he feels in the actor the nature of life, the nature of respect in the nature of human qualities, in fact , the best human qualities, wherever we are , no matter how we manifest ourselves, in bad circumstances, but still human qualities. they crawl out of us, because, as i said, we are slavs, slavs. well, he got interested. this is the topic most usually about their children talk a lot. uh, how to say a lot of good things, but i'm proud that he's serious. uh, young man, serious director and serious screenwriter, uh, and a serious professional person who approaches any task that he is entrusted with very seriously. talk about the fact that young people can do everything except the profession, and they talk about their son or about the same directors who study at our academy of arts you again say that they are talented, do the guys have a profession or not? no, i did not say that they do not know the profession, the

young know everything except the professions, the young know everything except the profession they will enter. it's just not proof. they will enter it. this same yes of course, because it is a very complex process. why did i say that students should take television directors, because she is talented when they take? yes, they are ready, but they need to be led through this corridor of knowledge . the corridor should be, i try to somehow supplement it in my lectures. uh, those on-set behaviors . that is, which should be included. how to communicate with the e, means group. which of them is who? what is he responsible for? this is very important, after all . he comes to work and starts get to know everyone. and just wasting time on this is just wasting time, and he should come and find out who is who, and my son struck me with another term paper. i looked when i was getting ready to meet you. there is a fragment. he rescues a soldier from a

pit, then it's to the americans. it turns out that he gives him a belarusian flag, takes it out and says, i introduce myself to them, belarusian and he says, i'm joe there , an american, that is, it amazes me that the child already has it. here is this patriotic house originally. i just talk about it all the time in my family. i am everything emphasized the time. what is homeland? what is a family? what is the state is the head of state officials? why because they do it this way or otherwise, how we should act, how our position should be, this is not a one-day question. it's a matter of time, that is, initially. here he is lucky. in fact, that he was still a kid on set. the venues of big directors are very big directors like that. as we say with nikiforovich slavtsanych. he was sitting on his playground because it is to absorb. uh uh this literacy confidence knowledge of the profession knowledge

of one's business. and now this is what he is doing, these were works ten years ago. now shoot something serious. well, now he has finished two films, he was hired as an assistant. eh, the director for the script was hired later. even the producer. i was surprised that they said, and the directors told the cameraman that, as he says, it will be so. if you stop shooting stop. if you shoot 24 shoot, if you stop the camera, then stop. if the sound is rewritten, then rewrite if editing to remake means to remake, because how to say children no, no, no, no, no, no, it's just you know what's the matter, it's not because he has such a lot of children. yes, my best, but there are many children. and uh, because time dictates, therefore, its conditions and not every uh director or hmm operator can notice this or that mistake, and when a person

looks from the side, uh, everything, the script monitors everything, let's say, yes, this very difficult profession. this must be remembered. who was standing, who was talking, how did the light stand, how did the objects? it's very difficult actually and other than that knowing the whole script will hold it together is the same or you know they are very close very close. here. i don't like these words. we always had an assistant director. yes , friend, they don’t understand saratov and they don’t need to understand something. there is just a director. yes, assistant director. now he's an assistant director, right. he is currently finishing the script. moscow asked me to write a script. so, the only thing i can say is that it is very bright and interesting. work. e, intended for children here at last night, they were negotiating here in minsk , uh, they were sitting and reading for the last time. ah, the script. how will it turn out. if he shoots, please, he will shoot. if not, he still remains in the profession. this is his

work. well, besides this, he has a lot of things, in fact, we have a lot of talented children, not only in my son, there are a lot of talented children both in the academy and among, how to say e, those in schools. well as you mentioned and always give them the course of this pine, you know, it all depends not on the child, for which i am grateful to my membership, that they dragged me everywhere. look look look look look yes , the youth will help belarusian cinema to revive, if we entrust them with all the nonsense, oh, which we think we will discard and let the youth make films, we will let them make films, then our cinema will be revived and revived. i assure you, but if we give, here are the vocals. i wanted to enter the conservatory. and it’s good that he didn’t act on the one hand, because they would sing right now it's really hard work. and i, by nature, are more relaxed, more discerned. and this is work. uh, pop opera singers,

singers back in sverdlovsk watched vladimir mulyavin rehearse, it was something completely different, what i see now, it was so much he laid out and laid out the story of the song from his colleagues that i had goosebumps, the boy had goosebumps . well, in principle, the distance was some 10 years, but still there were goosebumps, which means a rehearsal before the concert. we climbed quietly sat down in the hall quietly quietly. and looked at this miracle, in fact, it was a miracle this great man of all wonderful. ah, so colleagues. uh, singers are unique. this is the uniqueness of the belarusian , they must be protected, loved and respected. thank you very much, please. we won't be here for long now. after a short pause, we will return to this studio, while subscribe to our telegram channel. it’s called say don’t be silent, and look for all our releases on the youtube channel of belarus alone.

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on the air again, say, don't be silent, and we have the honored worker of arts of belarus viktor vasilyev as a guest for your family, the topic of war, a special one, and well, we have already briefly touched on it in many ways , pay attention to participation in some patriotic actions in patriotic events. for example, you congratulated belarusians on victory day, and at a rally in the agricultural town of semkovo, where the concentration camp was located, in which the nazis conducted medical experiments on belarusian children, they took blood from them for german soldiers. here you have the feeling that such actions at such events, it is possible to restore the memory of the great victory you know, you touched on a very serious topic, and since in my family

personally in my family, uh, two grandfathers and both gave their lives for my life for ours for everyone who survived the topic war. the topic of educating a generation is the topic of transferring knowledge and skills, it remains relevant today, you know, if you put it like that in simple words, so that people understand, we must not forget what happened on our land. e for various reasons. the first reason is the destruction of the people. this is the genocide of the people. this is, uh, disrespect for the government. these are the various moments that are associated with the birth of a child. after all, they killed even babies. a very serious topic, the devotion of our soldier is a simple soldier, and for the lives of others. uh, the return of the cities. and what a very

difficult and complex historical topic and the more we talk, do not chat. how sometimes some can't stand, say calmly better less, but calmly. tell me how it was. and it's stronger, hit the blue hit and stay in the memory, rather than, uh, just give a lecture to read about when and where, so the question is, do modern schoolchildren hear you, so we were in the memory museum recently and the guide told us that she was pulled by her dress. children after a lecture about what they see here and asked, what is a prisoner? so they listened, and i think that our children are happy that they do not know. we knew this already at their age. yes, at school, prisoners came to us and spoke to you, and we knew, but they don’t know if it’s good, bad, and how it is with them

speak. here i will say this, everything comes with time, one understands, immediately another, after a while, the third, pondering everything, comes to a conclusion even later. you see, i was recently in mogilev and the college of arts. amazing children, amazing, i talked with them for an hour and a half without stopping, they were interested in everything, they were interested in the great patriotic war soldiers. they were interested in human life. and these are all the moments that we are talking about. yes, they don't know. who is the prisoner they passed through themselves. like a book which is read slowly not spanning, yes, from left to right down slowly, i saw in their eyes that they have interest, and they have, uh, chapters. every

person has a head. today i am studying. this is it today my brain can accept this and when they say that the children they did not perceive. it is not true. they have left. it's just that this file, as they say now, yes. this box will be opened by consciousness at a certain moment. already archived. why do i say this, because in fact, i have experienced it myself. after all, all the knowledge that i have. i perceived them differently than others . hmm, human nature, the significance of an event comes at a certain time. and we should not, how to say scold or discuss there, why i don’t know, they know, it’s just that the box has not yet been opened and we have to wait. it is necessary that she ripen this box, openly talk with them on these topics, which is also very necessary to always talk. i’m looking at you and i understand leonov, who saw you in makeup, lenina and said he would tear his mouth a couple,

because you remind me very much of mikhail sergeevich gorbacheva. you played this role with muradov in the tv series chernobyl. eh, i know that it took a long time to prepare for it. yes, and it is difficult, but i would like to ask not about the role more, but about the attitude towards this historical character. i was lucky that i had documents related to the text in front of me. e mikhail sergeevich in these moments of his life. uh, every word was recorded. every breath, a pause. yes , what was happening now, i don’t know how to write it down, but before it was recorded. i read everything. this is a very complex character. and at the same time doubting all the time he was doubting the texts all the time. or maybe so, or maybe not. it is difficult to talk about a person who is not difficult to talk about a statesman. if you are not next to him, it is

difficult to talk about the situation, if you are not in it, i only look from the side of the actor's memory of the actor, it is clear how you look, well, as a citizen, that is, without harsh assessments? yes, that's how i sold the task that was assigned to me, do not evaluate this person, but transfer a certain hour of his life to the screen. but yeah but yeah like a citizen. i, of course, with pain i remember these days with pain i remember these hours. i saw with pain. this action, which took place on the territory of the soviet union, cut into vineyards was banned a lot and it was said freedom freedom because it was invented. come up with an idea for yourself. freedom, we didn't make it. freedom is when i

don't bother you, you don't bother me, and we do a common thing. and if we start to interfere, i want it this way, but you want it this way. freedom is rudeness. so in these years there was rudeness. we started to eat each other friend. this is wrong, but on the one hand. uh, as they say, who would become everything to me no one who was nothing became more than and who was with something he became with something even more this terrible time. in fact , these years of transition from mikhail sergeevich to yelts, from yeltsin to vladimir vladimirovich, are a terrible time. here vladimir vladimirovich has stability, but i remember yeltsin. i would like to say, e was with him all the time during the filming. it was a different person. in general, another person, what happened to him when he became the head of the state. this is generally incomprehensible. he's drilling. he was the first party of sverdlovsk and since. we worked on tv. we traveled with him all the time. we saw how he feels about the

forests that are burning. he was crying in the helicopter. i saw how he treats us all. friend something happened. i think it's not without intelligence agencies of foreign countries and say the phrase long live america e. well, it can't be like that. well, it's indecent. the head of state from brezhnev. you also met. then by chance it's on really such a joke. e hmm i was then serving in the far east, we were selected to meet brezhnev to say a few words. i remember the phrase back then. i remember her. we match the beat of our hearts to lenin, and in life we ​​go, and lenin is ahead of the party. today we assure you that there is no happier way for us for the warmth of heart care for the fact that we live so joyfully. thanks to the party from life and the people we swear. we will not let you down, but it so happened that before the exit, just before the exit of leonid ilyich, we were replaced. uh,

certain security personnel. it was like i would say safety. hmm, not only the leader, but also everyone around us was taken aside. there was such a table. there was champagne, sandwiches, some kind of table on it. we are standing mattresses . i don't remember who took the sandwich first. there were many. then someone second third. maybe i took the first one, then they drank champagne. and let's pour some more, but already adults. after all, we are in the army, we serve in the navy and we understood what we were doing, but some such impudence such some such just another glass we raise, we want to

say something. suddenly, a report of the special services is running, they looked at us like that. we are holding, we can’t put it on already, because i’m already holding it and suddenly leonid ilyich comes along, he probably looked at us like that, but what’s in him? yes, we said for insurance with fear? yes, of course, we were punished by the military unit, of course, of course, each of us. we were immediately punished, and some words told me so, but for some reason i didn’t ashamed. here at this moment. well. once set, so probably it's all naive sailors and a sergeant. the most interesting thing is the stories. ah, our broadcast. unfortunately, it has come to an end. and we tatyana shcherbina victoria popova say goodbye to you today , goodbye. goodbye. and now viktor vasilyev is speaking