our father bandera ukraine mats we will be cotton wool for the sub-kozhbandera for ukraine, you will be mats for the stolen ukraine.

here is a fragment of that same ill-fated himars a few days ago, he flew to this recreation center. as you can see, there is nothing left. it was a purely civilian facility. but at this point, 6 hummers flew here, but in the evening, about half past nine in the evening. those explosions were crazy. ah, when we already heard the explosions, we immediately moved here to the object here was a recreation center. that was a lot there were many 300 victims. for about two hundred square meters, probably, but they

provided first aid, because, in principle, i know how to provide an internship. he provided medical assistance. in fact , there was just unreal chaos, and everything around was on fire, ah, the screams of the guys, it was just very creepy. eh, actually here is how ordinary people would rest, ordinary ordinary citizens, because in fact it was very wild to watch and that is, the situation was very tense, very scary.

december 20 is chekist day, when we have belarus belarusians are celebrating the day of the state security committee, the same enemies could not help but come and honor the memory of the legendary pavel sudoplatov, which means that his legacy is extremely important for us. zelenskiy's secret service raided monasteries across ukraine, even arresting dozens of priests at a nunnery without any justification. in flagrant violation of the ukrainian constitution , which no longer means anything last week. he announced a plan to ban an entire religion, the ukrainian orthodox church, and requisition her property for lack of loyalty to his regime, stating it publicly. today, a meeting of the national security and defense council took place, at which we

considered numerous facts of the connection of individual religious circles in ukraine with the aggressor state to the government to submit a bill to the verkhovna rada for the impossibility of activities in ukraine of religious organizations profiled by centers of influence of the russian federation. in addition, the civil service on the policy of freedom of conscience is instructed to ensure the conduct of religious studies examination of the status of the management of the opt. for the presence of church canonical links with the moscow patriarchate and, if necessary, apply the provisions of the peace law. you are my mother, queen of heaven, you are my protection, you are my hope. it hurts in my heart and the grief of sleep with hope i always urge

you for 30 years, people have been active, and anti-russian propaganda has been active, people have been fooled, but they tried, uh, to create a huge number of different sections and pseudo church organizations on the territory of the zaporozhye region more than twenty different all kinds, but this is done specifically in order to decompose, divide society and then, of course. uh, all the negative ideology that is being carried out fruitfully falls on the minds and hearts of these people who are divided, who do not see. here, the true, as it were, the goal, but the truth, and the truth is one truth is spirituality, this is goodness and love , we see where there is from which side comes cruelty and hatred. and from which side comes love and kindness, and even local residents. they note that, and when ukrainian troops come, punishers come for them,

and when the russian troops come, the builders and workers come after them and the church is restored. we try to work with everyone. uh, don't harass anyone. naturally, there is, well, such a sediment that has remained from the past. e, we are working with this, but we will all do it after some time, that is, everyone will forget about these and everything will be fine. it's a certain spirit. our breakfast is valid, we will all be together the great white and small river, and therefore these are the most worthy people we have seen here from met with representatives of the administration of the authorities, authorities, these are people who do not spare. e, and their belly and ready to sacrifice their lives to make our future and our new future, this news is a fair world queen in itself, and sorrow hurt me from

hear me a sinner and unworthy from evil temptations me save returned alive you can see, the truth is with you the mother missed her and partly, sobbing, the wife will hug and look like that, that spring will come again. and the light of the sun, they suddenly said, there is no more death, and silence, a friend

said war.

my name is kirill khaletsky. i am 22 years old. i film director of the youth film studio is silent in belarum, let's talk about belarusian cinema today, if it has a future, hello, you are watching the program, say, don't be silent at the studio victoria popova and tatyana shcherbina and visiting. today we have a young talent, a young film director. kirill khaletsky. hello kirill you probably wonder why we

invited you to the studio, right? yes, how did we learn from the director of the very experienced well-known elena turova, who, as you know, is obsessed with ideas to let new young blood flow. our private belarusian cinema, let's see the plot. the youth film studio launched a new subdivision on the basis of the film in belarus a launching pad for beginners in the industry, here graduates of specialized universities and unrecognized talents from all over the country will study filmmaking and develop a portfolio for young people, no genre restrictions will be filmed and short feature films and commercials and preference series for short films the youth studio is also a kind of creative group of the national film studio. there will be conduct experimental laboratories , pickings, round tables and seminars, and you are at this youth studio smolka. it's called

youth film studio top star. a film director, to be precise, that is, yes, this year i graduated from the belarusian state academy of arts. e, i studied to be a film and television director, but my specialization was television, that is, in the future, and we could only work as directors of television, not cinema, but belarus film in this regard, there was a clear line that you tv directors please no, and the moment of my distribution has come. that is, where to go where to go, what to do, but i didn’t want to be distributed somewhere in the regional cities. and i think, okay, i'll just go as a teacher to create children of youth, and here, and hmm vladimir mikhailovich karachevsky calls me and says that kirill needs to talk. this is the ceo. belarus film. there is a proposal, how do you look at

going here as a film director. youth film studio super how else? that is, in principle, this is a great opportunity and uh, which, well, it's surprising to me that there was no such experience before, because, well, uh, a tv director and a movie director are two different things, so i'll say a pioneer in this regard and again they didn’t particularly want to take young people, because no matter how young they have no life experience, therefore, in fact, a youth film studio was created in order to launch this whole movement and actively start working with young people. and what are we basically doing today. this is where youth to gain experience if they are not taken to the film studio, this is only a good question, well, some of our own developments. let 's just say. uh, yes, and this is another one of the checks, let's say

ourselves, because people, when they entered the academy of arts. uh, well you imagine movie world spielberg red carpet. everything is fine, but after the first semester, people understand that this is not so, that is, the expectation of reality does not work and not always in life the way you want. come on, we won’t even get to spielberg, let’s go through the classics, where you were born, and in what environment did you grow up and actually? why wanted to become a film director, and i was born in minsk, uh, hmm, actually in our family well , there are no directors or screenwriters, then there is a father, my main energy mother is an administrator in a beauty salon. here, in fact, well, there were no prerequisites, nothing foreshadowed, as it were, trouble, yes, everything is correct, but at some point, that is, my father says that let's try to be like a film school. it was somewhere in the fourth grade, i caught fire, by the way, as an actor. then this idea burned out, uh,

and turned a little attention to directing, that is, it was still more interesting for me to think of putting something to work with the operator. mm. let's show the audience a snippet of your first short film. yes, looking ahead, i’ll say that , to your surprise, he probably also collected a lot of international awards. well, let's look at the screen first.

it was a surprise to you that he was so well received. list the countries yourself where it is shown. canada is a lot, where in russia, uh, then hmm australia, india and africa, and somewhere there

were even the main prizes. i remember that is most festivals, yes, where he even took the first places, well, about the surprise. i don't know, because hmm i was basically ready by this point. i knew exactly where this film. why is he filming this festival movie clearly. we make festival films. so i have already explored platforms for finding festivals to send. how it works? and the coolest thing is that there is not a single word in the film. thus, he is perfectly understandable in any country of the world. here you see, here are all the awards of this film. here is the festival synopsis, four awards. this is our belarusian festival from belarusian state university, that is, there, well, they said that you won everything, how do you explain it, but i don’t know, it is wordless and understandable in any language mmm. well, it seems to me that its main feature

is that it is too simple. everything is very simple, simple to the point of absurdity and there are not even words, but uh, the most interesting thing is that, well, there are 72 frames and in these frames, any person understands them differently. that is, when i was in moscow at the festival, there were about 600 people in the hall, and everyone understood the film differently. let me get you i'll tell you interestingly, how i understood when you were their young boy. here you are, very young, you take risks and run all the way to the top when you are in middle age. dorognichat, when you are already an adult at an elegant age, everything is on your drum. you even break the rules, something like this, well, you understand, it’s true, i won’t reveal all the cards, because there is such an interesting moment that or maybe you didn’t even think about these meanings that people come up with for themselves, but they came up with better and you are asked. and what did you come up with, and he doesn’t need it tell. here you have thought up to yourselves great

here, think, so. and how do you know about cosmos cigarettes, is the hero holding this pack in his hands? after all, you are 22 years old, these cigarettes have long been out of stock. yes, long gone. the fact is that somehow my father and i were, well, a la, it ’s wonderful on the field that newcomers and space old cigarettes are cool from a rocket beautifully. i used them in student work. and well, in the course and the master of the course. says kirill i'm for you only for this plan of cigarettes. 12 points i think, well, probably the person was smoking. everything, he says, kiryusha cosmos is what unites us. all cigarettes please, in any film you can insert cigarettes have become your talisman, but in order to shoot such a modest film. yes it only lasts 10 minutes, as uh road you had to spend a lot of time and effort. we have some backstage photos. uh, this is the part of

life that always scares me away from the cinema, because we see what is happening, you can comment on kirill , well, in order to shoot this. so. yes, it takes a long time to prepare. that is, in principle, in this film, just the same spirit of a short film, when you are here, these are very friends. this is where you filmed, we filmed in down jackets. here, see what an alien sky in a down jacket is the most cosmos yes, of course, this is my grandmother lives. so, it turns out, yes, that is, you and your friends are going? uh -huh well, a la for thanks for the experience everything, and the budget for this film was my salary and my father's salary. so we folded and made a movie m-m. yes, it was very funny moment associated with a pedestrian crossing. well , literally two fields, well, a kilometer away, somewhere in the village, where there are cyclists. i am drawing a crosswalk field field and one

cyclist says. well, finally, a pedestrian crossing was painted here, and there was no need to coordinate the marking with the road services and the traffic police. let's put it down to him on cyril but for the sake of what it's all the same. well, probably, it would be somehow loud to say for the sake of art. but, probably, simply because i do not know how it can not be done. that there is. here i want. this i feel, i'm eager to show this one too to the people in all of this now. i like that there is no self-confidence, but there is confidence in their actions. that is, i was sure that we would shoot this movie, it would receive awards and give a step to their further actions. and so it happened. look, cyril, after all, uh, already in the world of cinema, various things have been re-shot what is called and well, it’s not entirely clear how you want to become a film director, not in hollywood or even in

bollywood, she is belarus in a film that is barely makes ends meet, i should probably start with what a director is, because people don't really understand what he does as a screenwriter. the actors will write the script, the producer will play, and the sponsors will distribute the budget. give money, what does the director do? why does he need to sit on the platform in a chair exactly he uh and says luggage motor coffee chicken, yes. well, of course, here, in principle, we have gone through the stereotype, yes. basically, uh, i read somewhere that a movie can be without a director, but it will be a regular average movie. the actors will play in the script well the operator removed. a. but as i understand it, the director is a look at history passed through himself. that is, we have the history of the titanic and through my prism. let's go without the titanic. fine? prism yes, yes, of course, er, that is, and how i see this story. if i had given the script to someone else, we would have seen a

completely different movie. that is, it has all the magic, so tarantine. this is tarantino and feliney is filita absolutely yes. let's then watch the trailer for your next short film once upon a time earth.

beautiful, at least, yes, kirill a year ago, when you were raising money for this film, you wrote on the net in the twenty-second year. i want to conquer one very large world film festival with my new film once was the earth, the script, the storyboard, the film crew , the actors, the estimate, we have everything, but there is no gasoline that will start our car called cinema, there are no means to implement the plan, do we understand correctly that gasoline appeared. yes, yes, and i found it in russia, strange to me, the country

gas station, but responded to this entry of yours. yes, i have a very close friend of mine - this is a moscow film director. alexander hunt who directed the film. as you can see garlic disabled and off-season this year released. so he helped me in this matter. he filmed in the off-season for 5 years. that's because of the same problem, because there is no funding, but it was published. i have my entry on my page and potential sponsors have come to me, who yes agreed, that is, literally. uh, there was one person before filming. we started filming on the second filming day writes me a person. listen a. i can still fit in, how much do you need? give me a card kirill and how much do you need? how much is the budget for such a short film. i really did a lot, of course because i'm not a producer. please tell me, i'm just curious. so i think, young directors, too, who are now hatching ideas for

young people. i want to say that it’s just the same road. here it is an example of a short film, when you don’t pay, there’s no way . practically, that is, but for equipment conditionally the road budget is 750 dollars. yes. here we quite modestly imagine $ 750 and world fame, but such that it is loud, but we have collected something. portfolio and portfolio yes, the awards are again for producers, you say, so i have some kind of luggage, and once there was land - it was 10,000 dollars. yep, really expensive. that's it. that's what i thought too. and yes, you know, at least somehow they wanted to play filmmakers, because sponsors appeared, some of these appeared already money appeared. let's get a better camera. let's all pay salaries to andrey dobrovolsky, we will invite a famous actor. well, by the way, i took off for $100

, so i went to the concessions. here and somehow. well, that's not the joke, how could it be possible to remove all the same, but for $ 750. yes, we'd have some differences in our preferences, but we'd do pretty much the same thing, actually, it's a super experience for me, because, well, i realized that i'm not a producer at all. uh-huh and i realized how important it is to have this a strong person next to you who thinks for you. you are only busy with the film. they think that they need to meet the actors there, the coffee is over, and there they still have to pay, no, that is, i should only think about cinema, then it will be real. here's a big movie festival. you promised your sponsor to conquer conquered uh. i honestly responsibly proceeded to this issue. so we started the

scan. these are epics, the film was shot for the cannes film festival. oh yes, we made it according to the requirements of the festival, a film up to 15 minutes. all clearly. we send it. we are waiting for an answer ukrainian festival. e. i was still sure to the last that it would retain the status of an independent film festival. unfortunately, no, the kansk festival was a little closed from russia and belarus, uh, so they flew by. we guys won't be able to. we went further was the venetian festival, berlinaria. everything is right there. that is, in principle, uh, i came to the conclusion that in europe they are not particularly waiting for our films, competitors, because politics, because you said that the most important disappointment for you was that they declare their independence, yes, and all of a sudden it turns everything, because this is the

policy of pure water. nobody will ever tell you about it. just sorry this year. no, join again. but, and when i conditionally sent the film to the 100th festival, yes, and 10 of them only accepted the film five of which were russian one, kazakhstan three italian one was american, that is, from and then there are questions. is the film really so bad, i don’t think, at least for the picture, it would have taken something yes, but i’m still glad then anyway such independent festivals that are still waiting for this youth student festival. they are free, because where do young people get the money, let's try to conquer cannes again, and gestalt needs to be closed. i don’t know if this will be before the debut feature, or after, but we will get to them everything will be in the best possible way i will clarify the script, uh, and in the first

film there was a road and once there was a land, your plan and your ideas, and we will continue talk about your cinematography after a short pause. and now let's break, i remind you, we have telegram channel. say don't be silent. subscribe give questions and suggest guests we are in touch. on the air say it again, don't be silent. and today our guest is the film director , screenwriter and three-time winner of the president's prize for supporting talented youth, kirill khaletsky, kirill and how did you manage to become the winner of the president's prize three times. well , probably it all started back in the first year, when after the first term paper, sketches, we decided what to do with them, that is, the only one. i'm off course. well, i'm not afraid of this, because really it was me. why not not send to the festival, and i also sent the

very first work i sent. well, there were about fifty festivals there and the answers came, and here there was a turning point when i realized that my cinema, maybe someone is interested, not only mom dad, but someone really is there in france somewhere else we my father and i went to france for a film festival. yes, they sang wine very well. here it is on return. uh, at the academy, too, how would i share this and say, let's send you to the presidential award, and so three times sent three times. all is well. you directly consider that such support is a necessary thing. yes, it's very kind, very very cool, when in your country you do what you want, and it's somehow. well, you resonate because you said that to your films. unfortunately, only russians. yes, they were able to share the means of belarus, they did not

respond to your pleas for help, but the state still holds, as it were, defense and helps young talents, it is obvious that your genre is in cinema. this is a philosophical parable, you must agree, it is very noticeable, the influence of andrei tarkovsky and minimalism, cinematography. we see that the footage is such a black and white brison in the top photo of footage from your film. once there was a land, and on the lower i think everyone knew. this is oleg yankovsky from nostalgia. well , despite your young age. i shelled two of these works and also felt some kind of nostalgia in you. uh, a pack of space also prompted me to these thoughts. and if you take it more broadly, in addition to things of objects, there may be some kind of integrity of humanity in friendship, that is, you and dad were on the field. great, probably not. accidentally. yes, what you have in this topic of nostalgia fascinates. i hope i answer your question. i just adhere to such a kind

of life position that everything that happens to us. it is necessary for some reason and in any opportunity. i see a chance for everything. i am very open, for example. i am going to the shop. books. i want to buy a book. i don’t know which one i will choose any and it is in it that i will find what i needed at that very moment. that is, literally in everything, if they offer me to do something, well, i'm being careful, but i i find out that because, what if this is the very chance, because m-th people miss them and then regret them very much. and i put a lot of effort into everything. yes, yes, you are not the first guest who tells us what to read, but those very signs of fate and what tells you. that is, you are not a complete fatalist. uh. well, this is still in kung fu panda, he said to the master of gway accidents are not accidental. let's be simpler the main character of your

film. uh, once there was land. there, in one frame, he puts a candle in the temple, obviously guessing before that some desire. what is your deepest desire? well, this is a serious question, of course, the most important desire is the health of our loved ones, because well, we cannot interact with it in any way. only having very large funds, and that is not a fact, that is, these are irreversible processes. and yes, probably that's what i wanted to guess. that would be exactly this, that is, not the world. fame fame is not the laurels of the cannes film festival absolutely not. you have already mentioned your father twice, and we saw in the credits, vladimir khavetsky - this is him, yes, he knows you as a producer, yes, you just, as i understand it, are very attached to your family. we can show our

viewers your video in a video, it’s called memories yes uh-huh so that you are all happy, so that now they don’t forget us like that and that they love grandparents, give me a barrel no. there is such a good joy, pet. come visit us more often. we are always waiting for you to come.

miracles at beauty want you to say something. that's what the archives for the director mean, i envy you kirill that you have such a video, what is his idea, probably, a lot of people kind of asked. yes, and you, too, today why the director in the family there is no one creative. but it turns out that i recently, as if i

realized this, never correlated these two facts. all my childhood, my mother filmed me on camera. and it just turned out to be hours and chronicle materials. that is, starting from yes, i shot it before, but since the 2000s i appeared and, uh, the chronicle, and only recently i got to these materials, because we don’t have videoconferencing players, we need to digitize them. it took a very long time. and well, a small penny, of course, went away and it turned out 40 hours of materials, this is colossal. it’s just that i haven’t really figured out what to do with them yet, but conditionally i have collected several such videos. and m-m, i wanted to dedicate the very first video to my grandfather, who mostly has the majority here. that is, i show it very often. i often remember, because grandfather vyacheslav alexandrovich yesenin is here, and he

always tried to help me very much. he loved me very much, and even now, as if from the whole family , i feel tremendous support very much. strong love, and i was very glad that i managed to show the first video to my grandfather, while he was still alive during the filming, there was once the earth. he was very much in touch too. i will help you. i’m just calling, he was very worried that everything worked out for me. and she and her grandmother live in down jackets, so all my shooting takes place in down. after all, i love this place very much, and i spent a lot of time there, and he promised to help me on november 13, the twenty-first year of shooting, but he and his grandmother got sick with a code, and i had 26 november birthday. he was very worried that he could not help me. we phoned him on november 17 for the last time. and he asked the most important thing. well, have you ever made a movie? yes? yes, everything was filmed well, 26th birthday. i have

november 27 numbers. here you are, of course, yes. well, you know, i probably feel very unusual about this. i'm not upset. on the contrary, i am very glad that there was such a person in my life, and he left such a strong mark. and it turned out to be a very strong influence. yes, that's the only thing i regret. it's that, he's not sees his great-grandchildren, because reviewing footage 40 hours. almost everywhere i am in his arms. he kisses me always it was, maybe he will see. we ca n’t know, but i know for sure that he was always very proud of me. and now i’m sure, too, i don’t know if other families have such a huge archive of video materials, but we also had photographs, that is, a bunch of photo albums, and it’s very, probably very pity that today this tradition does not continue, because today

everything is on the phone tomorrow the phone broke, then i need to clean my memory and everything is forgotten , including memories, but i am very glad that i have these video fragments. and where can i hear people's voices to see them again. well , this is a very, very super one of tarkovsky's ideas. if i remember correctly, a was that the artist must bring himself to life. twu, for the sake of art, are you ready for such an offering? i think basically be e in the world of cinema. to the so-called filmmaker, this is a sacrifice, because, well, it somehow happened that people with the film industry do not develops. there, in family life, it doesn’t really fit with finances somehow. well, here's something. well, everything, so even choose this profession. we're already, uh, making that very sacrifice. yes parental self-sacrifice.

just when you said about this most secret desire. yes, with this candle in the temple. i thought you would still save humanity, and you are saving your loved ones, but i said heroes about myself. uh, i stood for all of humanity, i suspect that, for the sake of filming even the smallest pictures, you had to step over yourself kiril is difficult. here, uh, write in general publicly, help yes, this money, probably not, when you have it. uh, big support, then it's not difficult. that is, in principle, it's very cool that a person is already doing something. this is very commendable. well done. you are there in this letter. i still remember. write that many, as it were, will rush to rush once, they will find money twice, your young colleagues. as i understand it, you are familiar with all of them and either they leave, or their hands drop. what helps you keep moving forward while you study?

in the same academy, there were two options, either stick to your line, or compromise, and at the beginning of training, many people broke down because they did not want to give in and adapt to the rules - this is their choice. that is, someone left, someone decided. okay, i'm not going to direct. i just finish my studies, but i chose a compromise, why not. e, people are experienced and plus some of my, maybe ideas, we will do something together, yes, and the master of the course, he also had a very strong influence on me playing valery mikhailovich thank you very much. mm, probably the most important thing he taught me is this feeling. internal selection, because if there were any ideas before, i would shoot 100%. this is cannes, this is the oscars, but now i have been thinking about this for a very long time. yes, i wrote it down somewhere, i'm analyzing it. or maybe it's not worth it at all ? maybe it's nonsense. or maybe it's worth it, or maybe postpone until later. well , you lose confidence. the one that

i thought when i watched your film the road, that is, while you are young and throw yourself under any wheels, fat fate. and when you too you get older you get wiser you think maybe that's bad hmm yeah probably not just. you should always think, is it worth your spent efforts of your resource these two films. i am very glad that, namely, they are still there, we still need to close the gestalt to shoot the third short film, and then a big movie, but it looks like the big movie will be a little earlier, but it didn’t give anything in our program, uh, wonderful expressive on this let's listen to the topic of the chairman of the union, not motorographers in belarus, viktor vasily , youth will help to revive the belarusian cinema, if we entrust them with all the nonsense that we think about, we will discard and let the youth make films, let them make films, then our cinema will be revived, revived.

i assure you, but if we give consent. look, here i am the first of the young ones who are on the staff of a film director, because a film director. excuse me. it is possible not to be a film director at 40 and at 22 already a film director. uh, only with the support and joint work of helping the young from older experienced people. we can achieve some common result, because young in itself, but he was hanging out somewhere taking pictures. well, he doesn’t have enough experience in writing a script and directing in something else, and the experienced ones are still afraid to let the young ones in. it seems to me that this is the main problem. what does viktor vasiliev say so clearly if we give, that is, well, give in, yes, here are the cookies. now i know, in november and april, who wins them? well, as a rule, those who have already proven themselves to be experienced directors or

let the young ones win these cookies? well nice. i would also like to say that exactly. well, i think that this is precisely my goal at the film studio, and to give the road to the young, that is, to break through this thing, but because now, well, at first they sniffed at me a little bit. what's happened? why is he here and a filmmaker. now they trust me at the film studio that, in principle, despite the fact that he is young, he does good things. i already know that the film studio wants to set up a system, that people are distributed from the academy to the film studio. that is, just the same, it seems that this summer it will be adjusted, and we will see more young personnel, and i'm sure that, well, we break them, they begin to trust us and yes, we do it together. we're great. i really want kirill to succeed. you are not the first generation

to board this wall, but it is a bygone movie. listopad you were supposed to present the film just in time for the sixtieth anniversary of the belarusian union of cinematographers. it turned out to make such a film. elena viktorovna turova came to me and said that it was necessary to make a film about bsc. i ask what it is, i don’t know what it is. for me it's like chipboard, here's dsk contact map. yes, that's why i started to study what the union of cinematographers in belarus is all about, and what did it do? who was in the squad, in principle, is very, uh, also an important point, not always in life you will do what you would like, that is, there are some tasks ordered. i mean, here's a documentary about bsc, you don't even know what it is, but you do it. and here, it seems to me, the main thing is to love the material, because i don't know these people. i don't know what it is, but i'm

so open to this stuff very reverently, and i really fell in love with him, that is, during the editing process, i really collected a cool movie of 25 minutes, but a documentary . tell us a little about him. there you have well-known masters speak out, yes, zaitsev marhel, kasperov stepanova well, look at all the heroes, they are very respected people of age. uh, the belarusian allies of the mantographers are filming a very young boy. here you are, and about him the film heroes is a very old middle generation, as it were. you have such a feeling. where is it? i don't know for everything in films, age actors are rtbd theater of belarusian dramaturgy. uh, i don’t know why i fell in love with me so much, we sometimes go there with my father, again tatyana grigoryevna markhel. we are well acquainted with her. and i really liked the artists there. they are

probably due to the fact that it is a very chamber hall. everything is somehow so under the home is very sincere, and you believe them and people play very well, so very responsive are always ready. here you are inviting to be filmed. generally super filmmakers. we don't have an average generation, who could imagine any eroticists union well the fact is that earlier it was somehow valued more. that is, you are a member of the union of cinematographers to get there - it's almost impossible, very large expert advice. you had to shoot a few pictures already to get into the union, and it was super appreciated. that is, under viktor turov, as i understand it, it was the heyday of the union because of the tours he fought very hard for people, he defended them. he encouraged them, and he knew that if an apartment is needed, he will go, a person will have an apartment, that is, this union of filmmakers really worked, and it benefited those who worked

unconditionally. e we were we heroes were in the same country in the soviet union and filmmakers. they freely traveled moscow-minsk. they came here, the great masters had free communication, screenings of films at the festival, it was a boom for belarusian cinema. and now, let's just say state support has stopped, the union, but the union is based on belarusfilm, again, these are different structures. just someone, maybe confusing something the same no hmm well, the union of cinematographers continues his activities, and still has an impact and again, waiting for its ranks for some young people after the filming of this film, you wanted to join closely. and vector vasiliev came and said that for some reason he was not yet in the union. we will definitely welcome you. and now we will take a short break. after that, we will return to this studio. let's continue our interesting conversation while subscribe to our

telegram channel. that's what it's called. say don't be silent. offer us guests. leave your comments. all of our releases. search on youtube channel belarus 1. our region through the eyes of foreigners to belarus with belarusian goods in russia is very respectful. and in the place where i lived it was always such a standard of quality, i remember well how we arrived in minsk, i didn’t get scotch tape from minsk. i liked it. i think it's great. cool. so, lida will probably be the same as they ended up in our country. and why did they stay here? i came and declared. that is, what i want, what i want to have my own team. i want to develop ballroom dancing in our city. here on present day. i am the head of an

exemplary ballroom dance studio. people in belarus are very unique, they are good-natured, this was one of the key factors for us in deciding to stay here, see the program view of belarus on our tv channel. we are talking about the most interesting from the world of science all over the world are literally on the verge of a real revolution of transition to a new type of medicine all over the world, including in our state, today's medicine meets the four principles, today i propose to see how always together with scientists that we ask the most exciting questions on our plate and give answers to them for the same proteins, carbohydrates and fats , the ratio of proteins, fats, carbohydrates, in parts per day, about 1:14 thought sausages scrambled eggs, well, we are still in dinner ate chop cutlet in the evening again cheese and so on. and

these are counted on the run, we will get, of course, preventive medicine, what is it? everything related to prevention, we prevent the development of some health complications, see the science project mania on tv channel belarus 24 on the air say again, don't be silent, and we have a film director as a guest. poet, kirill khaletsky, we have more or less talked to you about the cinema. but the verses have not yet been covered. write, however, very old information, so that he writes, but then he abandoned it. yes, yes, but probably in poetry

as well as in the movies for me. that is, it is we who accumulate the received feeling of knowledge. it's the same in the cinema, that is, the road is, uh. well, let's say. here is the result of the knowledge that the earth once accumulated at that time. the same with the verses a little easier. that is, you experience some moment and give out. you just blew my mind when i watched your films. i thought that this is precisely the knowledge given to us in sensations. yes, here you are out of formulating it, but after you splashed out everything that was. you are at zero again at the start, you need to gain something new, what will we do next, you need to gain new sensations and knowledge. a certain amount of civic courage is needed, perhaps, so that your young years do not rush, as you say. the same young colleagues right up, but on the contrary to stay in minsk uh, this is your conscious choice. hmm develop.

that's exactly the belarusian cinema here , well, this is an inner feeling, because even when i went to moscow there for a film festival or just to see friends. well, as soon as you get on the train. i already want to go out. well, here i am. we haven't left yet. nothing, but i already want to leave. i don't want to go there. and yes, while you are there somehow. well, kind of fun on the weekend. well, i still want to go home. well, again, i tell everyone that in belarus it is really possible to work to shoot a movie, please, but very beautiful on we had nature for filming once there was land. we prepared very hard, looking for locations and it was very beautiful. true, you can work, uh, another point of financing. we have russian friends, please, we will make joint products. why not. you talked, probably with filmmakers from different countries, including at the festival, i don’t think there are countries where it’s easy to make films about this,

in general, the whole story. even hollywood says to get through. yes, even such a screenwriter cool. in my opinion, as the cohen brothers it was very, very difficult. and it's all an illusion. just today, when i read in social networks, and young film critics who say there is no cinema in belarus and there will not be. i don't understand where he is. i remember the reverse experience, how they came to us from america to shoot films and from the same india they come, because here you are right, there is nature, and beauty and technology. well i don't know how to your taste. a film studio has been equipped since a young man. well, in my opinion, if there is i don't want to shoot you. i don't want to. no, actually at the film studio, let's say everything, to a higher level, which was surprising for me. i thought where i result. maybe you don't have anything, very modern technology. well, literally here is the last squeak. that is, it is very good . fine. maybe we are. it's just not enough, we hear

about our cinema, because there is no film studio. as such advertising their films. this is really a problem, that is, elena viktorovna turova also says that there should be advertising, as the viewer knows, but on in fact, about five belarusian films are released steadily a year, about which we simply do not know, and this is also the moment on which i am now actively working, as it were, for this. what are you doing? in youtube posted some kind of channel created or what? well, how can you work on it, but this is not enough to dig. we are one from afar. of such attraction to the studio, it was the creation of nike's debut feature film at the belarus film studio. yes, it is very attractive, because the debut is a loud statement in the cinema sphere. there is someone short films. this is so, but the debut is serious and therefore literally the day before yesterday. uh, the director of the film calls me and says yes, the ministry of culture. approves finances

your debut film in the summer we shoot. and now, while it is cold and snowing, we begin a long preparatory period. and this is a very responsible step. and here again, i said it all. why am i doing this? someone doesn't succeed. that's it. by the way, i think about everything, i don’t think that he is so lucky for him. i hate him all. no, i have question to you as much as to me. well, you can, but i probably can't. we have the same conditions. so i need to change something in my life, so that the film that you are going to shoot will also turn out to be a budget one, is it festival or not for spectators, for spectators at a film studio, as it were, between the lines is the task of raising the next task of

raising the belarusian cinema, since i'm young bets a lot on me, because young blood. now he will do everything. he knows everything. i was at a lecture moscow prodyur, and he says guys. we have to determine right away before we start filming that we are doing art or business. these are simply two different elements of art, it is respected. this is a festival movie well done well , two awards, but it is not clear to the viewer. the films of the cannes film festival program are not shown in cinemas; they are practically incomprehensible. but business, on the contrary, you can make the script simpler, but we will call bezrukov, he will go to the audience. well, the scenario is, of course, so, but we have earned. the script has been written for this movie. we wrote it together with a moscow screenwriter. it's a comedy there. this is a comedy for sure. why comedy? yes, this is the most difficult genre of all, in fact, but it seems to me that this is exactly what we need today, because when

everything in your life doesn’t really somehow fit, that is, well, conditionally on your work is not very good at home somehow discord and a couple more loans from above and you look zvyagintsevo. well, here you just want to do in general and want to live. here, but i even remember the soviet classics. well it everything is fucking fairy tales, and even if we see the work process, this is an office romance. and somehow it is so inspiring, everything is so sincere and you really want to live something. much distracted from reality, here fell into this world of cinema magic and everything, as if close-ups. here are the roads, i want to live very beautifully there, straight khutsiyevsky. you shoot well, cyril, well, you will reveal such a secret to us. what will the comedy be about? well, uh, i'll tell you a little bit, but actually a comedy about a young man who is very by nature ambitious, you can learn some

things, and here, but a person aspires to the big world of cinema, but is located in a provincial town and in fact this film is about how, say, people who are not related to cinema are trying to make films and how much they it either works or it doesn't . well, there is conflict here. yes , it's funny. yes, in the title role bezrukov where? ah, but again, i immediately started the conversation with the fact that we are doing a joint project. belarus russia is, because russia is 140 million. belarus is only 10, and just like these 10 are not yet know that we have a movie. look at the fees, well, you've got a script to your liking. yes , and funny too. someone is writing to me. says comedy it's not funny, you know, well, we'll ask you, then it's good, and what year is the release planned for, when we can already evaluate, and the twenty-ninth minsk

international film festival is falling leaves. here at last. and how long have you yourself been to the cinema relatively recently go? uh, a cinema, that’s just popcorn less and less, but nevertheless i ’m trying to follow russian premieres, because after all, i’m in this now everything is spinning, so i want to know what the russian comedy breathes like something. well, i went to the last yolki i drew my conclusions. i write, as it were, so i make the same videos from the chronicle according to my feelings. if it touches me, then it will touch someone else, if it's funny to me, then it will cheer up someone else, and therefore, it seems to me, this is a working scheme. i mean, i don't think it's funny with a stone face.