those who have a conscious position hostile to our country. i think that this is the right message that the head of our state gave the right message to those who went abroad. and uh, who really repented of what he did in the twenties on the streets of our cities, but these people should, in my opinion, create a worthy repentance while abroad. they must take steps towards our country. how is it, maybe they can take part in various activities abroad in support of our state, they uh, shouted about the introduction sanctions against will now work to remove these sanctions. let them bring rallies in warsaw to vilnius in other e western states to film unlawful sanctions of unreasonable sanctions against our country. let them work for our country. let them work for their homeland, well, which they

abandoned, which they left, which they poured mud on abroad, and where else they plan to return there again, but to return with weapons in their hands so that they no longer have flowers. uh, how it was in the twentieth year to go out on the street, and with weapons. understand what is at stake, therefore , the one who really repented. let them really create, as it is said in the gospel, a worthy fruit. the repentant are created. yes, it does not destroy peace and creation. and we belarusians with a christian soul will look further. thank you very much for a very interesting conversation. i hope that 2023 will really become in belarus in this world and creation. thank you. thank you.

i downs in the hands of a book. throated side by side with a word for all the manifestations of a person

in creativity, this is the most wonderful and suitable respect books have books live dunks, minura. reporting expressively improve people's voices. reeling bringing the generation together passing the stage behind our dry belarus 20 shatyrs. my name is vitaly kulbakov. chief conductor

of the presidential orchestra of the republic of belarus let's talk about everything little by little hello today we have the chief conductor of the presidential orchestra as our guest. vitaly kulbakov. before new year. you shone on the tv channel, belarus today again new year coincidence a large number of compliments from the mentors from the participants of the show let's let's see one opinion. thank you very much

vasilyevich, your word, the participants of the task with an asterisk certainly coped, because when there is an orchestra on the stage, otherwise any concert turns into a gala, a concert. it was not an ordinary competition. yes, the usual live broadcast where the participants compete today was the gala concert of the participants of the second season of the show factor buy, and i perceived it. eh, just like a naked performance. it was a performance. e, where, instead of a ballet, actors are extras of the entourage, but magnificent work or musicians of the orchestra worked, a and in the center one of the soloists was standing and it was a tremendous pleasure to look at it. for us. for everyone. it was a head and to look at it was a tremendous pleasure for you for the orchestra.

for us it was a new experience. uh, just the day before the new year's ball ended in the palace of independence. and we received a new program and managed to arrange it for a concert. and, of course, there were few days for preparation. uh, we met the day before from a live broadcast of the recording, along with the artists, they sorted it out with the orchestra, and well, and here is the result turned out so that our viewers had some idea of ​​the result. those who did not watch the show. let's watch the performance of one of the participants.

wonderful breath well

when i saw this performance on tv. i was thinking that the little girl is doing quite well . she is doing very well on stage with a live marker. and now you are telling vitali about what you have prepared these games in a day and seen. what are you, well, seven finalists to all of these luxurious numbers like? well it's probably the result of the selections that took place earlier here i can already say that diamonds have already been collected here. well, let's tweak it a little more. it will be beautiful diamonds on our stage. yes and you , well, i understand about them and they will be polished. and when you see the notes for the first time, like this, you can get it yesterday, today i play, but we have a workflow that is built like this. we have been working in this rhythm for a long time. that is, we have concerts until the end with concerts, mm, and how they

are technically received, that is, it is an honor or or you must, of course, we first, but we speak with orcs in color. what works, for example, will be performed. uh, i contact uh, performers with arrangers. that is, we are discussing the key form of the work. and herehere was presented on this video. uh , not the entire composition of the presidential orchestra, well , since the studio we have is much larger here, about, probably, 30 people in a total of 48 performers. ah, on different instruments we discuss the composition and our arrangers. three arrangers of your orchestra worked on this project. yeah they uh work with orchestra. that is, we do not have arrangers on staff , but we need to. here is the necessary palette for our conductors and arrangers, for example, each work. i choose

which arranger to give, so that it sounds stylistically, correctly so that it sounds colorful. i know the strengths and weaknesses of our rangers. someone will do better , that is, all three were involved. so all three yes, because of the time. well, you understand, they chose little time, the repertoire, but together, around mitya there had to be done in a short amount of time. it ’s literally there for 4 days, vitaly grigorievich, i realized that he uses the same motto that tv people do the impossible right away, but for a miracle we need a little time. let's see another wonderful performance of the christmas angel, from this concert vitaly

well, a little higher you already said that the artists who performed, but already drago , were not brilliant yet. say shoulder to shoulder heard them live. all the guys are very strong. let's say that now we watched angelina's video. yes, many, of course, judges have such a job. they are like critics, that heavy repertoire. but if this heavy repertoire does not rise, when we reach it, it is clear that it could have been taken easier. eh, it’s easier to show something, but you have to conquer some heights, in order to learn how to swim, you need to swim. and, by the way, the neighbor made an additional angelina nearby. now everyone will let her performance.

and they say the neighbor didn't like it, inviting to the discussion, how could you not like it, that is, additional points. she earned herself. well, we know vitali that similar shows are held in many countries. here is the playback, in fact, for phonograms, that is, the musicians prescribe all these parts in advance. we have everything for real, that is, you are sitting. they sing everything live, in your opinion, is it worth it to play candles? well, you understand playback is a guarantee, it is a saving thread. this is a guarantee. that is, it is a guarantee that the show will pass the recording of the show will be faster. well i guess we didn't just have there was no time even for playback, well, in most cases, uh, orchestra, uh, presidential, but uh, it's 95% live. sometimes, of course, artists come, there are russian artists from belarus, who, well, uh, this is already a modern trend. this is

modern fashion. what is playback playback is some kind of basis, let's say you are a guitar-guitar. some kind of traffic rules of the keys are registered, there may be a key, there may be a test wind and some one arrives. uh, let's say the performer, well, foreign russian uh, the performer does not come knows what quality will be let's sit the orchestra on the stage. and so, for example, if some instrument does not play, he once brought out this instrument, that is, in the orchestra, as if a person imitates, but here he plays. well, we have gathered in the team. extra-class professional, that is, passing the competition for selection. with us, everyone can replace each other, but we have discussed this topic more than once. here are the benefits of this playback. that is, you think that this has some advantages, of course, and certainly for the orchestra. yes allows, uh, to achieve some kind of sounding of

a unique ideal sounding. of course, immediately after the broadcast, i arrived, i had already rewound at home, i listened to each number . we worked live and it turned out. an excellent result - this is probably the result of the coherence of a large team that is working on this project. the compliments that were poured into your address. they were not accidental and they were not on duty by right. well, we didn't ask anyone. i noticed in their comments went yes, there are, and, as it were, negative. yes, how much can you kultakova says yes? little praise was given to the new orchestras. uh, each judge praised each of the uh artists who performed with the orchestra with gratitude, even here we are, and later we met there and the soloist sang with us. uh, everyone approached the orchestra. we have a lot of experience. there is a performance all with gratitude to the

orchestra stopped. let's finish this topic on a live performance, or you can still prescribe something in advance, i personally am always for a live performance 100% for a live performance. if uh, someday i'll be given a choice living non-living. i will always choose live. still, one more question. uh-huh you said you didn't even have time to record the award. and when they were preparing for this concert, well, then they came and reviewed everything took place when they examined the video recording of the concert. you say everything is fine. you are for live performance and yet it's hmm more. one way to get on your nerves. can you say so? usually, when a concert takes place, uh, i can’t for a long time, let’s say, or i can’t watch the version for a long time here, i’m happy, that is, i was wondering what it turned out that this experience of the show is not just the end, but the experience of the show that it is, well, it is clear that it takes more time than a concert

concert. we sat on the stage. the framework of the concert, well, up to 2 hours, and then this record, well, somewhere in a sense, and routine. this is, let's say, a record of the judge's conversation, the conversations of the presenters, but it was very interesting from uh. even after that, the feedback from the musicians of the orchestra remained the most positive. that is, everyone, probably, uh, came home and revised it. this is what it has to do with how it looks, that is, we are already accustomed to a certain picture. yes, at the slavyansky bazaar or there in the palace of the republic it seems to me that you can also roughly imagine that the spectators, the spectators who actively participate, who react to every a, to every movement of the artist, to every movement of the orchestra, to each to each emotion that the judges will say, which the leaders will say. well, it's interesting. it's very interesting

to work, as i follow with my daughter. what is the development of this project? i can compare last year and project x-factor from today's project of the factor, by is the level. uh, the filming level of the concert has increased. just at times it's well, heaven and earth. eh, a very worthy project, it needs to be shown so that the world community can touch such a project and see how it is done in belarus. i know that one of the numbers was not given to you in this concert for a very long time. now we will listen to a fragment. and you tell me everything was blown away.

everyone dances to me, i'm so old for you, i argue with you, pay with you, i know it was not in vain, everything in the world was an hour this meeting with you was everything.

it seems to me that in order to improve your mood, you can turn it on every day on monday morning. it's a song it's a video, yes, and uh, enjoy it nonetheless. it seemed to me that seryoga pronounces the phrase here, everyone is dancing very slowly, in order to allow vitaly kubakov to enter, am i right or not. ah, some magic happened. i don't understand, i always get it right the first time, but starting this hit. uh, together with vladimir we went through the work. well, then we found out that will seryoga will shout the phrase dancing . i marked everything to myself in the porture . we have gone through this place again. i started playing with words anyway. it's my own fault , my own fault. i had the

score written eight times in a row, but i didn't get to that place. i don't know, it's some kind of, probably, it's from such a movie. uh, ivan vasilyevich is changing his profession, probably some kind of black cat bewitched for me passed there, but look at the result from the ninth time everything worked out. everything worked out. everything turned out, probably records, probably eight from the ninth is already the king asked the next day when the performance of our library to bring a red pencil. usually i always make notes with a red pencil. i wrote attention. i can't even see it on the video. i turned around at that moment. between you, some kind of contact is felt that he somehow looks in your direction and says this phrase . vitaly kol began to talk about black cats. um, curious to know if you have any personal marks? yes, i have. uh, it's

a sign, but i don't know if it works does not work on monday, you can not cut your hair and shave. i'm trying. it's gone. tell me about i had a hairdresser. for a long time ivan matveyevich was already restless. and so he said that earlier the barber and hairdressers did not work on sunday and monday. well, this is connected with, uh, with such. here are signs, probably, but folk greetings. well, i'll try to comply. i don’t know how money becomes less or more. what if this situation is some very important responsible unscheduled event where you need to be in shape, it’s good that i have metabolism is slow. i can do it on sunday. well, look at the childish face, vitaly, you will always be so young. looks like a boy to me. well, as for the musician, i'm still interested, you know, like the actors. i know they, if the steering wheel fell, yes, the script, they read everything

will not work out, or they are not included in the circus arena. um, never turn your back. do you have such signs? well, i wouldn't say it's an omen, there are such concerts. here something does not add up, dress rehearsal. something doesn't add up. something usually doesn't go well when something doesn't go well at the dress rehearsal . around brilliantly it turns out at the very retreat. how do you explain it? and i don't know, or well, i'm let's rationally explain that people, when they sit on the stage and when e camera motor they are going and already work in full force the magic of television. yes, but for your musicians it is interesting, here, uh, this format of the show was or is it weak for them. well pop. yes, as if the songs are symphonic, you still play the works , i know that the horn is very fond of. you have them, and here such we work in different styles genres. you

see us at different venues, theatrical rock concerts, uh, some public political concepts, well, at different venues. we like the shift that we don't work, let's say, and in the same genre let's say we arrived from the palace of independence, everything is beautiful there. it's all air. this classical music is also interesting for us. it's very interesting, let's say. and basically we have symphony orchestras of the country, we play strange music. uh-huh, and in the palace of independence we play at the ball. i noticed in this concert is a buy factor that you have very artistic musicians, especially uh, a number of violins. here, i even mixed up thinking that this is the first violin of the orchestra. you said that the first ones fell ill, just the first violin of the orchestra was on sick leave at that time, but with us all the guys artistically you saw how they smiled, even watched the previous video. uh, vladimir was shown behind his back by two girls smiling pleasantly. well, before the camera, you know what's

interesting, they know how to work on camera. but artists are taught this separately. you too learn from your musicians. of course, i learn, it happens. uh, the concerts are on. i, uh, always work on mistakes in our team, for example, i always catch some moments and cut them out. we have a general group. let's say i didn't like or liked some moment. i will cut this piece from a tv show, let's say in the style of a concert program show and reset it so that they can see when you look at yourself from the side. so you see what can be fixed. this is very good work. silently. send or write look at yourself. how you yourself understand everything. you don't have to write anything. wow, you remind me of a trainer. i see everything, i understand everything, and then i explained everything. let's take a moment. let's take a break reminder we have a telegram channel. say, be silent, subscribe, ask questions and suggest guests we are in touch.

through again, say, do not be silent, and our guest is the chief conductor of the presidential orchestra of belarus vitaly kulbakov. vitaly grigoryevich last year celebrated two great anniversaries, the twentieth anniversary of the presidential orchestra and 25 years of the palace of the republic of a in took part in a big concert. uh, the star cast was valeria larisa dolina sergei volchkov anatoly ermolenko let's see a short story the whole concert, accompanied by an orchestra under the presidential brand. he, too, celebrates his 20th birthday alexander lukashenko congratulated the bands on their jubilee eminent soloists just developed tenderness singer valeriya the spirit of belovezhskaya pushcha sang pesers larisa dolina pass the wife

of all of the above can be called friends with all the artists who performed in this concert. we constantly cooperate constantly we meet at different sites, and moreover, they are all on your instagram in an embrace with you vitaliy because of what it seems that in your life? here is such a starry no photo, no concert, the orchestra is friends only with the stars. we do not have world-class stars, foreign stars, russian stars. uh, belarusian stars we work with young talented artists of belarus that is, even some, and we ourselves select the orchestra and find and light them, we will

definitely talk about this, but you don’t take pictures with them. for some reason for instagram why take pictures? well, it's just, uh, a lot of events are very difficult to manage, uh, your own instagram feed. as you probably already noticed. have you looked at my instagram lately. uh, not very strong activity. e on my instagram, because there is no time. we have a concert until the end of the concert, and we, i, do not have time. uh somewhere some photo some moment some video some funny some beautiful moment. i usually drop all my friends and followers in the history of a wonderful person. it seems to me that vitaly, which you were engaged in. here with this here with this. yes, of course, uh, here we have the presidential orchestra in our team, and the editor and my assistant are in charge. together they collect some content, and they support the page, and on the social networks

of the fucking orchestra with their e-accounts. i personally do it myself. well, this is called chaotic pr, yes, yes. oh right after anniversary, we had the director of the palace of the republic as our guest and we were worried that everything would be fine with the orchestra, we remind you. as it sounded in our studio, we gained tremendous experience of working with foreign russian and belarusian pop stars. but we made inquiries here. maxim anatolyevich has experience. there is a large hall. there is a small hall. there are concerts, but there is no computer, when you buy it is already there. thanks anniversary. thank you gift. thanks to everyone who is a gift that we have , so now, in fact, i can say already. thank you joy expands materially the technical base of the orchestra of the new issue. well, it's logical. it looks like a conductor to me.

why do you need a laptop vitaliy you are not a scarecrow. and you understand, there is, uh, a stationary computer, which, uh, i have in you see, but it does not give those possibilities of those possibilities that i can do on a personal one, but i can in a computer and, moreover, a personal computer is a laptop, i i can take it let's say we went on tour to gomel and forgot the double bass part. i'm instant or need, let's party double bass. and suddenly i had some kind of artistic task. need to change add. i instantly added something from the music file. converted to pdf. i dropped the file to the mail, found a printer somewhere , printed it out, that's all, it is needed only for work. apart from work, my family has nothing else and works, but this is the most important thing in life and work, and vitaly grigoryevich we are all anniversaries. and next year , our friend orchestra, the immediately built artist of belarus irina , will celebrate the thirtieth anniversary of her creative activity

dorofeev in the twenty-second year. uh, three of your participation with the participation of the orchestra was her show, and it all starts with love. let's take a look at small snippets. it doesn't matter who you yourself

irina arkadyevna is very. on the results, he says that he received a world-class show. well , we watched you as you watched this fragment. eh, you probably, too, er, agree with her. did you notice how my choreographic yes dance chamber began after this after this concert yes each of the directors of the subsequent who brought this concert. uh, in any show, he came up with some choreographic elements for me. and i happily did them. well, you are ready to repeat this concert at the slavianski bazaar in vitebsk, we know that irina herself dreams of this. i think that we need, uh, irina arkadina to meet with the assembly committee of the icelandic committee of the palace of the republic. i say i don't see any difficulties. eh, it's already done. there is a team. eh, of course. you

liked it by itself, how you worked on it, the work worked for a long time, but the result was long. as you see it's a show of the world the level is real according to the picture according to the lighting according to the scenography according to the sound of the orchestra according to well, all over this is a world-class show. it's not shameful. eh, between and this show already. uh, there is on our youtube channel of the presidential orchestra. everyone can look and rate and leave a comment yes vitaliy here you are not afraid somehow. that's completely i noticed, well, you understand, getting some kind of feedback is also on myself and a positive and negative feedback e. well, if he is, of course, weighted, if he does not go so destructive, that is, of course, if any errors indicate us we are constantly working. we are constantly improving. we are correcting, for example, if well, it finds somewhere, it happens in the area

not everything you won't notice everything. and if not objective, reviews, you get upset, i try. uh, i try to pass, it happens, of course i'm also a man. eh, i, too, he can’t be ironically touched somewhere, even if the review is not on business, but the dogs bark, as they say. let's talk about young performers then, and your performances in the small hall of the palace of the republic with anna trubetskoy and we we count and think that it also inspired her to win the competition for young performers in the slavic bazaar, and you have already said that you perform with various artists, both with stars and with young people. can you say that you already have such a producer's vein that you can open a star you need to light? you can see some rudiments of a star, that is, you can see an artist successfully developing to direct him in the right direction, for example, well, help him to tell the artist. eh, how

should i do it? uh, in what ways are these, let's say, based on my experience already, i can, well, you said you can direct, you can help these are general words, like how. well, let's say one of the recipes. but this is probably my most important recipe. uh, all the young musicians go. first one way, they work on the cameras. that is, they don’t have their own songs, they work for many, then the cover turns out even better than the original sounds, but it’s better, but it’s all the same it’s not your face when a young man is a little young singer a young singer, it turns out his own repertoire. he gets his face or not, unfortunately happens next when they're out of this cover artist's skin, uh, i know you're still working in 3d. vera polyakova we met in april. they talked a lot in this studio, and

flattering words in this collaboration. and as a spectator herself, she confirms that you are there. hmm, they are ordinary, as always, and your orchestra, but now i know they are rehearsing a new production of master and margarita, the rehearsal is not going on yet. we are still in the development stage. we discuss everything. we need. uh, carefully to work everything out in order to launch it well and get it. i don’t like this word a good product, but everything is already called. in that. i have already found out superstitious so you know, yes about this work, that, well, not so not at all, they are simple, yes, and film adaptation. here. recently i was revisiting the organization of the seventies. here is at the beginning of the two thousandth series, what happens to the actors? and it happens that the film is not completed to the end . well, and producer in uh producer problems, but some kind of mysticism is embedded. yes in this creation through myself and

agree to work. and you know a number of books, er, classics, which in my life, which i read, let’s say, stopped until the middle, then again until the middle it becomes this is one of bulgakov’s books that i read to the middle. i can, here's how, for example, with factors from the ninth time. i have read. i remember that i was then somewhere on vacation. and i set out to not be given out of the house until i read it, and i, yes, let's look at a small fragment. backstage i life orchestra. the so-called backstage. well, this is a fun video on what it says,

that you have enough fun there. well, you are well prepared reviewed, he is my entire instagram and this video every year. there are several holidays that we met there on the male half of e, waiting and preparing for them every year. e for the holiday of march 8. we are coming up with some kind of surprise for our beautiful half of the orchestra. this is one of the speeches that you saw on the screen is one of the speeches. we were preparing for our fair half. well, it looks like you're making fun of yourself here . and that's it. in general, they laugh. you know not every leader can afford it. i didn’t even know, to be honest, in this case, i didn’t even know, uh, we saw this show somewhere on the pages and invited these beautiful dancers. they just asked to speak. arches arches of strangers, uh photos uh-huh, and it turned

out that uh, here are the couples that should not have matched or should have matched, that's how they felt. they felt like you saw uh yes, the leading specialist next to me there with my face, but you are a strict leader. that is, i am an informal setting. she rarely or always so i'm strict in my profession hmm lines of my profession lines to work. here it is informal . this holiday, of course, cannot be kept. constantly in some kind of tight iron should be some kind of rest, there should be some, but an outlet for the musician. even in creativity, you understand to clamp a-a frames, but with what energy you approach a musician. they feel it all, they read it all, as i enter the rehearsal room for , let's say. morning begins re. petition from with what mood i try to show it to me, i go out. here you understand how

we stage. here i am, uh, maybe you have some kind of sad or angry and i open my doors with me. the studio is called smiling. good morning. of course, ask how are you? for example, each of the musicians has different situations in life, you can physically arrange it, but i can arrange a verbal rant. if something is not uh, not like it or something, let's say, that goes somewhere beyond my understanding. how should it be vitaly can you say that your orchestras is it a big family, or is it a friendly team. this is a very friendly team. these are guys who help each other eat. uh, so small, but i don't know what the grouping groups are called, let's say, according to interests, let's say, uh, low instruments gather, let's say streetcars gather horns together. well, they have, as it were, such a brotherhood, you are not there in the skin, you said that you are very

kind to the families of musicians and always ask, how is your health and if there is a person there. summer, of course, he stays there houses. that is, you are very attentive to your employees and to your musicians. of course, if someone gets sick with us, if we suppose some, well, now the flu is going around, and i, of course , respond, i’m interested as musicians and ask them to inform let me say, if there is some change, let's say, i help with children and there are problems. that is, well, everyone is already those musicians who came at the age of 23. in the orchestra. for 40 years already 40-42-43 42. everyone has their own family. of course, there are some problems. if i have the opportunity to help them decide some problem. i'm happy to do it this week. we are very glad that you came to us, because the basis was a tight schedule. you participated in the ceremony. uh, spiritual revival awards aren't always interesting to you. this is a responsibility, a mission every year, or we can already say that it

has become such a familiar job. well, i would not say that this is the usual work. the program of the concert itself is each time a new director, each time a new stage action, each time a new repertoire, but a protocol part. well she rarely but somewhere some adjustments it changes, but it's basically. uh, the protocol part with the participation of the head of state awarded. and, of course, she is protocol, she is unchanged. maxim parishovskiy said that such a team. like yours like our presidential orchestra and the republic of belarus there is nowhere else in the world, because you combine in yourself both protocol official events and in parallel. participate in show programs. we are such unique belarusian orchestra - this is generally the most unique orchestra. we can play any kind of music. and what ratio here i am interested in the protocol and the

concerts of performances. uh, more, of course, more concert performances. well, i can't say in terms of percentage, well, uh, the flow of our performances has grown, it has grown over the past 3 years . well, simply, if earlier we had 50 events a year, now we have a class. and how do you explain this, we explain, this is work in the near future. we have already announced the ninth of april in the great hall of the palace. our countryman sergei volchkov will perform in the republic, we will prepare a new solo program for him and together we will set the mood for this evening. but now there was a series of holidays and, uh, there are people in our environment, too, who work hard, because, well, as if the holiday show should continue. and this is their job and not infrequently. we hear that it could be less, that is, people get tired. cabins, and so on you enjoy the work. it doesn't count as work. this is

my favorite thing. mm. i don't know, well, i can do different things. maybe i will be successful in another business, but here, as one wise man said, he says, if you find a job that will be a hobbit for you you will never work a day in your life. this is for me, of course. well, not everyone is like me, of course, burnout is very difficult, for example, for musicians, when there is a stream, there is. we have a month and a half without a break. of course there are weekends, but without a break emotionally. it's going to take it very hard, very hard, because there's a movie about an orchestra that came out recently, uh. yes, there was such a phrase that the presidential orchestra is a musical special forces, which at any moment can perform a short time that task, the musical task, the one we were given. this is true, we have already been able to verify this. let's take a break from the relationship of our favorite work for a second. we have a telegram gram-channel say do not be silent subscribe to it. offer to the store and ask your

questions. on the air say again, don't be silent, and our guest is the chief conductor of the presidential orchestra. vitaly kulbakov. vitaly grigorievich in an interview. you said that the heart of the presidential orchestra is andrey marin, our drummer. and you are more like a brain. please explain, here is a photo of andrey marina's heart, because the entire rhythmic basis of the variety art lies on this person on andrey alexandrovich of the mind of time, what it means to be a brain, and the brain is control to see everything , control everything and get the best result. that is, here you have such a big organizational function, organizational artistic. it has a lot of functions for me. well, let's call it. here are some more luminaries, andrey for more than a dozen years sergey

nikolaevich lobko sergey kuntsevich guitar and city ​​corral, guitar for a long time alexander danilov has been working on keyboards e-e instruments. we have an artist, an orchestra, a soloist of the philharmonic, in general, we invite you everywhere and love the first violin. our squeaker maria dooley linenets elena is all people who from the very beginning of the orchestra with spines. pay attention creative people. they are in demand if they are good. yes, professional appearance. anna well, how often the competition is held today. uh, is there any vacancies for your orchestra? yes , we will soon announce a competition, we have a vacancy, ah, a guitar for our team the second guitar we perform rock concerts, and to perform rock concerts. the composition should include two electric guitars and stringed instruments. we have already formed

a woodwind group. we already have. bassoon clarinets, you probably saw them at the ball in the palace of independence - this is our decoration - wooden wind instruments. and you can tell here for those who, perhaps, would like to try themselves, but so far maybe they are not afraid. here's how it goes. the very process of casting or selection goes through there are special requirements, which the participant must perform, for example, this is a work of a work. we do not limit the choice. we have a good commission , we have an independent commission. there are people who come. uh, not from the orchestra from the ministry of culture, we ask that, well, you know, we can be biased, i can be, biased, there is always some person who, what is the name of the arbitrator , who, let's say, maybe, let 's say something vs. just fix it. uh, look, maybe we're going the wrong way, and an exam is an exam, like a performance examination, so also human and we are having

a conversation with a person. that is, we look at the moral quality, we look, we probe it. well, look, a lot of people come to you for competitions. what percentage of dropouts comes to the competition and i want to say, but i usually do not like to offend people. uh, i like to say only good things. why did we even come here? well, i'm talking about myself, but it happens, but comes to the competition. e man, i have already had many such situations, and i understand that he is very high-level and at the same time, when he answers the question. you ask it question. and he seems to have an answer to that question. it generally frightens me, because the filtering ability of the brain is different for everyone. but this is when a person comes with a filtering of the brain, for example, as a conductor one zero, this question also scares me. why did you come here? yes, why why, but i had one performer who worked for

us for a long time. she is very academically savvy, a very cool soloist. and she came to us from moscow. i say, why didn't you come? uh, well, some other academic orchestra. she says it's better to play in a good variety symphony than in some kind of academic. i ask you not to be offended by my colleagues. these are not my words. it's really a matter of personal preference, so her choice you were talking about your older brother. one day next. if you take my brother, he is 7 years older than me, he does not often attend concerts, but he knows every instrument in the orchestra thoroughly. he knows what a marimba xylophone bassoon is. and why does he know, i think we need to look for the answer in education, then epoch. interesting to know. what vital's older brother does and my brother to veterans is a refrigerator factory. he was, uh, doing various jobs at a refrigerator factory. at the moment. he works in the

mingaz, he helps people, work, of course, is not easy, different, there he cleaned the boilers now and serve the population, but why is he so educated in terms of music? i think that it all depends on the education that my brother and i received, we studied at school 130 with a theatrical bias, which is located on at the pushkin metro station and we had a very good love for 3d formats, of course, and we got a quality education. e in this middle stage of education, because i remember that e subjects such as world culture, art culture, music and drawing it went on and how now, as i see on my daughter, that there are three classes of music. uh, three classes of music and then all the space gap in education, it is you who understand that music , uh, painting cannot be chosen, yes, we used to have this somehow throughout the entire

artistic culture, it cannot replace. let's say i'm here a personal experience. when i entered the music school, i got into the philharmonic, where i sounded like a musician. you understand coming from elementary primary education . eh, going to secondary musical education, this music was inaccessible to me. it was inaccessible to my perception, but then understanding according to what laws this music develops and is built. it becomes understandable to a person, if you do not attach, for example, why the low level of sections we have there is some kind of uh philharmonic backlash, let's go to the philharmonic philharmonic symphonies. and if it was inculcated at school, if some were given, it would not be necessary to give it, there is a very complex work. it is necessary to teach all the cream that has been created for classical music during this period the best and in order to be able to distinguish, for example,

mozart's fortieth symphony, let's say this is beethoven's third symphony of a person, two children they can distinguish, in general i am surprised at my daughter's erudition. she says things like that, even which i have not yet discovered and are not subject to. i don't know why because you understand when a person someone i am engaged in the education of my daughter, when she is engaged in choreography, she was engaged in a long period, since she is very tall. she did not find my partner in latin american e, in ballroom latin american dances she did not find a partner, well, for a while she left at a music school. she goes to music literature. so she plays the piano. my youngest, of course, has not yet grown up, but he has already learned to read. i don't know how he did it. but probably the sister's influence, because the parents can't be busy parents, because your wife, you also

found her in the orchestra correctly and it would be unfair not to show her met in the orchestra. here she is. and tell me, why do you show it so rarely to the public vitali i don’t know, probably it happens like that, you don’t interfere, as the leader of this service roman in your marquess, and we have a lot of family couples in the orchestra. here is larisa sergeyevkoenets or chekhov chekhov dmitry pishchik maria accompanist of the orchestra and food trumpeter dmitry is here as a driver, yes, tell your children. would you like them professional musical careers. what can i do in education in music in any? what will my children ask and i will help? what i know, i will help, a choice. i think the need to do children do not need parents to interfere. well, they still, of course, have not reached this

choice, but over time they will come impose impose on musicians to be an it builder. they themselves must choose from their experience. i'll tell you i had uh, in practice it's very cool. ah, trombonist. i say, please go to the mu- and in the musical sphere they him at bsu for mathematics. well, he finished 5 years of parents. you wanted diplomas, here's a diploma for you and i'm working now, no, he's not a trombonist. he works as an artist. he still chose a sphere that is connected with art in the finale, we will return. let's get to the show factor buy everything there question here's the 7 great finalists. we know that there is already such a practice in the small hall of the palace of the republic , arranging solo performances for them. churches with your participation with which of the seven that you saw felt it was time to listen you already wanted to to make such a concert. let's wait for the final. i've already seen it, but i'm not going to voice it in the studio now. let's take

a look at the final. but because after this show, which was shed with the orchestra. of course i read the comments. yes. they say that someone is there and the judges are moving one vitaly grigorievich help well, how can i help? i am like a conductor. i am an orchestra, we are his assistants together with those people who are soloists, we are behind their backs, we are like their security in musical terms. we have to raise them somewhere. if they don't it turned out, but push it aside to embellish, this moment, we can’t condemn it yet, of course i have it. uh, favorites, well i won't show guys. everything is fine. e with many. i can say for sure that in the future we will work, but work at concerts. that is, follow the posters of the palace of the republic right? after all? thank you very much for this conversation. we svetlana smolonskaya and victoria popova say goodbye to you today. goodbye. goodbye. and now he says, vitaly kulbakov, dear

viewers, i want on the eve of a bright holiday on the eve of, uh, the old new year, wish you a world of well-being goodness listen to more good music live music attend concerts of the presidential orchestra.

and we also do not forget about the classics. we instill a sense of beauty and get aesthetic pleasure. watch every week in the fashion culture project. a project in which belarusian athletes win not by force, but by intelligence. well, are the athletes ready? name the only club that represents belarus in the russian league. the participants will check the sheets by hand. how many tries are given performance of one vault.

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