in the united states, in fact, the european union turned out to be the loser, as we lost political prospects and now play the role of the us's little brother in their global strategy. this is a big loss for us and the people in brussels do not understand that we are losing opportunities they think in return. we get a lot morally sooner or later. however, they realize that you will not be fed up with moral superiority. and that they will not close the holes in the economy, we will have to wait for this moment to change the political course, but for now a wave of stormy enthusiasm awaits us from the realization of moral superiority, for which everyone is ready to sacrifice, both the country's economy and political opportunities. thank you very much.

i am very grateful that you agreed to take part in our program, despite the current geopolitical context, and i understand that today such a decision requires serious political courage from so many convictions. thank you very much in conclusion. i would like to remind our viewers of one wonderful quote from the american publicist. joseph daniels. the army is people gathered in one place for the sole purpose of correcting the mistakes of diplomats and politicians. i very much hope that smart diplomats and politicians from east and west will soon gather in some place to represent our societies and contribute to the fact that the mistakes of diplomats are resolved, but already without use. thank you very much it was. the special project of the program is very important to state from the

european parliament

my name is sergey fedotov, i am the chief director and founder of the perm theater near the bridge. when in 1988 year i came up with this theater? i didn’t even

imagine that this theater would exist for so many years, and that we would come to belarus and triumphantly play our performances for the nishman ’s olecus and marriage. hello, you are watching the program say, do not be silent in the studio of victoria popova and svetlana smolonskaya. and today our guest is sergey fedotov good afternoon sergey pavlovich hello we have prepared a short presentation here, i will read it out. honored artist of the russian federation honored artist of the russian federation laureate of the government of russia prize winner of the czech national prize, artistic director and director of the perm theater near the bridge,

what do you want to add mcdonagh theater of the bridge received a golden mask. uh-huh russian national award about this performance. we will definitely talk. to date, you have staged over 270 performances, 50 of them abroad. and finally, for the first time, you and your theater by the bridge. this is exactly how i need to speak with such emphasis with a tour in minsk . what is it like? smoldering from the belarusian capital from the belarusian audience, uh, mystical bridge theater and uh, a lot of mysticism has happened now and always happens, and uh, it so happened that i’m not the first time in minsk for the second time, but uh, we are touring the bridge theater for the first time. they were in brest and mogilev, and somehow minsk. that's why for 30 years now, it 's unknown some kind of mysticism has been going on.

something happened like this, and 30 years ago we met. e with a very interesting alternative belarusian theater under the direction. vitas grigorionas met at a festival in sochi we became friends and realized that our theaters have a lot in common with a performance and a comedy about the devil. and we have you so in all hell. so we became friends, and they came to visit us and even invited us, uh, on a private trip to minsk we came and showed the marriage 30 years ago. e was such a private show for the e class of the club that worked under the alternative. that was a huge success. we were friends with this theater and realized that minsk is our city. they loved us very much and wrote us off. well, somehow it turned out that everything is past we are passing. we pass, we pass, we pass, and now exactly 30 years later. i find on the internet

that it turns out that a play and a collection of neshmans have been staged in the minsk theater of belarusian drama. and we are just holding the fifth international festival. martin mcdonagh, in general, briefly, it is necessary to mention the only theater in the world that has put all 8 ps martin mcdonagh the theater is the only one in the world that has opened mcdonagh for russia and holds a festival and five festivals have already passed where the theaters came to, we need to tell our viewers who mcdonald's is in mcdonagh, do you know? personally, it's just the states, i'm in order , yeah, so we are 15 years ago. uh, accidentally jumped into the performance west of the great brilliant playwright mcdonagh. we did not know then, no one knew either in russia or in the near abroad. i realized

that this is just a brilliant playwright this play. i have to deliver urgently. i mean, i stole the play in the theater and my friends helped me. we rehearsed for two weeks, put on a performance and released for the first time in russia, the orphan west after that russia started up. uh, belarus ukraine kazakhstan, everyone else also discovered this author. yes, shocked, not unexpectedly for me, it turned out that before that for 3 years it had even been published in modern drama. play, mcdonagh, beauty queen, but no one noticed. apparently, there was a time, just the time had come for the theater by the bridge, when it was supposed to enter the world arena and we staged mcdonald's and now after we have already done eight performances canadian and looked at, many foreign critics are experts and mcdonagh. said that the ears of the world. that's why, apparently, it's time for the festival

to call your name something else. can you say, sergei no mcdonagh. he is a very special person. he is very, very secretive. he rarely compliments. and in general the fact that we met with him. it's very mystic, as always, mysticism i met in ireland yes in 2014. i flew to ireland. to the city of the gaels. we were preparing the first book about mcdonagh. uh, translated to russian. it came out in england. i met with, uh, a director who was preparing a book. he helped me edit it, we did it, and i walked along the street of the city of galloi, and from the pub i went to mcdonald's, i told him, hello. martin he says hello and who are you? i say, i'm sergei fedotov, he says, and the theater by the bridge yes, the festival. yes, i will come, and we talked for half an hour in a very interesting way. that's when he told me that i'm grateful for what you did.

he has put on so many plays for me. and that in general the whole of russia and uh, neighboring countries. they're in in general, they were, only, uh, after this production. e, they started to somehow move with mcdonald, and before that no one knew mcdonagh, but we started studying it, it turned out that at that time he was already recognized as a genius. and so the first film of the six-shooter immediately received an oscar. his second film depends on the bottom. in bruges was nominated for an oscar and here is the third film for everyone. patov was nominated for all sorts of different prizes, and the fourth film three billboards of the state of missouri near ebbing was recognized last year in the best film in the world, he received two oscars four golden globes and five british kennel academies, therefore akin to fanaticism. so you know his biography well and announce his premiere with colin farrell, of course, on your facebook and this is the fifth film. it is now the whole world is waiting for the fifth

mcdonagh film. here he came out. well, ma -mcdonald's never made it to perm, it happened. uh, unforeseen circumstances. it's all women's fault mcdonagh's agent, as soon as she found out that i met martin in ireland, she immediately realized that i somehow didn’t warn her walked around, she was offended. he um was just sure that he would come. he told me ordered and what number does he need? what kind of friends would come with him, we painted everything, there were about eight people supposed to come, but the woman said, how dare you, without my consent to meet mcdonagh and canceled his trip. that's all. after what happened. now in russia, he did not take off his name. we are now a great man, he is really a genius. uh, when did we start doing his plays? i realized that, well, in general, i have been looking for such an author all my life,

because during his lifetime he is already a classic now in this situation. uh, many russian uh, playwrights refused. uh, hmm, many foreign mcdonald's won't give permission to put on plays. he's a genius at everything. he allowed all, uh, performances that have licenses. they continue to be performed in our theater for eight performances and eight performances. uh, four already have licenses in advance for the next few years. we play and all the theaters of the world continue. uh, wait for the new play. mcdonald's all theaters in russia continues to play and we are this fifth festival, in spite of everything, despite the fact that many e could not go, we held and we had 10 theaters and even invited e, four foreign theaters were two belarusian theaters. here are the belarusian drama theater and the theater e from

onisenko from molodechno and two. e theater from kazakhstan, therefore, the status of the international festival has been preserved. and your uh, the amazing theater of belarusian drama, made a splash, in fifth place at the festival to say that you made a splash on the current track in minsk and i was at the performance person. sorry, scam. all e. shows were held to a full house. people are actually having fun . well, to make it easier for our viewers. let's see a snippet. uh, promo for this show. let's not drink at all aunt. so , he scolds not real either, though they picked up billy, i bought it when they found out that he had parents

. a? goose is bored, i'm afraid that i don't have long left in final. true crying is a mystical realism. what do you call it? c, in my opinion, you are also preaching the school of chekhov there, mikhail in this, uh, performance, just, uh, a great opportunity to see the synthesis of mikhail chekhov and uh on how the actors get used to the roles. here is vasya skedanov, who plays our colleague, and has been playing for 15 years, and

has visited 34 festivals this alcohol has a golden mask of spectators, an incredible belarusian. the hall for 240 seats, it did not accommodate everyone, there were 300 people, the spectators were sitting on the steps and on the floor, and uh, then everyone said, well, how did i never play like that, no one ever answered the phone and it felt like, uh, the hall was breathing, uh, together with the artists and it happens very rarely when during a performance they say 15 once applause broke out and no one remembers this, someone counted it on purpose, that is, such a spectator. now, i don't remember another story, an interesting story. you told, says we show that you went to ireland. show the guys. yes, so that in the same place they master whether the waters rehearsed. here we are uh, the whole day we walked around the island looking for people, and

ishman island is an amazing place, absolutely stone there is no, there are no trees and uh. only 4 km long and 3 km wide. you can get around it in one day. we walked all day and did not find a single person, then when we approached the woman in the evening, we suddenly saw this guy, the guy was going to dad. he came up, and the actor on the left, and the guy on the right. and when did this one arrive? i say, look, it's an irish barkley. and just look, yes, and he takes out a chicken egg from his pockets the crushed one is visible that it is crushed and hands it to us, and there the whole game in battle is that his, uh, sister is very fond of beating chicken eggs on his head. here is the story. even here the irish are dead. she repeated again some kind of revenge well, this is always mysticism. and when we went, we, when we went to spain, look at us , our group was 13 people, artists and

technicians. we took off on the thirteenth of february. we flew to dublin from dublin, there was a bus. in naked room 13 we came to the galley to move in the hotel and the hotel were in the vsu room at number 13, but you are not afraid that you peer into mysticism, you know your relationship, but you need to believe in god , you need not touch us. you need to believe in god, you need to do good, and then no dark forces will capture you. here i am, that's what an armchair is, yes, but there is such a feature in the theater of the bridge in our every performance. eh, such breaks into the otherworldly into that infernal world, and we are always on the very best. uh, the edge goes on and demons always appear in our performances some dead people appear 2 years live. there 32

years. goes to viy marriage has been going on for 33 years. and when we played for the first time in the eu, psychics came to us at the performance. the saw. they said that in this scene he came to you. gogol they noticed that he had come. gogol sat down, sat on the stage and left. do you believe, of course when we played the last time we played . we have such a project at 12, we play at two at four. sleep. so or two at 6:00 at 9:00 at midnight and at midnight, when we played wii, i went out before the performance to speak. here you are playing there will always be mysticism and today there will be mysticism and behind the scenes a bat flies through the hall and flies back. i thought so. i think it's from where. that is, we never had it in the theater; she flew out for the third time and sat on the chandelier. she posed for a photo , and she flew away. do you think this is nikolai vasilyevich himself? i think that in this glorious bat sergey pavlovich and in 2004 for staging heart of a dog by bulgakovo you were

recognized as the best director of the czech republic, the only foreigner who deserves this award, and today as celebrate these connections, and not collapse. now, first of all, i want to criticize the golden mask, you can, when we received, uh, the national award of the czech republic for the heart of a dog, i understood how it happens in europe and in particular in the czech republic 30-40 theater critics. uh, they inspect the performances of the year and the whole year and then submit questionnaires, where they give their, uh, preferences, the best role, the best female, the best male, the best performance, the director and decides it collects, completely decides who will win it , monitors the computer. and when does it arrive? answer when he processes all these questionnaires and none of them knows, and when it

turned out that my heart of a dog of the ostrovsky theater turned out to be in the first place. and in second place is my second performance , also in the astral plane, staged at the same time at the same time. i staged two plays heart of a dog, idiot at the same time. they had a lot of great performances in the czech republic. no one even suspected that he would receive the main award, the russian director, and no one began to argue. they called me, i flew in. i received the grand prix. this i became the best of the year and on the back was recognized as the best aspect of the best lead role played, that is, there were nine nominations. as a golden mask, this is, of course , a very significant award, and we received a golden mask for the kalekula, but there is always, uh, a group of selectors who are almost always alone and they are according to their tastes, according to their priorities. performances are selected, and most often, most often these are performances that are now, for example. here is a young

critique. they are very fond of postmodern performances, but i want a few words to say about the heart of a dog, because, uh, mysticism was incredible, when i arrived, uh, to the performance, it suddenly got very cold that day . although it was somewhere in november, in my opinion, it was still always warm, there was greenery all around. here, i've arrived. uh, we sat down, means at a rehearsal with the artists. i opened the text and began to read. the first phrase in the blizzard voight snow cold die. remember this text, yes, and at this time, yes, it started to snow outside the window, because they very rarely snow. and they have never even been in their lives at that time, it usually happens there, well, a couple of times during the winter the snow will fall and immediately melt. they looked out the window, the director says, how did you do it? i say, i didn’t

do anything, and the whole rehearsal, yes, and the whole rehearsal, it snowed for 4 hours. we went out into the snow. no, and they were looking. yes, it's mystic that the first phrase begins. uh, it snowed the next day. we again . i open eight in the morning. i open the text, i say about the snow blizzard and again it snowed, they opened the snow for him. hmm opened, he flew to us. e on texts in whom and you can rehearse with snow here. well then one of the actors said, you know, this has never happened in my life. i feel he is saying that we will receive the award, and we received it. these were already the tricks of mikhail afanasyevich. and now there were the tricks of gogol, because on the first day of my arrival at the rehearsals. eh, it's snowing.

i don’t live in minsk for long, because after a pause we will find out. what are you doing in minsk today. and now let's break for a while, i remind you, we have a telegram channel. say don't be silent. subscribe ask questions and suggest guests we are on connections. on the air, say, don't be silent, and the director and artistic director of the perm theater near the bridge sergey fedotov sergey pavlovich is visiting us, and on december 17 and 18, the premiere of the performance maklyara based on gogol's play players will be held at the republican theater of belarusian drama. we returned to minsk again and will tell our viewers. what are you doing here? and we really hope that this performance will also become a long-liver. this is not the first time you have addressed this play to her and please tell us why it is for you? well let's say this sample, er, princess of mysticism, psychology and

urban this is my author. after i staged e no, first i staged all gogol's plays and the theater of the bridge was the theater of gogol 15 years ago, we opened mcdonagh and the theater became the theater of mcdonagh. but we do not forget gogol. this is my favorite author and players of gogol and left gogol five times, he gives you the opportunity to think about yourself and about time and this incredible work is always for artists, because such characters as gogol's e, very rarely, where are you saw how they play a colleague at home in perm and you liked it. yes, yes, they are the theater of belarusian drama, they played a colleague at my festival in perm with great success. and i saw

very cool players in these actors. i realized that they will play e not everyone can play this piece. who is there and all this that the players need to play here are extra-class artists and in your theater of belarusian dramaturgy there were also such people from bragin who are playing. the main role and he, by the way, received, uh, a diploma for the best male role. ah, artyom kuren received also a laureate diploma for the best male role is also a completely unique artist. e plays. e. well, i will not name everyone, because the director of the theater asked me not to open this mysticism. well here you are now they you work like you yes very good artist and uh because i uh had the opportunity in different countries. uh, i have 50 performances to work and staged abroad. i saw a lot of artists. and in this theater there is a really

very good corpse and really artists who can absorb new information. learn to change, of course i'm not interested in making a copy. i always come to the theater, always watch all the performances and are already in the process of rehearsing. eh, i understand who will play? what kind of videos, that is, so far we have also determined the composition, that is, i have all the artists, they play all the roles so far. so it's good. this is a very good method. this is very good, because later, when we release the play, uh, there are all sorts of pandemics, there are different situations there. they will live, and we never here i am in the theater by the bridge we play already 30 years. every month. we play 60 performances. and we never changed or canceled performances, because there are always understudies in my dates. look, i don’t know how you feel the nuances of the belarusian language, but we could

already know such an assessment, these are already scammers, or what? well, yes, and the players, everything here, as they said somehow thinner, this is how we wanted to change the name a little bit in translation, because hmm the players are ults. uh, it's already such a more traditional and more, uh, more conventional name. and we after all, they came up with the idea that we would have a mahr performance. because there is already some kind of mystery in this, and in this there is precisely the fraud of the players. well, the players, they can be normal ordinary good players, but these are immediately obvious that they are painted, they are immediately scammers. they immediately gang, they immediately, uh, we understand that this will be a detective story, the story will be fraudulent and our artists. here is the belarusian theater, they are brilliant playing swindlers. they play great, they cheat. and in general, and also in gogol, as i always said in

every work. there is a devil in this very version here we will have five devils, that is, in the end we will understand that there is a gang setting five devils. you see how cool it went right away. some meaning. well, i didn't think it would work. yes, yes, yes, your iconic author nikolai gogol loved italy and even dedicated poems to it, i wanted to remember that our viewers also remembered that italy is a luxurious country, the soul groans and yearns for it. she is all paradise, all joy and full , and in her love is luxurious in the spring, but wonderful indeed, italy is a beautiful country and loved by our, uh, classics. uh, west, and now we're back in conflict for how long i even really love italy uh, and uh been many, many times. although in europe

it is still my favorite, the czech republic e. although my theater and i have traveled to a huge number of festivals, 213 festivals today, in addition to this, there are more than 250 tours also in russia abroad. we've practically traveled half the world and, uh, they are waiting for us. eh, everywhere, by the way, there are permics. we once checked, it turns out that everywhere in all countries our performance is sure to come permiaks in vienna in austria once our performance was attended by 15 people. here we love to come back. uh, they are waiting for those places during the pandemic from all countries to receive letters that we have discovered a new genre, we composed our rehearsals on skype and made microfilms of our rehearsals and performances and put them on the internet and wrote to us from all over the world, how

cool that during this pandemic. choose we continued to rehearse. we are in 3 months of this self-isolation. we have made three new performances. and we rehearsed every day and the whole world saw that we were releasing new performances. we rehearse the old ones like this. i mean no matter what. all the same, the borders will open, and all the same, there will be peace, and all the same, e humanity will understand why we live for love for our children in order for there to be peace on earth, so it will still be, but i would also like to say that er problems. eh, they are here, for example, our russian theater, it has big problems. now here i am talking related to postmodernism with the fact that the director most often puts himself. they are the author. but it started in europe, when we arrived for the first time we arrived, after

20 years there was not a single russian theater in the czech republic. it was 30 years ago, and we were invited to the european region theater festival and czech theater critics she she looked our performances and marriages. they said that this is something incredible they have never had such a theater. they want there to be such a theater, and moreover, in the czech republic in general, in europe, stanislavsky is very fond of and when i staged my first performance in prague, they told me that do you work according to stanislavsky or not? i say, yes, according to stanislavsky, yes, then your fee is 1,000 dollars more, that is, they adore stanislavsky and they yes, of course, and they already asked me then. let's teach us to be treated in europe. they were no longer able to. yes, they did not know how, they said that what is psychological

theater. here is the theater of man, the theater of the process of contact, they have forgotten how to do it. that is why they want the origins of the tradition of russian theater director's theater theater of psychological realism theater of man. they have more of a theater that is more externally bright, tell me, when is it in my russian culture now that this is also such an external attribute. no, this is just a very big problem, because uh and our uh, russian directors. they ceased to engage in, e, the stanislavsky system ceased to engage in russian traditions. they also face west. they are now all under germany there under europe and our performances are ours and russian, they are much better than european and come when visiting us abroad. they say what a russian school is. here is a russian actor. here. what game. that's what they ca n't do. they have a theater, external theater

performances theater. uh, a very bright cabaret theater, there is a comic theater there, but a deep russian theater. they they can't. this i do not want. right. why is the problem big? because unlearned unlearned. do you think that the cancellation is because they have forgotten how, but they think that they are of low culture, this is still, well, politics, yes the response to the police has no effect. just the directors. uh, they decided that it would be more modern if they did german theater or european theater, they, uh, forgot, that the russian theater school of psychological theater is much stronger. she is stronger than any even hedgehogs of cooking, he said that he was developing the stanislavsky system, even mikhail chekhov said that the basis was all on stanislavsky. and when we first arrived in the czech republic, all kinds

of criticism were shocked, despite the fact that they are canceling. uh russians, uh, playwrights there uh hmm yes descriptors, they still understand what they lack. e russian e, here they write to me. e from the czech republic from poland uh, and from estonia uh, they invite us to play they want us to come on tour. they want to see the russian-russian theater. they want it turns out that it's still external, it's not from the inside, in theaters there is no enmity between you. yes, not between colleagues. no, we really liked to meet. you would like to continue cooperation, but now the circumstances are developing in this way. i think it's not for long, because everyone understands that only e in connection e different cultures, only in our rapprochement. uh, maybe there's a new development. uh,

and we, when we came, uh, on our last trips, and our performances, uh, they are more called avant-garde, because this is a real classical theater. and this is a forgotten past. uh, in europe, the evidence i saw one performance that you showed in minsk but it's concentrated so good. eh, real theater, russian psychological. yes, that's great. it's very tight and nothing like that. of course, i have not seen the theater today and always need in order to live, because the theater gives life energy the theater gives uh, the blood the new blood the theatre. uh, theater heals, uh, gives hope. uh, a huge number of people, after the pandemic, they wrote and called me. you say by your performances. you breathed nadezhda vera again that life is

wonderful, that you have to live, since you are from perm and we have heard a lot about your city, but we haven’t felt it, so to speak, spermika ourselves create questions for you about theatrical topics, if you don’t mind? for example, the gallery was of contemporary art. you gelman supervised it. now he writes some disgusting things, it seems to me that the person has become aggressive towards both russians and perm, too. this is his period. uh, you know, this is a black day for perm culture, when he came, that is, only uh, when suddenly our authorities decided to declare a cultural revolution in perm and called perm the cultural capital of russia when they invited gelman there, when he became plant anything, here is postmodern

art, when exhibitions of exercises and various various uh, cells, uh, rocks, and everything else began to be called art when there were huge exhibitions. e preached now sadism, that is, the severed heads of dolls are bloody, there are arms and legs, and all this was called real modern art. e we, in perm, of course, fought against it. of course, of course, but we fought with our performances. i am in particular, because i am not involved in politics and the only thing. uh, that i could afford to say my opinion in an interview. here, but here is the cultural revolution. she is very e was in perm for a long time and there was a lot of money spent on it , but before the cultural revolutions began, there is still perm culture

much cooler and with perm gods in our e, the gallery has the only exhibition in the world where there is a real wooden gods and orthodox pagan and there are gods, here and there. such figures of gods that sit in general, sitting gods in general , they are nowhere to be found, they are only in perm, and this is an exhibition. it is known all over the world, and it was before gelman appeared and suddenly appears gelman, he cancels all this is what everything was before and says that this is real. now, if you will, we will read contemporary art to our viewers. how did this cultural revolution end with a torch of progress, and gelman in the region was laid off 42% of cultural workers closed 197 libraries against the backdrop of those exhibitions that you already talked about, yes, and this is far from a complete list of his exploits and most of the undertakings, oh, which you have already said, and

these undertakings were embodied at the expense of budget money. you also said. yes, you can comment further. this moment i can say that at every festival every year there was a festival let's say white nights 200 million 10 days of this festival, can you imagine. calculate how much per day is the annual budget of my theater. i receive a budget of 30 million annually. well, we're making money. that is, we play from performances a month. we earn about a million euros a year. that is, only my theater, but my budget is 30 million, which i get how much less than 10 years? just imagine how long this cultural revolution has been going on for about 10 years. how many every year , 200 million for only one white nights festival, and there was nothing left after the festival, that is, the money was invested there, the festival was pumped all the fireworks disappeared. yes, everything was burning state control.

it didn't bother anyone, it was the noise all over the world that sounded like a helminth. it is not only in russia that there is a cultural revolution all over the world there, that such things are happening and come from others. crane there some masters show also absolutely creepy some performances are sexy. eh, some perverted and all. this is the cultural revolution, so i will note all the performances. if you believe you, from which the europeans themselves are already running tired and want the russians to be unlucky. here is a helminth, he took it. here are the performances. it once was such a story was some kind of circus. i do not remember the name. we came to the children's 12 at 12:00. it's hissing there. there were 300-400 people there. the children were brought. uh, there was a festival. here gelminovsky was a performance. and suddenly, uh, the actors began to play naked, they began to be different there

all sorts of sexy people something else and were just shocked. uh, children, parents and all these people of all these chips during the time of educators quickly brought out such was gelman's art cultural sabotage, but i will now say that, of course, from these they remembered for us such a shock was also a shock - this is the case in club. your theater is next to this lame horse. yes, all the time there are some situations that they necessarily somehow also concern us, because uh hmm we u constantly uh, complained and said that uh in this club nightly discos going on. and what is being violated? eh, all the conditions, because, firstly, it is near the theater, the noise, and there are people. there , those often drug addicts who went to the theater, drunk, come out from there, that is, we

asked several times that they would sort it out somehow, nevertheless, no one paid attention to it. as a result, this tragedy happened when she died, uh, more than two hundred people burned down in this house. my artists live, and then we rehearsed until late and suddenly saw that the firemen were coming disputes there and our ours saw what happened, but still after lame horse. uh, this happened. hmm uh, our theater was closed. and for checks or checks on the network, theaters were checked, all clubs, everything was closed. just we uh for a week there. eh, they were scary. eh, creepy stuff. not only checks, but also sanctions and everything else

, here, but in the end it turned out to be clogged. eh, there was only one way out to the rear exits, and in the end, someone got everything for that money. a lot of money was spent on this, and on this, uh, in basically, no one paid any attention. and these violations led to such a terrible catastrophe, but conclusions have been drawn conclusions have been drawn, of course, of course, there now sberbank will also take a short break in this pearl, i remind you, our telegram channel. say, do not be silent, sign the proposal of the guests. we are in touch. 25,000 sold cars for such a volume is ready to reach the beljep plant in the plans of a new model of

its own electric car. the manufacturer sends 80% of cars for export, takes quality and price, as well as available service base, in the second year they promise to bring to the market a new car, the most budgetary and popular sedan. belarusian manufacturers of the pharmaceutical industry announce the increase in their own production volumes. today almost half of the medicines that are registered in our country are produced in belarus. they produce up to 60 new products a year, and this is the most demanded position among the population, the development of new products is predicted for 2 years. forward. the high quality of belarusian medicine is also confirmed by the demand for the hearing of foreigners. only in this year. more than 130,000 foreign guests have already applied to our healthcare institution and 147 countries are in the most demand for dental ophthalmic cardiology and cardiac surgery services. watch the program of events on thursdays on our tv channel. on

the air, say, don't be silent, and the director and artistic director of the perm theater near the bridge of sergei fedotov is visiting us, who puts on a performance of mahlyara in minsk. we talked about it on 17 december 18 premiere theatergoer. pay attention ah. wrote the grandfather-ural lesson music for this performance by alexander pontykin. tell me about the work of a completely mystical story, when i started it doesn’t happen, everything doesn’t happen, it happens as soon as uh. i uh hmm heard that sasha pontykin wants to write music for my performance. it's just genius. this man is just not just a genius. this man is the most famous rock musician, uh in russia, uh, he

started the ural rock movement. this great man said, seryozha, i want to write music for you. i was shocked. i was just at that time and now sasha is already with him, by the way, now about ten musical operas have been written, and he has six golden masks for these operas. blimey. he works in theaters. he writes for theaters now . well, this music was written 20 years ago and now we have it. hmm sasha gave me this music. i now, uh, included this music in the performance, our player is not updated. no, it's written. it was written then and it was amazingly written. these are originals, in general, ural rock - these are your stories. yes, i can say, i can say that here too mysticism is also mysticism the perm bridge theater began its activity. we were based in the palace of the telephone factory. it

's right on the banks of the kama river. why did i come up with the name as a name? i came to look for a place where to start the theater to come up with e, i found a place where to rehearse i found a hall for 100 seats there i went up to e, the third floor i saw the kamsky bridge right outside the kam window i say that the theater will be called by the bridge to the theater there was no name yet invented. we posted everything on the poster after that. a month later. i started the theatre. so in this very palace of the telephone factory. all first concerts. here are these cool musicians agatha christie and pompilius a. they were there with us in perm, in this particular palace they came, when no one knew agatha christie yet, they came to us. we saw how they perform. moreover, i came to concerts. and often there was such a wave, terrible, that i went to reassure the audience . we remember everything very much, and as it has now come to naught, all this culture. why is there no

ural rock and no it all continues. just. e, now there is a lot of new, but they are masters stay and uh, any gig. uh butusova uh, it's always uh, huge halls. it has always been full. of course not, everything goes backwards. and we also had a full house in the palace of the republic, and i again cried, probably in my own way. no, this is forever. this is the same, uh, russian art is the art of the soul, of course not. it will always look. you travel a lot with performances. but when you have a vacation, you again go somewhere and certainly directly in your car. yes, this is my passion. in general , every every holiday. uh huh i'm on tour automotive is a must. my son and i go to europe and make a record for ourselves. that is, we have a record of 20 countries. that is, i have a very cool car. i am a psychic and i need to

draw energy from somewhere, it turns out that i discovered for myself that i draw energy at the time when i drive and feel the tremendous power of this car, when there are 600 horsepower of a non-yarsk waterfall. yes, this is what i am in america this year, yes, and when do you rest, if you never have a rest during? i never rest, my profession is such that i never rest. so i always work all the time and when i pass through different countries of europe and when i see, uh, different, uh, mentality of people, different living conditions and it is i who feel the energy. so leaving italy e. there in other countries. we left once. e to croatia then, so to speak, e to slovenia then, uh, that's the feeling. not only does nature change, not only does it change. e, the landscape surrounding there, but i clean this energy of my energy in such

a way that i move from one field to another and here you are such a man of the world, and yet you remain, well, even so russian hmm another story is such that i was repeatedly offered to move to prague or warsaw or in tallinn they offered me a job in prague, they offered me a theater, but i’m a permyak, that is, here i have energy. yes, i'm permyak salty ears, probably people don't know what it is, it turns out. there were salt mines in perm, which fed the whole of russia with the whole world with salt. it was in perm and in perm, the loaders wore on their backs, these bags of salt and salt always rained on the ears of the permyaks such ears were swollen huge huge, so at all times now knows. permyak salty ears and so. i'm perm salty ears, i was born in perm i will live in perm and i will always die in perm because

you can't i come to prague and leave the performance beautiful city amazing for 2 weeks. i walk around prague i admire, and i admire with great pleasure. and suddenly, after 2 weeks, i begin to yearn, and after 3 weeks, i begin to think even if this will end in irrationality? this is the earth this earth is energy. she she pulls she attracts. when i'm away from her for a long time. hmm, i'm far from her. i 'm losing my strength. well, there we are. eh, it turns out that the urals are magical in general. you know that there is malyutka not far from perm, there is, uh, such a village of malyovka, where the only place in the world where uh, unidentified flying objects from all over the world are constantly arriving, expeditions come there, so to speak , and shoot ufos and you saw them. of course, aliens. yes, it always looks different, always different. that's just and in general uh in childhood, when

i was 4 years old, ghosts came to me, and i realized that i had a way out of some kind of measures. they said you would be an artist. well, they were not mistaken, four years. i came to my mother and said, mom, i will be an artist. what did you take without? why do you think so? and i say, i will be an artist, but then i forgot what the ghosts told me, but the next day they gave me the role of a hare in the janitor's hare garden, and i played. i understood that someone came to me at night and said that you would be an artist mother to your grandson yuri, fedotov, you turned six years old, you wrote not so long ago facebook wow this is my one and only grandson and my only one and he is a genius. he started he learned to read at 3 years old. he came to my show. eh, the match is the most nishvili. he watched performances. he came home and danced all

the georgian dances, all the lezginkas, which are just perfect there. i am also on the internet. as a mystical director, do you believe in the immortality of the human soul you are not finite in god, i believe in the immortality of the soul and i always believed and only this allows me to prevent demons from entering the theater, because we are all play time. draw. we play about the other world all the time, but no one ever got sick. they didn’t drag anyone out. although you know, yes, after the film, viy was told that all the people who starred there. many were sick there, someone died there, even went you know, yes, yes, yes, so that's how we don't need to be baptized, all my artists, we are believers and the dark forces don't touch us, and they don't say anything happens. no one has ever nothing, no one has ever been injured by the performance of viy, which has been going on for 34 years. nobody even

scratched all this time. this is how these forces , e, protect the forces of light and protect the souls of those people whom we loved, who were with us. and my mother died a long time ago. uh, she's with me all the time, she comes to me, and i often talk to her. in a dream , she is alive for me. uh, dad is dead. right now during the pandemic. he's just with me all the time. i wake up all the time. ignat call my father and suddenly i remember that he is gone. and he is there all the time . and my father taught me to be a builder. i am a theater builder. i know how to build houses, my the father of the judge at the builder and he taught me how to build a detachment built the theater in such a way that it is completely so armor-piercing that it is not afraid of any storms, for 34 years already. just recently turned, although, according to all the laws of the theater, 10 years can live, my wring out is not 10

not 20, but 34 years due to the fact that my father taught me to build a house in us very uh, they became interested and intrigued. i think that the audience, too. and those who do not go to the premiere will definitely find time and visit the wonderful city of perma, to whom you tell so lovingly , there are people from minsk who they specially come to perm for the mcdonald's festival and among these people we will once be svetlana smolonskaya and victoria popova and we say goodbye to you today. goodbye. goodbye. and now the mystical sergei fedotov speaks, dear friends. my beloved, i just fell in love, belarus for me it's so comfortable here, in no other country in the world. i didn't feel as good

as i do here. i am very glad that i came here. i wish you the mysticism of miracles and love. how to organize meals so that there is enough vivacity energy for the whole day at home, i try to cook a balanced meal for breakfast, there were definitely slow carbohydrates, because children often skip meals at school. usually i eat something based on eggs, scrambled eggs, i really like porridge, then you can

make pancakes, and i will make sauce about this and not only belarusian athletes tell. has it ever counted how many sports? you commented. and you know, i wo n’t tell you the exact number, but i have a suspicion that it’s sports. well, somewhere around 20, probably gathered. how do you find promising future olympic champions culinary project breakfast of champions, watch on tv. belarus 24 they came to belarus from different parts of the world, and they have their own view of the country for 20 years. i already live in belarus in the city of lida and the city of lida has become a very native city for me. i love him very much. i was just looking for a country in which a would treat me very, in short, education and then, but i found out about

our university. true larus. we must grow with you and become every day. everything is better better and better watch the project a look at belarus on our tv channel. belarusian winter little things what is breathtaking? some awkward looking at them you feel aesthetic pleasure. do you feel that belarus is closer?

live you watch the main news at noon with you pavel lazovik. hello in this edition of heavy snowfalls in difficult weather conditions, special attention to road safety. more and more germans are fleeing the crisis.