so that the new year holidays for each of you leave in your memory only bright, christmas positive new year's memories in all spheres and areas of life and fairy tales in the new year, of course, for every belarusian. i would like to wish the world of love well-being. may peace and joy live in your homes and families. let the houses be full bowls. may your brightest dreams and wishes come true. well, if someone has a change prepared by fate in the new year, let them happen only good. be healthy and happy dear. mine also

happy new year, this concludes our episode, belarus 24 tv channel congratulates everyone on the upcoming new year. you can find out how events will develop already in the new year 2023 on the website belarus 24 dot also happens in social networks. i forgive mine. all the best. what you need to know about the sacrament of communion regular participation in the sacrament of communion brings our spiritual life into a certain tone? why do icons work wonders there yong became a thin chassis, driven by yak e, i’m an antibuluska to you, what brings the courts to deliverance redemption or withdrawal? oh yes, helping. what

is the basis of a person's spiritual life, with the end of a person's earthly life, the opportunity to change something in oneself also ends. if on earth a person was able to purify his soul and adorn its virtue, then in this state his soul enters eternity. what is the power of faith, it is manifested in the temple when we are present at the service. this is manifested in our families, when we try to bring up our children there. uh, the basis of which is observance of the commandments answers to these and other questions in spiritual and educational projects on belarus 24 tv channel. in our project, we will show you unique personalities, in general, i am a person who, even without being tuned in to

intuition. that is, i'm still more an artist than a businesswoman, i don't understand. where does it come from? i can't even put my idea down on paper. they just flies off from somewhere above me, and do not break stereotypes with an example from my own experience, walking around the fabric store. i caught my eye, a certain fabric that has become, probably push. i realized that this is my ugryunovich sukatsky house, and he was that incarnation. it seems to me the end of this stage of imperfection in the father's life. watch in the program to break stereotypes on belarus 24 tv channel.

the most expressive means in a person is the face, eyes, facial emotions, in second place, hands , in third, probably, legs. although many believe it hurts, it's only dancing finished.

the environment shapes the person we had a huge multicultural yard. this is the city of baku, which is multilingual. here is the generality existed, of course, dominated. uh, azerbaijani russian, but you could hear a lot of the phrase spasitinsky in georgian. this is the normal environment of a large

metropolis, here is a very beautiful city with a theater located to baku, a bay, a very beautiful sea. he's probably the first. ingenious and this will not be a mistake in the post-soviet space. there are four surnames that are relevant today. this is grigorovich, this is vinogradov, this is an elfman, of course, this is valentina nikolaevich of course, each of them received a large number of advances, but also cuffs he fights with an open

visor. here is something don quixote. we never had any questions. why i am fond of, there my father was an officer in the baku military district, he was a participant in the war. he was a gun commander and on the ninth day of the war in their guns on the floor a projectile and almost everyone was killed, and my father was also two live bait. and it was in western ukraine and the last hospital train managed to take him deep into russia, and in this way he was captured by me and had the opportunity to be treated in hospital. my mother's story is also very amazing. she was a refugee from ukraine and when his sister died of starvation. mother father two remaining brothers. she was picked up from well,

where to go? well, where in the krasnodar territory in sochi, and when i learned in the ninth grade and the whole class of girls was drafted into the army, there was already an edelweiss division, uh caps, overcoats, then english boots that did not bend. further, the weapons for the girls are still the royal three-line fun, it is 16 kg, you represent marriage. the first sura from the qur'an, peace be upon him who enters the city

your architecture is also like part of ballet. this is frozen music. rather, it is 1001 nights, azerbaijan has a lot of wisdom of oriental people. i would very much like to show such a miracle, it was the president of azerbaijan's mother who worked as a chief accountant.

we are at the war memorial cemetery. this is a monument. for my father nikolaevich or my sister's dawn, mine made a very simple lapidary, and all these i planted around the grave were sold here. i bought it and just stuck it in and they all took it all alive. 42 years old good man was very gentle. he loved me and my sister very much. he loved

his grandchildren very much. here it is a pity that it is very rarely possible. this is a very nice yard. there were a lot of games here, there were sports grounds, and they were very well organized, because at that time i had a restless nature. yes, she came out screaming. she called me roller. yes, other sites have also changed here. i think

it was somewhere in 1994. i then worked in turkey and conducted a lot of orchestras there, and i was asked to invite one of the best ballet dancers collectives, and then i met. with valentin nikolaevich, in your veins, the breadth of nikolaevich lies not only in the fact that he was born here, he understands all the nuances. he knows the east very well. his greatness here is to combine it. this is great skill. this is the door, but here is self-construction. here it was a two-story house in the second apartment, which means that this is how you enter the entrance and immediately the apartment yes

. well lorda have a salad? the bride lives two rooms. here is a large room, and the bedroom goes there. yes, this huge apartment has become from two-room something three-room. yes thank you thank you very much told about that when he was uh a student, uh choreographic school. i have repeatedly invited him to the azerbaijani opera house. uh, when the fee is masada uh, the artistic director of the aching corpses. she invited their very talented young ballet dancers

there, to some certain mass values, performances, there marker azerbaijan. this is like a visiting card for our theater. all the time i wanted to learn from good teachers, and the moscow and leningrad schools were very famous in those days. and i consulted with my parents, they supported me and i went to leningrad indeed, very dear and close, but a lot of good impressions are associated with it and not very good and evil good bad and so on, but i love this city. it is very beautiful and the conservatory

is located on theater square opposite the mariinsky theatre, so these are my relatives places. see what it was called before. here is the imperial dance school, so i am a teacher. gennady seletsky i found out that he wasn’t even signed, but the roots of valentin nikolayevich they are here they are here in leningrad in st. petersburg, and what is noteworthy was the first graduation of the then completely young

seletsky, who made his first graduation, and there were boys in this graduation class and valenty nikolayevich elizariev and redzhepodyev, that is, such and later established creative personalities, that is, hello now oh, thank you very much uh-huh, belarusian teachers. i remember giving you this book. help gull legs chalk leg asks what kind of rector's office it is, only the entrance was on the other side. yes, they say, i don’t remember, i remember, i was met in leningrad, settled in a boarding school, fed at the expense of the state. they put on a hat, a coat, shoes, a school uniform

, moreover, they took saturdays and sundays to the theater in general better than you there then or leningrad, they didn’t give us any seats, we sat on the tiers on the steps, well, we considered ourselves big part that we were able to. as a small boy now i am pleased, but to meet. thanks a lot. in general, i am talking about those people who really did something worthwhile in the soviet union at that time. i just have

tremendous respect, because, firstly , no one in the soviet union was allowed to, let’s say, not a leading position, but a position that would influence the formation of a generation, they all command very great respect from me because they went through a giant selection in the last course. i had a hand injury. there is such a thing as a dual dance, and on which you need to, uh, take a partner and lift it up and put it on your shoulder, right? again and again, take it and put it on the other shoulder, but i came across such a big girl to the right and put her on the right. lowered to the left planted, and she began to throw and fall. and my hand got

under her back and she. she was caught from behind. she did not divorce, but my entire bag, my shoulder ligaments, twisted and tore. a very serious injury. i remember that i immediately i was taken to the military medical academy. i got to a very good doctor in military uniform. he was korean. as you can see, i know both the left and the right , he gave me back the life of this hand to do somewhere else to study, because i can’t dance even with such a hand with such an injury.

to live the present and we looked, as it were, through him into the future, because he was an innovator. this is the mariinsky theatre. here, on the contrary, this is the conservatory, which i graduated from, however, now it is all in the forests, as you can see , restoration is underway, but here i spent 5 years studying at the faculty of musical directing, the department of the political racer. so this is my home. we met at a wedding, bolgar married a russian. i don't like it when loud music sounds, but at a wedding they love it. i say

make it quieter there they did it quieter, then someone did it again, louder. and then one nikolayevich invited me a second time. and here i really liked it. uh, how he dances when the music is loud once again, or what kind of idiot cars are they playing music so loudly all the time . he says this idiot. i don't i liked it, i liked it more. he was blue-eyed fair-haired curly. here but and then gradually e he became interested. and practically he fell in love with himself, he has these, but the ability to infect people with himself

when i meet nikolayevich’s mother then i kind of, well, how to say was a witness, the nascent love of him and his, so to speak, marriage was all before my eyes. he showed me the grad a lines, besides the fact that he was a magnificent gigit, along the lines of the city. he read bulgarian symbolist poetry very well and, uh, at the end of the first year of my stay. i got married . not only the union of a man and a woman, yes, but also a very, uh, strong creative union, because , uh, they always u discussed all their projects together. e planned. and here it seems to me,

the opinion of each other. uh, the most important thing for them is the two conservatories ended in physical and leningrad. you can always consult with her. and i really trust her taste. well, well, i gave birth to beautiful children. how can you not love someone for that? here i am i initially understood that i needed to go by the wayside, then if i was in bulgaria with six opera houses, i would stage the performance for 2-3 years, and that is, i would realize myself as a specialist much more and therefore for valentin it’s better that he make a career in the soviet union, because they love ballets more there, and it really turned out that way, that is, fate decreed in its own way.

26 years to get such a bolshoi theater in terms of structure, even financing, after all, we must not forget that minsk is one of such important ah centers, it's big not my tongue. this is a big risk, the minister of culture, for some reason, after st. petersburg, the city really believed me, well, it didn’t make a big impression on me, but

the scene of the bolshoi theater made a belarusian impression. especially in separate form. i have used this many times in my performances. then he has such magnetism in this scene. it was an amazing day. when did the new young come to us? very beautiful were together of the same age with us we gathered. he told us about his first performance about some one of his. dream, it was his first big work in our theater, he told and showed very beautifully. kiss kiss

can be close-up? this is the most important thing in life. sometimes i just would have reached life differently. it's not me, i'm completely different in life, this is a language that is incomprehensible at first, this is a language in which it seems, well, what's there, after all, kicking legs started with this, there and so on, and it came to - this amazing me to amazing emotional perception. like how the music is supposed to be unique and

completely in the sense that it bypasses the stage of awareness of the listener, it immediately affects the emotional sphere and we perceive it with sobs there, or vice versa with reverence. he does not even fully understand why these feelings arise in us? more and more, more and more such that no one has, and nowhere even no one has come close to this, not in any of the performance artists. you see, there is no such thing that carmen especially killed, it was suffocating in his arms, they killed with a knife. somehow talk about the play that you compose, but it's funny, because it's so personal. eh, i felt it. well, in general, i really like

performances in which the center is a woman, because this is a woman - this is the beginning of all beginnings. he can, like a man e, show the feminine essence. that's literally half a look. it is definitely for intellectuals. very lyrically passionate. well , marina, i know that he nikolaevich appreciates this very much, so that the ballerina has strength in appearance and soul. he had a beautiful one, and in fact, on the stage, this is all very clearly visible, artists are born thanks to the possibilities choreographers, thanks to the look, thanks to psychologism, because everyone chooses a person in his work who would perform a certain kind of task, what he is capable of . so i appeared in this theater there were young people. there was a very talented group on which i relied on sound art, and i am

very grateful to them for this. several generations have already passed; they were the first performers of many of my performances. it's normal to do it normally on yura's knees, i can't even imagine how a performance can be born without self-creation. we are not a sport where needed perform a certain movement for such and such a number of points and so on. we have content. we have emotions that well often in this synthesis of art develops deep thoughts. he came one day said that there would be the birth of eve to do he saw. and

literally every finger had such movements, no. we needed to stroke the grass and push it apart and see who exists in this grass, and i had to. review a lot of uh paintings he paints he uh lives in the rhythms of music, he perfectly understands the plasticity of the body, its regularities, its beauty, and, on the other hand, it is very seriously and deeply connected with imagery, that is, it penetrates there to such an extent that in general it sharpens all

the details that can only be done with the help of plastic art. i still listen to this music while dancing. and when i come as a spectator. and when i sit in rehearsal. i'm getting it somewhere far, far away. this is a biblical legend. so real even today. it seems to me that if this performance, carried, everywhere, around the world, people would become better people. a grain of sand, but very important in this world, and the future of both the earth and the sky and all the natural

elements depends on it. on the one hand, he is very. small and vulnerable here, but on the other hand he is very strong. we must perceive the ballet in the context of the time exactly at the time when it was staged, when there were such crowds near the theater for the creation of the world, which were regulated by the mounted mounted police. that is, you understand what it was an event at that time he was a revolutionary, because he staged ballets, in general, many in a completely different way than they were in the soviet union. belarusian ballet, as such, did not exist, did not exist before the arrival of nikolayevich. he created this ballet in private of the leningrad moscow school of plastic arts. the public in belarus who is well versed in getting sick is the public able to appreciate the first, let's say, correspondence

acquaintance. e with him, as happened with the choreographer here, in the kirov theater then it was, if i'm not mistaken, 1977, i still was quite young, and a student of the choreographic school of vaganova i was passing, uh, past the poster that was on the facade of the kirov mariinsky theater. i saw a huge poster made written civilized choreography. valentina yurizaryeva, the stop was animated by a criminal ill master of the belarusian opera and ballet valentin today was a big victory, the director of the climbs showed himself perfectly in the performance. i didn't know that music could be like that. uh, i didn't know you could think of me that way. uh, the artistic body is a kind of clay. nikolaevich who worked with the music of the twentieth century, and with such

outstanding examples of it in the face and everything from stravin's sergei sergeevich prokofiev to belarusian composers, who were on the wave, so to speak, very serious , that's the development of music for ballet. and i think he felt it unmistakably. he has a symphonic way of thinking it is very nice when the choreographer thinks more broadly and how he knows the composer in the share across. he knows his past and his other works. he is not knows his style. he knows the character, he knows his traditions of music. it seems to me that there is a duty officer, if he is going to. here is nikolaevich's own topic. he must be well prepared, indeed, real good music connects us with god, i am convinced, but in the theater there must also be a plot. i don't like puzzles on stage. they annoy me. maybe someone understands whether this is a

tribute to fashion or a tribute is simply not modern. like what is modern no one knows always modern that spartacus is absolutely luxurious symphonic music by aram khachaturian, she demanded an adequately very strong choreographic series of the strong. i mean, you see, convincingly, because to know the times to understand them fully. we can't we, of course they are, and the artistic ones are interpreted, but from how the emotional wave comes from the stage. you understand that choreography has its own artistic text. and this is what fascinates me, as a professional. i am very, very worried, maybe i have n’t been so worried for a long time and i’m really looking forward to it. still like me

they will understand when we danced spartak in moscow on the stage of the palace will eat. yes, there were so many colors of the sea. and now i remember this applause. and the release was so happy and there huge bouquets brought growth from one rosette fell to the floor. he quickly picked her up and dressed her in pizza. and he was so happy that he had such a great success of these tours, when the ballet had just come out in the eighties, spartak, many specially went to the second act of the orgy of decorations. of course, i would not say that he made a sexual revolution in soviet union because he made a sexual revolution in the belarusian ballet in the soviet ballet. it's true. he talked about

the fantasy film in which plesetsk was filmed and the composer rodion shchedrin called who was making a special suite from tchaikovsky's work. here he responded. of course i was very interested. here it was not. how many then 20-8 years were filmed on central television. there was such a huge studio there. this is how the best authors were invited to this auditorium, well, it is clear that evgeny tchaikovsky was a priori, ahead everyone, well, shchedrin himself studied music. uh, anatoly frost is doing the director, i was doing the choreography, and pierre cardence was also involved, who made all the costumes for this film and donated it. personally, you write a huge number of songs of indignant

soviet viewers to me, and the policewoman loved to quote these letters and said that people wrote that the screens were already children. i remember this premiere, i remember this excitement, because after all, such a topic in the soviet union was not very good, then you can, uh, it’s surprising that in the belarusian ussr all of a sudden this was allowed. then then it raised a question. how could this have been missed? for a harlot, she is so captivating

, but in no way is it not vulgar in any way. eh, and here it is. i really have the best at least at the moment when i was dancing, i was terribly complex, and it seemed to me that i had something wrong there, this, not that, in principle, erotic art. yes, just and valentin nikolayevich managed to do it, he could not cross the line. yes, there is. that's because, uh, he has ballets in them with a mouth, it's true, but she very beautiful and elegant. there is a very beautiful body, she never crosses the line. there is nowhere not only nastya, i have an old dream. for the belarusians to be the best union, i didn’t

believe for a long time that the soviet union might collapse, that this really happened, because suddenly all these 14 republics. they were beyond some line uh beyond the line. yes, i didn’t just say that we didn’t notice. i did not notice anything at the bolshoi theater at all. we know the big theatre, it lives above it's the cherry on the cake that's on everything looks from above, something is happening somewhere, where it all broke up the soviet union and a new government came, and bulgaria experienced democracy, then they were completely impoverished and of course, uh, here, uh, he supports my parents in many ways, if from it depends on someone to help. he never refused, and he helped a lot of people, especially his

ballet students, who ended their ballet life. here they tried to arrange it somewhere so that they would not remain only for e, here are pensions in the nineties. i watched the premiere of uh, rodned passion, uh, who was created together with e, on the russian composer andrei divan and valentin nikolaevich i already saw more often, because there i was at the conservatory andreevich taught then he offered her to work. of course, i didn’t know how to do it, i did n’t know what i could do. but the very idea that the performances went through 100 reconnaissance performances, do you understand what he thinks? this is for the composer. there can be no higher honor.

for the first time i will bring baptism orthodoxy to the theater stage. it's very significant no one did. such a costume of a rogneda, he came up with a dance so very weighted when she is like on the door for years under our costume we have done with a huge number of different details of some kind of dragging with a huge crown, a performance that received, yes, this award is like an oscar in a movie. and that's why the performance of valentin nikolayevich lives so long, because they are structurally very precisely built and this is deposited in the subconscious. so for a long time they

learned very well. uh, this is his specific method of work, he is such a person who sees through, i can’t say that he is severe, he is attentive. he looks and reads an artist for the future, when i just came to college or graphic and the first year of study and came to take the girls on the threshold of passion, because the girl always danced, it was a shock for me, of course, when i saw some kind of kladovich not working, because she was standing many. here we are four girls stood and carried out saying, well, who knows the order? well, get up, one of the moments of politics in the theater, e, it comes from

childhood at the barre - it's like order is order at the factory. everyone chooses his form of dictatorship. all artists who danced the ballet of valentin nikolaevich and under his direction. eh, everyone knows perfectly well how, uh, he is firstly present at all the performances, and everyone knows where he sits and in what position he sits and how he looks, and uh, always in his eyes in his. by the position on the chair, one can understand whether the performance is going well or not very well, and today it has been preserved. this very important rule happens in all of their performances. it is important. this is useful for those who are on stage, and this, of course, is important for the artist, that is, for himself. e, who creates this here, this is the whole phenomenon of valentin ilizarev. he is not only talented, but an outstanding choreographer. he is also a very talented organizer. this is not given to everyone, in general, to

a creative person, but it is given to him. i feel good, kind attitude. i feel it, and we have it mutually. i would like to. you know how to embody the ideas of valentin nikolayevich, you don’t want his performances. mm thanks to my performance. uh, evolved blossomed to live and i think that when he sees this, he has gratitude is born also to the artist who give themselves their creativity their lives in order for his creation to live. it 's like his children, we rehearsed, in my opinion, romeo and juliet or swan lake, and he said, i bow to you, you are so fragile, you have such hard work. you're standing

on those flanks, what's going on with your fingers ? and so i was so surprised that valentina nikolaevich still had the image of such an uh, rather tough person. and now, when he said this phrase, i understand that this person has everything and everything about him they say that he is severe and probably, there is some truth in this, he is a strict dad. but you know in many ways a fair theater, as in any creative team, there is a lot of them with a lot of envy, a lot of meanness, and the ability to find the most important thing and set priorities and be fair. eh, this is very important. here he is a very reliable person. and he has very strong human moral, but the core. yes, he has one very bad

trait that he explodes, he can offend a person with his scorpions. here he can sting. that's anyone and many he doesn't forgive. i will tell you one secret. only a very close circle knows this, but we keep saying that it's all about the hat. i came to the bolshoi theater to order a hat. and leaving, i asked the man i say, where is valentina nikolaevich and i was told that he had not been working in the theater for a long time. some was not very, a pleasant story, and he is at home valentin nikolaevich experienced a terrible dear. so he couldn't understand how it could be?

after 30 years of work for belarusian ballets , he was not thrown out for belarusian art. thinking. decided well. leave, there is no empty space. he doesn't like betrayal, and he doesn't like people who can betray for money for position. he immediately breaks the ties for him, so these people cease to exist. unfortunately, when i worked in the theater, i was already resting in the antique shop, let’s say at that time and there was no live contact, when there were live people together and his performances were going on. higher education ballet. and here is the chair from the karelians their cadres of

necessity. for many years i observed these nikolaevich already in the classroom, like a professor who, on the one hand, took his place in the chair, and on the other . of course, he showed, he worked with students for 9 years, went missing a lot of hmm performances, which were not born such beats, aha opa of the heart. but he managed, however, you know, he lost his health. i went out to the theater, found his phone and called him. said that valentin nikolaevich i think that just a lot of people are very busy now and probably do not understand what happened or simply do not know that you are not working. and what, i will do everything possible to ensure that your seventieth anniversary is celebrated in the theater, yuri grigorovich helped a lot, he wrote a letter to the head

of state, he drew attention. on this. naturally, there was an anniversary, then there was an offer to return to the theater. and i left on my own. i don't blame anyone. i forgive everyone everything. i love autumn, well, such golden yellow leaves. yes , we live in seasonal non-reptiles. here it is let's say september there to july in the season. this this is how we live, and everyone lives there for years from january 1, the subsequent first january of the next year is a funny life. and when do i get ready for rehearsals? of course i'm getting ready. in solitude, i compose different

parts for many people in the mirror, all this is a person who is here in the theater from morning until late evening. and even weekends he comes, because the theater is not only his home. but that's what holds. i love the feel of the natural environment. probably, i was very lucky since childhood, i do what i love and i probably need a profession for people. this is where a miracle happens. a miracle gives birth to ordinary people, such as, for example, i consider myself to be. here, too, a huge team is involved in this miracle, a very modest person, very demanding, insanely professional and

able to keep silent so thoughtfully and understandably. what do you know, it seems to me that sometimes it is this state that he conveys to those around him in the state. here i have to be tactful, and at the same time, insanely talented, it, of course, makes us better and taller and you understand that today for the country it is very important for an inner person that i am young. here but when i look at myself in the mirror, it’s clear that youth has long passed, probably, something childish bursts out of me, but somehow in the theater environment i feel like some kind of elder, probably due to some kind of life and you know, creative is such an additional look at all the creativity of the theater and opera and ballet and all other forms

that arise here, because there is a symphony orchestra here. there is also a choir. here, all kinds of ether, other forms of performance, including even exhibitions, uh, which need to be said artistically evaluate and take responsibility for it. and believe e, this is not given to everyone, but it has not only its own, but also let's give a highly professional assessment, because it happens, therefore, valentin nikolayevich can have the right to judge about this artistic whole when he restores his ballets, and i asked him what for him, this is what it means. he says just in some ballets. he feels that the vocabulary needs to be changed. that is, the drawing itself, the dances, must be changed. he says characters i have in these performances reinforced concrete. it's just now a little changed time is a painful process, whoever influences it all understands and knows and sympathizes. on the other hand, we

cannot live without it. this is our debt, but this is our happiness, because without it , there would probably be, probably, uh, well, there would be another life, and it would be much poorer, and hmm it would not be our life, he uh man who does not like to show his inner feelings yes, but this does not mean that he does not feel or does not experience. i just think, uh, you have to look at the actions. so, in some difficult or force majeure situations, he does what he should do in my understanding. this is very masculine behavior. little talk, lots of action. that's what i didn't think. and what about his love for theatres, his love for the profession? this is some kind of disregard for me, these are completely different

forms of life, when i put it, he took on some economic obligations on himself, when he put it, i tried to create all the conditions for him due to the fact that, in general, my parents were very busy. uh, and uh, little time. we spent together then every minute. uh, when they were around, it was happiness. i really remember how we went skiing in gorky park to ride together. with my dad, i feel this fatherly love absolutely and he always made me feel that i am the most important thing for him, most importantly, the accumulated experience can be transferred, and i have a huge accumulated experience and my wife has a creative life. we did not choose this profession on our own. here they are linguists daughter works by the way in the

head of international affairs in our theater, and my son uh is in charge of the camera at sofia university, he speaks 14 languages, such an incredible person and i was lucky with the children. i'm just happy. i am very proud that i was born in such a family, it is very interesting. he loves family. he feels best at home. he loves children very much. he loves grandchildren, that grandchildren are even sweeter than children appeared, you always know and feel that he has a very rich inner life. this is completely understandable. he gave what

he has to his creativity to his performances so beautiful, which have been living for more than a decade, a lot of performances come and go. but his performances remain. i'm sure they will live on. a very long yet very important point that is in every theater. yes, and there is such a kind to believe that there is a ghost , it is this ghost that he still chooses artists. he chooses a leader. one way or another, he can endure for a long time and still destroy this person who he does not like and in this situation you see, and the genius of the place was chosen by the designers. yes there are only years

he is greeted by life. need to. in general, be very bold in this movement. well, all the same, so that art is born, and not some kind of candy wrapper, the next of which there are a lot in life. it is necessary to create a performance that would live the same life as a person. here, something is going on, not only searches, everything is born ultimately here. this region is called little venice. as you

understand, due to the weather conditions , we will not be able to start a trip in a raincoat, but in no case will this interfere with our acquaintance with the city, however, will not become an obstacle to traveling around belarus for hundreds and even thousands of kilometers, a unique architectural structure. one of the most famous names of the belaya vezha tower, although white in its history. she never was. by the way, who didn’t know this particular tower is depicted on a five-ruble banknote, the national belarusian authenticity home morning, where clothes and weaving items were stored red corner bed and stove positive emotions. for the first time i see a bison, they were born, by the way, this year hello travel online with

belarus 24 tv channel.