tv [untitled] BELARUSTV November 28, 2022 1:40am-2:01am MSK
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good humor and a warm-up for the mind sometimes you want to ask the participants of the game a difficult question, but they do not cope well and the two teams will meet with the easy ones in the intellectual arena. early response. well, forget what early 10 seconds have passed. we do not have such terms, but pleasantly good. perhaps it was leonov must be exactly then without the possibility.
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in today's world it is hard to imagine your life without glass, it seems so simple and mundane interior items, dishes, accessories, and many other things are made from it, it seems there is nothing to surprise, but we will try to do it. today we will visit the studio where, taming the most unpredictable element, fire, a real work of art is born with you alina is a fashion for culture. glass has a very ancient history, most scientists have come to the conclusion that this material was accidentally created 6,000
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years ago is still not known for certain. how exactly was glass invented? several legends interpreting the possible prerequisites for how glass technology developed , it is believed that it was discovered by chance, as a by-product of other crafts in those days, the firing of clay products took place in ordinary pits dug in the sand, and straw or reed formed during combustion ash, that is, alkali, upon high-temperature contact with sand, gave a glass mass; some consider glass to be a by-product of copper smelting, but there was an ancient writer, an iris historian, who believed that that glass we owe to the phoenician merchants, who, during the stopovers, kindled fires on the coastal sand and cooked their own food. what was their surprise when in the morning at the place of the fire, they
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found a glass scroll, and that's all, because when kindling a fire. they used african soda as a result of exposure to high temperatures on sand and african soda and glass was formed. currently, the world produces about 20 billion tons of glass per year. and when this glass falls into the skillful hands of masters , real masterpieces are born. there is a studio in minsk, which specializes in the manufacture of exclusive products of glass icons, paintings, flowers and more. here you can bring to life any creative fantasy ideas. the studio was founded in 2014 . the head of the studio, diana, quickly managed to collect more than two thousand in her portfolio during her work. projects one of the main missions of the studios is the preservation of cultural heritage, namely the creative reproduction and transmission of material and
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spiritual values. they know a lot about production luxury glass gifts. well, let's find out right now. diana good afternoon good afternoon elina has been in your studio for 8 years now. you are its leader. tell us how the idea to create such an unusual unique studio came about. and why exactly the glass wanted it to be something unusual, in general from the very beginning. i'm addicted to stained glass. it is very tempting indeed. you cut pieces of colored glass, then you grind them down, and then you stand and solder them. this is generally, simply amazing technology, but very harmful on really. this is a very harmful production for health, since this lead, which is released, is not excreted from the body. and we, unfortunately, now here in many studios. it is rare that safety precautions are observed when working with
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tiffany stained-glass windows and since it is very harmful now we are all for a healthy lifestyle and we all want to be healthy and live 100 years, i turned my attention to another production no worse, but in refraction to the idea , probably even better, because in tiffany you can only make a plane. you you make up these glasses, but here the red glass ends, the green glass begins and that's it. but in fusing, you can combine structure with volume and shape, and this is very interesting, so he wanted to. i retrained and began to do physics. your craftsmanship is a true work of art. tell me who your creative team is. girls, i'm the inspiration and money is always me, and ideas pop into my head out of the blue. i can look at something. it seems to me there if this is changed, it will be improved , something interesting will appear girls, in principle, in a
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professional they have three really educations. they begin to study with art schools. and thank god we have a very strong art school in belarus, then they go to glebovka, and then the whole thing is mild. leaving the academy of our artistic diana, her eye falls on this beauty, which is now on the table, these are the plates of the box. here. tell me which technology is the most difficult of this and make. the most difficult thing is these vegetable curtains, the newest development on the newest form, and it is wildly complicated, because. here, it would seem that it is like this, but it combines 4 glass technologies, firstly, it all starts with the fact that this bottom is completely cast and it is first poured for this for a long period of time before you see the product. it would seem. here the christmas tree is first developed form. a model is made, then a lot
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of test instances are made. then e form should it should be free to go out and in. well, you put on the table there should not be any gaps, and the caskets are generally our pain, because now the shape is very complex and initially the glass is poured into this casket. this is how everything is good in this box. she was flat. she came out freely, then we tested her from this form and went to our scientists from the academy of sciences for six months. next comes other glass technologies. you see, further here , fusing and lemforg are already in progress. each of these balls initially, each ray is made on a burner. this is taken a piece of sheet glass exposed on the burner. and just like that, by hand, she modulates every detail like a sculptor. that is, when you see the lid, it seems how beautiful and how easy it really is. yes , the production of this cap is a very long way to make such a product,
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sometimes it takes up to a week, because glass. this is such a material, it's very sensitive in fact, and it doesn't want you to heat it up. chilled and everything was fine with him. these are certain technological processes that, if you can’t stand it, then you heated the part, it quickly cooled down or it suddenly became cold, and it cracked and then you start to do everything all over again, therefore working with glass. she is so very curvy and very gentle. you can't be hysterical. you must be calm , concentrated, you must do everything carefully and clearly. for example, in our products of flowers. so it's a whole lot of magic. indeed it is generally as long as a painstaking process. that's when she starts making points. at first, she makes each petal separately, you see, and we do not use our work from the word at all, that is,
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here the glass of different fractions and glass of different fractions, respectively, but it heats up in different ways and now she needs to slowly, slowly, every movement, heat this glass to dip press somewhere with a press, you squeeze it out so that you see each petal is as if alive. well, this is it, then such beautiful products are obtained, and then all this is annealed in the stove and you can enjoy. the studio employs true professionals in their field, the masters master all the techniques of working with glass, the result of which is an original and original picture with a character, individual charisma, the creative process resembles the magic of the foundation, which is painstaking work, high qualification and impeccable taste of the product, which impress, in addition to inspiration and the hands of the creator requires the participation of
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high-quality materials, the right tools, advanced technology and modern technologies. what the true magic of glass, we learn from the master designer of the studio yana sycheva. yana good afternoon, we are in a creative workshop. please tell us why among all kinds of creativity. you have chosen to work with glass for me glass. eh, when i chose my future profession, it was something that i didn’t know absolutely anything at all , and therefore it attracted me and brought me here. you feel in the academy, uh, in the department of glass in order. eh, i realized that this is my life. tell me about the process. it is very interesting. here you come on workplace. and what do you need in order to create? well, of course, in addition to glass, and our work process, from beginning to end, is first the creation of an idea, the creation of a sketch, and then
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the execution is already in glass, and there are tests, and there are good ones, failures, but more victories, of course, there are different types of glass matte color. even i read somewhere from smart glass, which one do you use in your work? we use colored glass, which is designed specifically for fusing, stained glass window glass is not about us. although it can also be used. as soon as i entered your workshop, i noticed this rack with multi-colored jars. tell me what these jars are. and this is a crumb of fret glass. it can also be called, and when the beet leaf is simply broken, and then it is sieved to obtain various fractions, large to fine to completely dusty, depending on the need. e artistic design
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uses such crumbs. it enriches the work. this gives you the option not to use it. only reasonable glass. how to do it more there is more texture in transitions, there is technique, and there is uh, technology and no matter how technology you get around, if you know that uh, well, if you take glass and poke your finger, it will cut you. eh, so this has to be done carefully. and the same thing about other processes, if you put it on that program, otherwise something will happen to the glass. it's not good, but there is technology, and there is technique - this is how the master, how the artist manages his workflow. and this already has its own skill. e your talent and this distinguishes the work of each artist, because that, in principle, you will not move away, but you can control them, in general, you have time to just get bored in the process of creativity. no.
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