starting in the us department of state's conditions for federal awards on october 31 of this year, now it is not so non- confidential. now i’ll tell you what the radio spent 200,000 us dollars on, 50,000 of which went to billboards near the search for the belarusian border, discrediting belarus and carrying disinformation , part of promoting internet search in a look at belarus, part of creating mobile applications, for example, radio paid 9,000 for an android application dollars part of the money went money for employee salaries. that is the only reason why the radio contract began to receive even before the 20th year in connection with the employees who, while in grodno , worked for the polish destructive propaganda resource, andriy meleshka was in august 21st. a

member of the young front fled to georgia, he was frightened by themis, organized numerous unauthorized political actions in working with a dig in the same grodno. and after coordinating journalists in the region, he collaborated with a number of destructive publications , worked under the pseudonym igor nikolaev in 2015 year, the head of the radio radio station yevgeny vapa, i negatively evaluate the work of the little fellow, they say, not a professional among friends, dear. denis ivashin is currently sentenced to 13 years for high treason. i didn't think there would be such a great term god is the greatest term for uh, a journalist. uh, what dative moments have here in belarusian for me, this is belmetyevna, and he got into trouble that we would be smaller, of course. gathered information of interest to the ukrainian side about officials in the berkut law enforcement officers in

at the same time, belarus allegedly worked as a journalist. and when the estate of denis, for his novelty in journalism for egon articles, in 2014 began to position himself as a supporter of the right sector, a went to ukraine where he participated in the euromaidan and riots in kiev, was the editor of the ukrainian page, the publication inform attacked the resource created the seventy-second center of information -psychological operations by ukrainians is the very thing that churns out fakes and shoots a staged video about their work and the work of their colleagues. i told in previous programs, at the same time, both his wife and friend andrei meleshko justify denis. although it is reliable. it is known who supervised him from kiev and how much he earned from the sale of data, for example, about cooperation between russia and belarus in various areas of the situation of the armed forces of our country, and in this photo, both yours and

the sweetheart in cherkassy in 2017 carried a humanite. vsu, the hacker group of the beregini in an exclusive interview with the program confirmed that by opening the network of information-napalm, it became clear. what they did in belarus, we managed to figure out and open correspondence of the employees of the seventy-second dog, then we received direct evidence that the site is the only one of their project among the different pages. they have a belarusian page at that time the editors were denis yours, which, as far as we know, was already carried out by the states do not change and at the beginning of the year we hacked and they all found out that they actively took part in the information support of the belarusian protests, and did not sit and spread information on i will go to all our positional chats. ah, hackers, let's say, but they worked in the belarusian

partisans, they were all information on your security forces and everyone who was for lukashenka, let me remind you that on the day the trial began , a group of euro-diplomats arrived in grodno to support ivashin , headed by evelina schultz, head of the eu diplomatic mission in belarus i want to say that with their presence, the officials once again emphasized that they are not ready to stop on their own, and to interfere in the internal affairs of belarus is the norm for them. but they prefer to remain silent about their euro problems by continuing to allocate money, the so-called independent media and pay grants for soft power slow but effective, but also such things. we have learned to notice and expose those who have mixed up their corner and put them in their place and within their boundaries, because strength is in truth and in a just deed, but this is different, but i was with you ksenia lebedeva see

you in the next program. to supplement the informational picture of tuesday, the day of sports. hello, the champion of the country and the soligorsk shakhtar will play with the zhodino torpedo-belaz. and borisov bate will meet with bobruisk belshina these are the results of the draw of the quarter-final stage of the belarusian football cup in the battle for reaching the 1/2 grodno neman will face, vitebsk will meet in another pair, mozyr slava and slutsk

quarter-final matches scheduled for march, next year, the current owner of the trophy is gomel but the southerners we remind you that we finished the fight at the tournament at the 1/8 final stage, losing to belshina in the series after match penalties, the draw for cup meetings, by the way, was held by vladimir khvoshchinsky, the best football players of the country following the results last season has already changed the club registration. for the fourth time in his career, the striker moved to dynamo minsk. the coach of the white and blue vadim skripchenko in an exclusive interview with the tv news agency did not hide the fact that there is interest in other players who left the team. a minsk footballer always reveals himself as a personality, as a strong professional in the team mechanism. yes, and the team is always able to help this player become stronger for playing better, let's say, better or sparkle more brightly, but firmament, therefore, in this regard, of course, any progress of the players is a command mechanism. and

if there is a demand for it, uh, a more successful championship and we will move to stronger clubs only to ensure that this happens and that there are as many such situations as possible. but what will the torpedo belaz be like in the coming season, while the open head coach avtozavodtsev dmitry molaj said that he hopes to keep 70% of the roster, it is necessary to strengthen it pointwise and this will help become a force in belarusian football for the seasons every year there is a team that will shoot, as for us torpedo belaz, i would not like us to just shoot for a year. yes, i would like us to become such a force in belarusian football that is reckoned with, that is, we need to build a long one, for sure, we talked with the management about how it reacted to the season. well , certainly not satisfactory. yes, in principle, and we did not satisfactorily want if we expected more, but when it took place i had a very good dialogue. i believe u ceo. yes i

explained everything to him. i will explain why so? why this one, well, it seems to me that he heard great interviews with dmitry molochny and vadimov skripchenko. watch in the replay of the program sports shots for belarus 5 on wednesday at 11:45 or right now on the youtube account of the tv channel, the basketball club of minsk could not outplay the team from nizhny novgorod in the framework of the vtb united league the day before andrey kozlov will tell more about this meeting. who, as part of nizhny novgorod, visited minsk. understandably, there was pressure on him. especially. we even somewhat domestic maxim igorevich was born here, he began his career in the structure of the then dragons, and then began tortuous from his career, spain poland estonia more than once minsk , finally an attempt at home as part of the russian club. maxim tried, but the first violin in the attack of the

guests was not all he would score in the occupation of three points traditionally tucked into the attack, the defender of the lower and manstrubkov, who shot as a result of 19 points of hernando zinenko. tried not to let the opponent go into a big gap at the start game, but everyone was striving for success. did you manage to take the pace needed to demonstrate a large number of rebounds, due to which to consolidate your leadership at the start of the first quarter? well, and so on. grominsky was impressive and better fourth quarter did not allow to celebrate the success of 68-57 - this is in favor of the russians. who recently joined the belarusians, scored the first points. as part of the new team, he became the most productive with 18 points already this week, the team of rostislav bergun

will again hold a home match on friday, december 9 minsk will be personally played against literature. overseas in the nhl, washington forward alexei protos was recognized as the best player in the duel against edmont. in the opinion of the team, the vitebsk resident received prizes from the hands of the legendary alexander ovechkin in the regular season of the strongest world league in washington and edmond tank by the third period played out to the

score of 22 and in the middle the final third belarusian. the forward ran to rendezvous with the goalkeeper. moulers. however, the vitebsk resident decided to pass to a partner, the american was never accurate final victory of the capitals 3.2 protos. in this meeting, alexei played in the fourth link and spent 10 minutes on the ice. during this time guy. inflicted two shots on the opponent's goal indicators of utility plus one then. coma metropolitan peter violetta praised our striker. it may have been the best protos game for washington yes and the victory was one of the best we've played this season. each player tried to move and made the right decision. he mikhail knew that the exit would turn out at 3:00 at 2 saw that one defender was on me second on the hat, so i realized that the down should be without guardianship and dropped the puck to him, they

didn’t ask me, he didn’t have to do this. i saw him and knew that he was there and was going to help. i have a very important team. win now if we want to fight for the playoffs and play at a high level. we need to find stability in our actions to find a way to win in 27 matches on account of alexey protos again points. washington is still in 12th place with 26 points and even more sports in the night the release of the program in the studio worked christina kamysh see you.

you look, and you can tear off never suitable for them, a charge of emotions for weaving. i consider myself absolutely not a creative person. eh, more so stubborn. well, such a stubborn person. here, this is my art. i think so, there are moments when people just, well, they were refused, yes, that is,

one door closed, the second, they don’t try further. here. well, i'm going, that's until they open it, the belarusians are a project of updated people. we all come from childhood. yes, and i don't remember. at what point is the project he was born, he was born for some time, and it was a series of some of my street elections, as you and i, thermoses sandwiches, discuss the most important matters in the center of the lake, until we discuss it further and come to a common consensus. we don't leave the lake. this is how we like to have fun and work on our tv channel. in our project, we will show you unique personalities, in general, i am a person who, even without us, builds on intuition. that is, i'm still more of an artist than i certainly do not understand. where does it come from, i i can't even put my idea down on paper. they just fly off from somewhere above me. they

break stereotypes with an example from their own experience, walking around the fabric store. i caught my eye, a certain fabric, which i was looking for, probably with a push. i realized that this is my bag, there are the remains of ugrenovich's house, and he was that incarnation. it seems to me the completion of this stage of the incompleteness of my father's life. watch the program to break stereotypes on belarus 24 tv channel.

director hello, you are watching the program distortions be silent studio of victoria popov and tatiana shcherbina and today the director of the palace of the republic maxim prikhodovsky is our guest. good afternoon. good afternoon welcome. we also talked exactly a year ago in this studio. but then the reason was a sad pandemic, accompanying the cancellation of concerts. and you man holiday man with champagne and today. i would like to talk on a joyful topic, too, especially since the republic recently celebrated its quarter-century anniversary. we will definitely

talk about this and the concert, but first. help us. tell us what is happening in the photo, in my opinion, prime minister roman aleksandrovich golovchenko is handing you a box. and that it has special moments in my life, because in fact for me it is probably more. unexpectedly, yes, than some regularity. first of all, i am very grateful, probably to my team, because, well, nothing would have happened if it weren’t for the people with whom i work and have the honor to head the palace of the republic, because everything, in fact, comes from teamwork. never agree with what they say, here it is did something here medal franciscarides, in fact the leader is very rare. basically, it kind of works out. thank you very much to the president for appreciating my personal work for the work of my colleagues, hmm, it doesn’t

happen that you do something alone, because in fact, if not, then a truly well- coordinated team. and i am 200% sure that such a team of the palace works for that then some kind of result is obtained, so let's say thanks to the president for appreciating my work. thanks to my colleagues for their support and for what we do. well, this is your first medal. this is my first state award, but it is clear that before that, there were also certificates of honor and other awards. but this is such a particularly honorable story that it really touches the reporting place in the apartment. yes? my daughter asks that you are 3 years old, but now she is 3 years old and she is like that, what is a medal. and who gave? i say president ah. yeah well, like this, and as we understood the articles in the concert, in honor of the anniversary it was

very stellar in composition, you were congratulated by people's artists of russia valeria and larisa valley and people's artist of belarus anatoly yermolenko also sergey volochkov and other artists. well, we found out, and him from information tapes. i mean that you did not invite the audience, it was for the team. yes, we have two anniversaries. 25 years uh since the medical creation of the palace of the republic of the twentieth anniversary with the foundation of the yes honored team of the republic of belarus presidential orchestra of the republic of belarus and the director was an infernal well-known director who makes quite significant events. we originally thought of that story, to maximize the team. yes, on the eve of e, we did congratulations to the team, where all the employees of the palace gathered in the small hall and where the guests of honor had the opportunity to congratulate the workers themselves, because when it was already the anniversary itself, when there was a concert, more than 70% of the people were at the workplaces of the

workers themselves the hall we invited is almost 800 people - these are relatives and employees of the palace. and they were the main focus. and this is to lead or state bodies - these are ministers. these are the people that we constantly we are working. this is a creative intelligentsia - these are open journalists, these are students of the university of culture, because it is very important to show all the events that take place in the palace of the republic and we are supporters because the youth could watch and learn more. i can afford to do there . i wouldn't call it homely. yes, i would call it more of a creative report of the palace, the republic and the presidential orchestra, about 400 tickets. we had a lot of requests for sale, and we went to this step. clearly within 3 days. we did n't even go to the commercials with these tickets but uh,

the hall was full, and i'm very pleased to note that in fact, uh, as there was a warm atmosphere on the stage, so in the hall there was a warm atmosphere. this is dude. uh, singer valeria shared her telegram channel with a rehearsal video. let's see and here, her fans from russia, uh, were immediately surprised. why do artists cancel their concerts in our country, and they sing abroad, we address the question to you maxim anatolyevich how did you manage to convince valery to perform at our concept, first of all, focusing on the artists who have their own solo programs with the

presidential orchestra larisa dolina valeria a-a, sergey volchkov and other artists who took part in this concert. these are exactly the artists who gave their solo programs, or next year we have such a story planned, yes, with the drozdy group, for example. she is the same trubetskaya , we did a solo concert with her in the small hall of the palace of the republic. i hope that it was, probably, that start that allowed, then to become the winner of the slavic bazaar for the generation of masters and the generation of young artists who this is a comprehensive story that says that the presidential orchestra does not work. in just one genre. yes or does not work only with top artists. and as for larisa dolina, as for valery, i am very grateful that they responded to our invitation and agreed to come, indeed valeria does not give tours now, she

only participates in group concerts. and well enough pointwise. i am very glad that our concert was the exact story on which she agreed, moreover, i can not. to say that these were some very long lengthy negotiations. she had another event that day announced. and i am very pleased that the choice fell on coming to minsk and to the palace of the republic, she really has a very kind attitude towards the presidential marquestre, not from the point of view. well, like this, well, presidential, because presidential orchestras. and indeed , the presidential orchestras are a top orchestra. well with which well, it's good to work, yes, a little bit about the concert. i would like to talk. sergey volchkov also published a fragment of his speech on his instagram, let's see and discuss.

well, firstly, sergey's subscribers have already read this. and for those who haven’t read it, i recommend our viewers to look at sergey’s instagram, he speaks enthusiastically about the show and the orchestra and the country he loves, but there is an interesting story with him. it seems that he was not going to come, but spontaneously, suddenly yes, a tour of siberia, an arrival in minsk - it was. well, it's quite difficult, because you need to get to moscow from moscow and go to minsk by train. he was leaving. i really appreciate the visit of each artist to us. during the concert we did not emphasize that we have a russian headliner there, one team was the headliner. this is the presidential orchestra. we started the concert of larisa

dolina, we didn’t focus on the fact that there are our russian colleagues artists, they are well, now the belarusian preparation will take place, as it were, and here is the warm-up in no case no, and i want you to to say that such a practice should actually exist and, from my point of view, we should have chic artists. well, here's the truth, ah, according to, and here, yes, here is anatoly ivanovich ermolenko with valeria, from behind the scenes, who saw in social networks, they seem to be on an equal footing, yes, that is, this is a family already, uh, they say, exists, there are some contradictions. not really, very warm atmosphere and backstage. she was also dressing rooms. she was on everything somehow. well, something i can say, very warm. eh, we talked at all. i really wanted it to be a very warm holiday. and it’s very unusual to sit in the eighteenth row and watch it from the side, but for me it was very expensive. and i'm

very pleased. what do i say again. e valeria does not give a concert. she came, yes, and sergey volochkov, being in the tour of siberia of course i will come, and it was really he who came and performed and left that complicated it. not much logistics for him, but this very attitude towards the orchestra to the palace of the republic is worth a lot. well, by the way, sergey then in interview. uh, said the orchestra of my country. i consider one of the best orchestras in the world. well, that's a pretty ambitious statement. but you also consider the presidential orchestra to be the best in the world. now , if you look now, there is on the internet or someone who is more deeply in this topic. i mean musical. uh, the presidential orchestra of the republic of belarus is the only protocol orchestra that has the opportunity to engage in creative implementation, most often protocol orchestras are presidential orkets, which we mean. well, here, i'll bring it to you. an example of the same russian federation presidential orchestra. e of russia - these are

military personnel, they belong to the federal security service - these are military people, uh, and they have such a concept. that's how the creative component is, that's how we got used to the presidential. there was no such thing before the royal london phonic orchestra, now it is not there either, and in essence the presidential orchestra of the republic of belarus is the only orchestra that is engaged in concerts and has the opportunity to do so. and this is a huge support for the president, because a is understandable. this is his consent so that the orchestra can be engaged in this type of activity, tarasov and the second is a big state support. here for 20 years. with whom only the presidential orchestra did not play there. we can show and demonstrate. i would say the ability of our orchestra, when before the concert and nikita bitcoin. they allowed themselves a belarusian fantasy, as they called it a guy.

well, that's it, it's clear, without words, really. they can do anything and in the presidential youtube channel orchestra, who is interested can see for themselves what fantastic programs they give, but what

i paid attention to, they remember, as it were, a meeting with the musicians michel or a crane concert. yes ennio morricone that is, these are the stars of the world. uh, what they have left in their memory dmitry hvorostovsky a. but today this situation has made it possible for our orchestra to work with european stars. music or politics will get in the way, i'll tell you this. eh, there is something that is outwardly and there is something that remains behind the scenes. our behind-the-scenes talks hmm a little differs from the external promises that exist , i will not go into depth, but i will only tell you that, when they say no one wants to go to belarus there, and no one refused belarus 2 weeks, there and back. uh, i had a representative of thomas anders in eastern europe with a question about the postponement of the concert, but in connection with

logistics, because in general the tour is sort of postponed, that is, it is important for them to come to belarus to give concerts, moreover, it is also very important for me thing when we enter negotiations. we're talking not politics, we're talking about the fact that there are fans here, and who are waiting for his favorite artist, the concert is not being done. for some, it is made for fans actually. and if we say that culture unites, if culture gives some movement forward, then show us. also that you agree with us. and if not, if for you these same fans, as if they mean nothing, and you always say equality, well then, well, publicly. tell me i won’t go to my fans, i won’t go to belarus, but i won’t go to people . that's when we focus on these things. eh, this difference is very felt, for anyone in particular they go to the fans, because the

person who comes buys a ticket. he really wants to see his favorite artist. there is the same orchestra, and when an artist does not come and refers to the political situation there or something else, the first question always comes to me. so, but you didn’t go to politics, as it were, yes, you’re not going to politicians. you go to those fans who give money for you and are ready. this is your bread. and you have those who love you. you are not going to rally, you're going to perform and let's absolutely right? uh. although, i'll tell you in europe exactly the same in america there are very clear rules of show business. and if we are already talking about show business in general and about business in general, in principle, in the field of culture, after all, it is still specific. you have an honorarium component. you were paid for speaking, well, roughly speaking, for your work. well , that's it in simple terms. and there are people who buy tickets, and you are right to say not to a rally when there is a speech at rallies. this absolutely also has the right to life. this is also a fee component, where initially the artist

knows where he is going. we are talking about box office concerts, and i do not want this to be a closed story. and there are those artists who are promoters, let's say artists, who say but, if you add up, the phones are in the cell, so, if there are no, there are no shootings there, nothing is good, we will come, well, it's not good. i don't want to hide why we should do our viewers here to do why our each person is the most precious thing in the palace the republic is that one and only, unique spectator who came to us. about them , not two seven hundred for us each who came he and is the most we do everything for him, they say, for the sake of. who do you work for. that's for this one person. we have such a composite image. and when we are preparing our concert and think about who to bring from, we are not talking about a large number of people, we are talking

about him alone. that's who he was young, yes, a little older. uh, male or female. uh, under all this is such a collective action that gives us i hope it’s right, uh, to get into that target audience so that when we do the same concerts as the president, and they say that they will not perform loudly, and then they offer you to live quietly, folding the phone. things also have diplomacy. it is open diplomacy, yes, and closed diplomacy, but we receive more and more signals and we communicate, and i hope that the result of our communication in the twenty-third year. here at the beginning of the twenty- third year in the first decade. and we will try show talking about it very carefully. and because , as i say, diplomacy does not like openness until there is an agreement, if you have absolutely clear rules not to announce before signing specifically. e,

such is the but, but i will tell you unequivocally that this process is ongoing, it is not frozen. it goes on more to say that to us for sure. percentage it is known that some of the artists are the same european artists, performing in the same russian federation passing by belarus, it’s also like known facts when they go, well, these are just closed events, who go to closed corporate parties, i say again, the artist is a well-known artist - these are people who earn money. that's when we talk about the same twentieth year there, right? uh, i would be very few yes, almost a few, hardly any of the european artists. i would allow myself to speak. there in england or in germany or in some other countries, but he would allow himself to speak about some events there. all because not because he does not have his own opinion, because he earns money take one side or the other by saying

things. he gives a candle report that from that moment he ceased to be an artist, and went into the political component, in general it is not customary to give shows in business. any comments or anything else, well, or taken for money, that is, when you go over vakarchuk's games, we will not go far okean elzy's group yes , we clearly understand when he said. i'm here i'm an artist now number two number one. now i'm a political party there and everything connected with it clearly passed, certain preamble. e, in the form of a speech there, everything and a person made such a decision for themselves and you are already looking at him from the prism, well , politics, yes, there are public figures and so on and so forth, but at the same time for me. here is what concerns the national brands in the field of show business, when you remember, when there was a group of okean elzy in minsk yes, this is 15,000 people who run around the city of minsk looking for ukrainian

flags are going to the minsk arena. here we have republics buy, expensive tickets sing all over program with him in ukrainian. there is a presidential orchestra without it. long live ukraine, this is the ideology, uh, which, in general, should be built in a section, and i think that we should have it now, it may be good that the story with the cad is with some restrictions. it enables the development of the national segment of show business. i also enjoy the show of musical and new names. these are our people. yes, they are developing. it all has to go through monetization. each artist, each concert of an artist, and let the ticket cost ruble. i now figuratively mean under the concept. but this is what to do, natural selection in show business. if you want to go, it means that you are ready to give for what you want to see, which

means that show business should offer the product for which you are ready to give at least a ruble and more, and it’s great that our, uh, shows belarusian artists. they are getting brighter. i saw during the celebration of the 25th anniversary of the palace of the republic in the hall. it's great when the audience sings together with our artists, that is, songs become people's favorite hall begins to sing along with the artist. this is such a very important point. i don't remember for a long time. true, uh, so that the hall, in unison with the artists, begins to sing songs. so we are moving in the right direction. and this is your dream, as we know, maxim let's take a break for a while, i remind you, we have a telegram channel. tell me be quiet. subscribe ask questions and suggest guests we are in touch.

in times of rapid change, it is important for us to show you. the main country has fixed a clear the position it takes. today we keep history, value the achievements of generations and honor the traditions of global perspectives, high diplomacy and social research. however, the fact remains that dialogue platforms have started working. and these are the chances for everyone to be heard, we will draw detailed conclusions, see exclusive interviews and talk about the main events on the main air. watch on tv channel belarus 24 our ancestors are the real male craft of cooperage.

our potato pancakes are not for nothing that we are called small. near all of russia watch every week the fashion for culture project on belarus 24 tv channel. a new discussion project is an objective platform for discussing topical issues about the fate of the country and topics that concern society the most consolidation of the understanding that every belarusian is needed and important, what from each of us depends on the future of the country. when we analyze, we must see indicators, indicators of whether this is really

being discussed or not, and from this we can form destinations. pay attention to form. and if you copy authoritative, specialists and experts in the field, politicians of the economics of science and business will collect different opinions so that you are closer to the truth, follow the releases of the project objectively. on the air say it again, don't be silent. today our guest is the director of the palace of the republic maxim prihodovsky. maxim has been dreaming for a very long time that we would have such a heading. in the program, a question from the audience and now right with your presence. i am pleased to announce the premiere of the heading attention. to the screen. hi all. i'd like to uh break mine

question into two parts. the first one is just asking you to speculate on the problematic development of the belarusian culture, namely the development of money, there is not enough space, there are not enough talents, it is very interesting. he hears your opinion, the second, as in the continuation of this question. i want to clarify that you have a huge enterprise that enjoys undoubted authority. er, is there any reason why you don't scale? why don't you open branches? in areas, that is, it would be cool or, for example, as an idea simple. i give in the field within 10 km from minsk with the infrastructure of a huge hangar. five or six thousand square meters of 20-30 small heated dressing rooms with toilets and showers have nowhere to rent. uh, big projects, nowhere to rehearse big events. e in england for such cases. uh, renting old abandoned military

hangars. uh, we don’t have such areas for airplanes. you yourself know that the largest studio we have is in belarusian film, but it's still, uh, in the region of a thousand squares. e. hmm, the same parade has to be rehearsed. uh, football arena, in this sports, uh, room, there are competitions and it doesn’t always work out, that is , about development in general, if you can, maxim, a huge hello. here the soul is torn in the field of yevgeny guat, what to answer him with regard to e-e development, in general, as if i am an adherent of e-culture. e ideology, let's say, which is that there should be show business, and the already emerging history of show business. this is culture, and not vice versa , any creative product that is being created, that is being made is not a song, not a performance, not

then the performance of the folk group. yes, this is what for me, as it were, goes under the concept of folk modern, it should have a specific goal and objectives for me, goals and objectives. this is the monetization of any project that we create about the presidential orchestra. uh, it's not as important for us to understand ourselves as the presidential orchestra. how important is what we have created, this is our program that we are doing. uh, we have a viewer who comes to us and pays money to see it. see , when we create one or another, uh, show business products, this is primarily in the form the state spends a lot of money on culture, a lot of money for the sphere of culture, but there should be a corresponding return from my point of view. it lies in the fact that this is the creation of those products, either they will be truly branded and national, which allow us to show our

national culture, and abroad it’s one story, or they carry a purely ideological component, but this is such a high-quality product that, well you really looked and you proudly stand the belarusian flag, and you sing after this anthem, and you came with this feeling that you are belarusian and this one is also history. here's a little step aside and the ideological component of the store in the floor of the first i was recently in the capital trading house. i saw a lot of young people there. they were just ordinary students, but who chose the stories they watched there, this is monetization monetization, but with a huge ideological meaning. and that's great. and when we were there for the first time we looked at these things. we thought, well, it’s interesting, somehow it will come in, it became popular and growing. that's how the products

went into business. it must be monetized in order to understand that you got it. this is the bull's-eye, yes, and for this you strive for any team, and which exists, it must create, what we are ready to spend money on. and now this process is actively moving. that's after the twentieth year, he began, when, in principle, the market sank business. well, what is here, based on the many events of covid and the political component, but at the same time, it cleared the way. young artist and made it possible to develop, and the second thing is that our audience looked at our belarusian artists, our belarusian theaters, our belarusian groups. and this is such a kind of audience advance for all of us and we count ourselves, including in order to develop and do something for which people

are ready to come and go. ah, there's nothing worse than being forced to come to an event. this is a broken bottom for me, because everything must develop dynamically and culture, when and now, when the state concerts are done. so, if we take a look, then when we turn on russian channels there. yes, we are waiting there for valeria, we understand there, we will see other artists gazmanov there. well, you can list the entire russian line. but by the way, the russian show business also asked very much. now, if we look with you, and they practically stepped on our rake, that is, they did not pay attention to what happened with us in the twentieth year. look how many russian artists changed their shoes. well it i call the direct word changed shoes. why did they change? because, uh, thanks to state concerts of state support in the form of tv channels in the form of a radio station, when, uh, popularization is not paid for it

, they pay the state, because instead of this artist there could be some kind of advertising and the radio station earned on the air when state concerts at this time could appear in two or three ad units. and this is also the monetization of the channel. but we invest it in the artists we gave. in general, we have absolutely no we don’t have a single contract with an artist who would clearly spell out the rules of the game for technical production centers that close themselves, as if these questions, by the way, are a pity, because if we want capitalism, otherwise we need to act capitalistically. maybe somewhere what i 'm saying sounds a little harsh most from this year. no mannered, you know, yes, they were able to blame in the case of the conclusion of such an agreement that supposedly serfdom of the freedom of democracy. agree here is a question for you. when you go to an event, no matter what kind of ballet, theatrical production criteria for your selection. how do you

select here for you tatyana like it or not, that is, if it's interesting to me, and it will be a pleasure for me to watch and listen to it. i'll go, but like it, but you don't know yet what you'll see, what you choose. for example, a brand, some theater production, or someone told you what the criteria are for you to go to the box office. well, for example, let's say, if i were going to go to the bolshoi theater, it would be an opera and, uh, i i know that we have a wonderful anastasia moskvina and i would go to, uh, a performance with her participation. you are exquisite, i do not show this topic at all. well, well, why do i lead these videos to what, in fact , you said the bolshoi theater and moskvina, you named two belarusian brands, and which, when you combine them, you gave away, and you went to the box office.

yes, they either found it, went to the website of electronic operators, and bought a ticket. today , the development of the belarusian brand of show business is in its active formation. that's why that we have different directions. we have, as you said, clearly folk. well, now they brought a people's artist, but we also have a youth team that takes away. in our country, in general, in fact, it’s so interesting if we are talking about export, which is another important issue that i want to voice, we have the following story for many, many years. songs of those whom they know, well, at least there in russia there, and then this is the generation that is older. yes, and what of the more youthful segment or of the youth in general, in in principle, we currently represent it as an export component. eh, after all, roughly

speaking, we boil in our own juice. eh, our artist didn’t go further. and this still remains a problem today, but i’ll say more russians are extremely extremely not happy when even they come to them, although by and large, either you become a product of russian show business. and then welcome we are glad to see, yes, as if they take away, but they, but they immediately, as it were, clearly beat off. yes, you are a passport. you can't change. i to you i will say so sergei volchkov thank you very much for the fact that he remains true to the belarusians. yes , no matter how much he sang, he was a product of russian show business, but at the same time, he remained a belarusian and the words that he says that he is proud of there, there is an orchestra of the country. and it's very cool. and a number of others. there are not many of them there, but those artists who started here, but became products of russian show business, and it seems to me that this is a

problem that we should actively work on when they say, how ideological no, this money is an investment. in general, i think i understood maxim what are you talking about. we are doing it wrong, we are developing in the wrong direction when we force, uh, the viewer to go to some artists. and when they don't choose them. this is the wrong road, the second question, belarus is very capacious. it is actually a wonderful country, but very small. yes, and in the development of show business now i say, ah, show business needs a scale. yes, we need to move forward, but in europe, uh, there is. here's what we'll call it and translate it like this in our opinion, such as a fund to support talented youth, well, or in general to support talented people, where money is not allocated free of charge . yes, it’s not invested, and this is a five-year

loan at a minimum percentage, and the amounts there are from two hundred thousand euros and more and there are certain parameters, one of which is that in 3 years you must do it. the oil album, for example, is not in sweden, but not in norway. and you have to show the released album and do a concert there in your scandinavian countries, but not at home, and this is one of parameters, that is, initially set. eh, the product of show business as a whole is for export, a component and i wanted to discuss such a phenomenon as the concert of anna and asti is what is happening in the city now, and the palace of sports one concert turned out to be too small and three drove the soldiers. or maybe, here is a model of a successful show business in front of us, you are correct , and that's what i'm talking about and i'm leading three concerts. more than six thousand people each, in essence , when 1 process was completed, the product

of show business artik and astive in the old composition, and now your department is already new, well, in essence, nova is an old name, let's say so, but done in this way and these are new songs that came out, these are new clips that came out. if we are with you now, you, uh, would have sat down on the morning air, yes, and said remember how it was there morning mail yeah, and said, we are making a program only from belarusian uh, artists of musical compositions. we would have collected with you e for an hour of broadcast, of course, in show business everything costs money, absolutely everything has its price, and there are people who do it. and don't talk about it hesitate to speak. let's uh, forget about the state budget. where is there to invest? yes, today, we need to count the money and

let's still, uh, so that the culture is more monetized. are you speaking correctly? let's forget once and for all about the people who have to come somewhere the viewer should never come to anyone and tell the tenants the viewer, never owe anything to anyone the viewer has the right to choose, and he chooses and he chooses. that's why i'm a tatya and said, what would you go for and believe your presence, there will be for you, like a grateful person, who on stage he will know that tickets were bought for him, so that you would like to come to him, and this is worth a lot. let's go back to the palace of the republic to be more precise, to the origins. so let's say. yes , the youth already, probably, not that they don’t even remember, or maybe they don’t even know, but the thoughts of who caught this period, when on october square. e, there was a long-term construction, which the people were baptized with a sarcophagus. eh, about 20 years.

yes, yes and let's see such a small historical tour of the plot from the main broadcast program. in 1995, the president came to the clean-up day. and contrary to skeptics, alexander lukashenko then assured the construction site that we would resume it to perfection and in 2 years the first impulse would give a spotlight and the light bulbs would start the power unit. there will be a palace very necessary for our country. you looked at everything there so that people could have a rest , so that business meetings would hold conferences, and so on and so forth. well, that's all, just yes, the president said there will be a palace here. and here we are already celebrating, as a matter of fact, the 25th anniversary of the magnificent concert venue. well, and this archival chronicle makes some impression on you nostalgia maybe. here are some things you remember, here are some things, maxim

well, also at the origins. you have been working in the palace all your life, well, almost 15, almost 15 years. i 'll tell you. eh, for myself. palace for all of us. well, for me, including this, we don’t say republic, we say in ourselves, uh, our palace. this is our home and it is important for us important to this house. repairs were underway, modernization was now completely different technologies, and for almost 15 years, even for mine there. we have gone through several global upgrades with a huge investment of budgetary funds in order to remain relevant today. uh, absolutely other led screen technologies have emerged. yes, this is a huge power consumption. this is the new light that we acquire every year. and even

if you rewind the tape back, then there was no such dynamic development of the same technique that there is now, if you remember. previously, we had an artist on stage. well, everything. well, that's it, great. right now you don't want to see one artist. now you want to see a show, now you want to see a bright colorful action that requires constant technical updating, and the palace has come a long way from just a platform for a state special events and now a state special event - it also went. by the way, here is also a very important point to remember the message of the head of state of the belarusian people in the correct bye. after all, the favorite phrase is not given away in these scenes of yours. for you. i tell my colleagues what is very important for each of us. who works. this is that we are not observers of history, yes, but we are its participants, because all the main events that

are associated with the era of the development of our state. they take place in the palace of the republic, we hear all that, when they say, what are the decisions for the next five years during the entire belarusian people's meeting in the palaces of the republic, where people come and watch in awe and participate in these events in the palace of the republic and for us, no matter how it is not just a brand name is not just a house. it's something more, what we are responsible for is the plate of the country. also in palaces. we will discuss the christmas tree later, but i would like to share an interview with the recent chief conductor of the presidential orchestra. vitaly kulbakov. and hmm what does he remember about the history here about the process of this anniversary. let's listen. i would like to begin my speech with gratitude to the head of our state, who carefully a-a followed the lives of young people,

literally 20 years ago. e, i have been working in the presidential orchestra team since january 20, 2003. that is, i came to this team as the third stream. and vitya what does the head of state do by signing his e-214 decree on the creation of a presidential orchestra. what do we, as young artists, graduates of our leading musical universities, this institute of culture. e, belarusian academy of music