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hello, my name is alexei verkhoven. i rested panic conductor. i came from russia

a few months of all of belarus and i came here, not as a tourist a to work, therefore, basically, of course, i work. i always have this feeling, when i even go into some empty room, that there is some kind of atmosphere of a room of some kind of this space. it's the same with the city. that is, when i think about st. petersburg, for example, i imagine something so exquisite, i imagine a lot of water. uh, and some kind of european city. yes moscow it's more, uh, a vibrant city, a very vibrant city. and there is a lot built there. people go there. in general, in short, to make money. here i have such a feeling and minsk minsk yet, it seems to me

like some kind of cozy city. he 's definitely not in a hurry, that is, no. uh, there is no such fuss, so far i haven’t seen so many people on the street, maybe minskers like to spend more time at home, i don’t know, and uh, there is some kind of feeling of calmness in safety in this city. i'm really looking forward to the moment when i have the opportunity. to go somewhere, maybe even to see the country outside of minsk, because everywhere very laudatory reviews. it 's good about belarus here. it's like a national park here. i haven't been anywhere yet, because i work all day. well, as if i have some kind of opportunity, in general, i have many hobbies, in addition to music. here. uh, i would like to go somewhere, i don’t know, on skates, you’re like skating and or just playing chess. i like to say, maybe i'll find some kind of chess club here. how did you accept decision to come to us? how did it happen,

how did you decide? that's the amazing question i get asked by everyone. you know, but i never made a decision. why did i come to minsk why did i come? for some reason this surprises me. that is, if, for example, uh, a belarusian came, uh, to st. petersburg to work at the mariinsky theater, i didn’t think that questions would arise why he came to the mariinsky theater, you know, there is some kind of such a common trait among belarusians, and russians. well , for some reason i always thought that somewhere there better and, in fact, uh theater the bolshoi theater of belarus we see from russia exactly the same way you see marinka in russia. that is, for us, it is, uh, well, the bolshoi bolshoi theater with a history with a reputation with a huge repertoire , your expectations have sold out. yes, of course, the theater, first of all, the building itself immediately captivated me, in general, at first sight, what is called? i saw a huge team. at first i could not even remember everyone, and

only people gathered in the theater who dedicated their lives to the art. i have always liked operas, but somehow i the fanic orchestra constantly pushes everyone through life. and then the opportunity presented itself, general director ekaterina nikolaevna invited me to support me as an operator. and somehow everything started to spin, they invited me to work, and i agreed. this is a theatre. really unique in a sense, that there is a huge repertoire here. serious repertoire. there is nothing accidental here, something else i would like to note. eh, it is precisely here that the duty corps is very strong. do you know colleagues? well, that is, there is not a single random conductor. in russia, a slightly different device. hmm how are we would, it turns out the chief conductor, you know, is recruiting a team, and in the end, this often leads to the fact that he simply surrounds himself with some weak conductors. and this is what often happens. there is no. here, uh, the conductors

are selected by the artistic council. and, well , it passes, as if the selection cannot say one person, this will be the director. very strong, uh composition, uh, the corpses, first of all , i paid attention, of course, to the orchestra, that is, such clear-cut musicians and strong strong musicians with them, what is called reconnaissance? here, uh, and. basically, many many talented young guys are now coming, generally coming to the theater for, for example, for children, maybe there for ten years or more this is a huge event , an impression for a lifetime, and therefore tatyana is constantly in the theater. well, as it were, i see.

let's say all the tickets conducted by the koreans now will be a wonderful grand premiere. it's just that the scenery of the costumes of thousands of people involved all the tickets. this suggests that there is a high level of culture here. and people love the theater going to the theatre. i have recently arrived in several months literally received very well. you know, i didn’t feel any barriers, i didn’t feel any adaptation, that i have a different people here, on the contrary, i have the feeling that some one people speaks russian, so i didn’t have to learn another language and mentality, it seems, in the theater. ah, well received. there are so many employees here. i don't think i even got to know them all. here, uh, how did you remember? i don't know. there are thousands of people working in different structures. here, and the conductor is in contact with almost everyone in one way or another . otherwise. i

got into music. absolutely. you could say, by chance, in general, here are also, uh, cases, because i was already many years old, probably everyone is here, or parents, but here, uh, we also sat, we remember in the kitchen with my mother and diana's sister and she tells you to go to a music school, not for my sister, she says, for general development or something like that, i don’t know, i didn’t and she eventually called her girlfriend. and they took me just to look. as a result, it turned out that they have neither hearing nor rhythm, and their sister. and i turned out to have everything and uh, you know some such cases, i even

now think about it, that not everything is so simple in life. and uh, that's how we came already in september, recruitment ended. uh, piano. that's where they usually send everyone. everything, there, maybe they got it, guys. only the balalaika remained, you know, only the husky remained. and well, i don’t know how small i am at all, there was a like and a violin. yes, i didn’t understand the button accordion, okay, and we are already leaving this music school, uh, and a girlfriend meets. my mother luda is headstrong, as i remember now, my first teacher said, and you say what to do here. well , that means that the son of a music school went through the parameters. he says, where is he talking? here she was likes, he says, no, let's all say to me on the cello. and just like that, you meet by chance, as if with a person, but in the corridor, in general, i got on the cello. i could have gotten in at all, as if in a different direction, probably, there would be no derzhura. i just now remembered such an example that when i entered the st. petersburg conservatory, uh, the guy dima acted with us, who

acted for the ninth time. so, i think, he definitely didn’t read me, and, unfortunately, he didn’t enter, he said all this for the last time, and dmitry another hmm bogdanov acted with me for the sixth time. and somehow i don't. i didn't dream of becoming. e conductor. i did not have. it’s just such a desire and i always dreamed of becoming an instrument launcher, that i really like the cello and still think that the sound of the cello is one of the most beautiful and of all instruments, because it is closest to the human voice. and, probably, here it is to feel the band up, and there is a bottom with a beautiful elastic band. here. eh, somehow, probably, fate pushed me into this profession, it somehow spun like that. i ca n't. to say that there was some kind of point that here i am, here i decided to be with the conductor. i now recall the moment when the conductor made an impression on me. it was the youth symphony orchestra and i

played the cello there. e was concertmaster of the cello group and artistic director and chief conductor this orchestra. anatoly abramovich levin i still think that this is the conductor who is most deeply immersed in the musical material. that is, he digs so deep that hmm, i don’t know, i can’t even put anyone next to him. eh, in a certain repertoire, of course. and it made such an impression on me that hmm, i probably didn’t fully understand before that how interesting this profession was. and in general, why do we need a conductor, probably, i would also ask, in general, why do we need a tree. and so, in principle, we play. you know, i myself understood this profession and i began to understand, probably in the st. petersburg conservatory, in principle, i have not met any other place where a conductor would be treated with such respect as st. petersburg, probably because such well- known conductors from the st. petersburg conservatory as gay semerkanov kurenzi, sokhiev dozens of conductors around the world. and there, as it were, a question, no questions

arise. why is a conductor needed? who is he, that is, we studied as students and with us the professors are healthy by the hand. that's the kind of respect. there in st. petersburg it is considered this is an elite musical conductor, because today you are a student, and tomorrow it is the chief conductor of the mikhailovsky theater. i want you to understand from the conductors. in principle, everything depends on the performance, uninteresting or symphony. yes, it means, it's just a conductor who didn't feel this brain and didn't charge the orchestra , didn't rehearse with them, as it was necessary and couldn't create something new at the concert. you understand something alive, this is 100%. because the orchestra itself can't, you've been trying. there was such an orchestra, simps, without a conductor. but in the end they roll. because they played exclusively modern music, where interpretation is needed, and it took them dozens of rehearsals to do it here. uh, there are some magical things that i can't explain myself. you know, i

rehearse at a rehearsal and at a concert i always know that it will be different. i remember the words of richter, who said that i also play for a performance. i just do things differently. why is this important, because it's not that everything is different to destroy. and you know, it’s as if i’m saving this energy the very form of the whole work is only for the concert, and there it shoots. this is also an important quality of a conductor. you see, do not spill everything at the rehearsal, so that the orchestra does not come tired, for example, or they have already understood everything, and they are already beginning to become. it's boring for them to be at the concert themselves. but you understand what he did, yes, that is, and , uh, why it is important, because there is some moment of co-creation with musicians and this is born in real time.

hello aleksey verkhoven, conductor vlad reku, but the perfumer is very glad to see myself in away. i invite you to my place. let's talk about fragrances and what you like to smell with pleasure. the world of aromas is very closely connected, of course, with the world of smells and with the world of cooking and even with the world of plants, inevitably, and we are forced to use one way or another those developments that you have had for thousands of years. but on the other hand, people are very understandable to me, but deeply immersed, and in the world of tastes, in the atmosphere, m-m , in the atmosphere of architecture, for example, i understand their interest in smells, which accompanies us everywhere one way or another. we to this is very used to, but in fact, the aroma

is everywhere around us smells, everything even metal. i'm interested in how fragrances relate to you. if you tell me, we will try to do something unique for you today. what do you like fragrance, what do you like, firstly, i fell in love with perfumery, because it seems to me that this is also an art form. i mean, of course, first of all, the niche of perfumery, and hmm, when a perfumer creates some kind of exclusive fragrance. hmm, it's no different from creating a piece of music. seems only we have seven notes in music, and you probably have an unlimited number, well, perfumery, and, as a matter of fact, i fell in love with it. you know there is. eh, in general the connection of all arts. ah, including perfumery. i remember, uh, when i studied at the conservatory. we had passes to all absolutely cultural institutions, including, uh, hmm in the gallery, for example, the hermitage, because in our

department they think that there is a connection. eh, as if that's all the arts and and make conductors out of a conductor. that is, the conductor must see the connection, in general, everything in the world. so here it is in perfumery. i saw this note. in touch, it seems to me, too, a kind of art. in fact, we analyze smells, the so -called limbic sector of the brain of the limbic part of the brain, and it is there that all associative connections are built when we open a book, see a dried leaf, uh, maple and remember how we were in the country, how uh this aroma of this leaf we feel and remember how we sat covered with a blanket, and so on, and it is not surprising that your teachers thought about developing the so-called, a, ulfactory memory. uh, students. well, let's start sniffing? well, in general, it will probably be interesting for you to

know, but all perfumery is all decisive, but it consists of three main categories of components of animal origin , plant origin and man-synthesized animal component musk, we call it the smell of a lion's cage, it also resembles the smell of human sweat, freshly squeezed not the one that is laughed at, which is already oxidized the oxygen in the air there, but fresh sweat and therefore hmm this is the smell of erotica the smell of sexuality fragrance corporality of the skin, add it to the compositions of the evening character or erotic erotic range. if uh, you look at the components. of a romantic direction, i often scent it there in the base. you will find a brain highly valued by perfumers and an ingredient, dear