so far we have 20 varieties of honey, uh, well, let's not have so many flowers now, my task is this, mine mission is to develop a culture of honey consumption, that is, honey, so that i don’t just get sick. well, i don’t have honey, that is, honey can be eaten with cheeses with various interesting dishes. you can make sauce here , like this, i do a master class and work as chefs with restaurants. that is, quietly, quietly, belarus, i run through this culture, introduce honey, in general, how is the diet here. and it's not just about replacing sugar in your diet with honey. much more important enlighten how to eat honey. how much here also needs its own measure? how to choose the right honey from the right bees, and also, so that we understand how important these amazing insects are to us so honey life. this is no longer mere ephemism. what in grodno, as it turned out, was really smeared with honey, and i think that’s why

we won’t get tired of returning to this city. the best commentators, well-known coaches, we are interested in the fact that, first of all, first of all, the club wants to play in the premier league so that it must have the infrastructure the main task is to create a competitive team that would be mentally ready to fight for the highest places, so here is the responsibility and, of course, painstaking professional work bright sporting events, in football there are knockout games. the fans are excitedly watching machu because the favorites are falling loudly reporting from the

scene high scary incomprehensible a little afraid, then everything was fine after that. i went every year, there is a team that will always shoot so it was and will be everyone wants to be this team, which will shoot, see in sports projects on the belarus 24 tv channel. we set off on an expedition along the patches of our ukraine 273 km reached the guard branch of goodi. vici that no prypyatsya. i have owls, we will follow the museums. i tell her the story of the name of an owl with a joy, a rich dipper from the departure of young rascals, meat grandmothers, shatukhas, in the front they whispered non-objectively into the water and started talking. the second tradition of a new tenant, look at

the project on a minulla pirate on our tv channel forest, the sun is sneaking.

i probably came into this world to do what i i do, so it’s hard for me to imagine without all this. just like imagining yourself without yourself. dear friends welcome to my workshop please come here. here you will see a lot of interesting things about how the creative process of creating works takes place. in my method of maximalism. here is the first zone. where do you come immediately brutal, where? i create models, layouts, do welding, metal processing, and so

on. this is the kitchen, and then you go up the stairs and there is the next room where i i'm already thinking about what i've done. i call it the bedroom. right now i am working on such a theme, as if they compile two separate objects, a ball and a cube, when they are separate. they live separately on their own, and the life of the cube and the life of the ball, but, when combined, they touch each other. they begin to influence each other, as everything affects everything. eh, the form of their ligament of their combinations of their invisible ones. it would seem that what i do, apparently, it has different connections. completely continued. that there is here here we see dominate here, uh, square in round. and here round in square such hmm a way of communication. here is a little different. uh, plastic interpretation. the same connection, there is the third and here the fourth, that is, in recent times. i

started working more with series. that is, i create a work that e. i so to speak consists of several parts. here, if 1 2 3 4 is called this is politics material. well, this is such a substance that dictates certain conditions, for example, i think to do it, in this case, to do it from wood. and this is made of bronze, for example, this is made of aluminum. and this is made of plastic, this is made of e-stone, and this is the base of bronze, for example, aluminum. and it's cast iron. so i'm in the process of thinking right now. that's what i do for this. everything, in fact, is small sketches, as we know, first in pencil, then three-dimensional ones, in which we arrive alone with ourselves, in general, creativity is such a process, not only technologically. so manual yes, manual, but also intellectual, therefore, i suggest that you go to my bedroom on the second floor, so to speak, where we are discussing with my friends in the visitors already conceptual everything that makes up the intellectual component of the artists' works. my surname

is petrul in belarusian and this is my piat steering wheel, but what happened according to my passport. yes, uh, there is a loop, a village in belarus, petruli, not far from oshmyany, abroad in lithuania from the village of petrushkis, when i was in lithuania, uh, i went to an exhibition, and there the artist, people's artist of the lithuanian ussr petrus, a painter, and next to him is a sculpture on a green bridge in vilnius, one of the authors of these cultures also petrus. this surname comes from here. this is the real belarusian surname petrul. for me, the sculptor alexander matvinyonok worked here. my colleague, and unfortunately, he left us, because he needed a kidney transplant operation, well, he did not wait for his home and several years ago they turned to me. e. doctors transplantologists and

professors of our center of minsk transplantology with such an idea of ​​creating an image of e, the image of a donor, and there was only one wish, as one of the options, that it be an angel. i thoroughly studied the topic of angels in the space of a work of art in the image of uh, icons uh, frescoes in general, and came to that angel, which i made the symbol of the transplant center a symbol, uh, to whom those who need a donor come, and at the same time, as i said . uh, a symbol that thanks those dollars that gave away their city in the name of maximalism. there is something, uh, ironic, that is, as if on behalf of maxim well, the postmodern paradigm. it's perfectly normal on the other hand. this is completely serious. something. this is a kind of position to american minimalism, conceptualism, inspired by donaljad e mori and went leviticus if they

said that their simple geometric bodies do not mean anything, besides being simple genetic bodies, then i say that my transformed geometric bodies, talk about all meanings describe the very truth that heiberg said, that is, their minimalism does not mean anything, my maximalism means everything, as he said. uh, french philosopher, georgeman, not only we look at the work. well, the work looks at us and it is very important to understand. well, invent your own madness. yes, there is art in space. i couldn't not invent it. i consider myself the heir to the russian avant-garde, an artistic phenomenon of the early 20th century. e, who grew up here with us, means to russian lands. yes, in the space of culture, and in particular in vitebsk, a group of

the most interesting artists worked, headed by kazimir semenya than molievich, who invented suprematism? therefore, as followers russian artists of the early 20th century. i take on such a burden of responsibility, invent maximalism and today i do everything to popularize this trend in art. this is a creative method. this is my unique style. it is a perfectly normal practice to give. so to speak, a short textual guide to the work. what would e like to talk about here, or what would you like to ask the author when creating this sculpture. well , then we cannot limit the viewer, if the viewer, for example, looks at e, object, yes, on a sculpture and see something that i do not see there. well, how can i forbid him, uh, i'll tell you. do not look or after all , the way i want is not, e for the usefulness of the process. i give a short explanatory text to the work. and this is a normal

practice that exists. already. fuck the modern times, artists explain their works in short text. and then depends on the reflective path of the viewer. here is his education upbringing. even mood. here comes a man in a bad mood, whether he is watching something like that. well, i'm not i'll run to convince him. he’s just in a bad mood or came, let’s say he didn’t read something that i read or read, something else that i didn’t read and looks through the prism of his own experience and knowledge from a completely different angle in japan created in the middle century. such a rock garden a rock garden there are 15 rocks, but we always see only 14. wherever we go in the gallery around it is very er, chic, describing the situation of perception of the viewer's object. each of us sees something that another cannot see, not because that it is bad or good. it's just that we are each in our own place and each, from his own point

of view, looks at this or that object , object, phenomenon, situation, and so on. i want to show you a couple of works that are remarkable for me here, here is a canvas. anatoly kuznetsov in my opinion. this is one of the outstanding painters, modern belarus. here is his canvas, which clearly demonstrates him, and his approach is his creative method. his answer to the question, what is

painting, and here is the canvas. leonid vasilyevich khobotov. you are the person who i was inspired to do abstract art by the avant-garde, which the avant-garde told me and presented to me in the form in which i fell in love with it, and this canvas is notable for the fact that when we talked with him, it hung in leonid khobotov's studio, and today it is in its place national art museum of the republic of belarus as recognition of all the merits and experiments that he carried out. leonid khobotov in the space of belarusian art in the space of painting we are in the national art museum of the republic of belarus the place is remarkable for me because back in 2007 the national art museum held my personal exhibition together with my mother and lyudmila petrul for the artist's thirtieth birthday. what is unprecedented for our art museum, from here, so to speak, my long creative path has already begun, as

an artist of a serious artist. after the exhibition at the national art museum. my works have moved to one of the largest private collections in the world, the rydert collection, a german philanthropist. industrialist billionaire. each museum is good in its own way, but i remember, especially the theme of the museum with which i have a relationship, so i can say that the national art museum is not expensive. since this is my launch pad from here. i started a big creative way, well, the yurt museum is definitely private. he is expensive. no, i ended up next to 300 hryvnias , my girlfriend, the wife of vasily vasilyevichansky, that is, among my works among works. artists of legends i was born in 1977 on december 16th. as you know, on the same

day as wassily vasilyevich kandinsky, this founder of abstract painting, representative of the russian avant-garde only 111 years difference between me and vasily vasilyevich works. as a child, i spent a lot of time with books with paintings by giorgioni titian rembrandt. and then i think and began to form as an artist of my childhood. i spent in such an area of ​​minsk as grushevka here and in childhood. i played football and was fond of doing. well, like all boys. and uh, the moment came when my mother sat me down across from her. maxim said what do you think, should you go to school named after akhrempchik in order to become

an artist, it shocked me a little. i wasn't ready. i didn't want to in a way, but my desire to experiment and try new things brought me to school. i passed the exams entered and began training at the belarusian lyceum skillfully, then the time i entered profitability, but i got four points for myself. and i didn't like it very much. you know, well, somehow it became unpleasant, i didn’t try , and so it seemed to me that, well, for those. uh, that's her mind. e that somehow it's unfair and i transferred to the sculpture. i asked my mom. she spoke. i was waiting for an internal exam, yes, and alexander mikhailovich finnish my first teacher. well, he accepted me into his relationship group with my mom. it is in a wide range of relationships that you understand both mother and son and two artists. and uh, sometimes we

we confront sometimes we are friends, but in general we have a wonderful relationship with my mother, very warm professional useful pleasant interesting. i am very glad that i was born in the family of lyudmila petrul. we are very critical . i mean analytically critical. it doesn't mean when we scold each other. we analyze, argue, show each other our ideas, the fact is that a work is not born immediately, like a person, that is, it takes nine months. yes, from the moment. so to speak, conception, and the work from the moment it was invented for implementation. it takes about the same time, so i sincerely believe. all my works in a sense, my children, i am such a mother of many children and when i began to make art. i better understood my mother, who raised me, raised me, in a sense, too, as her own work, when i moved from the okhrim school from the belarusian lyceum and art to the minsk art college. i got on the course of vladimir ivanovich zhbanov, the

famous minsk sculpture. well, then he was not yet a famous minsk sculptor. he then only was my teacher, with whom we often argued, we had quite an interesting relationship. that is, on the one hand , humanly, we were friends, and on the other hand, creatively. we argued about my creative path all the time. he is still different. uh, i met in my life, if with leonid vasilievich khobotov in parallel, uh, how i studied at the school named after glebal vladimir ivanovich banov. leonid khobotov - this is the head of the creative association not mega-17, which includes, zoya litvinova e, galina gorovaya, tamara sokolova is a group belarusian avant-garde artists, abstract painters and sculptors, who had a different point of view than the traditional school of belarusian art. and here is leonid khopotov. i was introduced to such a phenomenon as the russian avant-garde and abstract art in general. and i fell in love with him, believed, and in my

career, in my destiny in my life, i follow the principles that were laid down at the beginning of the 20th century by the great artists of the russian avant-garde. my first success is connected with the work that i did back in 1996. it's a culture or fantus, she was not appreciated during her studies, but in 2002 at the exhibition of the republican competition. i got first place in the nomination. sculpture further this culture was taken to moscow to the new generation exhibition. and then. participated in the park sculpture competition in the city of fuzhou and was selected at the age of 25 to participate in a large international project in 2 months. i installed my first big sculpture. in china, at the age of 25, my creative path began with this.

walk around belarusian cities and learn their history. you know that in due time the place was the child of the city once the great vitov laid eyes on him and built a wooden castle here, which stood on this place for more than 200 years to plunge into the past and see how legendary personalities lived. this is how the study of the people's writer looked like, this typewriter immediately catches the eye. that's just on it he shamyakin. never typed. his wife took care of it. and also to experience vivid emotions from something new opachka come on,

mommy mommy. it has nothing to do with it, they dress, by the way, if all this and even more can be done while viewing the project of the city of belarus and even what we relate to. to light industry, you can even omit this, because in fact the production process is very complex, but difficult. it all depends on the person, even on his attitude to his work. well, our people. i consider everyone in their place, watch on our tv channel. for his incredible mind and resourcefulness, he was called the leonardo da vinci of the 20th century alexander leonidovich chizhevsky at the age of 21 becomes a doctor of historical sciences 24

he is a professor the path of this talented the belarusian-soviet scientist was not easy to get paper in izhevsk, giving lectures to the workers of the linen factory. six months later , copies of this book appear in the publishing house in all the largest libraries in europe and america to all well-known scientists, and the rest of his research on the influence of solar activity on biological historical processes was incomprehensible to the scientific community and inspired horror. fan sun wow what else? in principle, nothing, well, so is the obscurantist, the sun does not force us to do, this and that and it makes us do something. watch the documentary

alexander chizhevsky captivated by the sun on belarus 24 tv channel. this work is based on an urban legend about the sun. the fact is that here, well, according to legend, there is the serpent mountain right above us, behind which, as the ancients believed, the sun was hiding, where it was hiding. and so we kind of created this sculpture, proceeding from. from this plot from this narrative, that here is the place behind which the sun is hiding, which means plastically it is a half-disk, which, thanks to the possibility of the interior, consequently,

there are ceilings, they create a solid disk from a semi-disk, thanks to modern materials, stainless steel. this is a high-alloy steel, which is able to reflect, that is, to reflect to interact with the external space. these half disks are closed. one-piece solar disk, uh, the difficulty was to hang a structure there that weighs about a ton. we hung it from the ceiling. here, well, like all my work. eh, it's always an experiment. this is a challenge for me, first of all, the metro in this sense allows artists to open up, as in the subway there is a special environment, unlike the street where precipitation is atmospheric. here everything is air-conditioned under the supervision of everything is clean and plus the space of the interiors helps. us. in this case, use a stainless steel ceiling. as part of a work of art . they say that a work needs some time, well, to adapt, like a person, like an animal, when they move

into a new apartment there or let a cat into the house. so in the subway. uh, we have laid the tradition of how to release a work in subway and it is experienced here because it is experienced before the start. uh, the opening of the station since installation. sculpture some time passes and the sculpture still lives, while there is no one on the subway. maybe it can be used in the same way as a museum and works of artists are also exhibited in it. uh, visiting museums is not that developed in our tradition. there, let's say at leisure, yes, on weekends, and in the subway, a person wants it or doesn't want it. he simply comes into contact with the work thus expanding his horizons at least in the minsk metro here stations, for example, uh, of the minsk metro, their names serve as a very good example of the memorialization of the departed. villages. let's say here is the first station of the branch. well, the new pear station in kalinovka mihovogo petrovshchina, because this is a village that no longer exists. we

do not even know where they were, but in this way we preserve the memory of the city toponics. and i also preserve and bring this memory bank with my works, because the work has a function. eh, saving the accumulations of a memory bank that is passed down from generation to generation. o some urban legends about the names of villages that were once part of the city. eh, they're gone now. here are the pears. v. of course, not so pears, in which you now see pears, in particular, you understand the sector, two-story barracks, here are some pears. my childhood for me and my emotions, conveyed by my impressions, pears of the empire in this work. we are now heading to the metro station frantishka, bogushevich square, where we will look at my sculptural work, the belarusian book, created dedicated to the life and work of the belarusian

writer frantishka, bogushevich. work on this work on the image of the sculpture object for the metro station franz bogushevich square. the architect vladimir nikolayevich and i thought for a long time what quote to take. there were several capacious bright quotes from the work of the belarusian writer, the founder of critical realism, man. this influenced the formation of the belarusian language in the form in which we know it, so we leaned towards a quote. you don’t leave, you press our belarusian one, no matter how franchizmshevich didn’t die. our culture belarusian takes its roots. in particular, art is not in the big academies in paris, but in petersburg, but it grows out of small towns and villages. belarus , where the methods of weaving forging and other folk

crafts are gradually transformed into the method of artistic avant-garde, that is, the roots of our culture lie in the village and in small towns, where folk crafts are. such as qualities and forging are something extremely interesting and original and broadcast honestly authentic belarusian culture, therefore, the basis of this work is weaving a carpet with your knowledge transmitted through the ornament through weaving broadcast certain myths, legends, and ancestors about the future about nature, and the sun about the harvest, and so on. bogushevich sang in his work to be ordinary people, purely technologically. we worked with rolled copper in order to create an inscription copper to have such a property that when heated it becomes flexible and plastic, but when it hardens it becomes red-hot. you will not do anything else with it, and at this moment you

need to have time to process copper according to the plasticine model that was created before and in plasticine model. we create all the aesthetic plastic and other properties of the work, and in copper we only fix it so to speak and make it resistant to deformation to everything else in general. e was a question. how to shade her. we thought to give a light patina. right up there in this part of the weaving, but as one japanese sculptor mitsuki, 40, a survivor of the hiroshima bombings, told me. first, you start making a culture, and then she herself tells you how to do it. and then at the end ends. in general, she makes you this is the only thing that the animal has for 2 months of communicating with him through an interpreter, so the sculpture itself prompted. that, in principle, leave this copper color, which over time gains and, so to speak, gets used to the

space of the metro station. here is an example of the interaction between sculpture and the urban environment. this sculpture from her history is one of the five sculptures of the contr animals series about the history of sculptures are in the collection of the national art museum of the people 's republic of china, one was purchased the ministry of culture for the national center of the modern republic of belarus and two are located. i have my easel works. they can also be urban. here you see

an example of urban sculpture. one of the series of countermeasures is set in chengzhou. this is the middle of china on the yellow river. and the second one found a place in minsk. in minsk, the city arts council approved the cultural work, noted the competent decision, and we started to make a sculpture of 5 m in size, bronze casting. as you can see i am using in the plastic of this? sitting in this bundle, this is my sculptural method, i am convinced that in each of us there is this invisible metaphysical connection. a certain unity of some opposites. let's say in each of us there is good and evil, light and dark, hard and soft. i am only the language of sculpture, sculpture - this is such a language, i only visualize, i make it obvious that the artist is hidden - this is a person who is engaged in his own creativity, that is, creativity occurs based on inspiration. and not by order and not by

decision, you understand, that is, out of love, and not by coercion, so the artist is the one who creates his own works, inventing, as martin haiger said, hiding invents the very truth that the work strives for, which seeks to describe the work, therefore the artist of the person who creates his own works. only they provide services to the population and others. organizations, everything else is sort of derived from gray creativity, this may be, this is normal, but i create my cultural works, developing them, as it were. it didn't sound like a sculpture belarus is our national art.

i try to describe with my creativity. uh, my attempts to figure out where we are, that is, we are in the universe. here we are now on surganova street on one side on the other. in my workshop meeting in minsk the fourth in belarus with the fifth on earth with the sixth in the universe, you understand and the human consciousness is so arranged, then we are trying to figure it out. where is it all and us. uh, visit different issues and my sculptural works. these are attempts to understand one or another historical period. uh, with those

topics that excite me and when i look, milk or casting or the smell of rain. it sends me back to that moment in history, my personal stories that i was in when i created it, like a time machine, you know, i can transfer there, looking at my work and remembering to be nostalgic, even experience it. let's feel the emotions that i experienced while creating it, so each of my works for me personally is still in its own way. this is a sculpture of a bird, i started to create it. eh, while studying. u vladimir ivanovich zhmanov. then i her changed transformed. it is installed in a chachun. it is also part of the collection of the national art museum of the republic of belarus well, uh, there is, it is also in other collections, that is, it is a sculpture. e. about how, in my opinion,

the theme of some kind of unity of attraction is described in an ideal plastic way. eh, some kind of harmonic alliance e. this topic worried me very much at the time when it was created, it worries me, and now the red thread goes through my whole life. e theme of this e presence of two opposites in one seemingly causing some kind of, uh, contradictions. well, like here money nights are cold and hot. and here is the sculpture. this is my kind of plastic attempt to connect. uh, some two opposites of the left and the right western eastern male and female, if you want it about all the meanings that are only possible in 2002 at 25 years old. i won a competition in china with physical education or they liked fantus, apparently, and they began to invite me. and of course, i liked it. china i, in turn, got carried away. eh, so to speak

theological teachings of confucius lao tzu. well , i can't call it religion. again, this is not an attempt. e people to understand what is harmony with where we are. eh, how can it be? how to live? how to live? right or wrong, there is a way. uh, how to follow it a and in general, i have developed such an interesting culture and worldview, it is difficult to win the chinese competition, but i was lucky, probably, out of two thousand applications, 50 are chosen. that's it. compare yourself. and here is the fact that seven of my works are installed in different cities of china. well, oh says something, it's hard to describe. eh, what motivates me or i motivate myself or he motivates me to create a work. i can't help but do what i do. i can't help but create a sculpture. and it's a sculpture. this is my report. about

what i was born for. i was born. nobody asks me. whether i want to be born or not, like you. i was born i must accept. someone must have wanted me to be born. then someone wanted me to become an artist, so the circumstances developed, then someone else. moves me to so that every day i come to the workshop and work, when i stop going to work every day, trying to deceive myself. he does this one in such a way that he does not become low-comfortable with himself, and when i return him again to the artistic process. i'm getting good again, so my main viewer. this is the one who launched my existential process.

i am single. my family is my work. i spend a lot of time in the workshop. i am so passionate about this creative process. it's kind of like motherhood when you you fertilize, you bear, you give birth, and then you bring up my works of a kind - these are children. here, look, i made an elephanthus piece, and then this piece takes me around the world, opens up an opportunity for me and gives me contacts when people look at this piece. i think at the same time, they look at me as well, when people look at me, they

look at my mother, you understand, therefore, my families are so far that we are talking about my family. this is mom dad. i know that's uh well. uh, let 's just say, how to love belarus native land be, and rightfully so. it was in china that i left for the first time for a long time, creating a work. the fact is that the competition in which i participated is an international project and the flags were raised and the anthems of all representatives of the participating countries were played. and then, thanks to this competition, i fully realized that i was an artist from belarus, you know, went there and looks at me like they ask an artist from belarus. and what happens in belarus, as in belarus, as in belarus , how belarus happens, then what sunrise, that the processor is developing, then yes, they look at me and think about belarus

and you begin to understand that you are not just some kind of person, that you came to belarus from belarus and for other people from brazil from japan from china from great britain from argentina you are associated with belarus and this places a certain responsibility on you. that is, you are no longer russia on its own, and this imposes responsibility. it's trying, it's stimulating, it's stimulating, let's say, to do the best you can. as far as you can and so on, so here after the first visit, when i returned to belarus in autumn, from hot fuju, in which there were plus 40, i arrived in belarus at the end of september, these leaves are falling, there is no one, we are driving from the airport, empty huge spaces. the bright blue sky is shining, the sun is shining. how can you not love it. if you

want something to change in your life, as the laotians say themselves and the world around you will change, and this is not an empty bag and the truth is verified. the fact is that in my life people often changed and changed in such an internal way, so to speak, request or the feeling of being yourself. here was. i was surrounded by people like that. i become like this. here come the others. i become this comes, the third, so people are different everywhere the question is not what kind of people in belarus the question is, but rather what kind of people in belarus in my life, but in my life in belarus they are magical. in general , everything goes by very quickly. i want to

tell you, and how to keep up with this on the one hand. it's amazing on the other hand. in this, there are elements of drama or nostalgia. if you want, you know, you look back at some times, which are already no, and these people don't exist, that's all. so it passed. when, uh, vladimir ivanovich banov died, i had a very strange dream a few weeks after his death. this is a park near glebovka, autumn, where we go. the sun is shining, and we are walking ahead, i look at our banov, and he is so far away from us, and i say vladimir ivanovich you are no longer with us it is so strange with us, he smiles to look at me and says. yes, max, i'm no longer with you. and we 're moving on and so good. well, i wake up and understand that the bans left us, so life is short, to waste on

negative emotions that arise due to some random misunderstandings. i take it so hard to define. yes , this is the concept of happiness, love, eh, uh, i have the opportunity to create a work and orats to this, it warms me, do you understand? i look back at the people who come into my life, at those who are, who were, and it somehow feels good to me that people like leonid levin have come into my life leonid khobotov lyudmila petr i can go on and on to call and of course, my friend architect vadim with whom we are creating a work in the city today. among the therefore happiness is simply to be in the process and create works.

we are now in the center, transplantology, hematology surgery, the image of an angel. this is an image dedicated to those donors who donated their organs on the one hand, and on the other hand to those people who are waiting for their donor, so this work is about something very personal and intimate, so we decided to make one upright, standing static figure, reminiscent of , or of a person, or a shadow, or a ghost, placed his light inside, but initially we thought that it would be a lamp, some kind of burning

so lonely, uh, red light, khatyn recommended that we consider the possibility of making a pulsating heart in the rhythm of a healthy person's pulse. approximately 60 beats per minute. i liked this idea. the architect vadimudrazhin also liked it and the customer, professor, kalachik, also accepted it as very interesting. uh, us it was possible, uh, to introduce light inside, to make taps for water in general, uh, to introduce it into the sculpture. this is an additional fourth dimension , this inner cavity at the moment when we started making the sculpture, angel. i worked just like that with the interior completely sculpture. it seems to me an underestimated topic, in general it is very interesting, and we introduced an angel into the sculpture - this is an additional dimension, it is something like volume in volume or emptiness in volume. a and in general, with this emptiness, we introduced light there, uh, technical

elements so that the water above it worked as vladimir citizens. in general, we have achieved that the e heart pulsates in the rhythm of the pulse of a healthy person. and we replaced the pedestal, usually granite, with the rest, which we had to replace with a bronze pedestal, because there is a technological window in the pedestal. eh? uh, it also has, uh, a certain device that gives this color and uh water goes there, so here you kind of see technologies with an idea, uh, with a concept. eh, with the plasticity of the work. e. crossed. as you can see that this sculpture also has the function of a monument. this is where people come and lay flowers. those who need, so to speak, to be held in fate, who counts on the fact that doctors and the center of transformationology will help them prolong their lives, those who are waiting for donors?

this region is called little venice. as you understand, due to the weather conditions , we won’t be able to start traveling in a raincoat, but in no case will this interfere with our acquaintance with the city; however , hundreds and even thousands of kilometers will not interfere with traveling around belarus, a unique architectural structure one of the most famous names of the belaya vezha tower, although during its history it is white. she never was. by the way, who didn’t know this particular tower

is depicted on a five-ruble banknote, the national belarusian authenticity home morning, where clothes and weaving items were stored, the red corner of the bed and the stove, approximately this is what a typical belarusian khadka looked like and incredibly many positive emotions. for the first time i see a bison, they were born, by the way, this year belarus 24.

good evening, dear viewers, the outgoing the week has been truly busy finding the perfect gifts for loved ones and friends. that 's another problem, well, and we've been working all week

to please you with quality content. so today in 20 minutes. we will have time to take mineral baths and learn all about their posture to make our own top films and projects of our tv channel. and also, of course, to discuss iconic topics and events of the outgoing weeks. my name is alena koverzina. this project aired, 24/7 let's go. no, i do not regret anything, it will go, perhaps, in the most famous french song, which was performed by edith piaf on monday, december 19, it was 107 years since the birth of this talented singer with a difficult fate from the age of 13. she earned a living by singing and practically all her childhood was deprived of the ability to see, however, miraculous healing and glory did not take long, and tomorrow, december 24 , is the birthday of adam mickiewicz, a belarusian poet, publicist, educator , a funny fact, and there he repeatedly tried to marry. however, the parents of the chosen ones categorically did not want to give their daughters.