the first of our country to development to restlessness to build up the pace of development of our state. here is the fundamental point. and i want to tell you we see, uh, despite all attempts to isolate the sanctions pressure. we see it, how the international prestige of belarus is growing that's it in the current situation. well, thank you for participating in our program for today, everything, see you in a week happily.

the key to the success of any game of erudition is calmness and confidence. please translate into russian the belarusian word, the volga region the volga region and the volga region how much you need to be confident in your answer in order to multiply it in triplicate, this rule is followed by both adults and children andrei valerievich hello is a method.

oh mom glasses, what a thrill kind a lot of confectioners a lot of teams and our tanya took second place and was one gram of chocolate from the first one. and this is the smell from which you

simply love, your close friends tell you. oh, what a tall woman, delicious they say, that's how a man's lungs. now we are visiting the production unit, as it is called, belarus with svetlana borovskaya on our tv channel. my name is alexander vladimirovich pashkevich. i am an actor of the belarusian state youth theater of the honored collective of the republic of belarus, the leading stage master. i would like to talk, of course, about the theater. i would like to talk about the repertoire that goes on in the theater

in general. e about the art of the theater. talk cinema to talk about life, about the conditions under which the cinema theater exists, because both theater and cinema, in general, art is a part of our life and one cannot be divided into another. and on this topic i would like to shit. hello, you are watching the program, say, do not be silent in the studio of svetlana smolonskaya and victoria popova and today alexander pashkevich is our guest. good afternoon. hello alexander, the other day on facebook you posted a photo with the signature of a children's writer. i have n't played yet. can you tell me what you are talking about. this is a fictional character or a real person, most likely fictional this little tiny role project is called, in my opinion, a perfect fallacy.

they called me and asked me to play. that's what the writers said. in fact, it turned out that not a children's writer, but make up keys. well, the writer, yes, and the whole role was that it was necessary to give a lecture on the methods of teaching active passive and interactive e, and the stage is absolutely tiny, tiny, but he is a lecturer, so they sit in the auditorium among them. to the main central characters, who have their own lives, they also go there and look at each other. here, but and i at this time, then i'm telling you about this interactive at the rehearsal. suddenly it turned out that the text of the monologue that they gave me is simply not enough for this action to decompose and the director is just a little text right off the bat, that's always the main interest for me. e, was what i said, the text that was here, which i conscientiously learned as a decent artist. so,

well, then i had to improvise and talk about interactive learning, about which i, well, heard something from somewhere, while there was a pandemic and somehow studied somewhere. and i some e terms. how it turned out for me, but, in my opinion, it turned out and nothing like this role. well, i always mark some roles, no matter how small or big they are, anyway, these are roles, because, well, there were no small victims, as you know, so i sort of mark for myself, yes for myself. i note alexander that you do not rely on screenwriters in modern times and on directors you are preparing for filming and even for small roles. yes, you read something, peep , probably, it is necessary today. i foresaw. this is what will happen because i i understood that i was not called to some central role there, but a through or some other one, i understood that something would happen. and perhaps, perhaps, this text may not be enough, so i have some kind of

approximate plan for myself, what i could talk about, in addition to the main text, i sketched it out, and it turned out that i had a right premonition. do you have any favorite children's writers? in childhood. i read quite a lot, since my mother was a teacher of russian language or literature. she gave me books all sorts. well, if you can call alexander sergeevich pushkin a children's writer. of course , you can have amazing fairy tales, then, of course, i would put it in the first place, because everything that is written in verse is amazing. it just reads easily and interestingly, so i really love chukovsky korney hmm chukovsky or pushkin in general, i would play anything, anything , anything they offer me. so i would take on any role, but you see, the artist is a dependent person, a dependent profession will offer, i will think, i will play. well, i would like, of course, the question is that so, when some castings for

such historical characters are announced there, they are for some common heroes. of course, i confess, i monitor. that's about it, it's still similar. i don't look like hryvnia. if you upload me, uh, will i look like or not, if necessary, some kind of correspondence and similarity to the character. i try me. well, for now, what do i have with the exception of only, perhaps the mind and tingon of major general weintingan, and that was, uh, a television project on the unt channel, i played the general there, and i didn’t assume that i was on it looks like him, but volodya lutsk, who filmed it as a director, but did not convince him that he was one to one. well, we wish you that you still have ahead, and you play all the characters that you dream about, thank you, this is how you should live, what is still ahead with these feelings from children, so let's move on, let's say, so to more adults in last time. we met. uh, in december of the twentieth year, we analyzed, let's say, the aftertaste of the events of august

of that year, the youth theater, in which you served then and are still listening to. unlike from the same kupala or grodno drama theater, it was not particularly stormy. we now use such a term, but at the same time, it was then that you clearly and publicly and in our program both in the newspaper izba belarus today and in a sensational social video you expressed your position in relation to the strikers to the protesters and said such a phrase that you need. be, er, more careful with curses, even in social networks, it was you who addressed your opponent to you then that's enough. eh, seriously flew. well we look at you and already told you before recording that you look great hmm in a good location. spirit did not work their curse, did not fly. i don't think they were so sincere as to be direct. well, people do many things with an emotional impact. here

i am now, when the passion has subsided a little, although it may be, it only seems that they have subsided. here they comprehended everything that happened and looking. here are the current situations. for some reason, i think that everything that happened here with many people who are with colleagues who just turned out to be at the center of these events. for some reason, it seems to me that many of them regret what happened, i don’t know, but at the same time, after all, they have changed some of them not only in the theater of art, but also in the country. many, not thank god, have kept some contacts. well, at least from friends. they didn't leave and they didn't delete me. although many have moved away. yes, it was the case that they left and there with some words that it’s impossible, it’s impossible, there and so on. well, i accept it all and forgive, because, well, a person makes a decision, as he in what situation and what opinion to have? well, at

that moment, they probably thought that it should be so. i tend to think they were wrong. why did this happen? did they turn out to be victims of some kind of manipulation or did they convince them of something? they promised something, which is already worse, because they are already, in principle, this is already, as it were, some kind of venality. maybe if you do this in life, it will be for you, or i'm not just mistaken by those who are younger there. in his life , having passed the path to the middle. i found myself in the twilight forest, like dante's yes, they ended up in this forest. here, uh, artificially created. so they were brought there, maybe they fooled their heads, and they fell for it . but one thing always sobered me up in this situation. i understood that everything does not come from my own. that's where it all comes from. and i thought, why in what whose. it is interesting that it is obvious that all this happened and was directed. uh, the whole whole thing and the created ones who were doing this and

today here are the fakes that are walking around. there is a lot in this information space. e not truth there are a lot of lies of fakes and now it’s very difficult to figure it all out even now. after all, they put pressure on the weakest on emotionality. after all, all this content is created precisely with the expectation that it is emotional, when a person perceives emotionally, he is not always able to analyze and soberly. eh? evaluate what is happening here, and the decision can already be made, and then you can already regret it and there is no way back, and often people just fall for it. well, i sincerely want to believe that many may not be to repent, but realize that it was some. i don't know if there's a blur or what, because you say that maybe everything is hidden. well , that is, who do you know that have remained everywhere, er, and in theaters, too, people who have not changed so

far in their point of view. i think, probably, yes, well , somehow everything is all of me in social networks, here in mine where i write something, post or share something, absolutely now there are no signs that someone is something to me there it used to be almost regular, but now it’s gone, as if to say the truth. yes, yes, he took it away the other day, your colleague viktor vasiliev was there, who said that there are no friends in the theater, there are colleagues. let's listen to fragments of the region, damn it, find out how your fate is developing in the youth theater . eh, a common language with the chief director, you once admitted that only colleagues cannot have friends in the theater, but in fact, there are only colleagues. and when someone says that i am each other, why suddenly mine. no, a friend of your own friend of your role, do you understand? how is destiny

there are different actors, different directors. and if there's a director, then you should kind of say, well, that's your profession. hmm, word to obey. i don't like being equal. well, i'm lucky. i work in a wonderful youth theater hmm with interesting colleagues with interesting directors with tatyana aksionkina. with a wonderful director, uh, guzey, our main director. with management with people who are behind the scenes with workers. i consider myself lucky because they are all friendly this theater has not yet petrified. there is a frequency in this theater sincerity love to each other hmm but uh still u colleagues and colleagues anyway. what do you say, well, i immediately yes, i immediately agree that he did not turn to stone. it

's 100% supportive about being friends or colleagues. well, apparently, maybe more colleagues, but still, i would strive to be friends, that's all like that, although i, of course, understand that there is a situation, there is a distribution of roles. this is where it gets most interesting. so it begins to give, the role of all friends. yes, i think i could play it. and give it to someone else. and we are with a man, it seems. as if friends and now, yes, you know, i share for myself. as the old saying goes, service is service. i am friendship friendship, that is, it must still be divided and not confused. here are the personal relationships. because i'm with many. in a great relationship, we are really friends. but i understand that there is a service where we can be by name, patronymic, yes, officially, but there is another situation. when we

can be, i don’t know there at the dacha there a friend is visiting. this is a different situation. here and there already and here to mix. this is, because, if we assume, my friend is an administrator there, and he practically has my boss, by the way, here, and we are friends with him. this does not mean that i should enjoy any benefits. and some kind of indulgence should be applied to me, there are some there and that's it. it means, and maybe it means no. no, i'm difficult. now, i don't know how you do it . well, it's difficult. yes, but i say that one must strive to try, because first you set up your friend. here if i'm in something happened that i was guilty of some situation. so he needs to react to this here, but, and i'm his friend and he will say, well, you're sorry there, that's it, and so on. no, he should react like any other employee. and i must understand this, because there is a service. but

there are other relationships. so i know, that's what e that it's really difficult and may be impossible for someone, but i still try not to be offended, you know, right? or at least try and not offend others with your own, because here i am now here is and go rehearsals. i could play the role that i wanted to play there, but i don't play it. and what am i to do now? well, you don't understand. here's how to live on, then? well, to live yes , any role is good, what was given, then you play, after all, this is the profession we are for this. we prepared, we must understand that these are the costs of this profession, that we have no right here, and i don’t support the theater for my money, i don’t choose roles for myself and i can’t afford myself there even in my thoughts i can afford it, but i’m a member of the team , artistically there are directors who see me in something. here , of course, i try every role that i am assigned to play it, it is interesting somehow in a new way. if there was once rostislav anchey, yankovsky

said that i say, i can not make a discovery, but fail the role. i do not have a right. you see, at least to reach this level today . i have already played about sixty roles in the cinema, in the theater more than two hundred i dream of playing her. u something from bulgakov i really like to write mikhail bulgakov and would it be worthy and the circumstances were such that we had three days of the turbine, then i would play, well, any role, that's from what is there, but most of all i would like to play a mushlaevsky professional. and we see that you are a very decent person. you will end in your twentieth year, and with fellow friends. tell me if you would like to return someone, whom you lost in the twentieth year, or maybe already returned in some kind of regret, follow their creative fate. they didn't seem to get lost. that is, they are people who argued. we talked with them there, even

argued about something. they didn't leave. we had some disagreements, they are not present, they have not gone anywhere. those who acted categorically and radically. i don't know about their fate. well, i know that someone is working, someone is not working in the theater. someone is removed continues to be filmed someone i stopped seeing. here on the set, i don’t know, i’ll honestly say that i didn’t follow and was interested in fate there, where no one had gone anywhere. what are they doing? i don't know, that's me, to be honest, it's not very interesting. by and large, by right you are called directly the producer of the youth theater. why because you are very active in social networks and try to announce all the premieres. you have such an opportunity, now alexander will tell the audience about the new performances that you would like to advertise with us. we can show you this. eh, as a clue to your

december poster. well, everything that we have on the poster deserves attention, so there are about 40 performances. is this normal at all or is this a lot many? i believe that a lot why because if i'm busy in two then i can wait 2 months for an exit. no, on average i go on stage 12, uh, about once on average, plus or minus yes, the most sought-after assets, but there are people who are really there times. 2 months appears. well, there is, apparently, well, too, everything. there is an explanation, because here i already got a little hooked on this topic, when you work on a role you always want to, this is the rule for me, because my teacher was once andrey fedorovich andrusik. i always eat before your personality. all this is wonderful. your nature is there, here is sasha poshkevich, who then plays any role. well, at least a little bit you need to jump away from yourself, because, of course,

you won’t get away from you, but to find character, to feel some facets, to feel, in general. this is a very exciting process. in this, actually, the acting profession is to find that later, when they looked at you and said, “ listen, well, you didn’t look like yourself now. this is, as it were, my main task as an actor in each roles, what to find, so that it is and so that it is noticed more, because often. after all , in our theater of distribution, e is quite democratic and the director sometimes invites. all the raymund comes to the production, then he just goes to the hall to watch the performance, and he looks at the actors. and not just one performance, but several, so that it can be compared. and how is he here, and how is he here, there are opportunities, and so on and so forth, and i understand that i am trying to somehow cultivate this difference all the time, because if the director it will be wonderful or the directors, and they will understand that he can and so it can be. and if you offer

something else, then maybe he can somehow do it in this, that's it, yes, the artists that you consider to be petrified in one image. and that's why they don't get picked. well, in the theater, if there are directors of a good play. it is difficult, but it is possible to replace. yes, to a greater extent. it has to do with the real movie being played, so to speak. here there is an individuality, a bright media already promoted persons who in general play themselves in the proposed circumstances and and. with quite often quite a lot and from one project to another. here they are, they have the same outbuildings and the same manner, they play different roles, but with the same approach. it 's a little skol even in the movies. now, if something hits me, i try to do it, of course, no one. well, it’s not that no one has a few projects that i have there in order, maybe sixty different ones, i came across directors, and there were maybe a dozen and a half

film, where this was discussed with the director. that's what was not recommended to our viewers. well, we digress, right? well let's let's get started. we are before the start today. uh, the programs were recalling, uh, a performance based on vasily makarovich shukshin, which in our theater is called again about love. i highly recommend it to the audience, and without e any age restrictions, firstly, because vasily makarovich in addition to the fact that he is a brilliant director. a man is not an artist, he is also well, you can say, apply it to write the word ingenious, he is ingenious and the literature that we encountered no longer allowed us to make a bad performance, because there is such a concept. uh, in the theater, when we say that the author pulls the author pulls, and there are a lot of things here. they are so deeply interesting and subtly spelled out that, well, it was simply impossible to pass them by. they are very touching

heartfelt stories. eh, put them together. eh, all alone. the theme is love, which is why it is called such a wonderful performance. it's called two wives by play. arthur miller i also howl recommend a very sensitive topic. e, about a man of a husband who has two wives, and here he is very like that. yes, it's a complicated ball, because, in principle, a positive hero loves one and the other. and it’s normal or not normal, and in this performance to disassemble a wonderful performance based on the play by vladimir gurkin sanya vanya with them is a rimos, very touching with generally wonderful gurkins, maybe even last time they talked about it, yes, love and doves are famous for him rehearsing. now we will have as many as three pimieres, two new year's eve adult performances. and one child in two. i'm busy. this is what will appear on the

flyer. he was already with us was marse figaro or figaro so we sat thinking, how are we going to hit? where possible, and so the second galdonium innkeeper, where i will also have one of the central or there the main roles and a children's performance about the frog princess, that's all. right now, before the new year, the entire poster of the youth theater deserves attention, absolutely the entire repertoire love taste and from recent works a wonderful performance is called touch and it was staged by a wonderful director and director of plastic. dina yurchenko here he is on the small stage. he is worth attention. believe in our viewers will meet at the box office. in the meantime, we will interrupt for a while, i remind you, we have a telegram channel. that's what it's called. say don't be silent. there you can directly contact our editors. oh in this show, athletes

will have to relax their muscles and strain their brains. what is the abbreviation for international federation football? this is fifa fifa of course my friends are surprised. you believe in yourself today, confident in your sports days. i'm sure intellectually entertaining project. heading is very fun and fervent, because we, in principle, all liberated people, went. watch on belarus 24 tv channel.

watch every week the culture fashion project on belarus 24 tv channel. on the air, say, don’t be silent, and we have theater and film actor alexander pashkevich, who delighted his subscribers with beautiful photos in the summer from the pans of the theater in nizhny tagil, for example, you were and were very impressed, in my opinion, by what you saw there. tell the audience. how is the tour of the youth theater going and what did you do there ? well, it was already last summer,

it turns out, yes, nizhny tagil. well, we flew there by plane, we went by train, we flew by plane, the tour was big, we played there. it has been there for more than a week already there, already in tagil, i must say that, as far as i know, this is the theater in which our general director viktor andreevich starovoitov once worked, he still has connections there. here he is has used it and we got it. these are such wonderful tours. i must tell you that this is, firstly, this is a wonderful city that is changing a lot, nizhny tagil is very beautiful, the embankment there is the city of onko, and even recently everything was completely different there according to the stories of local residents. but now he is changing and because. there is a theater there, a very good theater, so, accordingly, the audience has already been educated. here they have a lot of classics in the poster. we brought there

we had a fool and a ringster a modern play and many other things and children's performances, i must say that it was all received very well and somehow fresh - it was felt, because the auditorium , and then, when it was already starting to work with radio radio, because we played some performances, some performances played two times. here , much more people already came to the second show, and there is a theater. in general, very good. this building is exactly the same in terms of design, in terms of architecture, as we have a regional theater in gomel , here it is one to one, well, there inside there is something somehow rebuilt redone. that is, it was built like a theater, it’s not just some kind of rebuilt recreation center or something, namely, like a theater, and therefore there is a cozy , very good stage. good hall, acoustics, good audience. we need a modern play, a modern conversation. yes, and hmm a classic read. of course, i don’t like it when the classics

are modernized, because it doesn’t matter how you put it. she is modern, she is a classic, but when, relatively speaking, onegin is wearing jeans, i don’t understand why this will change from this? here absolutely indeed. in the same place, the point is not in what he is dressed in, in what, like in some kind of kopey. i looked, there and a hunting rifle. he shot at lensky, i don't know , in raincoats and rubber boots. i don’t know, i don’t see the point in this, so i always don’t like it, and we brought such performances that, as it were, are not ours or yours. they are modern in the sense that this is happening today, today , here and now they are staged somehow like this, like this, like this is the fool sveta naumenko, who goes with us and uses a big big popular big demand. it is so put in modern language. so swashbuckling badass is somehow easy. here in this sense. here it is updated. yes, yes, but there we have not changed a

single word. there, not a single meaning has changed anything. she, of course, cut back a little. that's what the format of the current format e shown by the performance implies some kind of time limit there. the hour of the first act is now 10 there is 45-50 minutes, the second, when, let's say further, it is believed that the viewer loses his attention and gets tired. i don't know i don't i understand, if you're interested, it shouldn't. well, it exists. once we had a seagull in the theater, where the first act only went on for an hour and a half, there may even be an hour and a half. a short 40 minutes and that's it, yes, iskand rsakaev is wonderful, which we are still with him. why until now i have not stopped supporting each other by writing about something. hey, leave some comments. yes you know here

this is the problem, that the viewer, it seems, as the producer saw. he's the chief director, the administrator has already left. so we will put now 15 and something about love. e about a husband who suddenly returned from a business trip. well, you would like, probably, to be on stage for three hours to play something serious in this conflict for some time. so, well, yes, yes, the whole point is, the main thing is that it should not be boring. then time will fly by unnoticed, because any genre, as they say, has the right to exist, as long as it is not boring was, that's not only from your not only in your theater this problem exists 1:15 hour. 30 today they try not to overload the viewer, modern digital technology, when the majority of the population's perception is built in such a way that it perceives it has such clip thinking. here is a small short video of this information, hop, they threw it in and that's it, the person, as it were,

got it and that's it. then he switches to something else. and it takes an hour. here sit, popular questions. decree on happy or sad inspector. if no one is sad, so you notice that the running time of the series is also less than an hour , so yes, yes, yes, yes, this is all for the same reason, because if a full-length film, how about an hour or two. 20, for example, this is already, as it were, a different art, this is already a different art. yes, it’s more serious now, uh, which lasted 7 hours in the palace of the republic and there are different things. well, there was everything at the theater. there the audience came to the theater for the whole evening for four or five hours, and there were several intermissions when the ladies were walking there. showed off their toilets. here, somewhere, someone was drinking a glass, then they went on to watch, then there the pauses were filled with various reprises,

which were a separate program there. it would be now a different time now in the theater of alexander vladimirovich in general, in the times when the theater it was a ritual of such many hours. oh, i would like to go to the theater, so that it would be some kind of event. here i am now, i often come across some. uh post or posts? how to correctly say on the internet when after visits to our theater, some share some emotions of the audience, and right there, literally today , i read there that i came came with my mother and son. i am not describing. it's just that they watched the play again about love, and they write some kind of event. and that we have come, we recommend everyone here the theater, as a time, as a way of family pastime. i am for such a spectator for such trips to the theater that if we are going to go to the

theater so that we read something there , prepare for what we will watch, if we forgot, who is vasily makarovich shukshin there , or looked in, what did he write in general about what he is and in general, who is he? what are these authors? and what he did in life in general, he passed, so he came to the theater and looked already prepared and these seeds that we will scatter there from the stage so that they fall already on this prepared fertile soil. well, then we will probably work this whole whole chain. here uh, spectators actors, let's remember one more event for you for the youth theater in october theater trail i visited mechetinsk, at the second international festival in the homeland of vladimir zeldin, and you represented the production there, the island. what are the successes? well, i must say, yes, it's because of the window of the hotel there is a church. i always, by the way, in all cities. yes, this is in a cafe where we are, yes, i was

joking, that i finally know where my big spoon is. she yes hangs a huge meter there, probably more than a meter. yes, we succeeded in this trip to michurinsk , as if from the second time, because last year it was planned, but because of the pandemic has been cancelled. the festival was held for the second time. why is it elzinsky, so that our viewers, those who watch us understand, why zelda because this is the homeland there, he was born literally next to michurinsk in addition to the fact that michurin and zeldina are punished so they came up with such a wonderful festival. here it is just, as it were, it is taking shape they are trying to understand what this festival is about, because now, as it were , there are repertoires that are included in the poster. he seems to be not very united by some theme we decided to stage a goat's island, because the performance , in my opinion, has already been going on in

the theater for the fourteenth year. we've had it for quite some time. this is the first work of iskander sakaevna in the theater. that's the one he set, and he goes and he's just like here we are, sad or funny, funny or not. this is a very serious play. betty's quite like and if you asked me, so in the end. yeah, in the end, everyone died, you might say, but that's the story. in general, this is built on a contradiction. here comes a man, where are three lonely women, here is love passion, what is more important what will win? that's all about it and it's done. he 's fine. it's done. soundly it is made and plastic there. is it such a good strong very dramatic performance or which one? yes, it is difficult to understand, complex, but understandable. this is understandable, and the design all worked, the criticism that i was there, they all considered. even some things for us were suddenly surprising. there they began to talk about the ropes of

verification, how they tied the ragged fates. it 's absolutely up there with the rope that the actresses work with there more than yes yes, well, in the result is very good criticism. very much all practically praised all here. well, as a result, natalya vasilievna onishchenko received the prize for the best female role, deserved by the artists. yes, congratulations to the results. yes, a good result, but the main thing is that the theater seemed serious. yes, it seems to me that you like to eat, well, the theater artist is alive with this, after all, this is a change of scenery. this new acquaintance is a new spectator, because yes the spectator we already know. he got used to us there. he is already his native, when we arrive in another city. uh, where taste and audience are shaped by another theatre. yes and that's when we things yes something new

something fresh. yes, but how will it be perceived? well, it's usually good. if it's not boring interesting, then it's always great. yes, the current circumstances, you are limited to travel. that is, it is russia mainly today. well, yes, lately, mostly russia, if you start listing, uh, trips, we had st. petersburg in st. petersburg. so we drove there, by the way, this performance sasha take out the trash, then where are we eagle was. e, omsk, e, saransk twice at the festival were in saransk in moscow. i went there, but there were guys in moscow yaroslavl, we were here now there was an astrakha. churinsk-samara had a wonderful tour in samara at the theater of the young spectator. by the way, we are waiting for the samara theater of the young spectator to visit us. now , if everything works out, then as a citizen, you served the military in the border troops. so let's say, yes, and

the second position of your creative person. what in relation to svo, what do you think of the special military, and the special operation? i'm like any adequate a normal sane person, i will never say that i am for the fact that there was a war, but that's the situation that has developed now. it is what it is, a contradiction, that wars begin, but they must be ended. this is the whole point, because, again, this information space, which is filled, is so full. a lot of lies, lies, fakes, that's a lot of things just turned upside down. but you just need to have a cold mind with a cold mind, just sit down and think that the war did not start in february. yeah, but it started much earlier and absolutely everyone knows about it too, and maybe even earlier than the

fourteenth year, some prerequisite things have already begun to happen. here, unfortunately, it would be possible to be in ukraine before that time a lot and many things. here the air was saturated already it was already felt. here we were at the festival in kiev and i was in kiev even before that, before everything, somehow it was even then i somehow didn’t think about it. this is the last time we were at the festival, in the theater kolosko nadretsky descent, here, where the house is bulgakov museum bulgakov then, many things have already caught the eye. and this alarm was already hanging then, but when the fourteenth year. here it began, uh, it was already clear. what happened is a very big problem. here i do not presume to judge. why did it take so long? well, apparently, there was no strength, there was no opportunity, there were no resources,

probably why it happened now, yes, because it was simply impossible to postpone this situation any further, because it is already clear that it will not resolve itself. here's what's around it the whole world was up in arms. well, not all of it now, i won’t say so, let’s call it the collective west, this is a coalition that has come together, and it does n’t suggest itself to a walker. now, if you recall all these acts concluded, uh, fascist germany and europe, which was then part of this coalition, then take a list and compare today, then, in principle, it all happened again, if a little. here to plunge into history and analyze. eh, who is still against us, it becomes clear that, uh, history repeats itself, again we are attacked again, we need to defend our values, let's say orthodox values, christian values, m-m. and this,

unfortunately, was a necessity, which, well, and then i'm like a military man, and i once swore an oath. i served, i served in the soviet country. i swore and i think that they are such things for life, so the motherland exists. let it sound pompous . there's nothing to be done actor still mirnaya profession. although, we showed you in uniform and talked about what you folded, and on september 20, you tragically died in an accident, and russian actor and director sergei started his finger, he helped the residents of donbass and died driving a car that he

bought for residents. from donetsk, he went to donetsk, and he crashed, of course, here it’s impossible to say that it was his own that indirectly caused death, but if he hadn’t gone there, perhaps he would have survived and this would not have happened. and here is natalya varley , who was our guest. she told how they went with actors with a corpse, uh, to the donbass on tour, which were dedicated to the ninth of may, victory day. let's see what she said so it turned out that a large group. e. filmmakers we went uh at the end of april we went to donetsk lugansk uh krasnodon yenakiyevo uh. hmm with concerts for victory day. and so we traveled around the donbass, and what is happening. i saw with my own eyes the villages destroyed. uh,

when hmm in the morning, we m-m at the hotel in the morning. hmm, went there for breakfast. and larisa luzhina. we were with him. she was also on this trip. she says, oh, today there was such a thunderstorm at night. and they tell her larisa this is not a thunderstorm, this is shelling, this is shelling. well , these are the memories of the tour. if you would go, i would go. if invited, i would go, of course, i would even say more. if there was an opportunity to lead some kind of performance there, or just even just go with some number. just poetry. maybe read something to sing. i would go. i have great respect, i treat those artists and now we are talking about a peaceful acting profession, which is such a position they have here. the bright

memory of sergei puskepalis is a wonderful theater artist. here is yaroslavl we were in his theater there very literally we went there and very warmly and with love. he was always talked about. well, it's a pity, it's big, of course. the loss of a young completely human artist directors, and so , but he chose this. his position, that's like many many. but how else, how could we win, then in that war of the forty-first forty- fifth year, everything was for the front. everything for the victory it shouldn't be different, and you and the front should all be one. unfortunately now. uh, here in our life for these last 30 years there. which , after the collapse of the ussr, our society was too divided. this is the main task. and the main one continues to do this, they continue to push their

foreheads together somewhere, someone fell for it. everyone has a certain feeling of their little measure, where it is cozy, where it is convenient, where everything is safe. here are many. this is such a consumerist attitude to life. they don't want to let anyone into this world. do not give god but here one very important connection is destroyed, that the state consists of these merks, that another person has the same mirok next to the third fifth tenth and they all live in this country. and this is what unites them all these worlds, in which, if trouble happens, then it is necessary not to protect your own separately, but to stand up together and protect everything together. thank you very much for this christian, i would say. not even an acting position. in the meantime, we will interrupt for a while, i remind you, we have a telegram channel. say no shut up. subscribe to ask questions. suggest guests we are in touch. say it again,

do not be silent, and our guest is theater and film actor, poet alexander bashkevich. we will talk about it alexander you are active in social networks. tell me, is it a tribute to fashion to be in trend or for you. this is vital today. no, i’ll say something for sure, it’s not a tribute to fashion, it’s just that my activity in social networks is due to one thing. i'm an actor. uh, i work in the theater and i want my theater to be in the theater in which i work, my so said my, in in which i work, so that it is interesting to the viewer, so that if they come to the wrong place, the viewer is cozy, so that they will definitely like the performance that they don’t watch, in general, i create an opinion that such an aura i extract it works. well, the second side, since i am an artist of my own. networks

they assume some. well, advertising yourself, or what ? here for the casting, suddenly my photo will come across to some director, and he will become interested and say. come on. come on, look for this guy. suddenly he. well it worked one or twice, but i still don’t stop this business, therefore, it’s interesting, yes, it’s just that no one taught you not smm, not the advertising business. it may somehow be available. yes absolutely. i didn't even read anything about it. it's just that i see it this way, it seems to me, it seems to me, it's not just i see, it doesn't seem to me necessary that i work in the theater. i am not only tests this way or where i am, i always place posters and theater there on my page, if we have thank god it’s quite interesting for us, advertising has begun to work department, some videos are filmed there, in general, i drag it all to me on the page, since i have something to do with all this. why can’t i use it if i have subscribers people

who read and watch it all, if it doesn’t, they will see it on the page and maybe, i hope so, trust my opinion, then maybe it’s theirs will be interested. they will come to the theater in social networks , that is, you do not belong to the type of people who only scold digitalization, in general , everything connected with it. do you still know how to enjoy. well, i'll tell you that yes, that all this is digitalization, all these technologies that came from one side. this is a great achievement on the other hand, a great evil, because there can be both. so the ears are in quiet hands, it turns out to be one or the other. it all depends on this, but often understand understand. here is a simple consumer, especially young ones, when, after all, how it all began. this is from when it all started. it was like entertainment, some games there, but it’s funny then quietly, it remains insert information there. which in some

way somehow suddenly said that, but here you are not very good. and look how good we are. and this hobby, at first in the form of a game of entertainment , has outgrown it. here in this very global evil that has taken possession of the minds that well , after all, what was their achievement in this information war he managed to convince, that they are telling the truth? right there and to convince that here on the other side of our side, which is absolutely evil? yes, you know what surprises me how now here example of russia i never get tired of being surprised at this, that there is a lot about myself in it, that we have some opinions, judgments, medicine in places are immersed in the same darkness and in the same discord and even the same texts yes, a friend writes friend, it turns out that we are, well, completely in control. we are absolutely unknown by whom. the information war

is absolutely what it exists for, because now it's like under a hood sometimes, here comes across some kind of interlocutor. and well, do not break through, absolutely she then or he in the same way believes that i am under my cap and here it is to break through. this is simply impossible, because they have no other flow of information. all this was cut off and closed so that it would not be, so that it would not be possible to compare when i was from an employee of the largest news agency. e, the most experienced e, who has been in the profession for many years. you hear that it is no longer putin speaking. and here is the third there, uh, the third double i can understand. well, that's how you say, how can you get through here, well, nothing is impossible, and i don't know how to do it. at all now. well, yes, you have to win positively, yes, the same social ones. it is also used

to post your poems there. write down poems, have you been writing lately? i can't say that i do it regularly. and what i said directly, the poet me already a little bit. well, thank you, of course, maybe someday i will write a lot and some kind of emotion is born. you know, like in the second profession. i'm a musician, yet this is how composing music. is it exactly the same or is there a score that is spinning and spinning and all of a sudden for a moment. you understand that it must be thrown out, be sure to write it down, because to get rid of this is that it accumulates. it is brewed, brewed, and here it is born, any occasion can serve. here is the first snow. so in social networks, everyone has already immediately become. ah, the first snow. there is already a snow-covered car and delighted. there cheers congratulations. with the first snow came, well, wonderful events, and i'm just thinking. here is my last one there. well, let's call it

a poem. just thinking about this topic. here a little bit did not work out, some no, a few lines. that's about it. uh, i looked at it just from a different angle, i reasoned a little for rhyming. well, i assumed we'd ask. yeah, well, here, i can do it quickly. yes, quickly called the snow fell, the most, most covered with its unsteady whiteness, so that before it the whole period of life was nervous. he divided today yesterday so that it would be and parted with something with longing. now, as if with a hand, he brushed the cold pod from his face and it seems that everything will be different, the evening will come, the day will come and the sun rays. and the cold lunar ray will cast their shadows on the first snow. and leave a trace in the snow. not on the first so you want on the first first layers, but all the guys are very, very bad. it wo

n't take long for him to be the first. it may suddenly disappear and the dullness will again become apparent. suddenly , snow exists to refute the mad myth that everything is pure and understanding feelings, and knowing the heart will not be consoled. tears do not wipe away the melancholy and sadness that run nearby and do not know how. they warm the soul. well, the whole palette of life, yes, yes, well, i immediately so you understand philosophers, yes, and right away i had such a sad mood, and what, you guessed it for sure in this poem about the first snow, that there is a feeling that tomorrow everything will change, but it does not change. yes, it's like the new year, which will also lead. we are always waiting. waiting. well, this is the feeling that everything has become white snow, suddenly it's clean, well, under the snow it's all left as it was. here it is, and for the sake of business, remained as before an interesting, talented, miraculous interlocutor. thank you very much for visiting us again to the studio. we keep the tradition. you come to

us on new year's eve and we believe that after meeting with you, everything will be fine with us, svetlana smolonskaya. victoria popova say goodbye to you today. goodbye. goodbye. and now alexander pashkevich is speaking, dear friends, since our conversation today, uh, was in the art of theater. and i want to wish you cinema, uh, interesting, good and great art. here, let it be present in your life. you come to the theatre. come to the cinema. see good performance. read good literature, i must say that we have begun to read much less, so i wish you to pick up books to return to some of our original primordial values. and i wish you well and prosperity on this path.

what you need to know about the sacrament of communion regular participation in sacramental communion brings our spiritual life into a certain tone? why do icons work wonders there yong has become a skinny chassis? i think yak e in yalom antibol. what kind of judgments brings deliverance or deliverance? e yes, helping. what is the basis of a person’s spiritual life with the end of a person’s earthly life,

the opportunity to change something in oneself ends, if on earth a person was able to cleanse his soul and adorn it with virtue, then in this state his soul enters eternity. what is the power of faith, it is manifested in protection when we are present at the service. it shows up in our families when we try. somewhere to itself relatives all the same to bring up. uh faith uh, the basis of which is the observance of god's commandments answers to these and other questions in spiritual and educational projects on belarus 24 tv channel.

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