and here i am hello, probably, we are

the only one in the republic of belarus who still produces the good old tasty moscow sausage exactly according to the gost recipe show the stash where you have sausage sandwich happily be the one and only moped museum the only one in belarus in the cis , belarus with svetlana borovskaya on our tv channel.

my name is kirill khaletsky. i am 22 years old. i am a film director of a youth film studio with molko in belarus, we'll talk today on belarusian cinema, if it has a future

hello, you are watching the program, say, do not be silent in the studio victoria popova and tatiana shcherbina and visiting. today we have a young talent, a young film director, kirill khaletsky. hello kirill you probably wonder why we invited you to the studio, right? yes, where did we find out about you, but i’ll tell you right away from the director of the very experienced well-known elena turova, who, as you know, is obsessed with the idea of ​​​​letting new young blood in our e, many-part belarusian cinema. let's see the plot. nogo cinema launched on the base, belarus of the film a new division a launching pad for beginners in the industry here graduates of specialized universities and unrecognized talents from all over the country will study filmmaking and develop a portfolio for young people no genre restrictions will be filmed and short

feature films and commercials and tv series preference for short metru youth studio is also a kind of creative group of the national film studio. experimental laboratories , pickings, round tables and seminars will be held here, and you will this youth studio is silent. it's called youth film studio top star. a film director, to be precise, that is, yes, this year i graduated from the belarusian state academy of arts. e, i studied to be a director of cinema and television, but my specialization was just television, that is, in the future, and we could only work as directors of television, not cinema, but belarus film in this regard, there was a clear line that no, you are a tv director please no, the moment of my distribution has come. that is, where to go

what to do? eh, here. eh, i didn’t want to be distributed somewhere in the regional cities. and i think, okay, i'll just go as a teacher in the courtyard of youth children, and here, uh, vladimir mikhailovich karachevsky calls me and says that kirill needs to talk. this is the ceo. belarus film. got a suggestion, how do you feel about being a film director? youth film studio super how else? i mean, basically, it's a great opportunity, and uh, which, well, it's surprising to me that there hasn't been such an experience before, because. well, here, uh tv and film directors are different things, so i’ll say a pioneer in this regard, and again, they didn’t particularly want to take young people, because no matter how young they have no life experience, that’s why the youth film studio was actually created to launch and actively start this whole movement work with

young people. and what are we basically doing today. that's where the youth to gain experience, if they are not taken to the film studio, this is only a good question, well, some of their own developments. so to speak. uh, yes, and this is another one of the checks we say to ourselves because people, when they entered the academy of arts. uh, well you imagine movie world spielberg red carpet. everything is fine, but after the first semester, people understand that this is not so, that is, the expectation of reality does not work and not always in life the way you want. come on, we won't even get to spielberg, let's go through the classics where we were born. e, in what environment did you grow up and actually? why did they want to become a film director, and i was born in minsk, uh, hmm, actually in our family well, there are no directors or screenwriters, then there is a father, i am the main energy manager mom administrator in

a beauty salon. here, in fact, well, there were no prerequisites, nothing foreshadowed, as it were, yes, that's right, but at some point, that is, my father says that let's try to be like a film school. it was somewhere in the fourth grade, i caught fire, by the way, as an actor. then this idea burned out, and i switched a little attention to directing, that is, it was still more interesting for me to think of putting something to work with the cameraman. let's show the audience a snippet of your first short film. yes, horns, looking ahead, i’ll say that, to your surprise, he probably also collected a lot of international awards, but first let’s look at the screen.

it was a surprise to you that he was so well received. list the countries yourself where it is shown. canada is a lot, where in russia, uh, then hmm australia, india and africa, and somewhere there were even the main prizes. i remember, that is, most of the festivals, yes, where he even took the first places, well, about the surprise. i don't know, because m-m i already, in principle, to was ready for this moment. i knew exactly where this film. why is he filming this festival movie clearly. we make festival films. so i have already explored platforms for finding festivals to send. how it works? and the coolest thing is that there is not a single word in the film. thus, he is perfectly understandable in any country of the world. here you see, here are all the awards of this film. here is the festival,

synopsis, four awards. this is our belarusian festival from belarusian state university, that is, there, well, they said that you won everything, how do you explain it, but i don’t know, it is wordless and understandable in any language. well, it seems to me that its main feature is that it is too simple. everything is very simple , simple to the point of absurdity and there are not even words, but uh, the most interesting thing is that, well, there are 72 frames and in these frames, any person understands them differently. that is, when i was in moscow at the festival, there were about 600 people in the hall, and everyone understood the film differently. let me tell you it's interesting how i understood when you were their young boy. here you are, very young, you take risks and run all the way to the top, when you are in middle age. dorognichat, when you are already an adult at an elegant age, everything is on your drum. you're even breaking the rules. so. well, you

understand, this is so, i will not reveal all the cards, because there is such an interesting moment that or maybe you didn’t even think about these meanings that people come up with for themselves, but they came up with better ones and they ask you. and what did you come up with or not? no need to tell. here you have thought up to yourselves great here, think, so. and how do you know about cosmos cigarettes, here is the hero holding it in his hands this pack? after all, you are 22 years old, these cigarettes have long been out of stock. yes, long gone. the fact is that somehow my father and i were, well, a la, it ’s wonderful on the field that newcomers and the cosmos of an old cigarette is cool from a rocket beautifully. i used them in student work. and well, in the course and the master of the course. says kirill i'm for you only for this plan of cigarettes. 12 points i think, well, probably the person was smoking. everything, he says, kiryusha cosmos is what unites us. all cigarettes please,

you can put cigarettes in any movie your talisman, but in order to make such a modest film. yes it only lasts 10 minutes, as uh road you had to spend a lot of time and effort. we have some backstage photos. eh, this is the part of life that always scares me away from the cinema, because we see what is happening, you can comment on kirill , well, in order to shoot this. this is how it is. yes, it takes a long time to prepare. that is, in principle, and in this film, just the same spirit of short films, when there is you are very good friends. this is where you filmed, we filmed in down jackets. here, look what an alien sky in a down jacket is the most cosmos yes, of course, my grandmother lives there. so, it turns out, yes, that is , you and your friends are going? uh-huh well, a la for thanks for the experience everything, and the budget for this

film was my salary and my father's salary. so we folded and made a movie m-m. yes, there was, by the way, a very funny moment related to the pedestrian crossing. well , literally two fields, well, a kilometer away, somewhere in the village, where there are cyclists. i'm drawing crosswalk field field and one cyclist says. well, finally, a pedestrian crossing was painted here, and there was no need to coordinate the marking with the road services and the traffic police. let's put it down to them on cyril but for the sake of what it's all the same. well, probably, it would be somehow loud to say for the sake of art. but, probably, simply because i do not know how it can not be done. that is. here i want. this is what i feel, i'm eager to show this to the people in all of this right now. i like that there is no self-confidence, but there is confidence in your actions. that is, i was sure that we would shoot this movie, it

would receive awards and give a step to their further actions. and so it happened. look, cyril, after all, already in the world of cinema, various things have been re- shot. what is called e. well, it's not entirely clear how you want to become a film director, not in hollywood or even in bollywood, she is belarus in a film that barely makes ends meet, i should probably start with what a director is, because people don't quite understand, what he does screenwriter. will write the script actors will play producer to allocate the sponsor's budget. give money, what does the director do? why does he need to sit on the court in a chair exactly he uh and says luggage motor fit coffee chicken, yes. well, of course, here, in principle, we have passed the stereotypes, yes. in principle, uh, i read somewhere that a movie can be without a director, but it will be an ordinary average movie, the actors will play the script well, the cameramen shot it. a. but as i understand it, the director is

a look at history passed through himself. so we have history titanic and through my prism. let's go without the titanic road, good prism yes, yes, of course. er, that is how i see the story. if i had given the script to someone else, we would have seen a completely different movie. that is, it has all the magic, so tarantine. this is tarantino and this is filita absolutely yes. let's then watch the trailer for your next short film once upon a time there was a land.

beautiful, at least, yes, kirill a year ago, when you were raising money for this film, you wrote on the net in the twenty-second year. i want to conquer one very large world the film festival its new film once

was the earth, the script, the storyboard, the film crew , the actors, the estimate, we have everything, but there is no gasoline that will launch our car called cinema, there are no means to implement the plan, do we understand correctly that gasoline has appeared. yes, yes, and i found it in russia, strange to me, the country is a gas station, but i responded to this entry of yours yes hmm yes, i have a very close friend of mine - this is a moscow film director. alexander hunt who directed the film. how do you see the garlic? disabled and off-season this year released. so he helped me in this matter. he filmed off-season for 5 years. that's because of the same problem, because there is no funding, but it was published. i have my entry on my page and potential sponsors have come to me, who yes agreed, that is, literally. uh, there was one person before filming. we started filming on the second

day of shooting, a person writes to me. listen a. i can still fit in, how much do you need? give me a card kirill and how much do you need? how much is the budget for such a short film. i really am much turned out, of course because i'm not a producer. please tell me, i'm just curious. so i think to young directors, too, who are now hatching ideas, as for young ones. i want to say that just the same way. here it is an example of a short film, when you don't pay, there's for nothing practically, that is, but the budget of 750 dollars is conditionally expensive for the equipment. yes. here we modestly imagine $ 750 and world fame. yes, well, not so loud, but we have collected something. portfolio is already portfolio yes, awards are again for producers, you say, so i have some kind of baggage, and once there was land - it was 10,000 dollars. yep, really expensive. that's it. i

thought so too. and yes, you know, at least somehow they wanted to play filmmakers, because sponsors appeared, some money appeared. let's get a better camera. let's all pay salaries to andrey dobrovolsky, we will invite a famous actor. well, by the way, i took off for $100 , so i went to the concessions. here and somehow. well, that's not the joke, how could it be possible to remove all the same, but for $ 750. yes, we'd have some differences in our preferences, but we'd do pretty much the same thing, actually, it's a super experience for me, because, well, i realized that i'm not a producer at all. uh-huh and i realized how important it is to have this strong person around who thinks for you. you are only busy with the film. they think that they need to meet the actors there, here the coffee is over, and there you still have to pay that one,

no, that is, i should only think about cinema then it will be true. here's a big movie festival. you promised your sponsor to conquer conquered uh. i honestly responsibly proceeded to this issue. so we started the scan. these are epics, the film was shot for the cannes film festival. oh yes, we made it according to the requirements of the festival, a film up to 15 minutes. everything is crisp. we send it. we are waiting for an answer ukrainian festival. e. i was still sure to the last that it would retain the status of an independent film festival. unfortunately, no, the cannes festival was a little closed from russia and belarus, uh, so flew by. we guys won't be able to. we went further was the venetian festival, berlinaria. everything is right there. that is, in principle, uh, i came to the conclusion that in europe they are not particularly

waiting for our films, competitors, because you see, because you said that the most important disappointment for you was that they declare independence, yes, their and all of a sudden it's turning everything, because it's a pure water policy. nobody will ever tell you about it. just sorry this year. no, join again. but, and when conditionally i sent the film to the 100th festival, yes and 10 of them only accepted the film. five of them were russian, one was kazakhstan, three were italian, one was american, that is, and then there are questions. i really don’t think the film is so bad, at least for the picture, it would have taken something, but anyway, then i’m glad that there are such independent festivals that are still waiting for this youth student festivals.

they are free, because where does the youth get the money from? let's try to conquer cana again, and gestalt needs to be closed whether this is before the debut feature or after, but we will get to them everything will be in the best possible way, i will clarify the script, uh, and in the first film there was a road and once there was land. your idea and your ideas, and we will continue to talk about your cinematography after a short pause. and now let's break, i remind you, we have a telegram channel. say don't be silent. subscribe give questions and suggest guests we are in touch. on the air say it again, don't be silent. and today our guest is a film director , screenwriter and three-time winner of the president's prize support for talented youth, kirill khaletsky, kirill and how did you manage to become a

laureate of the presidential award three times. well, probably, it all started back in the first year, when after the first term paper, sketches, we decided what to do with them, that is, the only one. i'm off course. well, i'm not afraid of this, because really it was me. and why not send it to the festival, and i also sent the very first work. well , about fifty festivals there and the answers came and there was a turning point, when i realized that my movie, maybe someone is interested, not only mom dad, but someone is really there in france somewhere else my father and i went to france to a film festival. yes, they sang wine very well. they ate a bun and actually on their return. and at the academy, too, how would i share this and say, let's send you to the presidential award. so, they sent it three times and three times. everything is fine. well, you directly consider that such support is a necessary thing. yes, it's

very like, very very cool, when in your country you do what you want, and it 's somehow. well, you resonate because you said that to your films. unfortunately, only russians. yes, they were able to share the means of belarus, they did not respond to your prayers to help, but the state still holds, as it were, defense and helps young talent, it is obvious that your genre is in cinema. this is a philosophical parable, you must agree, it is very noticeable, the influence of andrei tarkovsky and the minimalism of the motorographer. we see that the shots are such a black and white brison on the top photo of a frame from your film. between was the earth, and on lower i think everyone learned, this is oleg yankovsky out of nostalgia, but despite your young age. i shelled two of these works and also felt some kind of nostalgia in you. uh, a pack of space also

prompted me to these thoughts. and if you take it more broadly, in addition to things of objects, there may be some kind of integrity of humanity in friendship, that is, you and dad were on a wonderful field, probably not by accident. yes , what you have in this topic of nostalgia fascinates. i hope i answer your question. i just adhere to such a kind of life position that everything that is with us happening. it is necessary for some reason and in any opportunity. i see a chance for everything. i am very open, for example. i am going to the shop. books. i want to buy a book. i don’t know which one and i will choose any one. and it is in it that i will find what i needed at that very moment. that is, literally in everything, if they offer me to do something, well, i'm cautious, but i find out that because suddenly this is the very chance, because m-m people miss them and then regret them very much. and i'm very much in line with everything, yes, yes, you are not the first

a guest who tells us what to read, and those very signs of fate and what tells you. that is, you are finished and a fatalist is not necessary. uh. well, this is still in kung fu panda, he said to the master of gway accidents are not accidental. let's be simpler the main character of your film. uh, once there was land. there, in one frame, he puts a candle in the temple. clearly having made a wish before that. what is your deepest desire? mm, well, the question is serious, of course. the most important desire is the health of your loved ones, because well, we we can't really interact with it. only having very large funds, and that is not a fact, that is, these are irreversible processes. and yes, probably that's what i wanted to guess. that would be exactly this, that is, not the world. fame

fame is not the laurels of the cannes film festival absolutely not. you have already mentioned your father twice, and we saw in the credits, vladimir khavetsky - this is him, yes, you know he is a producer, yes, you just, as i understand it, are very attached to your family. we can show our viewers your video in a video, that's what it's called memories yes yeah, so that you all be happy, so that now they don’t forget us like that, and that they love grandparents, give me a barrel no. joy, such you are, such a good, pet comes to us more often. we are always waiting for you to come.

he said something.

that's what archives for the director mean, i envy you kirill that you have such a video, what is his idea, probably, a lot of people kind of asked. yes, and you, too, today why the director in the family there is no one creative. but , it turns out there is me recently, as it were realized never correlated these two facts. all my childhood, my mother filmed me on camera. and it just turned out to be hours and chronicle materials. that is, starting from yes, even before, she filmed, but from the 2000s i appeared and, uh, a chronicle, and only recently i got to these materials, because we don’t have videoconferencing players, we need to digitize them. it took a very long time. and well, a small penny, of course, left and it turned out 40 hours of materials, this is colossal. it’s just that i haven’t really figured out what to do with them yet, but conditionally i collected

several of these videos. and m-m, i wanted to dedicate the very first video to my grandfather, who is predominantly the majority here. that is, i show it very often. i often remember, because grandfather vyacheslav alexandrovich yesenin is here, and he always tried to help me very much. he loved me very much, and even now, as if from the whole family , i feel tremendous support, very strong love, and i was very glad that i managed to show the first video to my grandfather, while he was still alive during the filming once there was earth. he was very much in touch too. i will help you. i’m just calling, he was very worried that everything worked out for me. and she and her grandmother live in down, so all my shooting takes place in down. i really love this place, and i spent a lot of time there, and he promised to help me on november 13, the twenty-first year of shooting, but he

and his grandmother got sick with a code, and i had a birthday on november 26. he was very worried that he could not help me. we phoned him on november 17 for the last time. and he is the main asked. well, have you ever made a movie? yes? yes, everything was filmed well, 26th birthday. i have november 27 numbers. here you are, of course, yes. well, you know, i probably feel very unusual about this. i'm not upset. on the contrary, i am very glad that there was such a person in my life, and he left such a strong mark. and it turned out to be a very strong influence. yes, that's the only thing i regret. it is that he does not see his great-grandchildren, because he has been reviewing footage for 40 hours. everywhere i am in his arms. he kisses me always it was, maybe he will see. we can't know, but i i know for sure that he was always very

proud of me. and now i’m sure, too, i don’t know if other families have such a huge archive of video materials, but we also had photographs, that is, a bunch of photo albums, and it’s very, probably very pity that today this tradition does not continue, because today everything is on the phone tomorrow the phone broke down, then you need to clear the memory and everything is forgotten , including memories, but i am very glad that i have these video fragments. and where can i hear people's voices to see them again. well this is a very, very super one of tarkovsky's ideas. if i remember correctly, e was that the artist must sacrifice himself . twu, for the sake of art, are you ready for the same attitude? i think basically be e in the world of cinema. as a so-called filmmaker , this is a sacrifice, because, well, it somehow

happened that people do not work out with the film industry. there, in family life, it doesn’t really fit with finances somehow. well, here's something. well, everything, so even choose this profession. we're already, uh, making that very sacrifice. yes parental self-sacrifice. just when you said about this most secret desire. yes, with this candle in the temple. i thought you would still save humanity, and you are saving your loved ones, but i said heroes about myself. e, i put it on behalf of all mankind, i suspect that, for the sake of filming even the smallest pictures, you had to step over yourself. kiril, this is difficult. here, uh, write in general publicly, help yes, this money, probably not, when you have it. uh, big support, then it's not difficult. that is, in principle, very it's good that someone is already doing something.

this is very commendable. well done. you are there in this letter. i still remember. write that many, as it were, will rush to rush once, they will find money twice, your young colleagues. as i understand it, you are familiar with all of them and either they leave, or their hands drop. and what helps you to act further during your studies at the same academy, there were two options, either stick to your line, or compromise, and at the beginning of training, many people broke down because they did not want to give in and adapt to rules are their choice. that is, someone left, someone decided. okay, i'm not going to direct. i just finish my studies, but i chose a compromise, why not. eh, people are experienced and plus some of my ideas, we can do something together, yes, and the master of the course. he also had a very strong influence on me playing valery mikhailovich thank you very much. mm, probably the most important thing he taught me is this feeling. internal selection, because

if i had any idea before, i would shoot 100%. it's cannes, it's the oscars, now i'm really long i think about it. yes, i wrote it down somewhere, i'm analyzing it. or maybe it's not worth it at all ? maybe it's nonsense. or maybe it's worth it, or maybe postpone until later. well , you lose confidence. the one that i thought when i watched your film, the road, that is, while you are young. you throw yourself under any wheels, fat fate. and when you also grow wiser, you think maybe this is bad hmm yes, probably not, just. you should always think, is it worth your spent efforts of your resource these two films. i am very happy, that, namely, they are still necessary to close gestalt to shoot the third short film, and then a big movie, but it looks like a big movie will be a little earlier, but nothing recently we have in the program. uh, the wonderful expressive on this topic, the chairman of the union of cinematographers in belarus, viktor

vasily, let's listen to the revival of the belarusian cinematography will help the youth, if we trust them with all the nonsense that we think about , then our cinema will be reborn, reborn. i assure you, but if we give consent. look, here i am the first of the young ones who are on the staff of a film director, because a film director. excuse me. it is possible not to be a film director at 40 and at 22 already a film director. uh, only with the support and joint work of helping the young from older experienced people. we can achieve some general result, because he is young in himself, but he was hanging out somewhere and filmed something. well, he doesn't have enough experience in both screenwriting and directing in something else, and the experienced ones are still

afraid to let the young ones in. it seems to me that this is the main problem. what is so hmm, in general, victor vasilyev clearly speaks if we give, that is, well, give in, yes, here are the cookies. now i know, in november and april, who wins them? well, as a rule, those who have already proven themselves to be experienced directors or let the young ones win these cookies? well, i would probably like to say that that's it. well, i think that this is precisely my goal at the film studio, and to give the road to the young, that is, to break through this piece. uh, because now well, at first they sniffed at me a little bit. what's happened? why is he here and a filmmaker. now they trust me at the film studio that, in principle, despite the fact that he is young, he does good things. i already know that the film studio wants to set up a system, that people are distributed from the academy to the film studio. that is, just the same, it seems that this

summer it will be adjusted, and we will see more young personnel, and i am sure that, well, we will break them, they are starting to trust us and yes, we we do together. we are cool, i really want kirill to succeed. you are not the first generation to board this wall, but it is a bygone movie. listopad you were supposed to present the film just in time for the sixtieth anniversary of the belarusian union of cinematographers. it turned out to make such a film. elena viktorovna turova came to me and said that it was necessary to make a film about bsc. i ask what it is, i don’t know what it is. for me it's like a chipboard, here's a dsk contact card. yes, that's why i started to study what it is all about the union of filmmakers in belarus, yes, what did he do? who was in the composition, in principle, is very, uh, also an important point, not always in life you will do what you would like, that is, there are

some tasks orders. that is, here you are, please, a documentary film about close. you don't even know what it is, but you do it. and here, it seems to me, the main thing is to love the material, because i don't know these people. i don’t know what it is, but i am so open to this material very reverently, and i really fell in love with it, that is, during the editing process, really put together a cool movie 25 minutes as a documentary. tell us a little about him. there you have well-known masters speak out, yes, zaitsev marhel, kasperov stepanova well, look at all the heroes, they are very respected people of age. uh, the belarusian allies of the mantographers are filming a very young boy. here you are, and about him the film heroes is a very old middle generation, as it were. you have such a feeling. where is it? i don't

know about everything in films, age-old actors are the rtbd theater of belarusian drama. eh, don't i know why i fell in love with me so much, we sometimes go there with my father, again tatyana grigoryevna markhel. we are well acquainted with her. and i really liked the artists there. they are probably due to the fact that it is a very chamber hall. everything is somehow so under the home is very sincere, and you believe them and people play very well, so very responsive are always ready. here you are invited to shoot. generally super filmmakers. we do not have a middle generation who could imagine any erographists. union well, the fact is that it used to be somehow appreciated more. that is, you are a member of the union of cinematographers to get there - it's almost impossible, very large expert advice. you had to shoot a few pictures already to get into the union, and it was super appreciated. that is, under viktor

turov, as i understand it, it was the heyday of the union because of the tours he fought very hard for people, he defended them. he encouraged them, and he knew that if an apartment is needed, he will go, a person will have an apartment, that is, this union of filmmakers really worked, and it benefited those who worked undoubtedly. uh, we were heroes, we were in the same country in the soviet union and filmmakers. they freely traveled moscow-minsk. they came here, the great masters had free communication, film screenings, festivals, it was a boom for belarusian cinema. and now, let's just say state support has stopped, the union, but the union is based on belarusfilm, again, these are different structures. it's just someone, maybe ugh the same thing no hmm well the union of cinematographers he continues his activities, and still has an impact and

again, it is waiting for its ranks for some young people after the filming of this film, you wanted to join closely. and vector vasiliev came and said that for some reason he was not yet in the union. we will definitely welcome you. and now we will take a short break. after that, we will return to this studio. let's continue our interesting conversation while subscribe to the channel. that's what it's called. say don't be silent. offer us guests. leave your comments. look for all our episodes on youtube channel, belarus 1. the best commentators are well-known coaches we are interested in that, first of all, first of all, the club wants to play in the premier league so that it must have the infrastructure, the main task is to create a competitive team that would be mentally ready to

fight for the highest places, therefore , responsibility and, of course, painstaking professional work are bright here sports events, football games are being played for elimination, fans are excitedly watching macho, because the favorites are falling loudly reports from the scene are high scary, then everything is fine. went every year, it happens the team that will shoot has always been and will be everyone wants to be this team that shot. watch in sports projects on the channel belarus 24. year 3 it is planned to deliberately develop a promising area of ​​investment in three key areas: construction, housing, creation and development of infrastructure in the regions, investment projects and technical re-equipment, including with a stake on imports, replacing production belarusian

industry, despite the sanctions obstacles, this year it works with an increase. balance. according to the results of nine months, $4 billion of foreign trade reached the highest level of profitability of sales in 10 years in minsk, a contact center for state social services was opened, by a single phone number 139, citizens can quickly and accurately receive information about the work of territorial centers of cell services in stationary institutions providing social services payments and the provision of other social guarantees, watch the event on thursdays on our tv channel. on the air say again, do not be silent, and we are visiting film director. poet, kirill khaletsky, we have more or less talked to you about the cinema. but the

verses have not yet been covered. write, however, very old information, so that he writes, but then he abandoned it. yes, yes, but probably in poetry as well as in the movies for me. that is, we accumulate the received sensations of knowledge. it's the same in the cinema, that is, the road is, uh. well, let's say. here is the result of the knowledge that i had accumulated at that time, once there was the earth. the same with the verses a little easier. that is, you are experiencing some moment and give out. you just blew my mind when i watched your films. i thought that this is precisely the knowledge given to us in sensations. yes, here you are out of formulating it, but after you splashed out everything that was. you are at zero again at the start, you need to gain something new, what will we do next, you need to gain new sensations and knowledge. a certain amount of civic courage is needed, perhaps, so that your young years do not rush,

as you say. the same young colleagues right up, but on the contrary, stay in minsk uh, it's your conscious choice. hmm develop. that's exactly the belarusian cinema, my place is here, well, this is an inner feeling, because even when i went to moscow there at a film festival or just to see friends. well, as soon as you get on the train. i already want to go out. well, here i am. we haven't left yet. nothing, but i already want to leave. i don't want to go there. and yes, while you are there somehow. well, kind of fun on the weekend. well, i still want to go home. well, again, i tell everyone that in belarus it is really possible to work to make films. but please, very beautiful on we have nature to shoot once there was land. we prepared very hard, looking for locations and it was very beautiful. true, you can work, uh, another point of financing. we have russian friends, please, we will

make joint products. why not. you talked, probably with filmmakers from different countries, including at the festival, i don’t think there are countries where it’s easy to make films about this, in general, the whole story. even hollywood says to get through. yes, even such a cool screenwriter. in my opinion, how the cohen brothers were very, very difficult. and it's all an illusion. it 's just that today when i read in social networks, and young film critics who say there is no cinema in belarus and there will not be. i don't understand where he is. i remember the reverse experience, how they came to us from america to shoot films and from the same india they come, because here you are right, there is nature, and beauty and technology. well i don't know how to your taste. a film studio has been equipped since a young man. well, in my opinion, if you have an idea, then take it off. i don’t want to. no, really. at the film studio, let's say everything, to a higher level, so that it was surprising for me. i thought where

i result. maybe you don't have anything, very modern technology. well, literally here is the last squeak. that is, it is very good . fine. maybe we are. it's just not enough, we hear about our cinema, because there is no film studio. as such advertising their films. this is really a problem, that is, elena viktorovna turova also says about this that there should be advertising, as the viewer knows. well, in fact, about five belarusian films, about which we simply do not know, and this is also the moment on which i am now actively working, as it were, for this. what are you doing on youtube have you created a channel or what? well, how can you work on it, but this is not enough to dig. we are one from afar. of such attraction to the studio, it was the creation of nike's debut feature film at the belarus film studio. yes, it is very attractive, because the debut is a loud statement in the cinema sphere. some people have

short films. this is so, but this is the debut seriously and therefore literally the day before yesterday. uh, the director of the film calls me and says yes, the ministry of culture. approves finances your debut film in the summer we shoot. and now, while it is cold and snowing, we begin a long preparatory period. and this is a very responsible step. and here again, i said it all. why am i doing this? someone doesn't succeed. that's it. by the way, i think about everything, i don’t think that he is so lucky for him. i hate him all. no, i have question to you as much as to me. well, you can, but i probably can't. we have the same conditions. so i need to change something in my life, so that the film that you are going to shoot will also turn out to be profitable, it is a festival or spectator film at a

film studio, as it were, between the lines is the task of raising the next task of raising the belarusian cinema, so as i am young the bets are very much on me because young blood. now he will do everything. he knows everything. i was at a lecture by a moscow prodyur, and he says guys. we have to to determine immediately before filming that we are doing art or business. these are simply two different elements of art, it is respected. this festival movie well done well, two awards, but the viewer does not understand the films of the cannes festival program are not shown in cinemas, they are practically incomprehensible. but business, on the contrary, you can make the script simpler, but we will call bezrukov, he will go to the audience. well, the script is, of course, so, but we will earn the script. we wrote it together with a moscow screenwriter. there is this comedy comedy absolutely. why comedy? yes

, this is the most difficult genre of all, in fact, but it seems to me that this is exactly what we need today, because when everything in your life doesn’t really somehow fit, that is, well, conditionally at work you are not very at home somehow discord and a couple more loans from above and you watch zvyagintsev well, here you just want to do it in general and you want to live. here, but i even remember the soviet classics. well, that's all, damn it, some fairy tales, and even if we see the working process, this is an office romance. and somehow it is so inspiring, everything is so spiritual and really wants to live. a little distracted from reality. here fell into this world of cinema magic and everything, as if close-ups. here are the roads. there, right kutsiyevsky, i want to live very beautifully. you shoot well, kirill, but you will reveal such a secret to us. what the comedy will be about, well, uh, i'll tell you a little

bit, and actually a comedy about a young man who is very ambitious by nature, you can learn some things. and here, but a person aspires to the big world of cinema, but is in a provincial town and actually this is a film about how, let's say, people who are not related to cinema try to make a movie and how they succeed or fail. well , there is conflict here. yes? that's funny. yes, starring bezrukov where, again, i immediately started the conversation with the fact that we are doing a joint project. belarus russia, uh, because russia is 140 million. belarus is only 10, and since these 10 do not yet know that we have a movie, fees, respectively, well, the script turned out to your taste. yeah and uh funny good. someone writes to me, it happens

comedy it's not funny, you know, then it's good, and in what year is the release planned, when we can already evaluate the fall of the leaves at the twenty-ninth minsk international film festival. here at last. and how long have you yourself been to the cinema relatively recently go? uh, a cinema, it’s less and less popcorn, but nevertheless, i’m trying to follow russian premieres, because after all, everything is spinning in me now, so i want to know what russian comedy breathes like something. made my own conclusions and said what we are we will do we will do. i froze already, again i write, as it were, so i make the same videos from the chronicle according to my feelings. if it touches me, then it will touch someone else, if it's funny to me, then it will

cheer someone else up too, and therefore, i think this is a working scheme. i mean, i don't think it's funny with a stone face. no, i myself have fun from this, so i think everything will be fine, the most important thing. a team how would you portray absolute evil on the screen? absolutely evil how would you portray absolute goodness on the screen is trite, but family, you remained true to themselves until the end of our conversation kirill thank you very much. we enjoyed immensely. we pin on you, as well as all hopes for the belarusian cinematography, its revival. i wish you, of course, good luck and we will wait for your premiere at the next leaf fall film festival. let it be a good comedy. we tatyana shcherbina victoria

popova say goodbye to you today. goodbye. goodbye. and now he says, kirill khaletsky, probably, i would like to end on such a slightly banal note, but nevertheless. uh, i'd like to say now like me. i love my family very much, and i would like to say how much i love my mother, father, grandfather's grandmother slava, dima and my girlfriend yulia hmm it seems to me that we began to talk too rarely. i love you. it is somehow difficult, because, well, here is a person nearby. he probably understands, and we hope that, well, he does understand, i won't have to say well, that if the sms is in text messages, it's just there, i love you everything is a smiley. well, i can't really say it live. therefore, thank you that we have television, and i can like this to say that i love these people, i love my family very much. thank you for being with me, for

supporting and loving me. thank you heroes of the project polishuki passionate about what they love people wheel millstones here we go with this grain, and here the bag is put everything, you can grind flour, then go bake pies. they will tell about the amazing polissya way of

life, and everyone knew that there was no one in the house at that time and they would share. why did they choose their small homeland for life, my heart is joyful, everything here calms, and therefore another place. i never would have found it, and never thought i would. notice 24? why? who is this?

live you watch the main news at noon with you pavel azovik. welcome to this edition. with the use of unmanned aircraft, artillery exercises were carried out at the lesnovsky training ground.