they came to belarus from different parts of the world, and they have their own view of the country in belarus in the city of lida, the city of lida has become a very native city for me. i love him very much, i will get a very good education and then i learned about our university a look at belarus show, in which two worlds are united - a virtual game and real fights and high goals, but for the elite does not exist. not only muscles, but also willpower,

no matter what. here there is all fear, tears , pain and victory, your players are professionals. they are engaged in a fire and rescue move by a participant. you have to go through the most difficult tests. adrenaline is obtained when playing a computer game. and i get internet. i have strong hands that can boast of the same and conquer their fears. watch the heroes on the belarus 24 channel in the sports and entertainment show. director of the palace of the republic maxim

prikhodovsky, let's talk about the palace and everything connected with it hello, you are watching the program, say, don't be silent in the studio victoria popova and tatyana shcherbina and today the director of the palace is visiting us republic maxim parish. good afternoon. good afternoon, i'm glad, and we also talked in this studio exactly a year ago. but then the reason was a sad pandemic, accompanying the cancellation of concerts. and you man holiday man with champagne and today. i would like to talk about happy topics too. moreover, the creator of the republic recently celebrated a quarter -century anniversary. and we will definitely talk about this and the concert, but first. help us. tell me what is happening in the photo,

in my opinion, prime minister roman aleksandrovich golovchenko hands you a box. and what about the medal of francis skaryna in it? a special moment in my life, because, in fact, for me, this is probably more unexpected. yes, than any regularity. i am very grateful first of all, probably to my team, because, well, nothing would have happened if it weren’t for the people with whom i work and have the honor of heading the palace of the republic, because everything, in fact, comes from teamwork. i will never agree with what they say, here he did something, in fact the leader very rarely, in principle, somehow helps out. thank you very much to the president for appreciating my personal work for the work of my colleagues, it doesn’t happen that you do something alone, because in fact, if not, then a truly well-

coordinated team. and i am 200% sure that in the palace it is precisely such a team that works for that. it turns out some kind of result, therefore, let 's just say thanks to the president for appreciating my work. thanks to my colleagues for their support and for what we do. well, this is your first medal. this is my first state award, it’s clear that before that, there were also certificates of honor and other awards, but this is such a special, honorable history that it really touches the reporting place in the apartment. yes? my daughter asks that you are 3 years old, but now she is already 3 years old, what is a medal. and who gave? i say president ah. yeah, as we understood from the articles , the concert in honor of the anniversary was very stellar in composition, people's artists of russia valeria also larisa dolina and people's artist of

belarus anatoly ermolenko also congratulated you sergey volochkov and other artists. well, you can wali, and him from the information. i mean that you did not invite the audience, it was for the team. yes , two anniversaries - this is 25 years. uh, with the establishment of the palace of the republic of the twentieth anniversary with the founding of the honored team of the republic of belarus , the presidential orchestra of the republic of belarus, and the director was agatha marine, a well-known director who did quite significant events. we initially thought out that story so that it would be as much as possible for the team. yes, on the eve of e, we did congratulations to the team, where in the small hall all the employees of the palace gathered and where the guests of honor had the opportunity to congratulate the workers themselves, because when it was already the anniversary itself, when there was a concert of more than 70% of the people, there were at the workplaces of the workers themselves, a large hall, we invited almost 800 people. these are relatives and employees of the palace, and the main emphasis was placed on them.

and this is to lead or state bodies - these are ministers. these are the people with whom we constantly work. this creative intelligentsia is journalists. these are students of the university of culture, because very it is important to show all the events that take place in the palace of the republic and we are supporters because the youth could watch and learn more. i was doing a concert there can afford. i would n't call it homely. yes, i would call it more a creative report of the creator, the republic and the presidential orchestra, about 400 tickets. we had a lot of requests for sale, and we took this step. clearly within 3 days. we didn’t even go to advertising with these tickets, but, uh, there was a full hall, and i it's really nice to note that actually, uh, just like the atmosphere on stage was warm, so was the

atmosphere in the hall. this is dude. uh, singer valeria shared a rehearsal video on her telegram channel. let's see and now her fans from russia, uh, were immediately surprised. why do artists cancel their concerts in our country, and abroad they sing, we address the question to you maxim anatolyevich how did you manage to convince valeria to perform at our concept, first of all , focusing people's attention on artists who have their own solo programs with the presidential orchestra. larisa dolina valeria а-а, sergey

volchkov and other artists who took part in this concert. these are exactly the artists who gave. uh, our solo programs, or next year we have such a creation story planned with the drozdy group, for example. she is the same trubetskaya, we did a snesso concert in the small hall of the palace of the republic i hope that this was probably the start that allowed, then to become the winner of the slavic bazaar for a generation of masters and a generation of young artists who. this is a comprehensive story that says that the presidential orchestra does not work. in just one genre, yes, or does not work only as stop artists. and as for larisa dolina, as for valery, i am very grateful that they responded to our invitation and agreed to come, indeed valeria does not give tours now, she only participates in group concerts. and well enough pointwise. e. i am very glad that our concert was the

exact story, on which she agreed, moreover i can't say that there were some very long lengthy negotiations. she had another event that day announced. and i am very pleased that, uh, the choice fell on coming to minsk, uh, to the palace of the republic, she really treats the presidential mark very kindly to the orchestra, not from the point of view. well, like this, well , presidential, because presidential orchestras. and indeed, the presidential orchestras are the top orchestras. well, with whom well works well, yes, a little bit about the concert. i would like to talk. sergey volchkov also published a fragment of his speech on his instagram, let's see and discuss.

well, firstly, sergey's subscribers have already read this. and for those who haven’t read it, i recommend our viewers to look at sergey’s instagram, he speaks enthusiastically about the show and the orchestra and the country he loves, but there is an interesting story with him. it seems that he was not going to come, but spontaneously, suddenly. yes, a tour of siberia, an arrival in minsk - it was. yes, well, quite difficult, because it is necessary to get to moscow from moscow already to go to minsk and by train. he was leaving. the arrival of each of the artists to us is very dear to me. during the concert we did not emphasize that we have a russian headliner there, one team was the headliner. this is the presidential orchestra. we started the concert of larisa dolina, we didn’t focus on the fact that there are our russian colleagues artists, they are well, now

the belarusian preparation will take place, as it were, and here’s the warm-up in no case no, and i want to tell you that such a practice, in fact, should exist and from my point of view should be us chic artists. well, that's the truth ah and yes, here is anatoly ivanovich ermolenko with valeria, from behind the scenes, who saw in social networks, they seem to be on an equal footing yes, that is, this family is already here, uh, they say it exists, there some contradictions. not really, very warm atmosphere and backstage. she was also dressing rooms. she was on everything somehow. well, something i can say, very warm. eh, we talked at all. i really wish it was a very warm holiday. and it’s very unusual to sit in the eighteenth row and to watch it from the outside, but for me it was very expensive. and i'm very pleased. what do i say again. e valeria does not give a concert. she came, yes, and sergey volochkov, being in the tour of

siberia of course i will come, and it was really he who came and performed and left that complicated it. not much logistics for him, but this very attitude towards the orchestra to the palace of the republic is worth a lot. well , by the way, sergei later in an interview. uh, said the orchestra of my country. i consider one of the best orchestras in the world. well that's pretty ambitious statement. but you also consider the presidential orchestra to be the best in the world. now, if you look now, there is on the internet or someone who is more deeply in this topic. i mean the musical uh, the presidential orchestra of the republic of belarus is the only protocol orchestra that has the opportunity to engage in the creative embodiment of most often protocol orchestras are presidential orchestras, which we mean. well, here, i'll bring it to you. an example of the same russian federation presidential orchestra. e russia is the military. they belong to the federal security service - they are military people, uh, and

they have such a concept. that's how the creative component is, that's how we got used to the presidential. the royal london symphony orchestra used to have nothing like this, now it doesn’t exist either, and in essence the presidential orchestra of the republic of belarus is the only orchestra that performs concerts and has the opportunity to do so. and this is a huge support for the president, because a is understandable. this is his consent to the orchestra could do this kind of work. this race is the second - this is a big state support. here for 20 years. with whom only the presidential orchestra did not play there. we can show and demonstrate. i would say the ability of our orchestra, when before the concert and some kind of bitcoin. they allowed themselves the belarusian fantasy, as they called it potpourri. let's listen.

well, that's it, it's clear, without words, really. they can do everything and in the youtube channel of the presidential orchestra, whoever is interested can see what they give fantastic programs, but what i paid attention to, they remember, as it were, a meeting with musicians michelle or cranes at a concert. yes, ennio

morricone that is, these are the stars of the world. uh, what they have left in their memory dmitry hvorostovsky a. but today this situation has made it possible for our orchestra to work with european stars. music or politics will get in the way, i'll tell you this. eh, there is something that is outwardly and there is something that remains behind the scenes. our behind-the-scenes talks hmm is a little different from the outside messages that won't exist. to go into depth, but i will only tell you that, uh, when they say no one wants to go to belarus, it’s not right, but no one refused belarus 2 weeks, there and back. uh, i had a representative of thomas anders in eastern europe with a question about the rescheduling of the concert, but in connection with the logistics that the tour is generally postponed, that is, it is important for them to come to belarus to give concerts, moreover

, there is also a very important thing for me, when we are negotiating. we're talking not politicians, we're talking about fans here, but who are waiting with his favorite artist, the concert is not being done. for some, it is made for fans actually. and if we say that culture unites, if culture gives some movement forward, then show us. also that you agree with us. and if not, if for you these same fans, as if they mean nothing, and you always say equality, well then, well, publicly. tell me i won’t go to my fans, i won’t go to belarus , but i won’t go to people. that's when we focus on these things. eh, that's very this difference is felt, they go to the fans for someone in particular, because the person who comes buys a ticket. he really wants to see his favorite artist. there is the same orchestra, and when an artist does not come and refers to the

political situation there or something else, the first question always comes to me. so, but you didn’t go to politics, as it were, yes, you’re not going to politicians. you go to those fans who give money for you and are ready. this is your bread. and you have those who love you . you are not going to a rally, you are going to speak and let's be absolutely right? uh. although, i'll tell you in europe exactly the same in america there are very clear rules of show business. and if we are already talking about show business in general and about business in general, in principle, in the field of culture, after all, it is still specific. you have an honorarium component. you were paid for speaking, well, roughly speaking, for your work. well, that's it in simple terms. and there are people who buy tickets, and you are right to say not to a rally when there is a speech at rallies. it absolutely also has the right to life. it is too the fee component, where initially the artist knows where he is going. we're talking about box office concerts, and i don't want this to be a closed

story, and there are artists who are promoters of let 's say artists who say but, if you add up, the phones are in the cell, if there's no filming nothing good, we'll arrive, well, not good. i don't want to hide and why we should do our viewers here's what to do on why our each person, what is most precious in the palace of the republic is that one and only, a unique spectator who came to us. about them not 2.700. for us, everyone who came, he is the most we do everything for him, they say, for the sake of whom you work. that's for this one person. we have such a composite image. and when we are preparing our concert and think about who to bring from, we are not talking about a large number of people, we are talking about him alone. that's who he was young, yes, a little older. uh, male or female. uh, under all this

is such a collective action that we hope, it’s right, uh, to get into that target audience so that when we do the same concerts by the president, and they declare that they will not perform loudly, and then they offer you to live quietly, folding the phone. things also have diplomacy. it is open diplomacy, yes, and closed diplomacy, but we receive more and more signals and we communicate, and i hope that the result of our communication in the twenty-third year. here at the beginning of the twenty- third year in the first decade. and we'll try to show talking about it very carefully. and that's why what am i saying diplomacy does not like openness until there are agreements, if you have very clear rules do not announce before signing a specific e , but, but i will tell you unequivocally that this process is ongoing, it is not frozen, it continues

well, which is for sure . percentage it is known that some of the artists of the same european artists, performing in the same russian federation passing by belarus, are also well-known facts when they travel, but these are just closed events that take place at closed corporate parties once i say, the artist is a famous artist, these are people who earn money. that's when we talk about the same twentieth year there, right? uh, it would be very few , i would be almost a few, hardly any of the european artists would allow themselves to express themselves. there in england or in germany or in some other countries, but i would allow myself to speak about some events there. all because not because he does not have his own opinion, because he earns money , take one side or another by saying things. he clearly reports to himself that at that moment, he ceased to be an artist, and went into the

political component, in general it is not customary to give a show in business. some comments or something else, well, or accepted for money, that is, when you go over the rules of the game vakarchuk, we will not go far okean elzy yes , we clearly understand when he said. i'm here i'm an artist now number two number one. i am now a political party there and everything connected with it. clearly, a certain preamble passed. eh, in the form of it. there, the performance was everything and the person began to imagine such decision and you are already looking at him dreams. well politics, yes there public figures and so on and so forth, but at the same time for me. here is what concerns the national brands in the field of show business, when you remember, when there was a group of okean elzy in minsk yes, this is 15,000 people who run around the city of minsk looking for ukrainian flags are going to the minsk arena. here we have republics buy, expensive tickets sing the entire

program with him in ukrainian. sky from the presidential band without him everyone says yes long live ukraine, this is the ideology, uh, which, in general, should be built in a section, and i think that we should have it now, it may be good that the story with the cad with some restrictions. it enables the development of the national segment of show business. i also enjoy the show of musical and new names. these are our people. yes, they are developing. it all has to go through monetization. each artist each artist's concert, and let the ticket cost a ruble. i now figuratively mean under the concept. but that's what makes natural selection. in show business. if you want to go, it means that you are ready to give for what you want to see, which means that show business should offer the product for which you are ready to give at least a ruble and more, and it’s

great that our, uh, shows belarusian artists. they are getting brighter. i saw during the celebration of the 25th anniversary of the palace of the republic in the hall. it's great when the audience sings together with our artists, that is, the songs become popular favorites, the audience begins to sing along with the artist. this is so very important point. i don't remember for a long time. true , uh, so that the hall in unison with the artists begins to sing songs. so we are moving in the right direction. and this is your dream, as we know, maxim let's take a break for a while, i remind you, we have a telegram channel. say don't be silent. subscribe ask questions and suggest guests we are in touch. on the air say it again, don't be silent. today our guest is the director of the palace of the republic maxim prihodovsky. maxim dreamed for a very long time

that we would have such a rubric in the program a question from the audience and right now with your presence. i am pleased to announce the premiere of the heading attention, on the screen. hi all. i'd like to break my question into two parts. the first one is simply asking you to reflect on the problems of the development of belarusian culture, namely the development of money, there is not enough space, there is not enough talent, there is not enough very interesting to hear your opinion, the second, as in the continuation of this question. i want to clarify that you have a huge enterprise that enjoys undoubted authority. uh, there is any reasons why you don't scale? do not open branches in areas, that is, it would be cool or, for example, as a simple idea. i give a huge hangar in the field within 10 km from minsk with the infrastructure. five or six thousand square meters of

20-30 small heated dressing rooms with toilets and showers have nowhere to rent. uh, big projects, nowhere to rehearse big events. e in england for such cases. uh, renting old abandoned military hangars. uh, we don’t have such areas for airplanes. you yourself know that the largest studio we have on belarusianfilm, but it's still, uh, in the region of a thousand squares. e. hmm, the same parade has to be rehearsed, er, the football arena. there are competitions in this sports, uh, space, and it doesn’t always work out, that is , about development in general, if possible, maxim, a huge hello. here the soul is torn in the field of yevgeny gunat, what to answer him with regard to e-e development, in general, as if i am an adherent of e-culture. e ideology, let's say, which consists in the fact that there should be show business, and already following

the history of show business is a culture, and not vice versa , any creative product that is created, which is made either a song, or a performance, or a performance by a folk group. yes, this is what for me, as it were, goes under the concept of folk modern, it should have a specific goal and objectives for me, goals and objectives. this is the monetization of any project that we create about the presidential orchestra. uh, it's not as important for us to understand ourselves as the presidential orchestra. how important is what we have created, this is our program, which we do. uh, we have a viewer who comes to us and pays money to see it. so, when we create this or that kind of show business products, first of all, the state spends a lot of money on culture, a lot of money on the sphere of culture, but there should be a

corresponding return from my point of view. it lies in the fact that this is the creation of those products, either they will be truly branded and national, which allow us to show our national culture, and abroad this is one story, or they carry a purely ideological component, but this is such a high-class product that, well, you really looked and you proudly stand the belarusian flag, and you sing the anthem after that, and you came with this feeling that you are a belarusian and this one is also history. here i will step aside a little and ideological. part of the shops floor of the first i was recently in the capital trading house. i saw a lot of young people there. they were just ordinary students, but who chose the bikes they watched there, this is monetization monetization, but with a huge

ideological meaning. and that's great. and when we were there for the first time we looked at these things. we thought, well, it's interesting, somehow it will come in, it has become popular, it is developing. so are show business products. it must be monetized in order for a to understand that you got it. this is the bull's-eye, yes, and for this you strive for any team, and which exists, it must create, what we are ready to spend money on. and now this process is actively moving. after the twentieth year, he began, when, in principle, the market dipped went to business. well, what is here, based on many events, covid and the political component, but at the same time, it cleared the way? it gave the young artist the opportunity to develop, and the second thing is that our viewer looked at our belarusian artists, at our belarusian theaters,

our belarusian teams, and this is such a kind of audience advance for all of us and we rank ourselves, including in order to develop and do something for which people are ready to go and come. ah, there's nothing worse than a person was forced to come to the event. this is a broken bottom for me, because everything must develop dynamically and culture, when and now, when state concerts are made. so, if we take a look, then when we turn on russian channels there. yes, we are waiting there for valeria, we understand there, we will see other artists gazmanov there. well, you can list the entire russian line. but by the way, the russian show business also asked very much. now, if we look with you, and they practically stepped on our rake, that is, they did not pay attention to what happened with us in the twentieth year. look how many russian artists changed their shoes. well, i

call it a direct word changed shoes. why did they change? because, thanks to state concerts of state support in the form of tv channels, video radio stations, when, uh, popularization is not paid for it , they pay the state, because instead of this artist there could be some kind of advertising and the radio station earned on the air when there are state concerts at that time could two or three ad blocks will appear. and this is also the monetization of the channel. but we invest it in artists, in general, we absolutely don’t have not a single contract with an artist that would clearly prescribe the rules of the game, we don’t have technical production centers that close in themselves . that if we want capitalism, otherwise we must act capitalistically. maybe somewhere what i 'm saying sounds a little harsh most from this year. no mannered, you know. yes, i am the twentieth year of us

could accuse the conclusion of such a treaty that supposedly serfdom freedom of democracy. agree here is a question for you. you when you go to an event, it doesn't matter if it's a ballet or a theatrical performance, the criteria for your selection. how do you select here for you tatyana like it or not , that is, if it's interesting to me, and it will be a pleasure for me to watch and listen to it. i'll go, but like it, but you don't know yet what you 'll see, what you choose. for example, brand uh, some theatrical production or someone you said what are the criteria for you to go to the cashier. well, for example, let's say, if i were going to go to the bolshoi theater, it would be an opera, and uh. i know that we have a wonderful anastasia moskvina and i would go to, uh, a performance with her participation, you are exquisite. i generally do not show or in

this thread. well, well, why do i lead these videos to what, in fact, you said the bolshoi theater and moskvina, you named two belarusian brands, and which, when you combine them, you gave away, and you went to the box office. yes there or found went to the site electronic operators, and bought a ticket. today, the development of the belarusian brand of show business is in its active formation. because we have different directions. we have, as you said, clearly folk. well, now they brought a people's artist, but we also have a youth team that takes away. in our country , in general, in fact, it’s so interesting if we are talking about the export component is another important issue that i want to voice, we have developed over many, many years the following story is all arr. songs of those whom they know, well, at least there in russia there, and then this is the generation that is

older. yes, and what of the younger segment or of the youth in general, in principle, we present today as an export component. uh, after all, roughly speaking, we boil in our own juice. eh, our artist didn’t go further. and this still remains a problem today, but i’ll say more russians are extremely extremely unhappy when even they come to them, although by and large, either you become a product of russian show business. and then welcome we are glad to see, yes, no matter how i take it, but they, but they immediately, as it were, clearly beat off. yes, you are a passport. you can't change. i'll tell you, so sergei volchkov thank you very much for the fact that he remains true to the belarusians. yes, no matter how much he sang, he was a product of russian show business, but at the same time, he remained a belarusian and the words that he says that

he is proud of there, there is an orchestra of the country. and it's very cool. and a number of others. there are a few of them there, but those artists who started here, but have become products of russian show business, and it seems to me that this is a problem that we should actively work on, when they say, how come there are no ideological ones, this money is an investment. in general. i think i understood maxim what are you talking about. we are doing it wrong, we are developing in the wrong direction when we force, uh, the viewer to go to some artists. and when they don't choose them. here it is, wrong road and the second question, belarus is very capacious. it is actually a wonderful country, but very small yes and uh at times here show business. now i'm saying, uh, show business needs scale. yes, we need to move forward, but in europe, uh, there is. that's how we call it, let's translate it

in our way, such as a fund to support talented youth, well, or in general to support talented people, where money is not allocated free of charge . yes, it’s not invested, and this is a five-year loan at a minimum percentage, and the amounts there are from two hundred thousand euros and more and there are certain parameters, one of which is that in 3 years you must make an album. oil, for example, is not sweden there, but not in norway. and you have to show the released album and do a concert there in your scandinavian countries, but not at home, and this is one of the parameters, that is, it was originally laid down. uh, the product of show business as a whole is for export, and i wanted to discuss such a phenomenon as the concert of anna and asti is what is happening in the city now, and the sports palace one concert turned out to be too small and three soldiers drove, or maybe here is the model of successful show business before us. you are

right, and that's what i'm talking about and what i'm talking about lead. three concerts for more than 6 thousand people, in essence, when 1 process was completed, the product of show business artik and asti in the old line-up, and now the department is already new. well, in essence, nova is an old name, let's say, but it is done in this way and these are new songs that have come out, these are new clips that have come out. if we were with you now, uh, we would sit down on the morning air, yes, and they said remember how it was there morning mail, yeah, and they said, we are making a program only from belarusian uh, artists of musical compositions. we would have dialed with you per hour of air. of course not in show business. everything costs money, absolutely everything has a price.

there are people who do it. and don't be afraid to talk about it. let's talk about the state budget, where is where to invest? yes, today, we need to count the money and let's still, uh, so that the culture is more monetized. are you speaking correctly? let's forget once and for all about the people who have to come somewhere, the spectator, no one should ever come and tell the spectator. never the spectator has the right to choose, and he chooses and he chooses. that's why tatyana said what would you go for and believe your presence, there will be for you, like a grateful person who on stage he will know that they bought a ticket for him so that you would like to come to him, and it's worth a lot . let's go back to the palace of the republic, more precisely, the source. so let's say. yes, the youth already, probably, not that they

don’t even remember, or maybe they don’t even know, but thought stories caught this period. when on oktyabrskaya square, there was a long-term construction, which was popular among the people, but they were baptized with a sarcophagus, uh, somewhere around 20 years, yes, yes, and let's see such a small historical excursion plot from the main broadcast program. in 1995, the president came to the clean-up day. and contrary to skeptics, alexander lukashenko then assured the construction site that we would resume it to perfection and in 2 years the spotlights would be the first to give an impulse and the light bulbs would start the power unit. there will be a palace very necessary for our country. you looked at everything there so that people could rest for business meetings to hold conferences and so on and so forth. well, that's all, just yes, the president said there will be a palace here. and

now we are already celebrating, in fact, the 25th anniversary of the magnificent concert venue. well, here you are. eh, this archival chronicle gives some impression of nostalgia, maybe. here are some things you remember, here are some things, maxim well, also at the origins. you have been working in the palace all your life, almost 15, almost 15 years. i 'll tell you. eh, for myself. palace for us everyone. well, for me, including this, we do not say the republic we have at home we say, uh, our palace. this is our home and it is fundamentally important for us what would be in this house. repairs took place, modernization was now completely different technologies, and for almost 15 years even for mine there. we have gone through several global upgrades with a huge investment of budgetary

funds in order to remain relevant today. uh, absolutely other led screen technologies have emerged. yes, this is a huge power consumption. this is the new world that we are we buy every year. and if you rewind the tape back, then there was no such dynamic development of the same technique that is now here, if you remember. previously, he heard an artist on stage. well , everything. well, that's it, great. right now you don't want to see one artist. now you want to see the show. now you want to see a bright, colorful action that requires constant technical updating. the palace has come a long way, a long way from just a platform for state events and now hosting an event - this was also going on. by the way, this is also a very important point. remember the message of the head of state of the belarusian people in the correct little tale. after all , the favorite phrase is not given away in these scenes of ours. for

you. i tell my colleagues what is very important for each of us. who works. this is that we are not observers of history, yes, but we are its participants, because all the main events that are associated with the era of the development of our state. they take place in the palace of the republic, we hear everything, so when they say, what are the decisions for the next five years during the entire belarusian people's assembly during palaces of the republic, where people come and watch in awe and participate in these events in the palace of the republic and for us, no matter how it is just a brand name, not just a house. it's something more, what we are responsible for is the plate of the country. also in palaces. we will discuss the christmas tree later, but i would like to share an interview with the recent chief conductor of the presidential orchestra. vitaly kulbakov. and hmm what does he remember about the history here about

the process of this anniversary. let's listen. i would like to begin my speech with gratitude gratitude to the head of our state, who carefully a-a followed the lives of young people, literally 20 years ago. uh. i have been working in the team of the presidential orchestra since january 20, uh, 2003. that is, i came to this team as the third stream. what the head of state does when he signs his e-214 decree on the creation of a presidential orchestra. what are we, as young artists, graduates of, leading our music universities this is the institute of culture belarusian academy of music competition in the orchestra, what did we get got it. the most, probably, the main musical

platform is the hall of the great hall of the palace of the republic, but not only a large hall, but also a small hall as well. e, hall. uh, receptions on the sixth floor, where we have been successfully performing for about a 20 years. well, what else thanks to this support. we got it thanks to this support. we are young belarusians . you have gained tremendous experience of working with the stars of a foreign russian and belarusian country. but we made inquiries here. maxim anatolyevich has a lot of experience. yes there is small there are concerts, but there are no computers when you buy. already there is already there. thanks anniversary. thank you gift. thanks to those, this is a gift that we have, so now, in fact, i can already say that we already have it. thank you. and now let's stop for a while. after a short pause, we will return to this studio, for now

subscribe to our telegram channel, say, and look for all our releases on the youtube channel, belarus 1. on the air say again, do not be silent, and the director of the creator of the republic maxim prikhodovsky is our guest. maxim anatolyevich you became a father enough. well, let's say so immature, but seriously at the age and for two years, my daughter published a cry of the soul on instagram, it seems to me, 2 years ago i realized that until this day i learned to live 2 years ago i realized that this day turned my whole life forever 2 years ago i did not understand that it was possible to love like that. she is my whole life. she is what she does every day. my happy thanks to my wife for this happiness, i love you madly, my muse of life, very well said. and the most interesting thing is that you believe. well, how are you anyway to say it? sincerely love god listen here showed, it would be better not to show me

i love my job. i am madly in love with the people with whom i work, with whom i have contact. these are the ones that, like, uh, i would do absolutely everything in my life for. uh, you said it right, when you become a father, well, practically there at 40 years old. this is the first time. yes, it's something special that's what flips. so you understand that until this day you really, as it were, learned to live. my family my wife my daughter is something more than what i am i will give. that's right, it's all crazy love. i , uh, come home, and i have my guilt, because i don't give due to employment, probably, there is so much attention. how much should you give as a father. and this is great love. she is mutual. and i come home, and uh, often it's all

late at night. she is waiting. she is bored, she comes to work with me with her wife. for some reason. we often do. we let this one go and don't talk about it. so i'll say it there. these are the people who are busy with creative work organization. we are somehow a family somewhere out there and i am very grateful to my beloved wife for the fact that she understands that she accepts me the way i am and uh, i'm just maxim for her not maxim anatolyevich, but simply maxim and e, who is waiting, who is taking care of her daughter. true, she is very active, that's all that concerns the public house. well, great fellow, and the administrative presence of each other is called. well, i know maxim that you have been choosing for a long time and i am sure that if these are finally chosen,

it is really worthy, honestly definitely does not have a rear. you can't you you don't have this confidence that you have. eh, i have this confidence, because my dearest people are waiting for me at home and more. says there is something more. yes, that's what all work is all communication. it's huge. this is awesome, my love is crazy for them. here's mine. and i do, and i rarely talk about it. and it is a great happiness that you decided with us at all. thank you for being frank on this subject. well, let's move on from the family to family holidays, the new year is coming soon, and besides all those events that have already become branded. in our country thanks to the palace. there is one more thing for sure. this is a new year's show than this year. you will delight the audience when the palace begins to prepare the new year, and i’m talking from june, because the selection of the concept of the new year’s performance in the large hall is already beginning, just

like we did this brand not so long ago in the small hall. the main christmas tree of the country, which in fact has become a brand, and for a long time the christmas tree tickets will get me they ask that it is you that what we talked about turned out to be absolutely correct. and that's when i spoke. there, above, about the main one. this is the only viewer, then if you ask us a question, how who is most important for us. this, of course, is the most important thing, this is a child who comes to us. we have been developing history for a number of years already, so that a child, entering only the palace of the republic, already feels it. this is a new year's show. well, this year already more than 14 km of led illuminations have already been hung. it is already being prepared. we are everything we do it on our own. we do not involve any design company. why abandoned this idea is not even a question of money, just your house. you will dress best of all and that which concerns the action itself in the great hall. it will be such an interactive show, we continue the story, as

there were various collaborations under the name of a children's fairy tale. here's how the very new year's representatives. we made it a little older, made it a little harder to read. yes, with some accents there, that there is a mobile one. phone or something else, but we realized that the best thing is that good old children's fairy tale, it is easily perceived as children are so older. yes, even adults. and no matter how funny it is, but you said the brand correctly, there are a lot of the main christmas tree of the country and this is increasingly seeing people who are adults. there are couples coming. it's just that there are no children. look honored in the world of childhood, and in the small hall. uh. this is again our collaboration with rita format. this is a session of the moscow director god, who is working on with vera polyakova and, uh, this year. they also came up with a completely new fairy tale. we love the sequel. something it always has to be a new absolute rehearsal story. that's

just the small hall, they are very active in the large hall. literally, in a short time, we will first conduct technical tracts and rehearsals will also begin. this is a complex technical action, that in a large small hall we are special for this. we are carrying. uh, new equipment, uh, that we rent i understand, but uh, we haven't used it yet. this will be the dynamics on the stage, which will be from the point of view, both technical in terms of, and theatrical hmm where there will be quite a lot of dialogues. yes, a little less songs, this is not a musical. this is just a fairy tale. that is why e tickets are sold very actively. and it is true. this year we have better go to small halls or in general or crap ourselves. i'll tell you, i recommend visiting, and here and there we have a growing percentage of visitors this year. and i mean, not only from the regions of our country, but also, uh, actively russian

travel companies buy tickets and make tours. e k us here it is under the brand name of the main tree of the country, because they say that we no longer have this. yes, and we know that it is practically nowhere left in the same form as nowhere else for the president to come every year to congratulate the guys and be present with them at the performance. here we, probably, somewhere do not pay attention to these little things, but in fact, this is true. this is the president's great love for children, which is expressed in his support. here's how, if you ask alexandrovich a about children, we immediately see another reaction. and when he's in the great hall on this one. here is a performance every year, no matter what happens, no matter how it happens, it will always be with great joy with the children, so tickets are still on sale. we start on the 23rd and forward yours in all anniversary events. you

addressed your team warmly enough with the following phrase. we have gone through a lot, but we need to do even more for you first of all maxim here is the curtain now the program is what to do? more you understand by this immediately we must create. the product is the product that the business has and the people of this technique. it's all part of the palace. there is nothing that has not been conquered. it was the sports palace with our concerts. yes, and minsk arena. well, the only, probably, 100,000 dynamo stadium was not there, but this is also in the plans, but it is very important for me that we start creating something that will fly away some people say, like hot cakes, russian rentals artists of foreign stars. this is including one of the happiness of work, but i want us to continue to create what will be back a truly belarusian brand of show business, which i made from the republic. thank you very much for this meeting, for your openness and for

your, in general, ambitious goals tatyana shcherbina victoria popova we say goodbye to you today. goodbye. goodbye. and now maxim perekhodovsky is speaking. today in the program i already said that the most expensive one for us is the one. the only spectator who comes to us, who gives his time his desire to visit here, i will say this, a huge family of the palace of the republic is always waiting for its dearest and most beloved audience. we will do everything to make you want to come to us, and we, in turn, are always glad to see you within our walls. thank you

. i am honored to be your child's cross-mother, you are more than my helper. your closest friend is not like you. i don't understand what my father didn't find in his arms. strange question

how interesting to spend the weekend you can go in for sports at the weekend clean up the house on the couch, and you can explore our beautiful belarus every week, we lay new routes in the corners of our country, however, centuries-old trees remained not only in helmets. they can be found even today, this particular oak is already 400 years old, and to wrap around its trunk. we need about four adults, we show historical monuments cultural entertainment alexander vasilievich will be with you now. we will conduct a pottery master class, introduce local food and customs and belarusian

cuisine. i, as a real admirer of potatoes, ordered own potato pancakes the route is built. on the belarus 24 tv channel why the same events and circumstances are treated differently, who creates new ethics and new information trends, and who did not benefit from it , but there is documented evidence of this for many years, these plans were hatched secretly and were not voiced out loud. and these are proven facts. or is this another ksenia lebedeva will tell you in detail about the phenomenon of double standards. and how they work

in the project. this is different, do not miss it on belarus 24 tv channel. about people who, in spite of everything go to their goals, my task is to train 2,000 captains there in my life, and then i can do whatever i want. i am ready to even go fishing , they do what their heart tells them, i am as passionate about my work as possible. i even think about him at home when i come here. i know what i will do. here i enjoy my work, which is at the same time my hobby. yes , my life, my work, my hobby, let's talk about their hobbies and life path. this aircraft is probably the safest of almost all available. why because this is a glider, see the project belarusians on our tv channel?

live main news at noon studio olga kalairova, hello, and shortly than their release, patriots in uniform have the right to count on state support providing housing for servicemen in the focus of the president. increasing coherence and improving the practical skills of the armed forces, scheduled combat readiness classes began