car now i think so, dad. you're right. however, as always. the bride takes the groom's last name, and this is mandatory. yes , no. i said that our turn will come up on the 28th.

became even more beautiful than anything, two months have passed. where are you flying? to moscow for negotiations. i have to go

, yes, of course. good luck. prediction is just a heart

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working for two cities is not just a certain time, the road takes and the movements are quite frequent, which occur every week, because the

work must continue in two cities. we have to adapt to this, as for gomel, the rehearsals are, in principle, adjusted to that that the conductor is coming. i don't know. it was not intentional at all, but the rehearsals on monday, tuesday and thursday are very well divided into two conductors on the main and 2 of my colleague, and who helps me in the implementation of my creative ideas. well, most often it turns out that monday tuesday i work. and then i leave for minsk. there are several reasons why i can say that i still work in gomel. of course, this is the desire to work and continue working with the team, er, which i already fell in love with,

to whom i am accustomed to whom who is accustomed to me this is important in our profession, because we will not always say this, conductors remain in one place in the position of chief conductor of the artistic director. it is quite uh, a long period of desire to realize something to do in the gomel city orchestras. i have a certain freedom of choice. and, in principle , those programs are those projects that i conceived a long time ago, i managed to implement them. and i think there's a lot more to come. of course, one can also say that a musician has long been a profession. wandering musicians are troubadours. uh, we can't sit in one place.

we need certain movements, and each emotion is fueled in its own way. well, each team needs to find an approach. yes , all this happens from the very first moment of the rehearsal. uh, the first day from the first meeting. even when the conductor comes up to the orchestra and begins to greet the musicians very well, when one of the musicians has acquaintances in the orchestra, because some kind of contact. each conductor has his own conductor's gesture, and each conductor approaches the orchestra with his own offtact, and with a certain goal, and in his head there is already an interpretation that he is going

to follow further, his task is to convincingly tell, from his manual of conductor's gestures, what he wants and -e, if he is convincing only follow him. if not, well then maybe a little more time. he will need it when i first moved to gomel, it was in 2014, but only graduated from the academy of music, and at that time still the graduate student arrived immediately after the master class of people's artist of russia yuri simonov with the moscow philharmonic orchestra for me it was something, but beyond the professionalism of the team, then the skill is the attitude with which they treated the case and after two busy weeks in

moscow coming to gomel second beethoven third. ah, the concert. beethoven's e was to be performed with the people's artist igor alovnikov and, uh, acquaintance with the team, which has been going on for a long time. uh, then the last uh, 10-15 years was conductors and here appears absolutely uh, young uh young expressive young man who wants something there was such a small literally minute misunderstanding. at the very beginning of the rehearsal. and then everything went like clockwork with the sanurus chapel orchestra in minsk. and it was quite easy and just at ease when i first approached the console. this was also approximately in 2013-2014

, then the chief conductor. alexander humala invited the team. e me as a second conductor. it's so unforgettable for me, the experience and collaboration continues to this day. i'm like a guest conductor. uh, i implement various programs with them, including with foreign artists. mark drobinsky with the school, and talented children from switzerland have already arrived. we have realized two concerts in the last 4 years. first contact with the gaso orchestra. e. this is a subscription concert for children, when students of secondary specialized educational institutions have the opportunity to play with an orchestra. well, i can say that it was not easy. this is just the same team that i saw in front of me a lot of good

venerable well-known conductors and this immediately. and as an x-ray you stand in front of them and you feel it on yourself. here are the evaluative views, you are afraid to lose face, but i really hope that i did not disappoint them. if you generalize the level of the orchestra, you can eh? evaluate according to several criteria to the priority - this is the attitude to the matter. here is the desire to play music love for what you are doing, and it should be present in every moment when this happens, then am. it turns out that a group of instruments plays as a unit. and , of course, internal cuisine, internal cuisine - these are group rehearsals. if all this is combined , uh, combined, brought to life, then i am sure that our uh groups will be

in demand in other countries, just like a and many american orchestras. they tour in europe and vice versa. oh mom glasses, what a thrill the finger has become kind. yes, there are many confectioners, many teams, and our tanya took second place and was, one might say, one gram of chocolate from the first. and this is the smell whom you simply love, your

close friends tell you. oh, what a tall woman, she smells delicious. they say, that's how they are a man light. now i'm visiting the production unit, but it seems that somewhere the combine is called. not romantic, watch a good satchel with svetlana borovskaya on our tv channel. why the same events and circumstances are treated differently, who creates new ethics and new information trends, and who benefits from it, no matter how strange it may sound for someone, but there is documentary evidence of this and these plans for many years, hatched secretly and not voiced aloud. and these are proven facts. or is this another ksenia lebedeva will tell you in detail about the phenomenon of double standards. and how they work in the project.

this is different, do not miss it on belarus 24 tv channel. a concert with world rock hits will start very soon. i hope that the audience will really like not a single free seat, an amazing line-up of musicians on stage, wonderful artists from various minsk bands. well, of course, before performing on stage, you need to rehearse.

of course

, it's good when the console is convenient and comfortable, which we understand when we say comfortable for conductors. it's a big wide one. yes, a large number of procedures can fit. and as a host of concerts, i often keep the script in front of my eyes. that is, it can also be put on this side. and, of course, the conductor's baton. now it’s true, i don’t have it with me at rehearsals concerts in which there are lighting design, when, for example, now, of course, it is necessary to have lamps, in general conductor. hey, you need a wand. i count often in rehearsals. i have a pencil. it replaces the stick for me, because you can write down something else, but the essence of conducting is that we have a certain plane, touching which the stick makes sound and the musicians

orient themselves, just on this plane, they get used to each conductor, understand where he is, and the plane of sound production, and follow this about such a term. maybe it's a musician's argo, and many musicians swear. uh, in this way they talk about conductors who, uh, don't like to work, who don't interfere in the process and give it to the orchestra. just play. he himself is conducting the tempo and gives everything, and on the one hand on the other hand. and you can talk about e about the fact that this is a conductor who has gone through a lot of repertoire. i mean, he screwed up. and in fact , any new part tour is not terrible for him, many conductors are very expressive, and sometimes it annoys the musicians to jump, many squat, again depending on the music, when

the music is serious classical and there is already a little bit not yes, but not up to some kind of emotional ones. let 's say that moments, but hmm compared to concerts, where there is, uh, a rhythm section. here we have a rhythm section today, and therefore i, as a conductor, can do anything. if anything, if the section supports me, that my parents have nothing to do with music at all, my parents are philologists. it seems to me that they passed on to me like love. to something, but high poetic poetry is very, but closely connected with music with classical with opera and e, in principle, literature,

in general, and in relation to business, because they are both workaholics in me. basically, they taught me from childhood. uh, how to treat the matter, the decisive moment that determines my further specialization of the direction, in principle, my whole life can be called a meeting with my teacher, but wonderful, and i often call her my musical mother. and natalie, his strong major, in principle, entering the academy of music was something unconditionally logical for us, and after graduated from the minsk musical college. now this college pianists were passing an optional

round dance. and those who played stringed folk wind instruments, and their conducting was raster. i always wanted to conduct an orchestra. i didn't have that opportunity. and when we entered the conservatory, such an opportunity appeared from the first course. i began to study conducting in the class of alexander petrovich sosnovsky, a man who taught me everything, explained what is good, what is bad in conducting. well, conducting. it only from the outside may seem simple easy. well, that's right, the person comes out. uh, and introduces his hands to us in different directions. and most often it happens that conductors also do it

absolutely in parallel. although having gone to a master class with yuri ivanovich simonov, i realized that people who sit on one side and on the other pay attention to the hand that was defined then, which is closest to them. and uh, by definition, two hands cannot reach the same point at the same time, and we already get a small such a discrepancy is a discrepancy. and it was hard enough to study, because alexander petrovich a always demanded. e, to the maximum i really wanted us to succeed from the very beginning. as it should ideally be. it seems to me that here are all the stages of my musical education, starting from the

children's music school and ending with graduate school defending a phd thesis, and this would not have happened if it were not for the support of my parents, a and, in principle, my family, because any creative a- a, specialty profession, it's not easy, and it's not like athletics. you ran first and you are the first in music a lot and, in principle, there is a lot of subjectivity in art, so each of the musicians is in his own life. the path goes through certain stages, when it seems to him that it’s good, but it seems to others that it’s not very good, and there is often no right opinion of a right judgment on this topic. there are often completely different interpretations, but different evaluative opinions, so it seems to me that without a rear without support and support, but it’s very hard, so i

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mom glasses, what a thrill, a lot of confectioners, a lot of teams and our tanya took second place and was one gram of chocolate from the first. and this is the smell from which you simply love, your close friends tell you. oh , what a tall woman, it smells delicious, there division say. belarus with svetlana borovskaya on our tv channel in this show, athletes will have to relax their muscles and strain their brains. what is

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for several years, with different by the symphony registries of belarus is built on the fact that i am not just a conductor. and i also direct concerts and write for them. today is not a serious classical orchestra, but we are playing movie music for you, so imagine that we have a real cinema orchestra that is bright and festive, in fact. it’s just not very , uh, it’s warm today, but you have a lot and we will share energy and try each other so that today you are not an ordinary conductor, but the task is to go to the console, but to rehearse, but

some program and, uh, perform it at a concert. standing with my back to the audience at some point, at least for me, there was a lack of contact with the audience from the other side. i wanted to tell more from myself, so that it would not be hmm , enough of a theorized rumor. and so, musically, that some work was written in such and such a key and it was written in such a year, point it consists of three parts and it is advisable not to clap between parts, my communication with the audience is built in a completely different way. i always want to tell them. uh, something interesting about the composer. well, of course you want to listen or conducted. this is the

concert time with maximum pleasure for a certain period of time, i don’t know how it is around the world, but here in belarus it’s very sharp. ah, there was a question, but the filling of concert halls during symphony concerts. we all began to look for new formats, and one of such solutions, at least for me , was the implementation of the world soundtracks project. technology believes that film music is light music, maybe it is easier to understand more melodically more memorable, but as practice shows for musicians. uh, very hard to play, other music just seems easy

these days. eh, classical music is not the only one, but some talk of bread for e for musicians, as before, given that music develops along with society. e, along with new generations, then, of course, musicians as a conductor. uh, as a concert agent of the impresario, you need to adapt and make sure that only classical music sounds, but also symphonic shows show, again, i will return to the fact that sometimes a person cannot be dragged to a concert of classical music. but if you introduce him to, uh, symphonic

soundtracks, then he can become your regular listener. many say that classical orchestras. uh, academic musicians should, uh, play purely classical music. and that they lose their originality, maybe this is when everyone comes in tuxedos and tailcoats, and then they go on stage to play, for example, rock hits in t-shirts with leather jackets with some bracelets e musicians do not cease to be classical musicians. of course, like any academic musician who was raised on classical music, at first i had the same idea of ​​​​performing sometimes even musicals, or such a musical genre. she sent me, but

later. i realized that uh, we do everything for the public for our listeners, and they need to be lured to our concerts, so through uh, through movie soundtracks, the music of combining musicals and classical music. we invite you to meet symphonic marker. my excitement is more at rehearsals. or rather, not so much excitement. how much desire to be as sure as possible that everything will go according to plan at the concert, but again, no one is immune from some mistakes, inaccuracies, there were different

situations. uh, starting from uh, losing the conductor 's baton. she clung to the remote control. e, and. eh, somehow i brushed it off with a duty wand. e. well, you e with e cello before such situations when hmm for example, not all musicians. uh, figured out what piece is played next is also sometimes it happens, especially when the chain reaction begins on encore and everyone passes on to each other. this is how we play. here is the piece before the concert. uh. i'm just a little bit worried. uh, if there was little time to rehearse. well, to me as the leaders of the orchestra, as a conductor. on the contrary, it is necessary to inspire confidence in my musicians, so i don’t have to give up. hallelujah

i am that there is such a combination in the various professionals within my activities. yes, it is the impossibility to realize your thoughts, your view on how symphonic music and our contact with audience should be built in the future. sometimes i think that i will never get tired of it.

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in sports projects on belarus 24 tv channel. smart, erudite and inquisitive guys, i answered no, because i thought that 3 million people for the 16th century were too many population. in fact, i don’t know, but it seems to me that this assumption will show their best qualities, but i remember that i read that plato taught everyone, which means that he did not teach and those who did not know geometry would solve a lot tasks found out that three in the fourth. it will be 81, if i'm not mistaken, and four in the third - it will be 64 answer questions from different areas of scientific knowledge. as far as i remember from the lessons in russian literature. and most often he signed, either as chekhon, or as chekhov, look intellectual fun show. i know on tv channel belarus 24. we met. i haven’t lived this year already, my wife

broke up with her so that i left. the fact is that your wife, ex-wife, tried to commit suicide. olya , we're at work, get out of the office. you need to go now to know what might happen. yes, you can live with it, we can live with it. i want you to move to the cottage. move there with money on

belarus 24 tv channel. lyudmila kazak is on the air with you now. hello, the opening company should not be a lottery, the president of belarus stated this on meeting, where they discussed how to improve this process, experts from the field of education were invited to an important conversation . at the same time, without losing a talented one.