remember the novel, when your very first acquaintance with the work of songwriters happened, probably every belarusian in the childhood of our generation heard a song. we heard it from my grandmother on the radio in the morning, the air began, so a more conscious age. i worked, and already as an arranger at the university of culture, when i was studying and guys came to me. and so they said, do this, how i will make the songs, i shot alexandra 's towels, so uh for me. here my

creative creative biography began. my guest is 10 years the junior of the team, which he leads most of the hits of this ensemble was written long before his birth, but this does not prevent him from sincerely loving the work of the veepisny fish. after all, he really grew up on the songs of this legendary band. today my guest is the artistic director of the ensemble pesnyary roman kozyrev roman good morning. good morning roman, in one of your interviews , you admitted that you received a very strict upbringing as a child. what it was, and my childhood was very unique. and since

i have a very musical family, all musicians professional. and so, in principle, there were no options. what will i be and some deviations with some variations of the profession, so uh, it was very clear, uh, the schedule for the day was very even. was there an understanding of what needs to be done? uh, and i actually, uh, wonder how my parents were able to do it, but really you would be there your mom. uh father, it gave a tremendous boost in my life and professionally and i am very grateful that u i had just such a childhood, because, uh, even if i played football somewhere less and drove

down the street, but then in the profession it was not much easier. and what about my peers and people with whom i studied, but were drivers accepted in your family? no, i didn’t have such a thing, that is, eh, we have such a not very unusual family, it’s creative and everything was revolving around music around uh, bringing up a lot of concerts in such a very musical way. we walked and drove. uh, in st. petersburg visited a very large number of museums. eh, well, that is very much like that. e, in my opinion, it is correct, if you want, that in the future, the child will be connected precisely with music and art. this is important. here is the watchfulness to listen to that harmony. this is where it helps a lot. that's me in my work, because i really have a

lot of ears, i understand, that's from the first notes. no, that is, for me, no. here are some halftones. i understand, this is good. this is bad. it sounds good. i can't even explain it, because well, there is some since childhood, the urgency of classical music and classical music education, and therefore, in this regard, it's great. and parents somehow encouraged for academic success, that in childhood he wanted you to buy from us. dad was engaged in such a job. he worked at three jobs, also a professional musician in the morning there at a music school. restaurant in the evening. there are holidays there. and he was such a main earner, so we had the main one, we had the best musical instruments at that time, the most the best. i have a brother who is a guitarist. he had the coolest guitar, which he probably had, but at that time i had the coolest keys to buy there and it was necessary, that is, we

had adult toys, let's say so. uh, you already mentioned that you received good educations. and not only musical it's all, yes, you finished the english rush. yes? and it's all thanks to my parents. yes yes, uh, we decided literally in the yard with a walk. now it is like this. well, yes. it's, uh, a special school. yes where will be three times three three lessons in the day was english. that is, it was very, very serious, there were such trips abroad. that is, then it was just some kind of space. we went to europe, we were already there at 10-12 years old. we spoke the language quite fluently with foreigners, so it's certainly cool. these are the languages. i think that this, of course, is also a huge push in the horizons of children. good yes, of course. this knowledge of the language will be useful to you in the future. you became independent very early, went to bahrain to work as a musician. eh what is this

it was over time, you know, it was quite difficult. those were the nineties. i was today culture already in my second or third year. i successfully passed, then i already passed, the third year and the fourth-fifth were at that time all these cultures were quite similar, and there were some kind of some kind of work, that is, during the year it was practically impossible not to appear. although, of course, my parents were against my leaving, but somehow the company developed, and they convinced me that it would be cool. well actually it gave a huge school of huge uncomfortable conditions you break out, firstly, and with some certainty everything is definite for you, but there , uh, everything is very tough there abroad, everything is very pragmatic. you show the result. you play well, you sing well, and you write arrangements well. yes, you work, you don’t show money, you

go home, everything is very clear, everything is very tough, if you can plow there 12 hours a day, if you can stand on stage 6 hours a day, don’t fall, don’t fall asleep, drink 60 songs there . that is, well, this school of life so very hard very strong. i am grateful that i went through this school. in 2003, another exciting stage in your life began, which is called pesnyary, the invitation to become part of this legendary team was unexpected for you. yes, unexpectedly. at that time we

were working in the city center in the most-so cool place. at that time, and uh, there were a lot of foreigners on the open terrace. and uh, they noticed us there and invited us to the casting, like young musicians like that. eh, that was totally unexpected too. it was also such a uh throw so unknown let's just say, because, you know, all young musicians, they're all like that. greyhounds will say so very ambitious to everyone, of course, this very order, which is in the state collective. he, too, is grafted, let's say. so. this is definitely a school. you also need to go through it, so that you can, in principle, or because we had guys who, well, they don’t accept it. they are this one, this one, this clarity is some kind of state in uh in relationships in

behavior. it's in the outer ah some looks. that is, these are, well, such things, very very also such transforming, let's say , consciousnesses. you sent a fish in a letter, a very difficult time for the team. in 2003, vladimir umolyavin passed away. uh, the struggle for leadership in the team of cloning without nerves began, how did you experience these changes? you yes e we came after the death of vladimir mulyavin, and she is that moment. vyacheslav sharapov valery from the karazhenka family of vladimir mulyavin remained, mmm, of course, starting from scratch is practically an ensemble, when everyone is young musicians need to be explained, it is necessary to compose somehow, uh, some new voices to be recorded, well, in general, everything started from scratch. yes, that's why we went to school at that time, there was

such an understanding, such a kind, that is, we had a good base and there was an understanding. how to do it professionally. well, of course, there was no understanding of self-identification, it took several years for us to, uh, yes, there is the first album, the first songs that you recorded your songs, some songs were already sung at the slavyansky market with a fifth there made for the kremlin palace. this everything is already, as if it was already quietly imposing some kind of imprint, and you calmed down. what are you, yes. you can yourself people. evaluate little by little. all this has already entered your blood in 2016, you became the artistic director of the ensembles. and this was also an unexpected appointment for you, and there was no thought of refusing. still, this is a big burden, but there was an idea to refuse. and it was all resolved. like this on the fingers during the meeting, because before that i was the music director, and the ensemble. uh, 10 years long enough

probably, i also had some rehearsals of arrangements, some of these moments are more musical. here, and here is the art direction. of course, it was unexpected, but at that moment, uh, at that moment, there probably was no other choice. and what have you managed to change over the 6 years of your leadership. we have become much stronger, and in moral terms, we began to breathe one such team here. in the sense of creativity, yes, because before all the same, e was such a small, annoying. i mean, where to go, in what direction do fat there? what songs to sing? we wanted one thing, but the management wanted another. we wanted to go, so the path. eh, management wanted. uh, let it through, so it’s like, so now it’s more and more, that is, i’m like with our guys with all of the same generation, we think about the same in the musical

culture around us, and about one, therefore, it’s easier for us to talk easier. we understand another word. we somehow do not pedal, and i absolutely do not put pressure on anyone with my musical authority. on the contrary, e i collect this musical aura around me and now i give it to people so that they somehow realize themselves musically in one of my interviews. you said you want to create your own story. e what did you mean? and i meant that after all, uh, i would not want the pesnyary ensemble to enter some kind of museum history, that is, and we must be an active, but a musical group with its own musical heritage, so that our next generation pesnyary's ensembles have already filmed for us, as since i filmed in turn. e, what was before us and filmed and wondered. here's how he played it here, what tone do they have? yeah, but we

remember seeing what is there, but at that time there, uh, in america, there was chicago there, and we hear some echoes from there and in the same way. i think our next generation of songwriters will shoot from where to listen? where did we get this sound from? it's so this is it. well, this is a cyclical thing. and now we have to create our base. we already have it and will appreciate it. here it is for the next generation. i think in 10-20 years people who will be creative after us. the legacy of the caves saves or still hinders the development of the modern ensemble, be that as it may, this is a big responsibility. it's a constant comparison. this can't help but get in the way. this is uh. you are correct. they said that this is a comparison and for us it is always some kind of bar. yes , because it will be comparable with the wonderful voices of our collection, i, uh hmm, will not

respect and admire what the dunanas pesniary did. those were wonderful years. wonderful generation of musicians. these are not only all the well-known faces and all the famous names that we all know, these are 50 wonderful best musicians and artists and vocalists of belarus who have passed through the pesnyary ensemble and all of them have brought their flag, so you can’t compete here. i don't bet for myself. here's some kind of bar that we need to cover or replay? i really want us to have our own, we are distinguished. here, uh, what we do our songs my songs are our creativity, by which we will be recognized and these are already people do. uh, at least remember the polonezgin song, which is just thundering everywhere now and for quite a long time, and we shot a video that collects a huge number of views on

social networks and it's great. and my favorite idea is waiting for me, where my quiet one screamed and in the evening in the garden one can hear from the house. during the time of mulyavin, the composition of the songwriters changed 35 times, you have been in the team for almost 20 years and during this time there has not been a staff turnover, how painfully you experience the departure of each artist since uh hmm i became artistic director. we've got one man, only one artist. you know,

first of all, i attribute the staff turnover, unfortunately, to little concern for flight attendants. there is such a thing that pesnyary's fish song must all the time. here they must carry. right there. yes, somewhere we must rush somewhere into creativity, and so on and so forth. yes, that's for sure. so well, there was very little emphasis on how the artists themselves feel. you know, it has always been a problem, because i read the notes of our colleagues and old colleagues. e. in the golden years of the songwriters and now feeling right from the caught, i dream of these diaries, when people there ate canned food there, well, such very trivial things, when saving on a daily allowance, although the golden years. there were three concerts a day; everyday life was such a mess. she, unfortunately, led here to a change, an artistic change all the time, because people could not stand it. and when i came in the sixteenth year. i tried. that's right,

gritting your teeth to focus, uh, and leadership and es. here's ours, so that our way of life will improve artists will, uh, so that the salaries are good, so that we, uh, well, here are some things to get people to have good buses, to have good planes, to have good trains, so that they don’t have to wait long at the stations, so that they don’t sit there for days at the airport, that is, things that unsettle people . absolutely , when you are sitting there, i know for myself that when you are sitting there at the conditionally belorussky railway station somewhere on the second floor there for 8 hours or there you cuckoo, and so you don’t know, that is, this is already under-creation . you are not up to what an absolute waste of time moods squabbles accumulation of fatigue, therefore, these are the moments. i try to minimize in our team and i try to make the artists feel much better romana

. have you thought about starting a solo career or starting to produce up-and-coming artists, you know i work a lot creatively with various artists, and i do the arrangements. that is, here, i would splash my kind of musical preferences and some kind of musical ambitions sometimes that i can’t accommodate pesnyary yes concerns modern some e modern music. i help children, uh, in contests. there is a new wave in the slavic bazaar and we cooperate very well with the center for anointing children with the center of vladimir mulyavin. the mask of successful success it's like a brulek on a

cow 2, and so more from top to bottom, so 3 each of us plays different roles during our lives. and here is what to do for those whose contribution at close range does not notice the reward. it is the desire to move forward. this is history. this life passed me by let's say so and you know it, for this is very important to me in my youth on belarus 24 tv channel. 16 best teams and 48 favorites from all over the country will win strong nerves or emotions. no one here knows what will happen in the next minute. this makes the four elements even more interesting, with

which the participants must cope. i like the element of air and flight. in general, in competitions, my wings grow, so i see chaos on the track, and we will show what firefighters are capable of and the decisive stage of conquering the tower, the team that will rise to the main crystal will become the winner of this level and will continue his fight for a place in the final was very hard. entertaining show heroes on belarus 24 tv channel and in addition to the heavy workload in the ensemble, i know you are also a father of many children, you have three children,

is it possible to carve out time for your family in your rather busy work schedule, this is actually a big problem, because right i put in schedule when i need to arrive. uh, when you need to get something done, because uh, of course, uh. hmm with a very busy schedule, literally. i sometimes just i cross out everything, that's what leaves, for example, some days only for the family, well, this is a problem and it must be solved. it's not really, but of course, of course i try to be more of a family. they devote all their free time to children, because, of course, i want to be with them more. well, such a period, i remember my parents, and my father, too, when it was also a holiday for us, when he was at home and when these are the moments. i'm with hockey, we're watching, hockey is here to stay. i have this one and a half hours together is always. although he is here all his life

we ​​have seen how he works. just from morning to evening just to because the family should live with dignity. you already said that your parents raised you to be strict, and you also bring up your children, mmm, yes, and strictness, so what? i have, uh, two guys, 13 years old and uh daughters, and five years old, so, of course, we spoil the point. and this, i think, is natural. and guys, of course, often get the age of 12, so, well, this is all enough and so on and so forth confess then. and who is in your family? well , let's just say you are a good and evil policeman or your wife. well, that's right, i guess i am. e, i'm hard to say girls, probably, of course,

kind no, the girl is definitely a kind daughter, but with sons, but i'm probably still the one who will come and check the lessons, if anything, yes, you met your wife in time of study at the university. it was love at first sight. i saw her at hmm at at the vocal arts exam, she was dancing in some number and for some reason it pushed me. here i asked our mutual friend to introduce us, and here we are, well, somehow it started with us. well, you can say that it is at first sight, of course, of course, but how did she react to your courtship attention. well, we worked for a long time at first. it’s just that in one team we were somehow getting used to looking at each other, and then somehow we started dating in one of our interviews and admitted that your

marriage was over. uh, a lot of trials that only tempered the important relationship with oksana to keep in mind, well, first of all, uh hmm having kids, because in 2009 that was for us. this is a very big test, that we were two young people , children were born, uh, premature babies, and they are diagnosed there a year, uh, with cerebral palsy. and this is all very, very difficult for parents. well, it is, of course, indescribably hard. that's why, well, these tests are. we traveled a lot with children and still travel abroad in russia for treatment for rehabilitation and hmm of course, this is it. uh, such teamwork when we uh raise the kids together. eh, this is this, this is probably the most

brings people together and you understand that, uh, this team can, can, can, e give a result. what is the main formula for good family relationships for you? good relationship. well, i'll probably tell you about it in 10 years because ah. well, i think uh, just looking back. people of more, it seems to me, venerable age can say what was right, what was wrong. i am not yet at that age, so we often have passions at home, but nevertheless. uh, probably, it is the children that bring them together the most. eh, i think, as in any to the family of our common concern, concern for the future of children, so that worthy people grow up. uh, convey to them some of our common values. uh, i try to instill in them exactly the same values, wherever we go, and abroad, e

russia, we go to the museum. we show show architecture. eh, and here, probably, such common human values, probably, and here is a one-way game, when parents look in one direction in some such life circumstances. they probably force at some point, when you don’t like something somewhere to remain silent, somewhere to calmly pass by some troubles, and then somehow , more or less, sometimes peace comes. with me at heart is good and not enough. for happiness, time is misfortune, we rest, live and cherish you. i love i love i love roman our program is called the meaning of life for you. what is the meaning of life? i often think about it, but

i have very much. i have two parallels in my life. these are pesnyary and family, therefore, uh. for example, i would not want to choose any one parallel for myself, because for me music this is some kind of cosmos that i fly away to get rid of some uh, here are some everyday life, some uh life moments, and i don’t know what i would do if i didn’t there was music, so i would like this state, er, to last a lot longer. roman our meeting takes place. uh, new year's eve. you just said some of your dreams about plans for the future. you know, i really want that in the coming year a lot of what you just said, what you think about, what you dreamed of, everything will come true. thank you very much, thank you. i also want to

wish our viewers. some uh simple things of health, good peace of mind, some to notice more good things around smile more often, even through force, let it, but this will add some kind of positive in life, because it’s best to concentrate on the good and see the good side of x, in those around in the family in relatives. it was the meaning of the life of the novel, kozyreva the best commentators are well-known coaches, we are interested in the fact that, first of all, first of all, the club wants to play in the premier league so that he must have the infrastructure, the

main task is to create a competitive team that would be mentally ready to fight for the highest places, so here is the responsibility and, of course, painstaking professional work bright sports events at the world cup are knockout games. the fans are excitedly watching the boy, because the favorites are falling loudly, reports from the field at first did not want to go high scary, incomprehensible a little bit afraid, and then, as then, everything is fine. went every year, it happens the team that will shoot has always been and will be everyone wants to be this team that will shoot, see sports projects on belarus

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