therefore, it is important for posterity to preserve the craft and also the memory of fellow countrymen who are proud of the stolin land in the root area of ​​​​the famous soviet writer yuri olesha and the belarusian shot putter bronze medalist of the 2008 olympic games world and european champion hopes ostapchuk stolinchi to the homeland of the chairman of the investigative committee of belarus ivan noskevich and chairman of the board of the national bank pavel kalaur. even though some places are not included in the tourist route, they find their way here even foreign tourists. here you can see the incredible beauty of the oak forest and raft down the pripyat, which is called the amazon forest. the main road is perceived as an exciting journey, as well as in general. life. come and open a table for yourself.

the palace of svyatopolk of the chetvertinskys at the stomachs of the mystical tried to rasquidnelags to the feudalism of the russian empire aristocratic virginity , tired with the grand duke of arrogance and serenity, bad weather fell at personal greatness from the riders of the thugs ruins not if, who revealed to the provincial society of the provincial lands the architectural empire of the italian majority thought , what are you silent about? this is a lesson, a pure statue of the patterned architecture of the architecture of

belarus . wilting koga had a hand driven italian carrot detector. prince svyatopolk chetvertinsky was in perm has a specific nature for those who have been troubled by that one. yes, worse, heavy, protychno not mogchimar. the historical frontier was haunted by episodes. yakih has an architect. the projection was a little torn apart to the right of the movies from the project, which did not look at the great fee with the reason for amal's schizophrenic ideas of orders, it was not inspired by the closeness

of luxury to block the space with the extrusion of the decor. for all the hoshu-loving svyatopolk , part of the artinsky did not coincide with the laws of physics from the egosh-ulast purse. however, you never justified the shakanya at the stomach was prompted chic two checks, the palace is tired of not a frill. it was mine, not so far from the tulle, gentlemen, that the yard is there and, uh, you were still there, everything was becoming a weather vane 8220. here is a beaten out son. and here it was dispersed, and she guarded. and what, of course, there will be a rare one on the left here, such was the small form of the epic. ruins well, for some reason, they were on the

left ruins and vice versa are such butyns magnificent monumental two-surface buddinka, covered with an attic dakh with obstruction hatches galloons and a courtyard frontal facades, weaned at the center rounded and right-angled rosalites on the sides , covered with self-supporting tented ducks with creases, the courtyard central rosalite, cut through by high parabolic window openings and oval hatches cuts, completed with a balustrade and a sculptural composition with decorative vases along mish yard rosalites along the front posad terrace with a balustrade garden and circular exits

. the balcony near the decor of the facade is covered with high panels shaped from stitched foliage, cartouches, cartouches, garlands of rustic elements, most bodai, chiseled and rare for the belarusian roaring is a cartouche on the central one. resolite oh, these potatoes, not looking at the changing hour of the war, formidable pie. i was able to grab, uh, two silly stories on foot. this is the polish eagle and the other color of the geta is the coat of arms of the yakir volodau family in this palace. we can hit a horseman with a spear, then it could be yuri pies for the family. i am a red quarter from the word

bundle. cool. uh, you can see yourself ecoval poper from naz. by the edge plans on the river there is a certain significant important symbol in our fall of this color the coat of arms of the gospodarol family chetvertinsky from the victorious placement of such a cartouche gave the coloring of the business card. today, the phenomenon is who is the master? whose boudino is this, an excellent baroque object itself, thinking of the destruction of the proportions of an antique order sister. just order base entoplement. the capitals are stretched, superimposed one on one, persh are twisted. the harmonious structure is the proportionality of a person, inflating massiveness and and torn fish. leather detail, sumptuously framed with linkage and old-fashioned pieces on close stylists at the turnover of rococo and classicism first sizably improved by love of additional dimensional

this mountain to dig up this fish, zatym rococo, which killed more. the cent for extradition is the main mostatian idea of ​​psychological restraint on a person. i'm the trunk of parking dynamics and activity i'm tired, high degrees of emotions. at the interior, the central part of the bottle has a vestibule with a front staircase and ballrooms above it, a staircase in itself, filling amal with all the free expanse of the lobby, which supersews a healthy muscle at the corner , and she does not ask, but only blocking the desire to say something about him the morning layout and the interior of the palace of planks , a warehouse near the water, a coleum of bottles, a family nest called in the military site. tsalkom was converted into military detachments, the irregular layout was pyro-worked near the corridor hall and the salons were

forged with ceilings. for the extra luxury of internal health improvement, according to the mentions of the volunteers, they simply burned it. by the fireplace, the palace itself, by the stomach, was haunting a section of the interior , you can shake an authentic black-and-white trick of a chess configuration of this configuration, you can beat the doors to the windows , before this balance of the last ten years, de oura, the naissance simplicity set the world at rest, returned to prominence with supernaturalness of splendor and luxury . there is a wise contrast, heightened emotionality. pushed back to other planes, strictness, symmetry and simple linearity of form in

the era of reflection in the era of reflection in the greater steppe. podkali lynx and baroque and cooled down were revealed to be slick and tinny building stood out of the walls of the wall they were decorated with elements of warrants and molding based on pilasters, their sample included painting, in a magnificent rich frame with cartouches, garlands with ornaments, natural and local piece polychrome mars a on foot along the top was corrected from the fineness of facing materials. well, this is such a measure for defense. uh, wood-panelled panels were lined all over the walls, along the bottom of the foot, the surface area of ​​the vacuum dachshunds we were lined all had conicia. what were you starting inside completely from oak with smooth mirrors. style of vice freely

sang in architecture how the cannons of the belasters could not be blown up in a shakan way, the double columns of the belasters commemorate the fashionable hand that has gone out of fashion. raise the portals and in the window of the palace several times more than a person, the growth is not urosthenic intoxication in twos and wearing out all sorts of expressions, there are already few special columns and where possible they are replaced by paired flaws. one pediment surrenders to you, and the fire is not hounded to break, like one and a half, imsha has a smaller scale in the pursuit of the smallest festivity, the architect morkonil ice is not reflected in all forms, but he lifted it on a chair one and a half, two, three, and five times. in

our project, we will show you unique personalities, in general, i am a person who, even without settings for intuition. that is, i'm still more an artist than a businesswoman, i do n't understand. where does it come from? i can't even put my idea down on paper. they just flies off from somewhere above me, and do not break stereotypes by an example from my own experience, walking around a fabric store. i caught my eye, a certain fabric, which was probably the impetus. i realized that this is my bagnovich, and he appeared to those incarnation. it seems to me that the completion of this article of the incompleteness of my father's life. look in the program. break stereotypes on tv channel

belarus 24 how to organize meals so that there is enough energy for vivacity at home all day, i try to cook a balanced meal for breakfast, there were always slow carbohydrates , because children often skip meals at school. usually i eat something based on eggs, scrambled eggs, i really like porridge, then you can make pancakes, and i will make sauce about this and not only belarusians tell athletes. has it ever counted how many sports? you commented. and you know, i won’t tell you the exact number, but i have a suspicion that it’s sports. well, somewhere around 20, probably gathered. how do you find promising future olympic champions culinary project breakfast of champions, watch on belarus 24 tv channel

. so he himself with the balcony of his highest vyroz, the principle of ruhu facade, reaching at the reception excavated. here is the crushing of the parapet for them with shmotrozovs, and i yelp at the verce budinka, the pyroburly curved line of the root. styl, ugly prompted by this palace, trochs falling out of context. it's neo-boroque. you are fully aware that the baroque age is the sixteenth, seventeenth, eighteenth stage, and er, given and

vice, its rococo was reborn. and i would have blossomed out of them, the fashion has passed, and elk is already a slut and are on the shaky twentieth year, repairing the evil of vocalist television - i seem to have dissolved it, see you. here mouse lynxes of french baroque behind elements of saxon fortifications. himself to this palace is not one and a half velma. pretty. eh, for eh, the so-called lucans are procured from the yaks with an attic laman dakh. these are unrealistic round-shaped agencies, which were on the floor decorative on the floor, various for clarification with bags, and others of this