need a head of aching corpses. she invited. uh, there are some of the most capable talented young ballet dancers for some certain mass performances of some kind. there marketirally uzero gadzhibekov. uh, this is like a visiting card for our opera house. i always wanted to learn from good teachers, and the moscow leningrad school was very famous in those days. and i consulted with my parents, they supported me and i went to leningrad, a lot of good impressions are associated with it and not very good, like everything in this life

town. here the height of the houses is equal to the width of the street, it is in perfect condition. here is the entrance to the academy of russian ballet. see what the imperial dance school used to be called. this is my teacher. gennady seletsky, i found out that they were not even signed, but the roots of valentina

nikolaevich they are here they are here in leningrad in st. petersburg, what is noteworthy was the first graduation, then still a completely young selyodsky, who made his first graduation of boys and valentin was also in this graduation class nikolaevich zariyev and redzhepodyev, that is, such subsequently, mature creative individuals. seagull legs and a chalk leg asks what kind of rectors' office it is, only the entrance was on the other side. yes, they say, i don’t remember, i remember, i was met in leningrad, settled in a boarding school,

fed at the expense of the state. they put on a hat, a coat, shoes, a school uniform, moreover, they took saturdays and sundays to the theater in general, it’s better for you there then or leningrad, they didn’t give us any seats, we sat on i on the tiers on the steps, well, and considered for ourselves a big part of what we had opportunity. boy little now i'm pleased see you. thank you very much. in general, i am talking about those people who

really did something worthwhile in the soviet union at that time. i just have tremendous respect, because, firstly, no one in the soviet union was allowed to, let’s say, not a leading position, but a position that would influence the formation of a generation, they all command very great respect from me because they went through a giant selection in their senior year. i had a hand injury. there is such an object dual dance, and where you need to, uh, take your partner up and down, right? let her go there again and again to take to plant on the other shoulder, but i came across such a large girl to the right planted. lowered to the left planted, and she began to

throw and fall. and my hand got under her back and she. she was caught from behind. she did not divorce, but my entire bag, my shoulder ligaments, twisted and tore. a very serious injury. i remember that they immediately took me to the military medical academy. i ended up with a very good military doctor . form. he was korean. as you can see, i own both the left and the right, he gave me back the life of this hand to lose time to go somewhere further to study, because i can’t dance with such a hand with such an injury.

to live the present and we looked, as it were, through him into the future, because he was an innovator. this is the mariinsky theatre. here, and opposite this is the conservatory, which i graduated from, however, now it is all in the forests, as you can see, restoration is underway, but here i spent 5 years studying at the faculty of music directors, the department of political master. so this is my home. we met at a wedding, bolgar married a russian. i don't like it

when loud music sounds, but at a wedding they love it. i say make it quieter there they did it quieter, then someone did it again, louder. and once nikolayevich invited me a second time. and here i really liked it. uh, how he dances when the music is loud again or what kind of idiot cars are the music so loud all the time. he was blue-eyed, blond curly. here but and then gradually e he became interested. and

practically he fell in love with him with this one, and ability, but to infect people with myself when i meet vasily nikolaevich today i somehow endure that for a while i lived with him, uh, at one time in a hostel on zenitchikov in leningrad, and then i, as it were, well, how to say, was a witness to the emerging his love and his, so to speak, marriage was all before my eyes. he showed me whether or not grad a, besides the fact that he was a magnificent git, along the lines of the city. he read bulgarian symbolist poetry very well and at the end of the first year of my stay. i got married, not only the union of a man and a woman, yes, but also very uh, strong creative union uh, because uh

they always uh discussed all their projects together. e planned. and here it seems to me, the opinion of each other. uh, the most important thing for them is two conservatory graduates from sofia and leningrad. you can always consult with her. and i really trust her taste. well, well, i gave birth to beautiful children. how can you not love someone for that? so i initially understood that i needed to go to the background. that is, if i was in bulgaria at six opera houses, i would put on a performance for 2-3 years, and then yes, i would have realized myself as a specialist much more and therefore for valentin it is better that he make a career in the soviet union because they love ballets more and it really

happened, that is, fate decreed in its own way. 26 years to get such a bolshoi theater in terms of structure , even financing, after all, we must not forget that minsk is one of such important a-a centers, this is not my big language. this is a big risk, minister of culture mekhereevich, who for some reason

believed me very much after st. petersburg, uh, the city is so on me, well, didn't make much of an impression. uh, but the stage of the bolshoi theater has a belarusian impression. especially when undressed. i used it many times in my performances. then he has such a magnetism in this scene, it is very beautiful of the same age with us. we have gathered. he told us about his first performance about his some. dream, it was his first big work in our theater, he told and showed very beautifully. kiss kiss can be

close-up? this is the most important thing in life. sometimes i just would have come to this performance differently and staged a performance about a woman on her three flights towards life, a flight towards love and a flight towards death. this material was prompted to me by this drama blok's poem. it's not me, i'm completely different in life, this is a language that is incomprehensible at first, this is a language in which it seems, well, what's there, after all, kicking legs started with this, there

and so on, and it came to - this amazing me to amazing emotional perception. how, as music, suppose it is unique and perfect in the sense that it bypasses the stage of awareness already listener, it immediately affects the emotional sphere and we perceive it with sobs there or vice versa with reverence. he does not even fully understand why these feelings arise in us? more and more more. one that no one has and nowhere even no one has come close to this, not in a single performance of the world in your pocket. you see, there is no such thing that carmen especially killed, it was suffocating in his arms, they killed with a knife. well, somehow talk about the performance that they are composing, but it's funny because it's so personal. eh, i felt it.

well, in general, i really like performances in which the center is a woman, because this is a woman - this is the beginning of all beginnings. he can, like a man e, show the feminine essence. that's literally half a look. it is definitely very lyrical for intellectuals. passionately well, marina, i know that he nikolaevich really appreciates this, so that the ballerina has strength in appearance and soul and soul, he was beautiful, and in fact, on stage, this is all very clearly visible, artists are born thanks to the capabilities of choreographers. uh, thanks to the look thanks to psychologism, because that everyone chooses a person in his work who would perform a certain kind of task, what he is capable of, when i appeared in this

theater there were young people, there was a very talented group on which i relied on sound art, and i am very grateful to them for this, several generations of all they were the first performers of many of my performances. we can do it on our knees. yura, i have no idea how a performance can be born without self-creation. we are not a sport where you need to perform a certain movement on such and such points and so on. we have content. we have emotions that well often in this synthesis of art develops deep thoughts. he came one day to the rehearsal.

he said that he would make the birth of eve and literally every finger had such movements, no. we needed to stroke the grass and push it apart and see who exists in this grass, and i had to. revise a lot of uh paintings, he draws he uh lives in the rhythms of music, he perfectly understands the plasticity of her body its beauty and e, on the other hand, is very seriously and deeply connected with imagery,

that is, it penetrates there to such an extent as to sharpen in general all the details that can only be done with the help of plastic art. i still listen to this music while dancing. and when i come as a spectator. and when i sit in rehearsal. i'm getting it somewhere far, far away. this is a biblical legend. so real even today . it seems to me that now, if this performance were taken everywhere. they people would get better man is a grain of sand, but very important in this world, and the

future of both the earth and the sky and all the natural elements depends on him. on the one hand, he is very. small and vulnerable here, but on the other hand he is very strong. we must perceive the ballet in the context of the time exactly at the time when it was staged, when there were such corpses near the theater for the creation of the world, which were regulated by the mounted mounted police. that is, you understand what an event it was at that time, he was a revolutionary, because he staged ballets, in general, many in a completely different way than they were in the belarusian ballet as such did not exist in the soviet union until nikolayevich's arrival. he created this ballet in private between the leningrad and moscow schools of classical ballet, and he created an audience. the public in belarus,

which is well aware of being ill, this public is able to appreciate the first, let's say, correspondence acquaintance. it happened to him, as it happened to the choreographer . here, in the kirov theater then it was, if i'm not mistaken, 1977, i was still quite young, but a student. uh, the choreographic school to me vaganova i am passing, uh, past the poster, which was on the facade of the kirov mariinsky theatre. i saw such a huge poster made a cylinder choreography by valentina stop ozhevna, a criminal is ill with such a belarusian territory master valentin deed. today there was a big victory, the director of the climbs, the performance showed itself perfectly. i didn't know that music could be like that. uh, i didn't know you could think of me that way. uh, the artistic body is a

kind of clay. nikolaevich who worked with the music of the twentieth century, and with its such outstanding samples in the face and everything from stravinsky sergei sergeevich prokofiev to belarusian composers, who were on the wave, so to speak, very serious, that's the development of music for ballet. and i think he felt it unmistakably. he has a symphonic way of thinking it is very nice when the choreographer thinks more broadly and how he knows the composer in the share across. he knows his past and his other works. he doesn't know his style. he knows the character, he knows his traditions of music. i think there is a duty if going. here is nikolaevich's own topic. he must be well prepared, indeed, real good music connects us with god, i am convinced, but in the theater there must also be a plot.

i don't like puzzles on stage. they annoy me. maybe someone understands whether this is a tribute to fashion or a tribute is simply not modern. like what is modern nobody knows that spartak is absolutely luxurious symphonic music by aram khachaturian, it required an adequately very strong choreographic series of strong ones. i mean, understand, convincingly, because to know the times to understand them fully. we can't we, of course, they are here, and the artistic ones are interpreted, but from what an emotional wave comes from the stage. you understand that choreography has its own artistic text. and this is what fascinates me

, as a professional. i am very, very worried, maybe i haven’t been so worried for a long time and i’m really looking forward to it. all the same, as they will understand me, when we danced spartak in moscow on stage. eh, the palace will eat. yes, there were so many colors of the sea. and here i am i remember those applause. and they lay so happy and there huge bouquets brought growth from one rose fell to the floor. he quickly picked her up and dressed. and he was so happy that he had such a great success of these tours, when the ballet had just come out in the eighties, spartak, many specially went to the second act of the orgy decoration. of course, i would not say that he made a sexual revolution in the soviet union

to the fact that he made a sexual revolution in the belarusian ballet in soviet politics. it's true. he was talking about a fantasy film he starred in. uh, plesetskaya who made it from tchaikovsky's work on purpose. so he responded, of course, it was very interesting for me. 20.8 years were filmed on central television. there was such a huge studio there. that's how the best authors were invited to this auditorium. well, it's clear that the geniuses tchaikovsky was a priori ahead of the music cardance, who made all the costumes for

this film and gave everything to my personal life. in the soviet audience and plesetskaya loved very much quote these letters and said that people wrote that the screens had children. how could you show them this? i remember this premiere, i remember this excitement, because after all, such a topic in the soviet union was not very good, then it can be surprising that in the belarusian ussr this was suddenly allowed, then it raised a question. how could

this have been missed? for a harlot , she is so captivating, but by no means vulgar. eh, and here it is. i really have the best at least at that moment, when i danced, i was terribly complex, and it seemed to me that i had something wrong there, this, not that, in principle, erotic art. yes, just and valentin nikolayevich managed to do it, he could not cross the line. yes, there is. that's because, uh, he has ballets in them with a mouth, it's true, but she's very beautiful and elegant. there is a very beautiful body, she never crosses the line. there is nowhere not only nastya, i have an old dream. for

the belarusians to be the best, the union did not believe for a long time that the soviet union might collapse, that this the truth happened, because suddenly all these 14 republics. they were beyond some line uh beyond the line. yes, i didn’t just say that we didn’t notice. i did not notice anything at the bolshoi theater at all. we know the big theatre, it lives above that cherry on the cake, which looks at everything from above, something is happening somewhere, where it all broke up the soviet union and a new government came. e democratization, bulgaria experienced, then they were completely impoverished and of course. uh, here, uh, he supports my parents in many ways, if it depends on him

help someone. he never refused, and he helped a lot of people, especially his ballet students, who ended their ballet life. here they tried to arrange it somewhere so that they would not remain only for e, here are pensions in the nineties . i watched the premiere of e, rodned passion, e, which was created together with e, on the russian composer andrei divan and valentin nikolayevich. i have already seen more often, because i was there at the conservatory. andrei yurievich taught then offered her a fry to work. of course, i couldn't knew that i could do it. but the very idea that the performances were reconnoitred 100 performances, do you understand that he is slag? this is for the composer. there can be no higher honor. for the first time

i will bring baptism orthodoxy to the theater stage. it's very significant no one did. such a costume of a rogneda, i came up with a dance so very weighted, when she is like a gomi at the door, under her costume we made with a huge number of different details of some kind of rocking performance with a huge crown, which binar received. yes, this is an award, it's like an oscar to the cinema. and that's why the performance of valentin nikolayevich lives so long, because they are structurally very precisely built and this is

deposited in the subconscious that worked. for a long time they learned very well. uh, this is his specific method of work, he is such a person who sees through, i can’t say that he is severe, he is attentive. he looks and reads the artist for the future, when i just came to college or graphic and first year of study and came to take the girls to the play of passion gnedit, because the girl always danced from izyaslavl for me it was a shock, of course, when i saw some, niklavish works, because there was a lot. here we are four girls stood and took out talking. well who knows the order? well,

get up, one of the moments, uh, politics in the theater e , it goes on and from the very childhood at the machine tool, it’s like in a factory, order is order. everyone chooses his own form of dictatorship. all the artists who danced? nikolayevich and under his leadership, everyone knows perfectly well how, uh, he is firstly present everyone knows where he sits and in what position he sits and how he looks and always by his look by his. in the position on in the chair, you can understand whether the performance is going well or not a very important rule happens at all of its performances. eh, and this is important. this is useful for those who are on stage, and this, of course, is important for the artist, that is, for himself. e, who creates this here, this is the whole phenomenon of valentin ilizariev. he is not only

talented, but an outstanding choreographer. he is also a very talented organizer. is not every creative person in general is given, but it is given to him. i feel good good relationship. i feel it, and we have it mutually. i would like to. you know how to embody the ideas of valentin nikolaevich does not want his performances. mm thanks to my performance. e, flourished to live, and i think that when he sees this, he also has gratitude to the artist, who give their creativity their lives in order for his creation to live. it's like his children we rehearsed, in my opinion, romeo and juliet or swan lake, and he said, i bow to

you, you are so fragile, you have such hard work. you're standing on those flanks, what's going on with your fingers ? and so i was so surprised that something nikolaevich still he has the image of such a, uh, rather tough person. and so, when he said this phrase, i understand that this person has everything and what they say about him, that he is severe. and probably, there is some truth in this, he is a strict dad. yes, but you know in many ways a fair theater, as in any creative team there are many intrigue, a lot of envy, a lot of meanness, and the ability to find the most important thing and prioritize and be fair. and this is very important. here he is a very reliable person. and he has a very strong

human moral a-a core. yes, he has one very bad trait that he explodes, he can offend a man of his scorpions. here he can sting. that's anyone and many do not forgive him. i will tell you one secret. only a very close circle knows this, but we keep saying that it's all about the hat. i came to the bolshoi theater order a hat. and leaving, i asked the man i say, where is valentina nikolaevich and i was told that he had not been working in the theater for a long time. some was not very, a pleasant story, and he is at home valentin nikolaevich experienced a terrible dear. so he couldn't understand

how it could be? after 30 years of working for the belarusian ballet on belarusian art, he was thrown out without hesitation. decided well. leave, there is no empty space. he does not like betrayal, and he does not like people who can betray for money for position. he immediately breaks the ties for him, so these people cease to exist. unfortunately, when i worked in the theater already in anti-creep, i was resting, let's say, at that time and there was no live contact, when there were live people together and his performances were going on, of course, only he can convey to the artist what he conceived it was valentina nikolaevich that organized conservatory

higher ballet education. but the department from the karelian has its own staff, it is necessary to raise it. for many years i observed valentin nikolaevich already in audience, like a professor who, on the one hand, took his place in the chair, and on the other. of course, he showed, he worked with students for 9 years, went missing a lot of hmm performances, which were not born such beats, aha heart. but he managed, however , you know, he lost his health. i left the theater and reached his phone and called him. said that valentina nikolaevich i think that just a lot of people are very busy now and probably don’t understand what happened or just don’t know what you are not working. and what, i am doing everything possible to

ensure that your seventieth anniversary is celebrated in the theater, yuri grigorovich helped a lot, he wrote a letter to the head of state, he drew attention. to this. naturally, there was an anniversary, then there was an offer to return to the theater. and i left by myself and i didn't see anyone. i forgive everyone everything. i like autumn. well, such yellow leaves. yes, we live in seasonal non-reptiles. here it is in september. there until july in the season. this is how we live, and everyone lives there for years from january 1, subsequent first january next year funny life.

and when do i get ready for rehearsals? of course i'm getting ready. in solitude, i compose different parts for many people in the mirror, all this is a person who is here in the theater from morning until late evening. and even weekends he comes, because the theater is not only his home. but that's what holds. i love the feel, natural environment. probably, i was very lucky that i have been doing what i love since childhood and i probably need a profession for people. this is where a miracle happens. a miracle gives birth to ordinary people, such as i think himself, here, in this miracle, a huge

team is involved, a very modest person, very demanding, insanely professional and knows how to be so thoughtful and understandable to be silent. what do you know, it seems to me that sometimes it is this state that he conveys to those around him in the state. here i have to be tactful, and at the same time, insanely talented, of course, it makes us better and higher and you understand that today it is very important for the country for a person. i have an inner feeling that i am young. but when i look at myself in the mirror, it is clear that youth has long passed, probably something childish, i have a surge , but somehow i feel like in the environment of the theater, some kind of elder, probably in some kind of vital and creative village , you know, an additional look at all creativity

theater and opera and ballet and all other forms that arise here, because here there is a symphony orchestra. there is also a choir. here , all kinds of ether, other forms of performance, including even exhibitions, uh, which need to be artistically evaluated, so to speak, and bear responsibility for this. and believe me, uh, not everyone is given, but to have not only his own, but also let's give a highly professional assessment, because it is happening. therefore, valentina nikolayevich can have the right to judge this artistic whole when he restores his ballets, i asked him what this means for him. he says just in some ballets. he feels that the vocabulary needs to be changed. that is, the pattern of the dance itself needs to be changed. he says that my characters in these performances are reinforced concrete. well, it's just that now time has changed a little, it's a painful process, who like

influences it all understands and knows and sympathizes. on the other hand, we cannot live without it. this is our duty, but this is our happiness, because without this, it would probably be, probably, uh, well, there would be a different life, and it would be much poorer, and it would not be our life. he is a person who does not like to show his inner feelings yes, but this does not mean that he does not feel or does not experience. i just think, uh, you have to look at the actions. so, in some difficult or force majeure situations, he does what he should do in my understanding. this is very masculine behavior. she did a lot of talking, and i didn't count. e that his love for theaters his love for the

profession. this is some disrespect for me. these are completely different forms of life, when i put it on, he took on people's economic obligations on himself, when he put it, i tried to create all the conditions for him because, in general, his parents were very busy. uh, and uh, not much time. we spent together then every minute. uh, when they were around, it was happiness. i really i remember how we went on gorky skiing together. with dad i felt this paternal love absolutely and he always made me feel that i was the most important thing for him, the experience gained can be transferred and i have a huge accumulated experience and creative life and my

wife, but they chose this profession on their own. here they are linguists daughter by the way, she works as the head of the international department in our theater, and the son, uh, is in charge of the camera at sofia university, he speaks 14 languages, like this incredible man and no luck with kids. i'm just happy. i am very proud that i was born in such a family, it is very interesting. he loves family. he feels best at home. he loves children very much. he loves grandchildren, that grandchildren are even sweeter than children appeared, you feel that he has a very rich inner life. this is completely

understandable. he has his own creativity, his performances are so beautiful that have been living for more than a decade , a lot of performances come and go. but his performances remain. i'm sure they will live yet. a very long time is still a very important moment that in every theater. yes, there is such a thing as believing that there is a ghost, it is this ghost that he chooses the artist anyway, he chooses the leader. he is anyway. eh, he can endure for a long time and still destroy this person who he does not like and

in this situation you see, and the geniuses chose the place or the glow. yes, there is. only for years he welcomes him . in general, be very bold in this movement. and yet, for art to be born. they're some kind of wrapper regular which in a lot of life, yes. it is necessary, uh, to create a performance that would live the same life as a person. this is where some kind of round of searches is going on, everything is ultimately born here.

the key to the success of any game of erudition is calmness and confidence. please translate into russian the belarusian word bavauna. the volga region the volga region and the volga region how much you need to be sure of your answer in order to multiply it in three copies of this rule is followed by both adults and children andrey valerievich hello is a method.

we continue to analyze the topics that the whole country is talking about macroeconomics plus the world is the key to our success and prosperity. we see despite all attempts to isolate the sanctions pressure. we see this, how the international prestige of belarus is growing. it is precisely in the current situation that labor, patriotism, and justice are objectively the values ​​of life, these are the values ​​that are catastrophically lacking in the world today. and we are fighting to defend them. most. the main thing is we try. here's to comprehend. here's what's going on now and do conclusions for us a balanced position and professional assessment of experts from different branches of science, politics, economics and business do not miss new releases on belarus

24 tv channel. cells. it is necessary to obtain from almost any organ or tissue the effect of treating iron deficiency depends primarily on the daily dose of iron that we use per day and here is the duration therapy, which is currently being worked on in laboratories, leading scientific institutions of the country in this regard. we are also developing the direction of developing a new generation vaccine. these are recombinant vaccines, vector vaccines, watch the popular science project science mania on our tv channel. everything changes very quickly, time goes by imperceptibly, there is enough time to stop and think about

those who are waiting for us. remember those lands. it's time to say you know moms, i miss or listen to dads right now without delay say. i'm here, i'm here appreciate the time spent with your loved ones.

i became a poet. can i have a person? can i have a ram fight, i'll joke from my heart. on behalf of the

good evening group on zhan-shak and the national academic folk orchestra of the republic of belarus and me zhenovich, mostatsky, kirovnik and criminal conductor people's artist of belarus professor mikhail kazinets lost the songs of vladimir mulyavin to the word and maxim bogdanovich oh shamu. i became, therefore, conductor honored

artist of the republic of belarus alexander krakova belarus christmastide i am the 131st birthday of the great poet of the twenties stogodze, one of the founders of belarusian literature, maxim bogdanovich, i was already a short lamb, who did not live even 25 years, and you left him no less on a shaky willow , the great colossal creative one, who spared everything and his own with his poetic word creative activity. maksim bogdanovich abused the national and spiritual sanctity of belarus and

belarusians, and it was closed to him by velma near dyatshin, our native land, for this reason i love him and shanue the work of maxim bogdanovich became spiritual treasure of the belarusian people. everything is not in this room shmat gonovyh guests and at a time. i want to ask for a pershin on the stage for the local minister of culture of the republic of belarus valera ivanovich ramada. good afternoon dear friends. uh, colleagues darker edge jagged mountain and c forgotten hand for the world of the persian flower pattern native cornflowers today in today's concert. oh, there will be fragments. op-oppers maxim based on the poetry of maxim

bogdanovich well, here i want to tell you one such fact that i ordered, let's say, this pop- firstly, mikhail yakovlevich fingerberg and for the first time this work was performed on the centenary of the birth of maxim bogdanovich with great regret. i probably many people know i want to say that today mikhail yakovlevich did not, he passed away a man of great unlimited talent, a great teacher. i suggest his courtyards certainly penetrated into the very soul, but

the very heart of a person and that eco e name is worth more, uh, with such classics as kupala and kolos well, today's event is completely abandoned by our powers. yes, mine cultural spanish, but sleep left us maxim bogdanovich close. ivanovich a has become a stumble for many belarusian composers today in our concert you will smell the most? i think you know me the songs in the side of the top of the poet under the joke and share and tearing you away in the garden from what i'm getting worse. this is the music of the belarusian hermit cymbal allo to the instruments of

our otsedurny orchestras. well, your pensions from vladimir mulyavin returned from the cycle. this is the program of the pesnyary ensemble in 1996, you canal i along the street.

towels are taken out, then do not touch the microdissolves. this is our

ekannitsa. oh, maxim will be shown walking her, he walks, he drank away the roof, he drank the roof and you washed your comrade for them, pour the ends. drop. sash over the edge. already over the edge of his whole life to start. mother, we are savvy, my sonic is beautiful. sometimes an attractive face, oh, flowers bloom from an umbrella on the ground.

i know when baby, oh