it's very strange, but everything is empty there, even the electricity bills were not left when you were there. this morning, the investigative task force often works. after that, the premises will be sealed. looks like someone cleaned it up before we got here. but then i went to the bank. i wanted to find out what's going on with the cheats of the evil firm. but all to no avail they told me to bring both a death certificate and documents of entry into the right of inheritance. yes, we requested access. there alekstroy something to check, it seems. your husband's bills are empty money until the last pennies we suspect that offshore. the investigation

suspects a violent death, that is, perhaps the murder of your spouse. i don't want to drink. is this something called a black knife? chicken tribes

those who did this should be punished. well , there is a consequence for this. i hope

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understand and feel. she needs to be seen with her own eyes. hello dear viewers. tv channel belarus 24 is on the air, watch us do witches every day, belarus my name is an alexandphonic conductor. i came from russia . i have been all over belarus for several months and i am here

i came, not as a tourist a to work, so basically, of course, i work. i always have the feeling, when i go even into some empty room, that there is some kind of atmosphere of the room of some kind of this space. it's the same with the city. that is, when i think about st. petersburg, for example, i imagine something so exquisite, i imagine a lot of water. uh, and some kind of european city. yes, moscow is more. uh, the city is energetic, very energetic city. and there is a lot built there. people go there. in general, in short in other words, make money. here i have such a feeling and minsk minsk yet, it seems to me like some kind of cozy city. he 's definitely not in a hurry, that is, no. uh, there is no such fuss, so far i haven’t seen so many people on the street, maybe minskers like to spend more time at home, i don’t know, uh,

there is some kind of feeling of calmness in safety in this city. i'm really looking forward to the moment when i have the opportunity. e somewhere to go, maybe even outside of minsk to see the country, because e everywhere a very laudatory experience, reviews about belarus are good here. it 's like a national park here. i haven't been anywhere yet, because i work all day. but how will i have any opportunity, in general, i have many hobbies, besides music. here. eh, i would like to go somewhere, i don’t know , to go skating or just chess. i like to say, maybe i'll find some kind of chess club here. how did you decide to come to us? how did it happen, how did you decide? that's the amazing question everyone asks me about. this. you know, but i never made a decision. why did i come to minsk why did i come? for some reason, this surprises me, that is,

if, for example, a belarusian came to st. petersburg to work at the mariinsky theater. i don't think there will be questions why he came to the mariinsky theatre, you know, there is some kind of such a common trait between belarusians and russians. well, for some reason, i always thought that it was better somewhere there, and, in fact, the theater is the bolshoi theater of belarus. we see from russia exactly the same way as you see marinka in russia for us is, well, the bolshoi bolshoi theater with a history and a reputation with a huge repertoire. yes, of course, the theater, firstly, the building itself immediately hit me. strength in general at first sight, as they say, i saw a huge team. at first, i couldn’t even remember everyone, and only people gathered in the theater who devoted, er, their lives to art. i have always liked opera, but somehow it constantly pushes me through life to the symphony orchestra, and then

the opportunity presented itself, general director ekaterina nikolaevna invited me to support the operator. and somehow everything turned around and was invited to work, and i agreed. this is a theatre. really unique. in a sense, there is a huge repertoire here. serious repertoire. there is nothing accidental here, what else i would like to note. eh, it’s the dijor corps that is very strong in the center, you understand, colleagues, yes, that is, there is not a single random conductor, but in russia there is a slightly different device. hmm, and there we kind of get the main conductor. you know, he is picking up a team, so in the end it often leads to the fact that he he just surrounds himself somehow. weak conductors, and this often happens. not here. here, uh, the conductors are selected in the artistic council and hmm well, it passes, as if the selection can not say one person, this will be the sofa. very

strong, uh, composition of the corpse, first of all, i paid attention, of course, to the orchestra, that is, such clear-cut musicians and strong strong musicians with them, what is called reconnaissance? here, uh, and. in principle, many many talented young guys are coming now, generally coming to the theater for uh, for example, this for children, maybe there ten years or more this is a great event, the impression of a lifetime, and that's why tatyana is constantly in the theater. well, as it were, i see let's say the conducted karenina, all the tickets. now there will be a wonderful premiere, a grandiose one, there are so many sets of costumes for thousands of people involved kai and gerda all tickets are

sold. well, this suggests that there is a high level of culture here, and people like the theater go to the theater. i just arrived a few months literally accepted very well, you know i don’t have any barriers i felt some kind of adaptation that i have a different people here, on the contrary, i have a feeling that some one people everyone speaks russian, so i didn’t have to learn a different language and mentality, it seems that in the theater, uh, they accepted well. there are so many employees here. i don't think i even got to know anything. here. eh, how did you remember? i don't know. there are thousands of people working in different structures. here, and the conductor is in contact with almost everyone one way or another. i

got into music. absolutely. it can be said by chance, in general, it is also a case, because i i already had many years, probably, everything here is either parents, but here, uh, we also sat, we remember in the kitchen with my mother and diana's sister and my mother, she says you need to go to a music school, not for me, but for my sister she says, here for general development or something like that. i don't know, i'm not and she's a master. finally , i called my girlfriend. and they took me just to look. in the end, it turned out that they had neither the hearing nor the rhythm of his sister on the road. but i turned out to have everything and, uh, you know some such cases, i even now i think about it, that not everything is so simple in life. and uh, that's how we came already in september, recruitment ended. uh, piano. that's where they usually send everyone. that's it, they've already got it. guys. it remains,

only the balalaika, you understand, only the balalaika remains. and well, i do n’t know how small i am at all, there is a balalaika and a violin. yes, i didn’t understand the button accordion, okay, and we are already leaving this music school, uh, and a girlfriend meets. my mother lyuda is a goofball, as i remember now. the first teacher and talks about it says what to do here? well, it means that the son passed the music school according to the parameters. he says, where is he talking? here she was like, he says, no, let's, - he speaks to me on the cello. and just like that, you meet by chance, you meet, as if with a person, but in the corridor, in general, i got on the cello. i could have gotten into it at all , as if in a different direction, probably i wouldn’t have become a holder. i just remembered such an example that when i entered the st. petersburg conservatory, uh, a guy dima came with us who did it for the ninth time. here, i think, he definitely didn’t read me, and, unfortunately, he didn’t enter, said all this for the last time, and dmitry another. hmm, bogdanov

did the sixth time with me. and somehow i don't. i didn't dream of becoming. e conductor. i didn't have that kind of aspiration. and i always dreamed of becoming exactly instruments as a ray player, that i really like the cello and still think that the sound of the cello is one of the most beautiful and of all instruments, because it is closest to the human voice. and, probably, that's what it feels like to range up. and down there and with a beautiful elastic band. here. eh, somehow, probably, fate pushed me into this profession myself somehow spun like that. i can't. to say that there was some kind of point that here i am, here i decided to be with the conductor. i now recall the moment when the conductor made an impression on me. it was the youth symphony orchestra and i played the cello there. e was the accompanist of the cello group and the artistic director and chief conductor of this orchestra. anatoly abramovich levin i still think that this is the conductor who is most deeply immersed in the musical

material, if he digs so deeply that i don’t know, i can’t even put anyone next to him. eh, in a certain repertoire, of course, and it made such an impression on me that hmm , i probably didn’t fully understand it myself. until then, how interesting this profession is. and in general, why do we need a conductor, probably, i would also ask, in general, why do we need a conductor. this is basically how we play. you know, i myself understood this profession and began to understand, probably in petersburg conservatory, in principle, i have never met a place where a conductor would be treated with such respect as petersburg. probably because there are such well- known conductors from the st. petersburg conservatory as vegas merkanov kurenzi, dozens of conductors around the world. and there, as it were, a question, no questions arise. why is a conductor needed? who is he, that is, we studied as students and with us the professors are healthy by the hand. here in st. petersburg this kind of respect is considered the

elite of the musical, because today student, and tomorrow this chief conductor of the mikhailovsky theater. i want you to understand from the conductors. basically, it all depends. here, if the performance is uninteresting or a symphony. yes, you know that it’s just a conductor who didn’t feel this and didn’t charge the orchestra, didn’t rehearse with them, as it was necessary and couldn’t create something new at the concert. you understand something alive, this is 100%. because the orchestra itself can't, you've been trying. there was such an orchestra in front of a sim-fans without a conductor. but in the end they rolled down. because they were playing exclusively contemporary music, where interpretation is needed, and they took dozens of rehearsals for this here. uh, there are some magical things that i can't explain myself. you know, i rehearse at a rehearsal and at a concert i always know that it will be different. i remember the words of richter, who said that i also play for a

performance. i just do things differently. why is this important, because it's not that everything is different to destroy. and you know, as if i am saving this energy, i am saving the very form of the whole work only for concert and there it is shot. this is also an important quality of a conductor. you see, do not spill everything at the rehearsal, so that the orchestra does not come up tired, for example, or they have already understood everything, and they are already starting to become. it's boring for them to be at the concert themselves. but what he does, you understand, yes, that is, and , uh, why it is important, because there is some moment of co-creation with musicians and this is born in real time. hello hello alexey verkhovin late trek conductor. well, perfumer is very glad to see you at his place. i invite you to yourself. let's talk about fragrances and

what you like to smell with pleasure. please , the world of aromas is very closely connected, of course, with the world of smell and with the world of cooking. and even with the world of plants, it is inevitable and we are forced to use one way or another those developments that you have had for thousands of years. but on the other hand, it is very clear to me, people are deeply immersed, uh, in the world of tastes in the atmosphere. well , for example, i understand their interest in smells that accompanies us everywhere one way or another. we are very used to it, but on in fact, the aroma is everywhere around us smells, everything even metal. i'm interested in how fragrances relate to you. if you tell me, we will try to do something

unique for you today. what do you like fragrance, what do you like , firstly, i fell in love with perfumery, because it seems to me that this is also an art form. i mean, of course, first of all, the niche of perfumery, and when a perfumer creates, uh, some kind of exclusive fragrance. hmm , it's no different from creating a piece of music. it seems that only we have seven notes in music, but you probably don’t limited quantity, well, perfumery, and in fact, i fell in love with it. you know there is. eh, in general the connection of all arts. uh, including perfumes. i remember, uh, when i studied at the conservatory. we had passes to all absolutely cultural institutions, including, uh, hmm in the gallery, for example, the hermitage, because our department believes that the connection. eh, as if that's all the arts and and makes conductors out of a conductor. that is, the conductor must see the connection, in general, everything in the world. this is how

it is in perfumery. i saw this note. communication, it seems to me also a kind of art. in fact, we analyze smells, the so-called limbic sector of the brain of the limbic part of the brain, and it is there that all associative connections are built when we open a book, see a dried leaf, uh, maple and remember how we were in the country, how we feel this aroma of this leaf and remember how we sat covered with a blanket and so on and it is not surprising that your teachers thought about developing the so-called, a, ulfactory memory. e students. so let's start driving? let's go here. well, in general, it will probably be interesting for you to know, but all perfumery is all decisive, but it consists of three main categories of components of animal origin