meeting amazing people and immersing yourself in their profession for a job at the belarusian state archives. i realized that this is probably the fate of the treadmill.

as you can see, which moves always concludes that if you eat haphazardly and do not pay attention do not think that it will only suffer you stomach or there intestines are unique artifacts that are not easy to see experience. knowledge of history made me want to create an apparatus. i created it on the basis of the kpt film projector. your 30s, practically daily work. now you are such a metal. you will not find interested in your latest data. you told me that the original results of the tv project one day were supposedly obtained. find yourself in this story and find yourself in the documents. search and the documents will be grateful to you for

reaching them. look at belarus 24. my name is aleksey verkhoven. first of all, i am a panic conductor. i came from russia,

i have been all over belarus for several months and i came here, not as a tourist to work, therefore, in basically, of course i worked. i always have the feeling, when i go even into some empty room, that there is some kind of atmosphere of a room of some kind of space. it's the same with the city. that is, when i think, st. petersburg, for example, something so exquisite seems to me, i imagine a lot of water and some kind of european city. moscow is more of an energetic city, a very energetic city. and there

is a lot built there. people go there. in general, in short, to make money. here i have a feeling and minsk minsk for now, it seems to me like some kind of cozy city. he's definitely not in a hurry, that is, no. uh , there is no such fuss, so far i haven’t seen so many people on the street, maybe minskers like to spend more time at home, i don’t know, and uh, there is some kind of feeling of calmness in safety in this city. i'm really looking forward to the moment when i have the opportunity. e somewhere to go, maybe even outside of minsk to see the country, because everywhere very laudatory reviews. it 's good about belarus here. here is some kind of park national. i haven't been anywhere yet, because i work all day. well, how will i have some kind of opportunity, in general, i have many hobbies, in addition to music. here. eh, i would like to go somewhere, i don’t know, on skates, at least like skating and or just chess. i

like to say, maybe i'll find some kind of chess club here. how did you decide to come to us? how did it happen, how did you decide? that's the amazing question i get asked by everyone. you know, but i never made a decision. why did i come to minsk why did i i arrived? for some reason this surprises me. that is, if, for example, uh, a belarusian came , uh, to st. petersburg to work at the mariinsky theater, i didn’t think that questions would arise why he came to the mariinsky theater, you know , there is some kind of common feature here belarusians have, and at the russians. well, for some reason, i always thought that it’s better somewhere there, and, in fact , the theater is the bolshoi theater of belarus. we see from russia in the same way as you see marinka in russia, that is, for us, it’s, well, the bolshoi bolshoi theater with a history with a reputation with a huge repertoire. your expectations

have been justified. yes, of course, the theater, firstly, the building itself immediately captivated me, in general, at first sight, what is called, i saw a huge team. at first, i couldn’t even remember everyone, and only people gathered in the theater who devoted, er, their lives to art. i have always liked opera, but somehow i am constantly pushed into the symphony orchestra through life, and then the opportunity presented itself, general director ekaterina nikolaevna invited me to conduct an operator. and somehow it's all spun invited to work, and i agreed. this is a theatre. really unique. in a sense, there is a huge repertoire here. serious repertoire. there is nothing by chance here, what else would you like to note? uh, it’s the dijor corps that is very strong in the center, do you understand, colleagues? well , that is, there is not a single random conductor, but in russia there is a slightly different device. hmm, there we seem to be able to. the conductor, you know

, recruits a team like this, as a result, often this leads to the fact that he simply surrounds himself with some weak conductors. and like this often happens. there is no. here, uh, the conductors are selected by the artistic council. and hmm well , it goes on, as if the selection with one person can not say, this will be the sofa. very strong, uh, the composition of the corpse, first of all, i paid attention, of course, to the orchestra, that is, such sensitive musicians and strong strong musicians with them, what is called reconnaissance? so, in principle, there are many many talented young guys who are coming now, in general, coming to the theater for, for example, for

children. maybe there is 10 years or more. a huge event, an impression of a lifetime, and therefore tatyana in the theater constantly, as if i see let's say conducted by karenina, all tickets now will be a wonderful premiere grandiose simply, there are so many costumes of thousands of people involved all the tickets. well, this suggests that there is a high level of culture here and people like the theater go to the theater. i just recently arrived in a few months, they literally took it very well, you know, i didn’t feel any barriers, i didn’t feel any adaptation, that here is another people, not the opposite, the feeling that some one people everyone speaks russian, so i didn’t have to learn another language and mentality, it seems, in the theater. ah, well received. there are so many employees here. i do n't think i even got to know anything. here. eh, how did you remember? i don't know. there are thousands of people working in different

structures. here, and the conductor is in contact with almost everyone one way or another. i got into music. absolutely. you can say, by accident, in general, too, uh, cases, because i was already many years old, probably everything here is like that or their parents are, but here. uh we also sat, let me remind you, in the kitchen with my mother and diana's sister and mother, she says you need to go to a music school, not for me, but for her sister she says, for general development or something like that. i don’t know, i’m not and she is a master, in the end she called her girlfriend. and they took me just

to look. as a result, it turned out that they have neither hearing nor rhythm, and their sister is on the way. and it turned out that i have everything and, uh, you know some such cases, i even now think about it, that not everything happens so simply in life. and uh, that's the way we came already in september enrollment ended. uh, piano. that's where he usually sends everyone. that's it, they've already got it. guys. it remains, only the balalaika , you understand, only the balalaika remains. and, well, i'm kinda small. i don’t know at all, there is a balalaika and a violin. yes, i didn’t understand the button accordion, okay, and we are already leaving this music school, uh, and a girlfriend meets. my mother luda is a headache, as i remember now. my first traitor and says, and you say what to do here. well, it means that the son of a music school passed the parameters. he he says, and where - he says - here she was likes, he says, no, let's, - he speaks to me on the cello. and so we met by chance , having met, as it were, with a person, and in the corridor, in general, i got on the

cello. i could have gotten into it, as if in a different direction, probably i would have become on duty, i now recalled such an example that when i entered the st. well, i think he definitely didn’t read me, and, unfortunately, he didn’t enter, he said all this for the last time, but dmitri other hmm e bogdanov acted with me for the sixth time. and somehow i don't. i didn't dream of becoming. e conductor. i didn't have. here is just such a desire. i have always dreamed of becoming an instrumentalist-launcher, that i really like the cello and still think that the sound of the cello is one of the most beautiful of all instruments, because it is closest to the human voice. and, probably, there is this feeling of a range up and down with a beautiful elastic band. here. eh, somehow, probably, fate pushed me into this profession. all somehow it got twisted. i can't. to say that there was some kind of point that here i am

, here i decided to be with the conductor. i now recall the moment when the conductor made an impression on me. it was the youth symphony orchestra, and i played the cello there. e was the accompanist of the cello group and the artistic director and chief conductor of this orchestra. anatoly abramovich levin i still think that this is the conductor who is most deeply immersed in the musical material, if it is so deep digs that hmm, i don’t know, i can’t even put anyone next to me. eh, in a certain repertoire, of course. and it made such an impression on me that hmm, i probably didn’t fully understand it myself before that. how interesting is this profession. and in general, why do we need a conductor, probably, i would also ask, in general, why do we need a conductor. this is basically how we play. you know, i myself understood this profession and began to understand, probably in the st. petersburg conservatory, in principle, i have not seen a place where a conductor would be treated with such respect as petersburg probably because from

the st. petersburg conservatory there are such well- known conductors as the gay semerkanov kurenzi, sokhiev, dozens of conductors around the world, and there, as it were, the question er, no questions arise. why is a conductor needed? who is he, that is, we studied as students and with us the professors are healthy by the hand. this is the kind of respect in st. petersburg that is considered by the musical elite, because today you are a student, and tomorrow it is the chief conductor of the mikhailovsky theater. uh, i want you to understand from the conductors. basically, it all depends. play. i'm wondering or a symphony. yes, this means, it's just a conductor who didn't feel this music and didn't charge the orchestra , didn't rehearse with them, as it was necessary and couldn't create something new at the concert. you understand something alive, this is 100%. because the orchestra itself can't, you've been trying. there was such an orchestra, simps, without a conductor. but in the end they rolled down. because they

played exclusively modern music, where interpretation is needed, and it took them dozens of rehearsals to do it here. uh, there are some magical things that i can't explain myself. you know, i rehearse at a rehearsal and at a concert i always know that it will be different. i remember the words of richter, who said that i also play for a performance. i just do things differently. why is this important, because it's not that everything is different to destroy. and you know, as if i save this energy, i save the very form of the whole work only for the concert, and it shoots there. this is also an important quality of a conductor. you see, do not spill everything at the rehearsal, so that the orchestra tired, for example, did not come up, or they already understood everything, and they are already starting to become. it's boring for them to be at the concert themselves. but what he does, you understand, yes, that is, and , uh, why it is important, because there is

some moment of co-creation with musicians and this is born in real time. hello hello aleksey verkhoven conductor in the latreque of the new perfumeur is very glad to see you as a guest. i invite you to my place. let's talk about fragrances and what you like to smell with pleasure. i beg the world of aromas is very closely connected, of course, with the world of smells and with the world of cooking. and even with the world of plants, it is inevitable and we are forced to use one way or another those developments that you have had for thousands of years. but on the other hand, it is very clear to me, people are deeply immersed, uh, in the world of tastes in the atmosphere. well , for example, and i understand their interest in

smells that accompanies us everywhere one way or another, we are very used to it, but in fact, the aroma is everywhere around us smells, everything even metal. i wonder how fragrances touch you. if you tell me, we will try to do something unique for you today. what do you like fragrance, what do you like , firstly, i fell in love with perfumery, because it seems to me that this is also an art form. i mean, of course, first of all, the niche of perfumery, and hmm, when a perfumer creates some kind of exclusive fragrance. hmm , it's no different from creating a piece of music. it seems that only we have seven notes in music, and you probably have an unlimited number, well, perfumery, and in fact, i fell in love with it. you know there is. eh, in general the connection of all arts. ah, including perfumery. i remember when i studied at the

conservatory. we had passes to all absolutely cultural institutions, including , uh, hmm in the gallery, for example, the hermitage, because in our department they think that there is a connection. eh, as if all the arts are made by conductors out of a conductor. that is, the conductor must see the connection, in general, everything in the world. this is how it is in perfumery. i saw this note. in touch, it seems to me, too, a kind of art. in fact, we analyze smells, the so-called limbic brain sector of the limbic part of the brain and it is there that all associative connections are built when we open a book, see a dried leaf, uh, maple and remember how we were in the country, how we feel this aroma of this leaf and remember how we sat covered with a blanket and so further and it is not surprising that your teachers thought about how to

develop the so-called, a, ulfactory memory. uh, students. well, let's start sniffing? well, in general, it will probably be interesting for you to know, but all perfumery is all decisive, a here it consists of three main categories of animal components of plant origin and human-synthesized musk animal component, we call it the smell of a lion's cage, it also resembles the smell of human sweat, freshly released not of the one that is laughed at, which are already oxidized by oxygen in the air, but of fresh sweat and therefore m-m this is the smell of erotica the smell of sexuality the aroma of corporality of the skin, added to compositions of an evening character or erotic erotic range. if uh, you look at the components. romantic

i often scent it there in the base , but you will find a brain ingredient highly valued by perfumers, certainly expensive according to calculations. a drop of pure musk, if left untouched, evaporates from the surface for about 100,000 years. now i'll show you another flavor. a smell that does not exist in nature, in principle uh-huh we call it the smell of freshly washed floors. or after the rain, yes, it's wet, it's damp, it 's important a little bit, the greasy smell of golden color is the smell of luxury. and it is very reminiscent of the smell of linen dried in the cold. around the aldehyde chord was built, overcoat 5. which, by the way, was made by a russian perfumer if you and i are now

going to create a fragrance for you. tell me what color do you like. what color are you, by the way, i also have a perfume, uh, and i work on colors everywhere, so i like it more in the direction of green. that is, some kind of woody green something like green woody spicy. i would so maybe for there is a category of woody fragrances, including. uh, green shades like viver, right? uh-huh , you see, we'll be back. and although it's grass, yes or just well, but it belongs to the category of woody smells uh-huh and together a shade of burntness a shade, and a little bit of damp earth and smoke.

uh-huh from what i showed you the pieces of wood, the spices of the grass, i would add ambergris to the base and let's first see what happened. i myself wonder how terrible it is to pump up. the fragrance turned out very interesting, by chance, of course. i am very grateful to you for this opportunity. it can be said that they made my dream come true, to see,

firstly, how it all happens, and also to try to create a fragrance insanely interesting, and i think it will be my hobby. in principle, i like perfumery, but i have never created it myself. this is very interesting. it is not difficult. you can sometimes do this when a good mood is right, and this is such a realization of your musical fantasies, including. yes, yes, it is interesting to hear some kind of musical in the aroma. and consider the smell of roses until the rest remember.

this region is called little venice. as you understand, due to the weather conditions , we will not be able to start traveling in a raincoat. in no case will it become an obstacle to our acquaintance with the city, however , hundreds and even thousands of kilometers, a unique architectural structure, will not become an obstacle to traveling around belarus. one of the most famous names of the belaya vezha tower, although white in its history. she never was. by the way, who didn’t know this particular tower is depicted on a five-ruble banknote, the national belarusian authenticity home morning, where clothes and quality items were stored red corner bed and stove approximately this is how a typical belarusian

hadka and incredibly a lot of positive emotions. for the first time i see a bison, they were born, by the way, this year. no, travel online with belarus 24

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