the thoughts of the minulor live in books, reports of various people improve the voice of people. may all that humanity has on the sides of books be the son of pandering. not bringing the generation together belarus the end of 1926 turned out to be surprising morozki however, this did not paralyze life in minsk at all, the city was preparing to celebrate the new year. however.

there were also those who gave up on the pre-holiday chores at a record minus on the evening of december 25th. at the newly opened cinema. culture gathered a huge queue, dancing in place from the cold, releasing clubs of frosty steam people patiently. they waited for decrees before the premiere of the first belarusian film, there were only a few hours viktorovich he created the first national motion picture forest life, and the cultural event was talked about even in the outback, and the director yuri comrade instantly became a celebrity later exactly there, then some historians will call the birthday of belarusian cinema, however, his story . the bee is at least 2 years earlier than december 17, 1924, but in fact it turned out to be some kind of paradox e with belarusian hairdryer that the date of his birth

is considered not the release of the film, but the creation of the belgorod organization. so we started from some kind of bureaucratic moment . for 10 years, the first and only russian state film factory in the country has been operating in st. petersburg. in the same twenty-fourth, the famous mosfilm will open, it is these organizations that are considered pioneers in the creation of feature films by bill goskino. for the most part, she was engaged in the chronicle, the norm of footage was necessarily 10 minutes per month, and only in 1928 on the channel griboyedov in leningrad, in the building of the former noble assembly, the first belarusian film studio of feature films will open. for us, indeed, it was a longer miracle, that's because because of such objective prerequisites for starting our own discovery of production. in general, it was not, as it was in france in russia, where cinema was born, as a result of the activity of a group of private entrepreneurs who

saw in the invention of lugers both a commercial and artistic perspective and personal activity, who laid the foundations film industry. there was not a single professional cinematographer in minsk. the first sound film of the belarusians will be released in the same place in leningrad, and the music for it will be written by dunaevsky himself, who also made his debut in the belarusian cinema. and it will only be the beginning exactly there, hundreds of kilometers from minsk, and the history of domestic hollywood will begin belarusian lumières are better than no one does, how cinema became a symbol of the era it was very difficult to get to the cinema and for what premieres the soviet union went crazy not a single belarusian the film of such a record is no longer stopped art for all the best

screenwriters the best cameramen the best artists and roles for a select few of heaven plays. who remained behind the scenes. still shuddering from the horror of russian hollywood, see right now. muscovites and leningraders went headlong into the process, allocating

pavilions to belarusian colleagues only in the third shift, they worked mainly at night, however, after 11 years the film studio would move to belarus, its first building is still preserved on the territory of the motorbike plant. thirties. the heyday of silent cinema, tarich repeated its success this time, full houses were collected by his picture. until tomorrow, and the seekers of happiness, khorsh sablin, even today film gourmets are reviewing these years with special pleasure. he was just approaching the development of national themes . while yuri darych laid the foundations for just the development of emotional mentality. here in economic art, the thirties, there were comedies there. the famous bear, of course, is a comedy, my frog, which came out in the pre-war forties. magnificent people smirnova a. then there was your war. had to put aside to be replaced by a fictional character. real

heroes have come, studio operators are leaving for the fronts for a chronicle in 1946, a film studio. it acquired a new name, which still bears belarus film, the post-war period. one of the most difficult for belarusian cinema. better camera, which was already soviet operators cone machine gun. she went through a lot of upgrades. basically to change the drive. electronics technology developed, batteries appeared, others appeared another drive, appeared here to the latest synchronous drive. it was possible to write synchronisms, and documentary films were chronicles. everything was filmed. this is the camera soon the studio began to be quoted as a factory of highly artistic cinema, in the late fifties a comedy was released our neighbors directors of sergei but her story about life in a communal apartment and love ups and downs turned out to be so plausible that the film immediately

became popular, a few years later the fairy tale city of masters was released vladimir bychkov, where one of the roles was played by the still little -known thirty-year-old savely kramarov gradually, the appetite and growing, both among film workers and the audience, it was necessary to look for new genres to discover names and release wide distribution of a truly high-quality tape. however, two problems surfaced here. there were no personnel, no equipment, absolutely everything was visitors, those who do it. if it worked out, then they lay in moscow was iron back. everything is fine. you know, there was practically no currency in the country and professional equipment was insanely expensive, because there was a production in moscow. for a long time, the film studio was located in a

red suit, and in the sixties, filmmakers were allocated premises in the extreme minsk, where the belarusian film is located and to this day the route of the first trolleybus has ended. there was a wooden booth that allows the trolleybus to leave in the opposite direction. it was deaf, how you once came up to me with bearded children and said that what are you doing there? i say, yes, i 'm doing music there, there is a conservatory, end this business for your own at the studio. come work with us on the chair. i ended up in a very happy time, because in fact it was the renaissance of belarusian cinema in his acting alma mater in belarus was not, therefore, it was not by chance that in the sixties all the color of graduates in geek gathered in minsk. guys. they willingly came here for their first working experience, this city, as if with a magnet, attracted directors , cameramen, some left quickly

, others lingered for many years, the generation moved the belarusian cinema forward so powerfully that this golden age is probably the best started abruptly. belarusian cinema in all respects and in the technical including the studio was superbly equipped with the best cameras. e, they were used here, well, naturally, and the development proceeded in the context of the development of soviet cinema . there was no time to search, it was necessary to shoot. by all means , the editors, who by and large did the work of the producers, worked hard . the whole process of making films was on them from and to. wow, sooner. by that you break through i include the contribution to the customer, and the customer to central america then i’ll start looking, which means the author, so the author was looking for

a director, there was no talk of any competition and speech belarusian film in those years resembled a greenhouse, where in an atmosphere of light and helping each other regularly, gatherings of talent made their way. daddy starred in this film anna kamenkova. and this dress turns 60 this year. you see, it's handmade, blouse. eh, sarafan, here are a few of them there she was small. that played the girl the movie was filmed in city ​​of mozyr what exactly is a girl looking for a father is the absolute geographical leader of the belarusian cinema. it was sold for commercial screening in cinemas in eighty -three countries of the world, no belarusian film of such a record was restored viktor turov. only finished in a gay through a graveyard many years later critics will call one of the best films. these are the diploma works of the

director, turov. give back from those young filmmakers who came to the belarusian cinema today. every time you look, uh, somehow you wonder how it was at all done as it was put together. how plans are made. the camera slid so easily, embracing. the space was transferred there from the far to the general, when they chose nature, when they traveled through the villages and there was a fire in one of the villages, a burnt house and a burnt garden. and these heads of cabbage, which have practically become a classic shot, burnt cabbage, like black heads sticking out. here on this it was nobody planned it. that is, he didn’t burn this cabbage on purpose, as it came out. and so the operator grabbed the camera and urgently began take off. these shots of the tour will become the unspoken leader of the generation of the sixties, who raised the belarusian cinema to a whole new level. the picture confession comes from childhood. the first independent work of the director. there they chose such visual ones that they cut into the memory instantly and forever, and this

lingering beep is such an ordinary sound symbol, but there it evokes some kind of noisy sad and at the same time bright history of two. igor and zhenya told by gennady shpalikov did not leave indifferent no one grew up the first generation of children left without fathers, the war of the cavity and the family, turov. he died at the front, his father vitya himself, with his mother and sister, ended up in a german concentration camp. my mother also starred there, that is, a small role. still. this is our family history and you perceive the material a little in a special way, when your loved ones are there, a surprisingly subtle lyrical picture, and after a military childhood , vladimir vysotsky added not children's songs at all, he also performed one of the roles of a hair tanker. this was his first major film work, that the truth caused a whole wave of discontent in the

ideological elite, his hoarse voice annoyed many, and the manner of performance was called defiant, therefore the main track. crosses are not placed on mass graves. performed by mark bernes he does not put christ on the mass grave and widows do not weep at them, this furious baritone of vysotsky , who performed his songs, should have sounded, but this was fragmentary in the conditions of the court council in the finale of the film. he only sings fragments of several of his songs; censorship gave the go-ahead on december 27 , 1966. the premiere took place. a year later, the picture will win its first awards at the film festival of the baltic republics of belarus and moldova tours will receive an award for the best director's work on urgant for the best female role later the tape will be recognized as the best in the history of belarus and by the decision of unesco i come from childhood will be included in a hundred

world films about the war . it is indeed a very powerful film. maybe then something appeared, this opinion that cinema is the work of many people belarusian cinema man she is modest, she is soft, she is you you know from a fairly large culture. according to the historians of this amazing village for more than 1,000 years, kobrin is here and from here the legends come. that's about the vikings really swam here on their fights in the woods

. vladimir glinsky created a real paradise for tourists. well, it's not actually village street. and this is a manor, which, as i wanted to plan, everything was built from scratch in a pond. launched japanese red artik. now there is a lot of it here and the village is a rustic look, a rustic style, but that's all convenience, so that the new release is very beautiful on the belarus 24 channel. i

watched this film 10 times. why did the fairy tale almost cost the famous director his career, and so i presented the script and what really happened on the set of pinocchio everyone had to do. why did censorship put an end to domestic masterpieces, and what happened at the premiere of the first soviet thriller? miss me. i am the operator of this picture, watch right now. the nationwide love of cinema in the early seventies reaches its climax, people almost stormed cinema. the decree gathered huge queues, the

auditoriums were bursting at the seams. after all, not every apartment had a tv, and everyone who wanted to see the masterpieces on the big screen for a penny could bring a lot of income, supposedly. almost on the top three after vodka and weapons entered the cinema in the seventies of the eighties to go to the cinema. i'm not talking about the premiere. it was very difficult in the evening. young people went with their girlfriend , they could only go to the cinema for 2 rubles. you can go to the cinema and treat the girl frosts, from their shelling, our directors were looking for what is now in the skin year between the films, that is, it was well, one hour to ten. that is, you are one selfish, frame. i could score 10 frames 9 so to speak, well , and we went baskets, and then one to five, and already the gauge by the end of the eighties, there the glove of the

nineties was already one to a blood clot. there were about a dozen cinemas in minsk that needed to think before temiko to turn on the camera. one film was on, no more than a week, or even several days , the audience warmed up the interest all the time, with new paintings, repertoire. updated with enviable regularity. it’s clear that everyone was in a hurry to get into the hall for the premiere, it was believed that the film paid off if it was watched by 15-20 million viewers, they took cinemas by storm, at the beginning they stood in line to get a ticket , it was so amazing wonderful, but it was observed all over the world. hollywood was experiencing its second rise. the creative community gets more freedom to express their thoughts, and the public becomes more receptive during this period. many make a name for themselves, soviet filmmakers are trying to keep up with the global trend, the

dovzhenko studios of the ministry of finance belarusianfilm cooperate and help each other, equipment and specialists. all studios. almost only graduates of the leningrad institute of genna engineers worked, and we talked. as you joked then, if i get to any, the city of essense film studio, then i'll be fed must sleep and filled with no problems. this period of time will be unanimously called by critics the golden age of the domestic film industry, directors are coming. with a fresh look. everybody without exception, the pictures bathed and brought the studio a solid income, the popularity of certain professions related to civilization flies to the skies, the script could. the teacher immediately buys a car for himself, however, the same editors could not boast of such fees; on average, their income was 150 rubles. competition is growing for directors, who strive to make their films more spectacular, and more and more

often stuntmen are called into the frame for work on the verge of life and death, they were paid good money if the actor received 3 rubles. only skader all 30, and work with a venerable the director was considered an honor, these were legendary directors. uh, the legendary cameramen did not have such cameras that could be carried. uh, there was no copter manually, there was nothing and they managed to shoot it, as for the belarusian cinema, then and given that it was a soviet country, there were very outstanding people, because in order to break out of 15 republics there was such some competition, the team was outstanding people who did stunts, they knew how to drive a car and roll over and burn at the same time, belarus film gains the glory of the all-union children's film factory in 1975. here begins the shooting of an

immortal picture on which a whole generation grew up. the adventure of pinocchio, the young moscow director did not even imagine when he got down to business that this work would be such a success because it was about a fairy tale people occupied this niche, because no one is better than him everything was on such an upswing, and everything didn’t work out for him. a friendship began that ended with you. he didn't have a tv. he came to us, all of a sudden, because we didn’t have any plans, i didn’t have any plans for him, because i was still married, and he didn’t have anything for me, because he was married. and he left. that's when we realized that we can no longer live without each other, the newlyweds decided to stay in minsk, it was their spouse. i was always next to the non-chaev throughout the entire work

on the films, there were enough problems. the first arose. even at the stage of submitting the script, the script does not ready took puppet theme. removed the first page . and now i presented it very differently , very much, even the costume would fit. initially, the cast was supposed to be completely different , so the role of karabas filippov, however, because of his extremely kind eyes, the role of the villain of the actor was refused, so vladimir etush appeared in the picture . he was so convincing that the children really they took up arms against him and did not miss the moment to throw a bump at him, even behind the scenes of a karabas-barabas, our most famous beloved actor was filmed in this costume. uh, vladimir etush well, how he worked with actors,

how he built from his fathers. this is a real cart knife. yes, you can find fault with some of our rough edges. well, the main thing for you did not arise, that there should be bright music, that this action would be combined with this music. yes, just to make it interesting to watch dmitry iosifov, pinocchio ended up in the film quite by accident as an assistant director of the film studio. i noticed him in one of the metropolitan crossings and offered to come for rent. as a result, nine-year-old dima got the main role. by the way, he's the only one. the little artists later linked their lives to the cinema, first of his norvekin, and then they tried makeup. all is well. it's very difficult to get pregnant. well, for a child to sit for 4 hours on one make-up, this nose is outside the young make-up artist. and when he shortened it, here's the grim period from four hours to 2.5. it was already a big progress. it was not possible to accelerate especially, the budget of the

television association was half that of the artistic pavilion shooting worked out in minsk and then left for yalta and disappeared from the group. joke, alarmed and angry, the director of the television association left after them and gave a dressing. i say no desire to shoot everything here already in the park. yes? well, they don't promise to be silent. so i mean, 13. was in these four days, they took off almost like grandfathers. well, i flew away, so, uh, so they didn’t confess. why was everyone silent? the truth surfaced only in 2005, when colleagues met at leonid nechay's on the thirtieth anniversary of the film's release. it turned out that the work had stalled due to the fact that rolanco elena sanaeva went on a cruise along the

black sea coast. however, in general , the work went according to schedule. the little actors fell in love with the director extremely. and they even called him papa leni, he had an extraordinary walking masculine charisma that feels both women and children and animals demanding a hooligan. you all had to do what was especially difficult for the episode in the pond, which was built specifically for filming in november, the air temperature was about 8 °, it was freezing. whether all bright artists and film crew, but it was the most difficult for girls frogs they had to dive into ice water with each take? oh then, rina zelyonaya stood up for the little artists, said that if nechaev demanded another oak tree, she would turn around and go home at the end. our

lake is a very beautiful place, this bridge floated somewhere tortilla, this bridge was specially built specifically for the filming of this film will give the council an unimaginable ministry of culture was going on, it literally shook too fabulous, the characters turned out to be too fabulous, but the premiere nevertheless took place, soviet boys and girls saw a fairy tale, which later film critics called a cult in the early days of the new 1976 worked in minsk in belarus. you know, he got in moscow at night. it couldn't take it. how is it so here? it did n't work out when you ask for movies like this. belarus films you know right away says, children's fairy tales today props costumes of actors of the legendary films of the storage of film studios, many of them have not stood the test of time they will have to be restored, but pinocchio's neat jacket

and malvina's exclusive dress still warm the soul of karabas' chair in korea barabas in this form it was preserved and in what it was originally it was this vest that belongs to karl's dad, that, the real original vest, in which the famous actor nikolai grilkov was filmed, and this vest. we found quite recently and yet personal happiness, in minsk it didn’t work out, the director will leave for moscow, but the relationship with his ex- wife. he will support until the last days, despite the fact that after this break he will have more than one, brother. i loved him , i broke up with him, we love him. it was my initiative, i let him go. because i am not could break into several pieces. we are now very painful to remember, and he went to moscow, there was no more script. all the children's time is over, but not

over. the history of the belarusian cinema itself by this time, the resources of the studio had grown significantly, first of all , the material resources for the films did not spare money in terms of funding for the minsk film studio, in no way inferior to the kiev and leningrad standard program for the year five feature films and five two-part television films. we tried to shoot in warm season in parallel, working on ten films at once. the latest technology. it was not here, it was all in the west. and we had terrible cameras. friendship union is such a huge clumsy, each cameraman fought to remove it reflex yes a good lens gave good german optics, before the films were released on the screen, the films were carefully examined by a special commission of censorship, absolutely all the pictures were subjected to many of them

lay on the shelves for decades, until, finally, vladimir's film was released into wide distribution bychkov's life of ascension rasa brashika was completed in 1967, and was released on the screen under the title. e. christ landed in grodno only in 1989 in a commentary. i think that the military theme cannot go anywhere, but it is noticeably diluted by the acute social dramas and ideological films of 1979. in minsk, work will unfold on the film, which with a light hand of critics will be called the first soviet mystical trailer rubinchik, of course, was based on the brilliant work of vladimir korotkevich. so powerful its roots creativity goes into belarusian mythology into legends. they simply ask, of course, to be on the screens. tatyana loginova, whatever one may say, was, and the focus would still be a female cameraman, but

already on the set of the wreath of the soviets, she categorically declared for professionalism. gender is completely irrelevant. i studied with my father at the film studio, but he forbade me to enter. he said you won't do it, you'll get married and that's it. and this is where your higher education will end, having gone through several universities, fate brought tatya together, but she starts with cinema be considered a ruby. without hesitation , he invites to work on the wild hunt . the picture was not given to him easily by the director. i had to work hard on the script to fit the novel, the film was unrealistic for several times a ruby, forcing the artists to redo the scenery at night, sitting on the storyboard. a whole story came out of nature, they traveled all over belarus and in belarus they didn’t find anything, because in belarus everything is destroyed, everything is in such a state, not a single

castle, not a single estate, nothing at all and we went to ukraine ukraine, too, we are there, in my opinion, for 10 days they traveled all over ukraine and found all of our objects. there we go by car already it would seem. well, everything is clear. you can see it from the window. there seems to be nothing good there. he says, no, let's stop the car, let's go through, let's see the castle was built. moreover, this is the basement , which was flooded with water. it was all in the same pavilion or chayal. peter's captivity, there stood a huge sailing ship, stands the best sons filmed at belarusian training grounds, however, no matter how lesnie, the author of the novel or the director conveys everything, the most the best, inherent in the belarusian people, censorship, uprooted all hints of nationality . karatkevich was dissatisfied with the films. and yet

, then he thawed out and agreed with the director's point of view. belarusianness, nevertheless, was present, the truth was buried in another in images and images, if the transcripts are revered, the author recommended that the soviets remove something. eh, smooth something out. remove all some phrases, and sometimes it turned out that the word belarusian left altogether. well, valery's rubinchik still had a little clipped wings and removed some these are the meaning of the pledge , the unimaginable happened to the viewer, the hunting scenes made a terrible impression. all thanks to the effects possible in those realities, they were shot not standardly through a special op. that is why monsters seem to appear on the screen. and this is mounted in the complex, how beloretsk runs, how it means galloping, cavalry, how is it, well, in general, this is all music, therefore it is, as it were, unity. mom

glad there took a gasp. just how it was done was it was artistic. to me , the effect was just some kind of technical it was. at sense of the problem that has been solved. in minsk , the premiere of the first soviet horror film took place in the red church in the spring of 1980, but before that, a closed screening of the film was held in the cinema house, the excitement around the film was such that the participants in the filming themselves barely made their way into the hall, i approached the house, the cinema and such a crowd of people were standing. i can't get through, and no one lets me through, because everyone wants to get in. i had to scream to let me through. i am the operators of this picture di. king steph's hunt has received six awards at various film festivals, setting another record in belarusian cinema, however, is experimenting at this time not only with cinema, unexpectedly loudly

in the early seventies, a completely new kind of animation art for belarus declares itself. i can immediately say that in general animation is an independent art form. and what’s more, animation for me personally begins with where the possibilities of feature films end, because in animation you can do anything that comes to your mind, the main guideline of the gums, the in-line method of drawn cinema was adopted precisely by western colleagues, belarusians, gradually occupied their mouse, animation flourished in the late eighties. today filmography, making two hundred works in different techniques. why the same events and circumstances are treated differently, who creates new ethics and new information

trends, and who benefits from it for someone, it didn’t sound, but there is documented evidence of this, these plans for many years, were hatched secretly and were not voiced aloud. and these are proven facts. or is this another ksenia lebedeva will tell you in detail about the phenomenon of double standards. and how do they work in project. this is different. do not miss it on belarus 24 tv channel. we are going on a grandiose trip around belarus for sure. many have heard that the geographical center of belarus is located in this region . but not everyone knows that this is the only region. whose name does not coincide with the name of the regional center - a memorial sign in the form of a gate and 1067. yes. this is the first mention of the city in the tale of bygone years by professional guides of creveda. here such a working floor was on a

winch. they lifted bags of grain up through the door, passed them to this beam, beams were. here are such huge tongs, author's routes and interesting places. you know the holy trinity church immediately from the cornflower blue domes, an architectural monument grew in this place at the beginning of the 19th century, more than nine centuries have passed since the creation of the unique friske , travel with us to belarus 24 the country is 95

years old, look right now. in 1983, belarusfilm announces a screenwriter competition according to its conditions, the winner's project immediately goes to production, the jury then unanimously recognized the best work of thirty-year-old alexei dudarev, who wrote a poignant story about a village living out its last days. today, only a few know that the script could not have been at all, blowing days and nights he disappeared in the youth theater where he worked in those years lilia pichug. i am

still grateful to her, she called me and says, are you crazy for you 2,000 rubles. and that was a lot of money. not needed at the time. i wrote an application application accepted but then, as a responsible person. i can't have to be i needed to write a script script wrote too knew he would get first. immediately after summing up the results, the phone rang in the young screenwriter's apartment. igor mikhailovich called me and said, if i don't mind, then he is ready to work on this case. my pipe almost melted in my hand, because dobrolyubov was already a dobrolyubov maestro , but it seems to me that success for the role of fedos does not lie in this, yuri nikulin himself even tried. however, they decided to bet on restraint and monumentality. sanaeva k in addition, the role of a joker and a merry fellow has already been assigned to boris novikov many things. here there

was improvisation, which was welcomed by a real director. he had to notice this and either leave or discard, just in case, what he left made the film the way it is, the shooting went according to plan, however, the scene where the youngest son vasily plays in the nest was not without incident. stork on the harmonica it was given with great difficulty and, first of all, to the performer of the role, nikolai karachentsov, the actor was very afraid of heights, however the director was adamant in order to lower the actor to the ground, he had to call the fire brigade, he overtakes this accordion, and he examines the clouds, because he was told not to look, not so much to look down, nikolai petrovich examines the sky plays. many scenes were taken not from the head, but from real life, for example, when the hero

is given a piece of bread dipped in infusion to a dog, a similar incident happened . soldiers did not come up with anything else while serving in the army with an acquaintance dudarev. how to check for quadrupeds pets liquid found by them in the part? further, stefania seemed to be on the same set, all the stars of that time gathered, the epic story of erasure, the boundaries of the city of the village were shown, not easily educational, and the commission comes to irony, they determine the stone ones. they look says no one has a hair of nerves, then the end of the film got up, one says the men. you gave 1,200 copies, and this

ceiling was the premiere of the film took place in moscow in the cinema house, it became a real social event, which gathered the first faces of the capital, the hall was unfortunately refused , however, the scriptwriters did not see it, we go to our seats. and suddenly i hear from the side during lyosha what are you going to watch this crap? it was so unexpected for me that i went there yes, because you will go, i am obedient for boris with the ball, he went to ufa, it’s a pity in any way and when the hall exploded with laughter, look. she likes the burial ground. there is even a separate exposition dedicated to the cult tape, props that were common in those years. today the most valuable exhibit, when the film was just beginning from the first frames. he was still on the pavement there . how many years have passed, the harmonica was preserved when they were all together

in the kitchen there, there was no way i would go for gas. here is the shirt. we have left. we already keep it as a memory of gorka, the film suddenly became a folk comedy, it was watched by 36 million people throughout the soviet union, this record was broken only 6 years later with the release of the picture. my name is harlequin , it became the highest-grossing film in the history of belarusian cinema in 15 months and was seen by almost 42 million viewers, even the excitement of cinepoliti. this is an extremely rare change in russian, but i must say that the collection. probably he can compete only with the company of the fifties girl looking for a father. this is the case when there were queues at cinemas fish. it was possible to extremely sharply reflect the nerve of modernity and show without an order, how and how the youth lived in those years, the

socio-psychological drama hit the very point, largely thanks to the brilliant literary basis of the play by yuri shchekochikhin. trap number 46 growth is the second token of gratitude to the viewer wide. uh youth, thank you first of all. yes, there were a lot of authors visiting this picture on the territory of the former ussr, literally, there was not a single region from brest to vladivostok. so, wherever films have turned, so to speak, into a social phenomenon. the final scene sounded so harsh that many condemned the director and even called the film smut. still, it was a kind of prediction. yes , there were very few dashing nineties left. hello live news. the ussr is no more the nineties were marked. not only the beginning a new life for a vast country, but they also gave rise to the so-called perestroika cinema

cinema, a complete calm in the last decade of the 20th century, was marked by a stagnation in creativity . units are out. this period. already very ambiguous since the ninety-first year, which is now lasting and it is possible to divide internally there, no longer divide, is it such integrity, or what? e, because e arises a lot. here are other cinematic structures go looking for others genres, first thought and their own frames. at the academy of arts. begins to train directors, masters documentary animation films differed significantly from russian ones and, first of all , were, and the belarusians themselves in 1996, the film studios were given the status of a national film. a completely different movie begins. it was, of course, m-th act of the studio. that's all the resources were

directed to the production of this picture to the detriment. maybe there is the creative fate of other authors. this desire to release a noticeable resonant product this picture, in which obvious signs of high style are here a clear claim to products of hollywood scope and quality. mikhail ptashuk was not afraid of critics, envious people, or competitors; patriotic war. he was a brilliant producer. actually. he had the best screenwriters, the best cameramen, the best artists, the best actors. he understood what it was and films received, respectively. uh, such spectacular uh, very in the ninety-eight , minkul makes toshuk an offer that

he simply could not refuse. this was the second attempt at a film adaptation of perhaps the most famous novel about counterintelligence, war was the leitmotif of the bird's work, so he immediately got down to business and even went to moscow to work on the script with bogomolov, but he did not accept the last picture, vladimir bogomolov asked to remove his name from the credits. he justified it. i don't want to quote his words, but the main claim was precisely that these documentary sources left the film, where the counterintelligence officers catch, roughly speaking, the saboteurs are pulling everything, and that's it. it's now that slava has turned around like this. no, it's not a bad movie, but more. dashuk, at his own peril and rice, takes up work on the film for the team, difficult times began; there was no money, no

understanding between the participants in the process from the very beginning, the scythe found a stone. it seemed that the conflict of two geniuses would not allow to realize everything conceived, and yet the picture became the most famous military blockbuster of the last decades for the filming of epic scenes, hundreds of military personnel and equipment were attracted, 24 units. zil 157 was assembled from all over the soviet union by the german t-3 tank, there is the ministry of defense using the old bmp-1 and an exact copy of the tank was made at the borisov military plant, and this particular tank was shot in the picture. in august, 44. this is exactly here, and the filming of the film in august, 44 by mikhail shushak took place. they have been a long time, so not in this form. but then it was very grandiose and beautiful. he didn’t let himself or the rest breathe out a year later, his relatives began to fear for his health, so much he

devoted himself to work. dad was all burnt. he was all in. you know it was absolutely normal. approached him after a movie, after watching it, the premier said, well, misha was difficult, and dad said, and i love it when it's hard, when it's easy to make bad films, it's no wonder that the picture that was given to its creator with such difficulty begins to collect awards in april 2001. please fly to moscow from los angeles for a triumphal award for him. nika where the film in august 44, it was announced in six nominations at once, but the director did not take the stage. get up this terrible remembrance because it is very difficult to talk about it. he went to moscow with his mother. she called me in the morning and quite so

confused very calm. which was not this year, the belarusian cinematography turned 95 behind hundreds of kilometers of film, thousands of written pages of scripts , dozens of masterpieces, and millions of destinies that once changed cinema forever. now it is much more difficult to win your audience, given that the information field has become different, so we are now in a more difficult situation. with the development of all technologies. e competition has grown not only in terms of film production in terms of the fact that you have to convey your own thoughts to the viewer, then it was easier to change

technologies, and with them the audience demand. while breaking news has always been a talent, it is increasingly difficult to see the variety of faces and pictures they directors. they’re still aristocrats that’s how nothing really good can be in every work you see, you see the author’s soul, but now it’s not there a powerful base and your own personnel, what minsk has always lacked so much is a huge transport workshop, a storehouse of props and costumes atelier, and their own outdoor area, good terrain, that is, uh, there are mountains here. there is. ah, beautiful lake. uh, big fields. we have a forest remoteness of settlements, which does not interfere with filming and it is very successful to maintain such a natural site. that's enough money is needed, this is caring for her, the same

communications, creating conditions for filming. i think that this is a luxury, a real film factory and a pass to the global industry, belarusians had a hand in creating the most sensational series of the year props. they were involved in the studio. during the filming of chernobyl, we provided costumes for more than 2,000 units of ecosuits, and for this and props for this series. party leaders were wearing these costumes, who are workers of the chernobyl nuclear power plant there. for example, it is even available in english inscriptions have been preserved. you see fomin bryukhanov and when this news caught him, he answered the phone. he was at home was in the bedroom in his pajamas technology had gone so far that it was possible to show on the screen special effects and reincarnations on the verge of fantasy and all on their own, and she burned and drowned and

turned over in the car woke up also for tricks. everything related to machines requires certain calculations. it is necessary to prepare the car at the ready, that is, the driver. she is preparing the track. everything must be prepared and foreseen, because very dangerous very many. quarrels, they, in general, are specific to make-up, especially, with regards to polo - this is dirt. so they think that if they take this mud and smear it on their face. it will be as natural as possible, maybe up to a certain period of time, yes, one conclusion attacks, the second - 50. here. i mean, it still disappears for $5,000. if a person, for example, fit in for bi-2 years, we do not want to transfer such an amount of intellectual work to be highly paid. if there is a good idea quality and then there will be people who can realize people, money will appear by chance was the state. give me a good script one exactly we will find worthy to pay attention from the

state, which is done 100% animation funding. the main thing is how to dispose of it in a businesslike manner. at the same time, a decision was made on state support for national cinema. stop. close attention to it is not accidental, whatever one may say, this is also part of the image of the country, the big screen gives out small secrets and technical and creative potential. and when the whole world is going crazy for spectacular cinema , you can’t stay out of the game. but not everything should be measured, driving, they stopped filming literature, the main thing is to launch it. and there, from where or something will turn out, they did something, then the main thing is to sell, then they created works of art, and now they recognize the products. but it is precisely this that is so lacking in the power of cinema, which will warm and inspire, teach and make laugh , delight and give hope that

we are still very far from the final credits.

minsk region evening kind shortly goloda thin ice on the reservoirs of the minsk region, slowly, i eat water pasta to it , and snotty fishermen guess the fishermen of the osvod.