, who gently hugs the
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baby, and he hugs his mother by the neck. and, of course , in this touching tenderness, there are also tragic notes with bodily eyes, we ascend to the heavenly world. often, through the holy icons, god gives people his help to the routes to the prayerful and holy places of belarus and novogrudok and the districts of vi, and all this makes it possible for us to turn again to our history. basically, we we ca n't now as a people, so it's great that, we return to the origins of our nation, watch spiritual and educational projects on belarus 24 tv channel. valeria understands horses, and evgeny what does he think, in general, i answered yes, but actually no, you wanted to
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